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Violiet, iris and tulip motif wallpaper design, printed by M. & N. Hanhart (colour litho)
Violiet, iris and tulip motif wallpaper design, printed by M. & N. Hanhart (colour litho)

STC156095: Violiet, iris and tulip motif wallpaper design, printed by M. & N. Hanhart (colour litho), Pugin, Augustus Welby Northmore (1812-52) (after) / Bridgeman Images

The Dragons Vomiting Frogs, no.62 from 'The Apocalypse of Angers', 1373-87 (tapestry)
The Dragons Vomiting Frogs, no.62 from 'The Apocalypse of Angers', 1373-87 (tapestry)

XIR159200: The Dragons Vomiting Frogs, no.62 from 'The Apocalypse of Angers', 1373-87 (tapestry), Bataille, Nicolas (fl. 1363-1400) / Bridgeman Images

Bibemus, 1894-95 (oil on canvas)
Bibemus, 1894-95 (oil on canvas)

BRN159816: Bibemus, 1894-95 (oil on canvas), Cezanne, Paul (1839-1906) / Bridgeman Images

The 'Carta della Catena' showing a panorama of Florence, 1490 (detail)
The 'Carta della Catena' showing a panorama of Florence, 1490 (detail)

BAT160799: The 'Carta della Catena' showing a panorama of Florence, 1490 (detail), Italian School, (15th century) / Bridgeman Images

Portrait of Jean Paul Aube (1837-1916) and his son (pastel)
Portrait of Jean Paul Aube (1837-1916) and his son (pastel)

XIR161383: Portrait of Jean Paul Aube (1837-1916) and his son (pastel), Gauguin, Paul (1848-1903) / Bridgeman Images

Portrait of Dr Washington Epps, My Doctor, May 1885 (oil on canvas)
Portrait of Dr Washington Epps, My Doctor, May 1885 (oil on canvas)

MAA161633: Portrait of Dr Washington Epps, My Doctor, May 1885 (oil on canvas), Alma-Tadema, Lawrence (1836-1912) / Bridgeman Images

Head of Anubis, with a hinged jaw, used as an oracle mask, New Kingdom (painted wood) (see also 55441)
Head of Anubis, with a hinged jaw, used as an oracle mask, New Kingdom (painted wood) (see also 55441)

XIR161755: Head of Anubis, with a hinged jaw, used as an oracle mask, New Kingdom (painted wood) (see also 55441), Egyptian 19th Dynasty (c.1292-1187 BC) / Bridgeman Images

Meeting between Napoleon I (1769-1821) and Pope Pius VII (1742-1823) in the Forest of Fontainebleau in 1804, 1808 (oil on canvas)
Meeting between Napoleon I (1769-1821) and Pope Pius VII (1742-1823) in the Forest of Fontainebleau in 1804, 1808 (oil on canvas)

XIR161784: Meeting between Napoleon I (1769-1821) and Pope Pius VII (1742-1823) in the Forest of Fontainebleau in 1804, 1808 (oil on canvas), Dunouy, Alexandre Hyacinthe (1757-1841) / Bridgeman Images

Desiree Clary (1777-1860) Queen of Sweden (oil on canvas)
Desiree Clary (1777-1860) Queen of Sweden (oil on canvas)

XIR158825: Desiree Clary (1777-1860) Queen of Sweden (oil on canvas), Gerard, Francois Pascal Simon, Baron (1770-1837) / Bridgeman Images

Portrait of Count Roger Bussy de Rabutin (1618-93) (oil on canvas)
Portrait of Count Roger Bussy de Rabutin (1618-93) (oil on canvas)

XIR173498: Portrait of Count Roger Bussy de Rabutin (1618-93) (oil on canvas), Lefebvre, Claude (1632-75) / Bridgeman Images

Mosaic Pavement in the Alhambra, from 'The Arabian Antiquities of Spain', published 1815 (w/c on paper)
Mosaic Pavement in the Alhambra, from 'The Arabian Antiquities of Spain', published 1815 (w/c on paper)

STC173828: Mosaic Pavement in the Alhambra, from 'The Arabian Antiquities of Spain', published 1815 (w/c on paper), Murphy, James Cavanagh (1760-1814) / Bridgeman Images

Alexander Pushkin (1865-1911) in a Park, 1899 (gouache on paper)
Alexander Pushkin (1865-1911) in a Park, 1899 (gouache on paper)

XAB174051: Alexander Pushkin (1865-1911) in a Park, 1899 (gouache on paper), Serov, Valentin Aleksandrovich (1865-1911) / Bridgeman Images

Virgin and Child (oil on panel)
Virgin and Child (oil on panel)

SCP3426: Virgin and Child (oil on panel), Orley, Bernard van (c.1488-1541) / Bridgeman Images

Orpheus at the Tomb of Eurydice, 19th century (painting)
Orpheus at the Tomb of Eurydice, 19th century (painting)

BAL3457: Orpheus at the Tomb of Eurydice, 19th century (painting), Moreau, Gustave (1826-98) / Bridgeman Images

February
February

BAL9875: February, Grasset, Eugene (1841-1917) / Bridgeman Images

Cronus Entrusting Cupid to Venus
Cronus Entrusting Cupid to Venus

CH8155: Cronus Entrusting Cupid to Venus, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

The Surrender of the Royal Prince, 3rd June, 1666 (oil on canvas)
The Surrender of the Royal Prince, 3rd June, 1666 (oil on canvas)

CH8187: The Surrender of the Royal Prince, 3rd June, 1666 (oil on canvas), Velde, Willem van de, the Younger (1633-1707) / Bridgeman Images

Golfers on the Ice near Haarlem, 1668 (oil on oak)
Golfers on the Ice near Haarlem, 1668 (oil on oak)

BAL4429: Golfers on the Ice near Haarlem, 1668 (oil on oak), Velde, Adriaen van de (1636-72) / Bridgeman Images

Surge of Spring (painting)
Surge of Spring (painting)

CH5072: Surge of Spring (painting), Carr, Emily (1871-1945) / Bridgeman Images

Signing of the Magna Carta, 1215
Signing of the Magna Carta, 1215

BAL7158: Signing of the Magna Carta, 1215, Sims, Charles (1873-1928) / Bridgeman Images

River Landscape
River Landscape

BAL7178: River Landscape, Brueghel, Jan the Elder (1568-1625) / Bridgeman Images

Entrance to Fleet River (oil on canvas)
Entrance to Fleet River (oil on canvas)

GHA6138: Entrance to Fleet River (oil on canvas), Scott, Samuel (c.1702-72) / Bridgeman Images

Covent Garden Theatre, 1808, from 'Ackermann's Microcosm of London' engraved by J. Bluck (fl.1791-1831) (aquatint)
Covent Garden Theatre, 1808, from 'Ackermann's Microcosm of London' engraved by J. Bluck (fl.1791-1831) (aquatint)

BAL4729: Covent Garden Theatre, 1808, from 'Ackermann's Microcosm of London' engraved by J. Bluck (fl.1791-1831) (aquatint), Rowlandson, T. (1756-1827) & Pugin, A.C. (1762-1832) (after) / Bridgeman Images

Pages from Acts of the Apostles, New Testament in the Peshitta  ('simple language') version, the standard version of the Syrian church, c.1216 (vellum)
Pages from Acts of the Apostles, New Testament in the Peshitta  ('simple language') version, the standard version of the Syrian church, c.1216 (vellum)

BAL7804: Pages from Acts of the Apostles, New Testament in the Peshitta ('simple language') version, the standard version of the Syrian church, c.1216 (vellum), Syrian School, (13th century) / Bridgeman Images

Procession of Flagellants, 1815-19 (oil on canvas)
Procession of Flagellants, 1815-19 (oil on canvas)

XIR541: Procession of Flagellants, 1815-19 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Sweet Peas (Lathyrus odoratur) engraved by Langlois, from 'Choix des Plus Belles Fleurs', 1827-33 (coloured engraving)
Sweet Peas (Lathyrus odoratur) engraved by Langlois, from 'Choix des Plus Belles Fleurs', 1827-33 (coloured engraving)

PHD580: Sweet Peas (Lathyrus odoratur) engraved by Langlois, from 'Choix des Plus Belles Fleurs', 1827-33 (coloured engraving), Redoute, Pierre Joseph (1759-1840) (after) / Bridgeman Images

Troops halted on the Banks of the Nile, 2nd February 1799, 1812 (oil on canvas)
Troops halted on the Banks of the Nile, 2nd February 1799, 1812 (oil on canvas)

XIR1287: Troops halted on the Banks of the Nile, 2nd February 1799, 1812 (oil on canvas), Tardieu, Jean-Charles (1765-1830) / Bridgeman Images

Portrait of Sir George Cockburn (1772-1853), 1851 (oil on canvas)
Portrait of Sir George Cockburn (1772-1853), 1851 (oil on canvas)

XCR2007: Portrait of Sir George Cockburn (1772-1853), 1851 (oil on canvas), Halls, John James (1776-1853) (after) / Bridgeman Images

Fashionable Refinities
Fashionable Refinities

BAL22770: Fashionable Refinities, Garland, Valentine Thomas (fl.1867-1893) / Bridgeman Images

Arthur's Tomb: Sir Launcelot Parting from Guenevere, 1854 (pencil, pen & ink and w/c on paper)
Arthur's Tomb: Sir Launcelot Parting from Guenevere, 1854 (pencil, pen & ink and w/c on paper)

CH22903: Arthur's Tomb: Sir Launcelot Parting from Guenevere, 1854 (pencil, pen & ink and w/c on paper), Rossetti, Dante Gabriel Charles (1828-82) / Bridgeman Images

The Wife of Bath, illustration from Geoffrey Chaucer's (c.1345-1400) 'Canterbury Tales', printed by William Caxton (c.1422-91) (woodcut) (b/w photo)
The Wife of Bath, illustration from Geoffrey Chaucer's (c.1345-1400) 'Canterbury Tales', printed by William Caxton (c.1422-91) (woodcut) (b/w photo)

XJF264704: The Wife of Bath, illustration from Geoffrey Chaucer's (c.1345-1400) 'Canterbury Tales', printed by William Caxton (c.1422-91) (woodcut) (b/w photo), English School, (15th century) / Bridgeman Images

Collecting Water from the Nile, plate 6 from Volume II Arts and Trades of 'Description of Egypt', pub. under the orders of Napoleon, 1822 (engraving) (later colouration)
Collecting Water from the Nile, plate 6 from Volume II Arts and Trades of 'Description of Egypt', pub. under the orders of Napoleon, 1822 (engraving) (later colouration)

STC263555: Collecting Water from the Nile, plate 6 from Volume II Arts and Trades of 'Description of Egypt', pub. under the orders of Napoleon, 1822 (engraving) (later colouration), Conte, Nicolas Jacques (1755-1805) (after) / Bridgeman Images

Poole, Dorset with Corfe Castle in the Distance (w/c heightened with bodycolour on paper)
Poole, Dorset with Corfe Castle in the Distance (w/c heightened with bodycolour on paper)

AGN264348: Poole, Dorset with Corfe Castle in the Distance (w/c heightened with bodycolour on paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

Battle of Zonchio, 1499 (colour woodcut)
Battle of Zonchio, 1499 (colour woodcut)

XCF274337: Battle of Zonchio, 1499 (colour woodcut), Italian School, (15th century) / Bridgeman Images

Thatched Cottage in Normandy, 1894 (oil on canvas)
Thatched Cottage in Normandy, 1894 (oil on canvas)

FFA274093: Thatched Cottage in Normandy, 1894 (oil on canvas), Sisley, Alfred (1839-99) / Bridgeman Images

Illustration from 'Rapunzel' by the Brothers Grimm (colour litho)
Illustration from 'Rapunzel' by the Brothers Grimm (colour litho)

IL274144: Illustration from 'Rapunzel' by the Brothers Grimm (colour litho), Anderson, Anne (1874-1930) / Bridgeman Images


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