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Guell Crypt with its 'tilted column', built by Antonio Gaudi (1852-1926) in 1908-15 (photo)
Guell Crypt with its 'tilted column', built by Antonio Gaudi (1852-1926) in 1908-15 (photo)

LEE58408: Guell Crypt with its 'tilted column', built by Antonio Gaudi (1852-1926) in 1908-15 (photo), Gaudi, Antoni (1852-1926) / Bridgeman Images

Melancholy (oil on canvas)
Melancholy (oil on canvas)

XIR59753: Melancholy (oil on canvas), Fetti or Feti, Domenico (1589-1624) (after) / Bridgeman Images

Ms 71 f.26 Job on the dung heap, from the 'Heures d'Etienne Chevalier', c.1445 (vellum)
Ms 71 f.26 Job on the dung heap, from the 'Heures d'Etienne Chevalier', c.1445 (vellum)

CND59754: Ms 71 f.26 Job on the dung heap, from the 'Heures d'Etienne Chevalier', c.1445 (vellum), Fouquet, Jean (c.1420-80) / Bridgeman Images

St. Cecilia Accompanied by Three Angels
St. Cecilia Accompanied by Three Angels

XJL61174: St. Cecilia Accompanied by Three Angels, Coxie or Coxcie, Michiel I (1499-1592) / Bridgeman Images

How They Met Themselves, c.1850/60 (gouache) (see also 63160)
How They Met Themselves, c.1850/60 (gouache) (see also 63160)

FIT63161: How They Met Themselves, c.1850/60 (gouache) (see also 63160), Rossetti, Dante Gabriel Charles (1828-82) / Bridgeman Images

The Banks of the Seine, c.1880 (oil on canvas)
The Banks of the Seine, c.1880 (oil on canvas)

XIR63423: The Banks of the Seine, c.1880 (oil on canvas), Beraud, Jean (1849-1935) / Bridgeman Images

Banksia serrata: Plate 285 from
Banksia serrata: Plate 285 from

AHE64162: Banksia serrata: Plate 285 from "Banks' Florilegium", gathered from Botany Bay, Australia on Captain Cook's First Voyage, engraved by G. Smith, after Sydney Parkinson (1770) and J.F. Miller (1773) / Bridgeman Images

The Faberge Workshop (b/w photo)
The Faberge Workshop (b/w photo)

STC64807: The Faberge Workshop (b/w photo) / Bridgeman Images

The Virgin in Prayer, c.1660 (oil on canvas)
The Virgin in Prayer, c.1660 (oil on canvas)

COU65786: The Virgin in Prayer, c.1660 (oil on canvas), Sassoferrato, Il (Giovanni Battista Salvi) (1609-85) / Bridgeman Images

Facsimile copy of Job: Frontispiece, Job being scolded by his wife, his house and family destroyed by a hurricane and his livestock stolen, from the 'Nuremberg Bible (Biblia Sacra Germanaica)' (coloured litho)
Facsimile copy of Job: Frontispiece, Job being scolded by his wife, his house and family destroyed by a hurricane and his livestock stolen, from the 'Nuremberg Bible (Biblia Sacra Germanaica)' (coloured litho)

STC67533: Facsimile copy of Job: Frontispiece, Job being scolded by his wife, his house and family destroyed by a hurricane and his livestock stolen, from the 'Nuremberg Bible (Biblia Sacra Germanaica)' (coloured litho), German School, (15th century) (after) / Bridgeman Images

f.2v Thomas a Becket departs from King Henry II of England and Louis VII of France, following the breakdown of negotiations at Montmirail and joins the common people, from the Becket Leaves, c.1220-40 (vellum)
f.2v Thomas a Becket departs from King Henry II of England and Louis VII of France, following the breakdown of negotiations at Montmirail and joins the common people, from the Becket Leaves, c.1220-40 (vellum)

XTD70084: f.2v Thomas a Becket departs from King Henry II of England and Louis VII of France, following the breakdown of negotiations at Montmirail and joins the common people, from the Becket Leaves, c.1220-40 (vellum), English School, (13th century) / Bridgeman Images

Living off the Fat of the Land, A Country Feast (w/c with gum arabic on panel)
Living off the Fat of the Land, A Country Feast (w/c with gum arabic on panel)

DRE72986: Living off the Fat of the Land, A Country Feast (w/c with gum arabic on panel), Unwins, Thomas (1782-1857) / Bridgeman Images

Coats of Arms of Richard III (1483-85) and Anne Neville (pen & ink with wash on paper)
Coats of Arms of Richard III (1483-85) and Anne Neville (pen & ink with wash on paper)

XND75968: Coats of Arms of Richard III (1483-85) and Anne Neville (pen & ink with wash on paper), English School / Bridgeman Images

Diana
Diana

BAL77027: Diana, Camerarius, Adam (fl.1644-65) / Bridgeman Images

Signor Lablache as Dr. Dulcamara, the quack doctor in the opera 'The Elixir of Love' (L'Elisir D'Amore) by Gaetano Donizetti (1797-1848) (coloured engraving)
Signor Lablache as Dr. Dulcamara, the quack doctor in the opera 'The Elixir of Love' (L'Elisir D'Amore) by Gaetano Donizetti (1797-1848) (coloured engraving)

BAL78079: Signor Lablache as Dr. Dulcamara, the quack doctor in the opera 'The Elixir of Love' (L'Elisir D'Amore) by Gaetano Donizetti (1797-1848) (coloured engraving), English School, (19th century) / Bridgeman Images

The Harvest (w/c on paper)
The Harvest (w/c on paper)

HGM78268: The Harvest (w/c on paper), Mauve, Anton (1838-88) / Bridgeman Images

Good Fortune
Good Fortune

AII78359: Good Fortune, Spada, Lionello (1576-1622) / Bridgeman Images

St. Charles Borromeo (1538-84), Archbishop of Milan
St. Charles Borromeo (1538-84), Archbishop of Milan

AII79562: St. Charles Borromeo (1538-84), Archbishop of Milan, Dolci, Carlo (1616-86) / Bridgeman Images

Geraniums in a pot (pastel)
Geraniums in a pot (pastel)

HGM81121: Geraniums in a pot (pastel), Redon, Odilon (1840-1916) / Bridgeman Images

An Entertaining Evening
An Entertaining Evening

BAL82735: An Entertaining Evening, Lancerotto, Egisto (1848-1916) / Bridgeman Images

Rocks near the Caves below the Chateau Noir, c.1904 (oil on canvas)
Rocks near the Caves below the Chateau Noir, c.1904 (oil on canvas)

PWI82826: Rocks near the Caves below the Chateau Noir, c.1904 (oil on canvas), Cezanne, Paul (1839-1906) / Bridgeman Images

'Harebell' wallpaper, designed 1911 (colour litho)
'Harebell' wallpaper, designed 1911 (colour litho)

WMA82938: 'Harebell' wallpaper, designed 1911 (colour litho), Dearle, John Henry (1860-1932) / Bridgeman Images

Portrait of Alessandro Farnese (1546-92) 3rd Duke of Parma, Governor-General of the Netherlands (panel)
Portrait of Alessandro Farnese (1546-92) 3rd Duke of Parma, Governor-General of the Netherlands (panel)

MOU83921: Portrait of Alessandro Farnese (1546-92) 3rd Duke of Parma, Governor-General of the Netherlands (panel), Dutch School, (16th century) / Bridgeman Images

Vase decorated with incised hunting scene, predynastic Egyptian, c.3800-3600 BC (pottery)
Vase decorated with incised hunting scene, predynastic Egyptian, c.3800-3600 BC (pottery)

HSC94475: Vase decorated with incised hunting scene, predynastic Egyptian, c.3800-3600 BC (pottery) / Bridgeman Images

Columbus Discovering America, plate 2 from 'Nova Reperta' (New Discoveries) engraved by Theodor Galle (1571-1633) c.1600 (engraving)
Columbus Discovering America, plate 2 from 'Nova Reperta' (New Discoveries) engraved by Theodor Galle (1571-1633) c.1600 (engraving)

STC97580: Columbus Discovering America, plate 2 from 'Nova Reperta' (New Discoveries) engraved by Theodor Galle (1571-1633) c.1600 (engraving), Straet, Jan van der (Giovanni Stradano) (1523-1605) (after) / Bridgeman Images

The Diana of Gabii, Roman (marble) (see also 157901)
The Diana of Gabii, Roman (marble) (see also 157901)

PWI98013: The Diana of Gabii, Roman (marble) (see also 157901) / Bridgeman Images

The Black Boy (oil on canvas)
The Black Boy (oil on canvas)

VIB98337: The Black Boy (oil on canvas), Jones, William (fl.1769-82) / Bridgeman Images

IL100113: "I say Bob, who is Jack Frost?" from 'Busy Bunny Book', pub. by Nelson, 1916 (colour litho), Wright, Alan (1864-1959) and Anderson, Anne (1874-1930) / Bridgeman Images

Sweet Peas and Nigella, c.1936 (w/c on paper)
Sweet Peas and Nigella, c.1936 (w/c on paper)

JFC102664: Sweet Peas and Nigella, c.1936 (w/c on paper), Clark, James (1858-1943) / Bridgeman Images

Interior of the Pantheon, Rome, from 'Le Costume Ancien et Moderne' by Jules Ferrario, engraved by G. Castellini, published c.1820s-30s (colour litho)
Interior of the Pantheon, Rome, from 'Le Costume Ancien et Moderne' by Jules Ferrario, engraved by G. Castellini, published c.1820s-30s (colour litho)

STC105051: Interior of the Pantheon, Rome, from 'Le Costume Ancien et Moderne' by Jules Ferrario, engraved by G. Castellini, published c.1820s-30s (colour litho), Fumagalli (19th century) (after) / Bridgeman Images

An Allegory of Death and Beauty (oil on panel)
An Allegory of Death and Beauty (oil on panel)

PFA109300: An Allegory of Death and Beauty (oil on panel), Baldung Grien, Hans (1484-1545) (circle of) / Bridgeman Images

Portrait of a Bearded Nobleman, possibly Gian Galeazzo Visconti, Duke of Milan (1351-1402) (oil on vellum)
Portrait of a Bearded Nobleman, possibly Gian Galeazzo Visconti, Duke of Milan (1351-1402) (oil on vellum)

PFA109548: Portrait of a Bearded Nobleman, possibly Gian Galeazzo Visconti, Duke of Milan (1351-1402) (oil on vellum), Predis, Giovanni Ambrogio de (fl.1472-1506) (attr. to) / Bridgeman Images

The Thames from the Terrace of Somerset House, looking upstream Towards Westminster and Whitehall, c.1750 (oil on canvas)
The Thames from the Terrace of Somerset House, looking upstream Towards Westminster and Whitehall, c.1750 (oil on canvas)

XYC111929: The Thames from the Terrace of Somerset House, looking upstream Towards Westminster and Whitehall, c.1750 (oil on canvas), Canaletto, (Giovanni Antonio Canal) (1697-1768) / Bridgeman Images

Ms Fr 616 fol.92 Hunting hares, from the Livre de la Chasse by Gaston Phebus de Foix (1331-91), late 15th century (vellum)
Ms Fr 616 fol.92 Hunting hares, from the Livre de la Chasse by Gaston Phebus de Foix (1331-91), late 15th century (vellum)

REV115955: Ms Fr 616 fol.92 Hunting hares, from the Livre de la Chasse by Gaston Phebus de Foix (1331-91), late 15th century (vellum), French School, (15th century) / Bridgeman Images

Peonies, plate 46 from the Nassau Florilegium (w/c on paper)
Peonies, plate 46 from the Nassau Florilegium (w/c on paper)

STC118584: Peonies, plate 46 from the Nassau Florilegium (w/c on paper), Walther, Johann Jakob (c.1600-p.1679) / Bridgeman Images

Harlequin, Pierrot and Scapin, Actors from the Commedia dell'Arte (oil on canvas)
Harlequin, Pierrot and Scapin, Actors from the Commedia dell'Arte (oil on canvas)

REV121261: Harlequin, Pierrot and Scapin, Actors from the Commedia dell'Arte (oil on canvas), Watteau, Jean Antoine (1684-1721) / Bridgeman Images


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