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Imaginary view of the Palace and the Tuileries Park, 17th century (oil on canvas)
Imaginary view of the Palace and the Tuileries Park, 17th century (oil on canvas)

JLJ4649470: Imaginary view of the Palace and the Tuileries Park, 17th century (oil on canvas), Anonymous / Bridgeman Images

ID: JLJ4649470

Imaginary view of the Palace and the Tuileries Park, 17th century (oil on canvas)

Anonymous

Napoleon I (1769-1821) received in Saint-Cloud the Senatus-Consulte who proclaimed him emperor of the French on 18/05/1804 (oil on canvas)
Napoleon I (1769-1821) received in Saint-Cloud the Senatus-Consulte who proclaimed him emperor of the French on 18/05/1804 (oil on canvas)

JLJ4646034: Napoleon I (1769-1821) received in Saint-Cloud the Senatus-Consulte who proclaimed him emperor of the French on 18/05/1804 (oil on canvas), Rouget, Georges (1784-1869) / Bridgeman Images

ID: JLJ4646034

Napoleon I (1769-1821) received in Saint-Cloud the Senatus-Consulte who proclaimed him emperor of the French on 18/05/1804 (oil on canvas)

Rouget, Georges (1784-1869)

Earth at the end of Permian - Ring arcs over the Permian Earth - A ring of rocks and dust is orbiting the Earth. The massive continent below is Pangee and the ocean to the west is Panthalassa. This is what Earth was supposed to look like at the end of Permian, about 260 million years ago, before the first dinosaurs appeared. This ring around the Earth was of earthly origin, constitutes debris thrown into orbit by collision with a meteorite or comet. Over time, these debris have either fallen or fallen back to Earth in a meteorite rain. A dusty ring arc orbits four thousand miles above Earth's equator. The massive continent below is Pangea and the ocean to the west is Panthalassa. This is how the Earth may have appeared during the end of the Permian period, a time just prior to the appearance of the dinosaurs, when continental drift was pulling Pangea apart into the seven continents we know today. 260 million years ago the Earth may have been host to ring arcs similar to the incomplete rings that currently circumscribe the planet Neptune. Unlike Neptune's rings, the ring arcs around the Earth were of terrestrial origin, debris thrown into orbit by a collision with a large meteorite or comet. The debris consisted of tiny pebbles that were once molten droplets of ejecta, long since cooled in the vacuum of space. The orbit of the ring arc would eventually decay, returning the debris back to Earth as a shower of meteorites. This debris is found on Earth's surface today in the form of dark, glassy objects known as tektites
Earth at the end of Permian - Ring arcs over the Permian Earth - A ring of rocks and dust is orbiting the Earth. The massive continent below is Pangee and the ocean to the west is Panthalassa. This is what Earth was supposed to look like at the end of Permian, about 260 million years ago, before the first dinosaurs appeared. This ring around the Earth was of earthly origin, constitutes debris thrown into orbit by collision with a meteorite or comet. Over time, these debris have either fallen or fallen back to Earth in a meteorite rain. A dusty ring arc orbits four thousand miles above Earth's equator. The massive continent below is Pangea and the ocean to the west is Panthalassa. This is how the Earth may have appeared during the end of the Permian period, a time just prior to the appearance of the dinosaurs, when continental drift was pulling Pangea apart into the seven continents we know today. 260 million years ago the Earth may have been host to ring arcs similar to the incomplete rings that currently circumscribe the planet Neptune. Unlike Neptune's rings, the ring arcs around the Earth were of terrestrial origin, debris thrown into orbit by a collision with a large meteorite or comet. The debris consisted of tiny pebbles that were once molten droplets of ejecta, long since cooled in the vacuum of space. The orbit of the ring arc would eventually decay, returning the debris back to Earth as a shower of meteorites. This debris is found on Earth's surface today in the form of dark, glassy objects known as tektites

PIX4633164: Earth at the end of Permian - Ring arcs over the Permian Earth - A ring of rocks and dust is orbiting the Earth. The massive continent below is Pangee and the ocean to the west is Panthalassa. This is what Earth was supposed to look like at the end of Permian, about 260 million years ago, before the first dinosaurs appeared. This ring around the Earth was of earthly origin, constitutes debris thrown into orbit by collision with a meteorite or comet. Over time, these debris have either fallen or fallen back to Earth in a meteorite rain. A dusty ring arc orbits four thousand miles above Earth's equator. The massive continent below is Pangea and the ocean to the west is Panthalassa. This is how the Earth may have appeared during the end of the Permian period, a time just prior to the appearance of the dinosaurs, when continental drift was pulling Pangea apart into the seven continents we know today. 260 million years ago the Earth may have been host to ring arcs similar to the incomplete rings that currently circumscribe the planet Neptune. Unlike Neptune's rings, the ring arcs around the Earth were of terrestrial origin, debris thrown into orbit by a collision with a large meteorite or comet. The debris consisted of tiny pebbles that were once molten droplets of ejecta, long since cooled in the vacuum of space. The orbit of the ring arc would eventually decay, returning the debris back to Earth as a shower of meteorites. This debris is found on Earth's surface today in the form of dark, glassy objects known as tektites / Bridgeman Images

ID: PIX4633164

Earth at the end of Permian - Ring arcs over the Permian Earth - A ring of rocks and dust is orbiting the Earth. The massive continent below is Pangee and the ocean to the west is Panthalassa. This is what Earth was supposed to look like at the end of Permian, about 260 million years ago, before the first dinosaurs appeared. This ring around the Earth was of earthly origin, constitutes debris thrown into orbit by collision with a meteorite or comet. Over time, these debris have either fallen or fallen back to Earth in a meteorite rain. A dusty ring arc orbits four thousand miles above Earth's equator. The massive continent below is Pangea and the ocean to the west is Panthalassa. This is how the Earth may have appeared during the end of the Permian period, a time just prior to the appearance of the dinosaurs, when continental drift was pulling Pangea apart into the seven continents we know today. 260 million years ago the Earth may have been host to ring arcs similar to the incomplete

Between the Bed and the Clock Painting by Edvard Munch (1863-1944) 1940-1942 Dim. 149,5x120 cm Oslo, Munch-Museet
Between the Bed and the Clock Painting by Edvard Munch (1863-1944) 1940-1942 Dim. 149,5x120 cm Oslo, Munch-Museet

LRI4637710: Between the Bed and the Clock Painting by Edvard Munch (1863-1944) 1940-1942 Dim. 149,5x120 cm Oslo, Munch-Museet, Munch, Edvard (1863-1944) / Bridgeman Images

ID: LRI4637710

Between the Bed and the Clock Painting by Edvard Munch (1863-1944) 1940-1942 Dim. 149,5x120 cm Oslo, Munch-Museet

Munch, Edvard (1863-1944)

Saint-Tropez, 1896 (Oil on canvas)
Saint-Tropez, 1896 (Oil on canvas)

LRI4637846: Saint-Tropez, 1896 (Oil on canvas), Signac, Paul (1863-1935) / Bridgeman Images

ID: LRI4637846

Saint-Tropez, 1896 (Oil on canvas)

Signac, Paul (1863-1935)

The Italian playwright Carlo Goldoni (1707-1793) declares a sonnet before the members of the Colonia Alfea (equivalent of the Academy of Arcadia in Pisa) in the Scotto Garden of Pisa Painting by Annibale Gatti (1828 - 1909), 1840 Rome Museo del Burcardo
The Italian playwright Carlo Goldoni (1707-1793) declares a sonnet before the members of the Colonia Alfea (equivalent of the Academy of Arcadia in Pisa) in the Scotto Garden of Pisa Painting by Annibale Gatti (1828 - 1909), 1840 Rome Museo del Burcardo

LRI4635317: The Italian playwright Carlo Goldoni (1707-1793) declares a sonnet before the members of the Colonia Alfea (equivalent of the Academy of Arcadia in Pisa) in the Scotto Garden of Pisa Painting by Annibale Gatti (1828 - 1909), 1840 Rome Museo del Burcardo, Gatti, Annibale (1828-1909) / Bridgeman Images

ID: LRI4635317

The Italian playwright Carlo Goldoni (1707-1793) declares a sonnet before the members of the Colonia Alfea (equivalent of the Academy of Arcadia in Pisa) in the Scotto Garden of Pisa Painting by Annibale Gatti (1828 - 1909), 1840 Rome Museo del Burcardo

Gatti, Annibale (1828-1909)

Sapho (or Sappho, 7th century BC), Greek poet of Antiquite, 1852 (marble)
Sapho (or Sappho, 7th century BC), Greek poet of Antiquite, 1852 (marble)

JLJ4673547: Sapho (or Sappho, 7th century BC), Greek poet of Antiquite, 1852 (marble), Pradier, James (Jean-Jacques) (1790-1852) / Bridgeman Images

ID: JLJ4673547

Sapho (or Sappho, 7th century BC), Greek poet of Antiquite, 1852 (marble)

Pradier, James (Jean-Jacques) (1790-1852)

Lift from the seat of Malta, 1842 (oil on canvas)
Lift from the seat of Malta, 1842 (oil on canvas)

JLJ4689199: Lift from the seat of Malta, 1842 (oil on canvas), Lariviere, Charles-Philippe (1798-1876) / Bridgeman Images

ID: JLJ4689199

Lift from the seat of Malta, 1842 (oil on canvas)

Lariviere, Charles-Philippe (1798-1876)

Portrait Of Leonie Thevenot D'Aunet (1820-1879) Wife Of The Artist, 1842 (oil on canvas)
Portrait Of Leonie Thevenot D'Aunet (1820-1879) Wife Of The Artist, 1842 (oil on canvas)

JLJ4677840: Portrait Of Leonie Thevenot D'Aunet (1820-1879) Wife Of The Artist, 1842 (oil on canvas), Biard, Francois Auguste (1798-1882) / Bridgeman Images

ID: JLJ4677840

Portrait Of Leonie Thevenot D'Aunet (1820-1879) Wife Of The Artist, 1842 (oil on canvas)

Biard, Francois Auguste (1798-1882)

Bearing to Brutus the Bodies of his Sons, 1789 (oil on canvas)
Bearing to Brutus the Bodies of his Sons, 1789 (oil on canvas)

JLJ4651324: Bearing to Brutus the Bodies of his Sons, 1789 (oil on canvas), David, Jacques Louis (1748-1825) / Bridgeman Images

ID: JLJ4651324

Bearing to Brutus the Bodies of his Sons, 1789 (oil on canvas)

David, Jacques Louis (1748-1825)

Full portrait of the ladies Cahen of Antwerp, daughter of the banker Louis Cahen of Antwerp (1837-1922), 1881 (oil)
Full portrait of the ladies Cahen of Antwerp, daughter of the banker Louis Cahen of Antwerp (1837-1922), 1881 (oil)

JLJ4653241: Full portrait of the ladies Cahen of Antwerp, daughter of the banker Louis Cahen of Antwerp (1837-1922), 1881 (oil), Renoir, Pierre Auguste (1841-1919) / Bridgeman Images

ID: JLJ4653241

Full portrait of the ladies Cahen of Antwerp, daughter of the banker Louis Cahen of Antwerp (1837-1922), 1881 (oil)

Renoir, Pierre Auguste (1841-1919)

Affiche propagande de la
Affiche propagande de la

GIA4697443: Affiche propagande de la ""Federazione dei Fasci di Combattimento"" avec la phrase de Benito Mussolini ""Credere, Obbedire, Combattere"" (Croire, Obeir, combattre). Annees 1930., Italian School, (20th century) / Bridgeman Images

ID: GIA4697443

Affiche propagande de la ""Federazione dei Fasci di Combattimento"" avec la phrase de Benito Mussolini ""Credere, Obbedire, Combattere"" (Croire, Obeir, combattre). Annees 1930.

Italian School, (20th century)

Saint John Evangelist. Marble Sculpture, 1412-1415
Saint John Evangelist. Marble Sculpture, 1412-1415

LRI4594416: Saint John Evangelist. Marble Sculpture, 1412-1415, Donatello, (c.1386-1466) / Bridgeman Images

ID: LRI4594416

Saint John Evangelist. Marble Sculpture, 1412-1415

Donatello, (c.1386-1466)

Gold funerary mask (formerly thought to be that of Agamemnon), 16th century BC
Gold funerary mask (formerly thought to be that of Agamemnon), 16th century BC

LRI4591546: Gold funerary mask (formerly thought to be that of Agamemnon), 16th century BC, Mycenaean, (16th century BC) / Bridgeman Images

ID: LRI4591546

Gold funerary mask (formerly thought to be that of Agamemnon), 16th century BC

Mycenaean, (16th century BC)

Detail of the Nilotic mosaic of Preneste (Palestrina) from the shrine of the deity of Fortune Primigenia, 80 BC
Detail of the Nilotic mosaic of Preneste (Palestrina) from the shrine of the deity of Fortune Primigenia, 80 BC

LRI4587904: Detail of the Nilotic mosaic of Preneste (Palestrina) from the shrine of the deity of Fortune Primigenia, 80 BC, Roman, (1st century BC) / Bridgeman Images

ID: LRI4587904

Detail of the Nilotic mosaic of Preneste (Palestrina) from the shrine of the deity of Fortune Primigenia, 80 BC

Roman, (1st century BC)

King Louis XIV receives his brother the Duke of Anjou, knight of the Order of the Holy Spirit, 17th century (oil on canvas)
King Louis XIV receives his brother the Duke of Anjou, knight of the Order of the Holy Spirit, 17th century (oil on canvas)

JLJ4601584: King Louis XIV receives his brother the Duke of Anjou, knight of the Order of the Holy Spirit, 17th century (oil on canvas), Champaigne, Philippe de (1602-74) / Bridgeman Images

ID: JLJ4601584

King Louis XIV receives his brother the Duke of Anjou, knight of the Order of the Holy Spirit, 17th century (oil on canvas)

Champaigne, Philippe de (1602-74)

Battle of the Yellow Sea (Yalu River) in Korea, c.1904 (woodblock orint)
Battle of the Yellow Sea (Yalu River) in Korea, c.1904 (woodblock orint)

PFH3432016: Battle of the Yellow Sea (Yalu River) in Korea, c.1904 (woodblock orint), Kobayashi Kiyochika (1847-1915) / Bridgeman Images

ID: PFH3432016

Battle of the Yellow Sea (Yalu River) in Korea, c.1904 (woodblock orint)

Kobayashi Kiyochika (1847-1915)

Notre-Dame-de-la-Garde (La Bonne-Mère), Marseilles, 1905-6 (oil on canvas)
Notre-Dame-de-la-Garde (La Bonne-Mère), Marseilles, 1905-6 (oil on canvas)

XOS3432932: Notre-Dame-de-la-Garde (La Bonne-Mère), Marseilles, 1905-6 (oil on canvas), Signac, Paul (1863-1935) / Bridgeman Images

ID: XOS3432932

Notre-Dame-de-la-Garde (La Bonne-Mère), Marseilles, 1905-6 (oil on canvas)

Signac, Paul (1863-1935)

Lake George, Free Study, 1872 (oil on canvas)
Lake George, Free Study, 1872 (oil on canvas)

XOS3492947: Lake George, Free Study, 1872 (oil on canvas), Kensett, John Frederick (1816-72) / Bridgeman Images

ID: XOS3492947

Lake George, Free Study, 1872 (oil on canvas)

Kensett, John Frederick (1816-72)

Satan Exulting over Eve, 1795 (graphite, black ink and watercolour)
Satan Exulting over Eve, 1795 (graphite, black ink and watercolour)

XOS3545850: Satan Exulting over Eve, 1795 (graphite, black ink and watercolour), Blake, William (1757-1827) / Bridgeman Images

ID: XOS3545850

Satan Exulting over Eve, 1795 (graphite, black ink and watercolour)

Blake, William (1757-1827)

Nanban Six-Fold Screen Depicting the Arrival of a Portuguese Ship for Trade, Edo Period (ink, colour & gold leaf on paper)
Nanban Six-Fold Screen Depicting the Arrival of a Portuguese Ship for Trade, Edo Period (ink, colour & gold leaf on paper)

CH3548717: Nanban Six-Fold Screen Depicting the Arrival of a Portuguese Ship for Trade, Edo Period (ink, colour & gold leaf on paper), Japanese School, (17th century) / Bridgeman Images

ID: CH3548717

Nanban Six-Fold Screen Depicting the Arrival of a Portuguese Ship for Trade, Edo Period (ink, colour & gold leaf on paper)

Japanese School, (17th century)

Print from the series 'A True Mirror of Chinese and Japanese Poems (Shiika shashinkyo)', c.1833 (colour woodblock print)
Print from the series 'A True Mirror of Chinese and Japanese Poems (Shiika shashinkyo)', c.1833 (colour woodblock print)

CH3115012: Print from the series 'A True Mirror of Chinese and Japanese Poems (Shiika shashinkyo)', c.1833 (colour woodblock print), Hokusai, Katsushika (1760-1849) / Bridgeman Images

ID: CH3115012

Print from the series 'A True Mirror of Chinese and Japanese Poems (Shiika shashinkyo)', c.1833 (colour woodblock print)

Hokusai, Katsushika (1760-1849)

Adam and Eve (oil on panel)
Adam and Eve (oil on panel)

XOS3106617: Adam and Eve (oil on panel), Cranach, Lucas the Elder (1472-1553) / Bridgeman Images

ID: XOS3106617

Adam and Eve (oil on panel)

Cranach, Lucas the Elder (1472-1553)

Plan, 1993 (oil on canvas)
Plan, 1993 (oil on canvas)

CH3036846: Plan, 1993 (oil on canvas), Saville, Jenny (b.1970) / Bridgeman Images

ID: CH3036846

Plan, 1993 (oil on canvas)

Saville, Jenny (b.1970)

Occupied Japan, 1945 after the surrender. Japanese children crowding American Officer for chocolate
Occupied Japan, 1945 after the surrender. Japanese children crowding American Officer for chocolate

DTO3036449: Occupied Japan, 1945 after the surrender. Japanese children crowding American Officer for chocolate / Bridgeman Images

ID: DTO3036449

Occupied Japan, 1945 after the surrender. Japanese children crowding American Officer for chocolate

Spanish 8 Reale silver piece minted at Potosi Bolivia in 1751
Spanish 8 Reale silver piece minted at Potosi Bolivia in 1751

DTO3029983: Spanish 8 Reale silver piece minted at Potosi Bolivia in 1751 / Bridgeman Images

ID: DTO3029983

Spanish 8 Reale silver piece minted at Potosi Bolivia in 1751

Advance Dressing Station on the Struma in 1916, 1921 (oil on canvas)
Advance Dressing Station on the Struma in 1916, 1921 (oil on canvas)

MAN3026717: Advance Dressing Station on the Struma in 1916, 1921 (oil on canvas), Lamb, Henry (1883-1960) / Bridgeman Images

ID: MAN3026717

Advance Dressing Station on the Struma in 1916, 1921 (oil on canvas)

Lamb, Henry (1883-1960)

Abu Zayd and Al Harith embark on a sailing vessel near Basra, from al-Hariri's 'Maqama', 1240 CE (vellum)
Abu Zayd and Al Harith embark on a sailing vessel near Basra, from al-Hariri's 'Maqama', 1240 CE (vellum)

PFH3061344: Abu Zayd and Al Harith embark on a sailing vessel near Basra, from al-Hariri's 'Maqama', 1240 CE (vellum), Seljuq Dynasty (1016-1307) / Bridgeman Images

ID: PFH3061344

Abu Zayd and Al Harith embark on a sailing vessel near Basra, from al-Hariri's 'Maqama', 1240 CE (vellum)

Seljuq Dynasty (1016-1307)

The Man in the Iron Mask, from 'A History of France (Vol. IV) by Guizot (engraving)
The Man in the Iron Mask, from 'A History of France (Vol. IV) by Guizot (engraving)

XLF3779287: The Man in the Iron Mask, from 'A History of France (Vol. IV) by Guizot (engraving), French School, (19th century) / Bridgeman Images

ID: XLF3779287

The Man in the Iron Mask, from 'A History of France (Vol. IV) by Guizot (engraving)

French School, (19th century)

Boaz and Ruth - Bible
Boaz and Ruth - Bible

XLF3779929: Boaz and Ruth - Bible, Hole, William Brassey (1846-1917) / Bridgeman Images

ID: XLF3779929

Boaz and Ruth - Bible

Hole, William Brassey (1846-1917)

Marcel Proust, in the midst of a group of young women, playing guitar on a tennis racket at Bineau Boulevard in Paris, 1892
Marcel Proust, in the midst of a group of young women, playing guitar on a tennis racket at Bineau Boulevard in Paris, 1892

LSE4101601: Marcel Proust, in the midst of a group of young women, playing guitar on a tennis racket at Bineau Boulevard in Paris, 1892, Unknown photographer, (19th century) / Bridgeman Images

ID: LSE4101601

Marcel Proust, in the midst of a group of young women, playing guitar on a tennis racket at Bineau Boulevard in Paris, 1892

Unknown photographer, (19th century)

Rene Theophile Hyacinte Laennec (1781-1826), French physician ausculating a child with his stethoscope - by Robert Thom, 1954. Reserve rights.
Rene Theophile Hyacinte Laennec (1781-1826), French physician ausculating a child with his stethoscope - by Robert Thom, 1954. Reserve rights.

LSE4109875: Rene Theophile Hyacinte Laennec (1781-1826), French physician ausculating a child with his stethoscope - by Robert Thom, 1954. Reserve rights., Thom, Robert (1915-79) / Bridgeman Images

ID: LSE4109875

Rene Theophile Hyacinte Laennec (1781-1826), French physician ausculating a child with his stethoscope - by Robert Thom, 1954. Reserve rights.

Thom, Robert (1915-79)

New York to Chicago Express, from 'The Wonder Book of Railways' by Harry Golding (print)
New York to Chicago Express, from 'The Wonder Book of Railways' by Harry Golding (print)

XLF3789528: New York to Chicago Express, from 'The Wonder Book of Railways' by Harry Golding (print), English School / Bridgeman Images

ID: XLF3789528

New York to Chicago Express, from 'The Wonder Book of Railways' by Harry Golding (print)

English School

First Automobile constructed by Cugnot in 1770, from 'La Locomotion a Traver le Temps...', 1912 (print)
First Automobile constructed by Cugnot in 1770, from 'La Locomotion a Traver le Temps...', 1912 (print)

XLF3787607: First Automobile constructed by Cugnot in 1770, from 'La Locomotion a Traver le Temps...', 1912 (print), French School, (20th century) / Bridgeman Images

ID: XLF3787607

First Automobile constructed by Cugnot in 1770, from 'La Locomotion a Traver le Temps...', 1912 (print)

French School, (20th century)

Members of high society at the Waldorf Hotel, 1896
Members of high society at the Waldorf Hotel, 1896

XLF3787898: Members of high society at the Waldorf Hotel, 1896, Smedley, William Thomas (1858-1920) / Bridgeman Images

ID: XLF3787898

Members of high society at the Waldorf Hotel, 1896

Smedley, William Thomas (1858-1920)

Guido d'Arezzo, from 'Scriptires Ecclesiastici de Musica Sacra' by Martin Gerbert, 1784 (print)
Guido d'Arezzo, from 'Scriptires Ecclesiastici de Musica Sacra' by Martin Gerbert, 1784 (print)

XLF3781691: Guido d'Arezzo, from 'Scriptires Ecclesiastici de Musica Sacra' by Martin Gerbert, 1784 (print), Italian School / Bridgeman Images

ID: XLF3781691

Guido d'Arezzo, from 'Scriptires Ecclesiastici de Musica Sacra' by Martin Gerbert, 1784 (print)

Italian School


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