XJF263985:
The Exterior of St. Peter's Basilica in Rome, from 'Orthographia partis exterioris (&) interioris Templi Divi Petri in Vaticano', c.1577 (engraving), Duperac, Etienne (1525-1601) / Bridgeman Images
ID: XJF263985
The Exterior of St. Peter's Basilica in Rome, from 'Orthographia partis exterioris (&) interioris Templi Divi Petri in Vaticano', c.1577 (engraving)
Duperac, Etienne (1525-1601)
KWE259479:
The crown offered to William and Mary by the Lords and Commons at Whitehall, February 12, 1689, from `Illustrations of English and Scottish History' Volume II (engraving), Ward, Edgar Melville (1839-1915) (after) / Bridgeman Images
ID: KWE259479
The crown offered to William and Mary by the Lords and Commons at Whitehall, February 12, 1689, from `Illustrations of English and Scottish History' Volume II (engraving)
Ward, Edgar Melville (1839-1915) (after)
BAL234925:
Macaw and a monkey (oil on canvas), Hondecoeter, Melchior de (1636-95) / Bridgeman Images
DGC288158:
Maori warrior with moko face (photo), New Zealander Photographer (19th century) / Bridgeman Images
ID: DGC288158
Maori warrior with moko face (photo)
New Zealander Photographer (19th century)
IBE291701:
Design for the Fachada del Nacimiento of the Templo de la Sagrada Familia (pen & ink on paper), Gaudi, Antoni (1852-1926) / Bridgeman Images
ID: IBE291701
Design for the Fachada del Nacimiento of the Templo de la Sagrada Familia (pen & ink on paper)
Gaudi, Antoni (1852-1926)
MAA288047:
Dawn After the Storm (oil on canvas), Wyllie, William Lionel (1851-1931) / Bridgeman Images
ID: MAA288047
Dawn After the Storm (oil on canvas)
Wyllie, William Lionel (1851-1931)
UCL281348:
London Street Children, 1904 (oil on canvas), King, Edward R. (active 1883-1924) / Bridgeman Images
ID: UCL281348
London Street Children, 1904 (oil on canvas)
King, Edward R. (active 1883-1924)
KWE259075:
The Confusion of Tongues, Genesis 11:7-9, illustration from Dore's 'The Holy Bible', engraved by Maurand, 1866 (engraving), Dore, Gustave (1832-83) (after) / Bridgeman Images
ID: KWE259075
The Confusion of Tongues, Genesis 11:7-9, illustration from Dore's 'The Holy Bible', engraved by Maurand, 1866 (engraving)
Dore, Gustave (1832-83) (after)
XYC224065:
A Racehorse, Bridled and Saddled (pen and ink on paper), Seymour, James (1702-52) / Bridgeman Images
ID: XYC224065
A Racehorse, Bridled and Saddled (pen and ink on paper)
XIR229352:
Two blades, from Saint-Acheul, Lower Acheulean Period, c.20,000 BC (flint), Paleolithic / Bridgeman Images
ID: XIR229352
Two blades, from Saint-Acheul, Lower Acheulean Period, c.20,000 BC (flint)
Paleolithic
XIR254907:
Fragment of fabric with birds, from a tomb in Astana, Turpan, Xinjiang, 8th-9th century (silk brocade), Turkestan School, (7th-8th century) / Bridgeman Images
ID: XIR254907
Fragment of fabric with birds, from a tomb in Astana, Turpan, Xinjiang, 8th-9th century (silk brocade)
Turkestan School, (7th-8th century)
CH259617:
The Artist's House in Arles (pen & ink on paper), Gogh, Vincent van (1853-90) / Bridgeman Images
XPH324152:
General von Zieten, 1769 (oil on canvas), Therbusch, Anna Dorothea (c.1721-82) / Bridgeman Images
ID: XPH324152
General von Zieten, 1769 (oil on canvas)
Therbusch, Anna Dorothea (c.1721-82)
SAV329232:
Queen Elizabeth I knighting Sir John Young on the steps of his property, The Great House, Bristol, 1910-20 (oil on canvas), Board, Ernest (1877-1934) / Bridgeman Images
ID: SAV329232
Queen Elizabeth I knighting Sir John Young on the steps of his property, The Great House, Bristol, 1910-20 (oil on canvas)
Board, Ernest (1877-1934)
XPH330304:
Barbara Campanini (oil on canvas), Pesne, Antoine (1683-1747) / Bridgeman Images
ID: XPH330304
Barbara Campanini (oil on canvas)
Pesne, Antoine (1683-1747)
ANC332175:
Alexander the Great and General Krateros on a lion hunt (mosaic) (see 418948 & 419063 for detail), Macedonian, (4th century BC) / Bridgeman Images
ID: ANC332175
Alexander the Great and General Krateros on a lion hunt (mosaic) (see 418948 & 419063 for detail)
Macedonian, (4th century BC)
FRL316242:
Portrait of George Nassau, 3rd Earl Cowper (oil on canvas), Zoffany, Johann (1733-1810) / Bridgeman Images
ID: FRL316242
Portrait of George Nassau, 3rd Earl Cowper (oil on canvas)
XIR331712:
Walkers in a Park, 1908 (oil on canvas), Rousseau, Henri J.F. (Le Douanier) (1844-1910) / Bridgeman Images
ID: XIR331712
Walkers in a Park, 1908 (oil on canvas)
Rousseau, Henri J.F. (Le Douanier) (1844-1910)
STC323692:
The Rhine Gold, 1906 (colour litho), Hendrich, Hermann (1854-1931) (after) / Bridgeman Images
ID: STC323692
The Rhine Gold, 1906 (colour litho)
Hendrich, Hermann (1854-1931) (after)
XEE555999:
Portrait of Jules Verne, French writer (photo), Nadar, (Gaspard Felix Tournachon) (1820-1910) / Bridgeman Images
ID: XEE555999
Portrait of Jules Verne, French writer (photo)
Nadar, (Gaspard Felix Tournachon) (1820-1910)
XCL500152:
Cameo with Portrait of the Emperor Augustus, 14-37 (travertine)
, Roman Imperial Period (27 BC-476 AD) / Bridgeman Images
ID: XCL500152
Cameo with Portrait of the Emperor Augustus, 14-37 (travertine)
Roman Imperial Period (27 BC-476 AD)
PCT4260513:
Portrait of the poet Charles Baudelaire (1821-1867)- this portrait appears in the book “Galerie des celebrites contemporaines””, published in 1878 (b/w photo), Carjat, Etienne (1828-1906) / Bridgeman Images
ID: PCT4260513
Portrait of the poet Charles Baudelaire (1821-1867)- this portrait appears in the book “Galerie des celebrites contemporaines””, published in 1878 (b/w photo)
Carjat, Etienne (1828-1906)
JLJ4686904:
The Antique Monkey. Representation Of A Monkey In Man's Posture, 1740 (oil on canvas), Chardin, Jean-Baptiste Simeon (1699-1779) / Bridgeman Images
ID: JLJ4686904
The Antique Monkey. Representation Of A Monkey In Man's Posture, 1740 (oil on canvas)
Chardin, Jean-Baptiste Simeon (1699-1779)
IBE5351011:
Portrait of Jean-Baptiste Pocquelin, dit Moliere. Painting by Jean Baptiste Mauzaisse (1784-1844) after the painting by Mignard Pierre (1612-1695)., Mauzaisse, Jean Baptiste (1784-1844) / Bridgeman Images
ID: IBE5351011
Portrait of Jean-Baptiste Pocquelin, dit Moliere. Painting by Jean Baptiste Mauzaisse (1784-1844) after the painting by Mignard Pierre (1612-1695).