Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

2497595 Search Results

Fox Squirrel, from 'Quadrupeds of America', 1845 (coloured engraving)
Fox Squirrel, from 'Quadrupeds of America', 1845 (coloured engraving)

BBC195918: Fox Squirrel, from 'Quadrupeds of America', 1845 (coloured engraving), Audubon, John James (1785-1851) (after) / Bridgeman Images

Portrait of Pope Clement IX (1600-69) (oil on canvas)
Portrait of Pope Clement IX (1600-69) (oil on canvas)

XAB196417: Portrait of Pope Clement IX (1600-69) (oil on canvas), Maratta or Maratti, Carlo (1625-1713) / Bridgeman Images

Portrait of King Richard III, c.1575 (1453-85)
Portrait of King Richard III, c.1575 (1453-85)

MOU202432: Portrait of King Richard III, c.1575 (1453-85), English School, (16th century) / Bridgeman Images

Building of Avenue de l'Opera, butte des Moulins, from rue Saint-Honore, 9th arrondissement, Paris, 1858-78
Building of Avenue de l'Opera, butte des Moulins, from rue Saint-Honore, 9th arrondissement, Paris, 1858-78

XIR202776: Building of Avenue de l'Opera, butte des Moulins, from rue Saint-Honore, 9th arrondissement, Paris, 1858-78, Marville, Charles (1813-79) / Bridgeman Images

Still Life with a Violin, A Homage to Johann Sebastian Bach (1685-1750) 1952 (oil on canvas)
Still Life with a Violin, A Homage to Johann Sebastian Bach (1685-1750) 1952 (oil on canvas)

XIR156100: Still Life with a Violin, A Homage to Johann Sebastian Bach (1685-1750) 1952 (oil on canvas), Dufy, Raoul (1877-1953) / Bridgeman Images

A Fairy Tale (oil on canvas)
A Fairy Tale (oil on canvas)

NWP153550: A Fairy Tale (oil on canvas), Symons, Mark Lancelot (1887-1935) / Bridgeman Images

Adoration of the Magi (oil on canvas)
Adoration of the Magi (oil on canvas)

XIR154056: Adoration of the Magi (oil on canvas), Champaigne, Philippe de (1602-74) / Bridgeman Images

Planisphere, from 'Atlas Coelestis', engraved by Pieter Schenk (1660-1719) and Gerard Valk (1651-1726) (colour engraving)
Planisphere, from 'Atlas Coelestis', engraved by Pieter Schenk (1660-1719) and Gerard Valk (1651-1726) (colour engraving)

XIR154166: Planisphere, from 'Atlas Coelestis', engraved by Pieter Schenk (1660-1719) and Gerard Valk (1651-1726) (colour engraving), Cellarius, Andreas (c.1596-1665) (after) / Bridgeman Images

Portrait of Clara Schumann (1819-96) 1853 (w/c on paper)
Portrait of Clara Schumann (1819-96) 1853 (w/c on paper)

XIR154957: Portrait of Clara Schumann (1819-96) 1853 (w/c on paper), Laurens, Jean Joseph Bonaventure (1810-90) / Bridgeman Images

The Treaty of Amiens in 1802 (oil on canvas)
The Treaty of Amiens in 1802 (oil on canvas)

XIR155382: The Treaty of Amiens in 1802 (oil on canvas), French School, (19th century) / Bridgeman Images

Bertrand-Francois Mahe de la Bourdonnais (1699-1753) (oil on canvas)
Bertrand-Francois Mahe de la Bourdonnais (1699-1753) (oil on canvas)

XIR155397: Bertrand-Francois Mahe de la Bourdonnais (1699-1753) (oil on canvas), French School, (18th century) / Bridgeman Images

Ms Fr 616 fol.101 Dogs attacking a leopard, from a book by Gaston Phebus de Foix (1331-91) (vellum)
Ms Fr 616 fol.101 Dogs attacking a leopard, from a book by Gaston Phebus de Foix (1331-91) (vellum)

XZL151161: Ms Fr 616 fol.101 Dogs attacking a leopard, from a book by Gaston Phebus de Foix (1331-91) (vellum), French School, (15th century) / Bridgeman Images

The Lady of Shalott, 1862 (oil on canvas)
The Lady of Shalott, 1862 (oil on canvas)

XYC152742: The Lady of Shalott, 1862 (oil on canvas), Crane, Walter (1845-1915) / Bridgeman Images

Ms.1044 f.21v The Man Obliged to Work for a Living, from Ovide Moralise written by Chretien Legouais (vellum)
Ms.1044 f.21v The Man Obliged to Work for a Living, from Ovide Moralise written by Chretien Legouais (vellum)

XIR173605: Ms.1044 f.21v The Man Obliged to Work for a Living, from Ovide Moralise written by Chretien Legouais (vellum), French School, (14th century) / Bridgeman Images

A Ship in Choppy Seas, 1864 (pen & ink wash on paper)
A Ship in Choppy Seas, 1864 (pen & ink wash on paper)

XIR169992: A Ship in Choppy Seas, 1864 (pen & ink wash on paper), Hugo, Victor (1802-85) / Bridgeman Images

Portrait of Jules Ferry (1832-93) c.1865 (b/w photo)
Portrait of Jules Ferry (1832-93) c.1865 (b/w photo)

LRS170265: Portrait of Jules Ferry (1832-93) c.1865 (b/w photo), Franck, Victor (1852-1907) / Bridgeman Images

Alfred Dedreux (1810-60) as a Child with his Sister, Elisabeth, 1816-17 (oil on canvas)
Alfred Dedreux (1810-60) as a Child with his Sister, Elisabeth, 1816-17 (oil on canvas)

BRM169504: Alfred Dedreux (1810-60) as a Child with his Sister, Elisabeth, 1816-17 (oil on canvas), Gericault, Theodore (1791-1824) / Bridgeman Images

Hypnotism Session with Franz Anton Mesmer (1734-1815) 1784 (coloured engraving)
Hypnotism Session with Franz Anton Mesmer (1734-1815) 1784 (coloured engraving)

XIR173169: Hypnotism Session with Franz Anton Mesmer (1734-1815) 1784 (coloured engraving), French School, (18th century) / Bridgeman Images

The Works of Mercy (oil on panel)
The Works of Mercy (oil on panel)

XIR182984: The Works of Mercy (oil on panel), Flemish School, (16th century) / Bridgeman Images

Scene from 'Le Malade Imaginaire' by Moliere (1622-73) (oil on canvas)
Scene from 'Le Malade Imaginaire' by Moliere (1622-73) (oil on canvas)

STC179001: Scene from 'Le Malade Imaginaire' by Moliere (1622-73) (oil on canvas), Leslie, Charles Robert (1794-1859) / Bridgeman Images

Ms 246 fol.3v Vices and Virtues on Earth, from 'De Civitate Dei' by St. Augustine of Hippo (354-430) (vellum)
Ms 246 fol.3v Vices and Virtues on Earth, from 'De Civitate Dei' by St. Augustine of Hippo (354-430) (vellum)

XIR179353: Ms 246 fol.3v Vices and Virtues on Earth, from 'De Civitate Dei' by St. Augustine of Hippo (354-430) (vellum), French School, (15th century) / Bridgeman Images

View of the dome, The 'Lord's Tomb', known as the Gur-e-Amir mausoleum,  Timurid period, Samarkand, c.1403 (photo)
View of the dome, The 'Lord's Tomb', known as the Gur-e-Amir mausoleum,  Timurid period, Samarkand, c.1403 (photo)

XIR181226: View of the dome, The 'Lord's Tomb', known as the Gur-e-Amir mausoleum, Timurid period, Samarkand, c.1403 (photo), Islamic School, (15th century) / Bridgeman Images

Equestrian Portrait of Marie de Medici (1573-1642) (oil on canvas)
Equestrian Portrait of Marie de Medici (1573-1642) (oil on canvas)

XIR183349: Equestrian Portrait of Marie de Medici (1573-1642) (oil on canvas), French School, (17th century) / Bridgeman Images

The Finding of Moses (oil on canvas)
The Finding of Moses (oil on canvas)

NGW184266: The Finding of Moses (oil on canvas), Poussin, Nicolas (1594-1665) / Bridgeman Images

Count Guy leads Harold to Beaurain where he holds him, Bayeux Tapestry (wool embroidery on linen)
Count Guy leads Harold to Beaurain where he holds him, Bayeux Tapestry (wool embroidery on linen)

XIR183107: Count Guy leads Harold to Beaurain where he holds him, Bayeux Tapestry (wool embroidery on linen), English School, (11th century) / Bridgeman Images

'Here Begynneth the Knightes Tale', illustration from 'The Canterbury Tales' by Geoffrey Chaucer (c.1345-1400) printed by William Caxton (c.1422-91) 1434 (woodcut) (later colouration)
'Here Begynneth the Knightes Tale', illustration from 'The Canterbury Tales' by Geoffrey Chaucer (c.1345-1400) printed by William Caxton (c.1422-91) 1434 (woodcut) (later colouration)

XCF209222: 'Here Begynneth the Knightes Tale', illustration from 'The Canterbury Tales' by Geoffrey Chaucer (c.1345-1400) printed by William Caxton (c.1422-91) 1434 (woodcut) (later colouration), English School, (15th century) / Bridgeman Images

The Nymph Salmacis, 1826 (marble)
The Nymph Salmacis, 1826 (marble)

XIR212597: The Nymph Salmacis, 1826 (marble), Bosio, Francois Joseph, baron (1768-1845) / Bridgeman Images

Musicians and dancers at the court of Nasser al-Din Shah Qajar (1831-96) (ceramic)
Musicians and dancers at the court of Nasser al-Din Shah Qajar (1831-96) (ceramic)

XIR215007: Musicians and dancers at the court of Nasser al-Din Shah Qajar (1831-96) (ceramic), Persian School, (19th century) / Bridgeman Images

The Tomb of Julie, 1803 (oil on canvas)
The Tomb of Julie, 1803 (oil on canvas)

XIR215119: The Tomb of Julie, 1803 (oil on canvas), Dael, Jan Frans van (1764-1840) / Bridgeman Images

Reliquary cross of the Abbey of Valesse (gilded wood, rock crystal & semi-precious stones)
Reliquary cross of the Abbey of Valesse (gilded wood, rock crystal & semi-precious stones)

XIR214844: Reliquary cross of the Abbey of Valesse (gilded wood, rock crystal & semi-precious stones), French School, (12th century) / Bridgeman Images

Fishing (oil on canvas)
Fishing (oil on canvas)

XIR207049: Fishing (oil on canvas), Carracci, Annibale (1560-1609) / Bridgeman Images

Frontispiece to 'Discours sur l'Origin et les Fondations de l'Inegalite Among the Men' by Jean-Jacques Rousseau (1712-78) c.1755 (engraving)
Frontispiece to 'Discours sur l'Origin et les Fondations de l'Inegalite Among the Men' by Jean-Jacques Rousseau (1712-78) c.1755 (engraving)

XIR192321: Frontispiece to 'Discours sur l'Origin et les Fondations de l'Inegalite Among the Men' by Jean-Jacques Rousseau (1712-78) c.1755 (engraving), French School, (18th century) / Bridgeman Images

Italian composer Giovanni Pergolesi (1710-36) (oil on canvas)
Italian composer Giovanni Pergolesi (1710-36) (oil on canvas)

XIR189500: Italian composer Giovanni Pergolesi (1710-36) (oil on canvas), Italian School, (18th century) / Bridgeman Images

A Modern Belle going to the Rooms at Bath, published by Hannah Humphrey in 1796 (hand-coloured etching)
A Modern Belle going to the Rooms at Bath, published by Hannah Humphrey in 1796 (hand-coloured etching)

NCO190134: A Modern Belle going to the Rooms at Bath, published by Hannah Humphrey in 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Catherine Monvoisin (La Voisin) (1640-80) and the Poison Affair, 1679 (engraving)
Catherine Monvoisin (La Voisin) (1640-80) and the Poison Affair, 1679 (engraving)

XIR187862: Catherine Monvoisin (La Voisin) (1640-80) and the Poison Affair, 1679 (engraving), French School, (17th century) / Bridgeman Images

'A Great Rush', recruitment poster for 36th Regiment, published by Baker & Goodwin (colour litho)
'A Great Rush', recruitment poster for 36th Regiment, published by Baker & Goodwin (colour litho)

NYH189007: 'A Great Rush', recruitment poster for 36th Regiment, published by Baker & Goodwin (colour litho), American School, (19th century) / Bridgeman Images


Back to top