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Description of leaflets, roots and golden bud flower. Chromolithographie in “” Recueil d'images instructives ou lecons du monde vegetal””, by Charlotte Mary Yonge (1823-1901), published in Edinburgh (Scotland) in 1858.
Description of leaflets, roots and golden bud flower. Chromolithographie in “” Recueil d'images instructives ou lecons du monde vegetal””, by Charlotte Mary Yonge (1823-1901), published in Edinburgh (Scotland) in 1858.

FLO4721194: Description of leaflets, roots and golden bud flower. Chromolithographie in “” Recueil d'images instructives ou lecons du monde vegetal””, by Charlotte Mary Yonge (1823-1901), published in Edinburgh (Scotland) in 1858. / Bridgeman Images

ID: FLO4721194

Description of leaflets, roots and golden bud flower. Chromolithographie in “” Recueil d'images instructives ou lecons du monde vegetal””, by Charlotte Mary Yonge (1823-1901), published in Edinburgh (Scotland) in 1858.

Description of the parisette has four leaf (Paris quadrifolia), with its fruit. Chromolithographie in “” Recueil d'images instructives ou lecons du monde vegetal””, by Charlotte Mary Yonge (1823-1901), published in Edinburgh (Scotland) in 1858.
Description of the parisette has four leaf (Paris quadrifolia), with its fruit. Chromolithographie in “” Recueil d'images instructives ou lecons du monde vegetal””, by Charlotte Mary Yonge (1823-1901), published in Edinburgh (Scotland) in 1858.

FLO4721225: Description of the parisette has four leaf (Paris quadrifolia), with its fruit. Chromolithographie in “” Recueil d'images instructives ou lecons du monde vegetal””, by Charlotte Mary Yonge (1823-1901), published in Edinburgh (Scotland) in 1858. / Bridgeman Images

ID: FLO4721225

Description of the parisette has four leaf (Paris quadrifolia), with its fruit. Chromolithographie in “” Recueil d'images instructives ou lecons du monde vegetal””, by Charlotte Mary Yonge (1823-1901), published in Edinburgh (Scotland) in 1858.

Description of the black nightshade (Solanum nigrum), or kills dog, with its black berries. Chromolithographie in “” Recueil d'images instructives ou lecons du monde vegetal””, by Charlotte Mary Yonge (1823-1901), published in Edinburgh (Scotland) in 1858.
Description of the black nightshade (Solanum nigrum), or kills dog, with its black berries. Chromolithographie in “” Recueil d'images instructives ou lecons du monde vegetal””, by Charlotte Mary Yonge (1823-1901), published in Edinburgh (Scotland) in 1858.

FLO4721333: Description of the black nightshade (Solanum nigrum), or kills dog, with its black berries. Chromolithographie in “” Recueil d'images instructives ou lecons du monde vegetal””, by Charlotte Mary Yonge (1823-1901), published in Edinburgh (Scotland) in 1858. / Bridgeman Images

ID: FLO4721333

Description of the black nightshade (Solanum nigrum), or kills dog, with its black berries. Chromolithographie in “” Recueil d'images instructives ou lecons du monde vegetal””, by Charlotte Mary Yonge (1823-1901), published in Edinburgh (Scotland) in 1858.

Two knights mounted and armed fighting with their hands in a tournament. The knights threw their spears and swords to the ground, but the fight continues without weapons. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Two knights mounted and armed fighting with their hands in a tournament. The knights threw their spears and swords to the ground, but the fight continues without weapons. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707208: Two knights mounted and armed fighting with their hands in a tournament. The knights threw their spears and swords to the ground, but the fight continues without weapons. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707208

Two knights mounted and armed fighting with their hands in a tournament. The knights threw their spears and swords to the ground, but the fight continues without weapons. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Title page of volume 2 Book 1 of the series. Title in German, with a vignette: two naked boys decorating a bust with a laurel wreath. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Title page of volume 2 Book 1 of the series. Title in German, with a vignette: two naked boys decorating a bust with a laurel wreath. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707247: Title page of volume 2 Book 1 of the series. Title in German, with a vignette: two naked boys decorating a bust with a laurel wreath. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707247

Title page of volume 2 Book 1 of the series. Title in German, with a vignette: two naked boys decorating a bust with a laurel wreath. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Noble anglo high rank saxon with a coat fastened with a buckle (31). This type of coat is worn only by the kingdoms and nobility. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Noble anglo high rank saxon with a coat fastened with a buckle (31). This type of coat is worn only by the kingdoms and nobility. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707281: Noble anglo high rank saxon with a coat fastened with a buckle (31). This type of coat is worn only by the kingdoms and nobility. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707281

Noble anglo high rank saxon with a coat fastened with a buckle (31). This type of coat is worn only by the kingdoms and nobility. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

A Saxon king in ceremonial costume. The great mantle is worn only by members of the realm or aristocracy and seems to have and reserve for divine or Celestial beings. Her hair and beard seem to have been dyed blue, as can be seen in paintings from the 8th century onwards. The saxons introduced the royal diademe, a circle of gold carries like a crown. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
A Saxon king in ceremonial costume. The great mantle is worn only by members of the realm or aristocracy and seems to have and reserve for divine or Celestial beings. Her hair and beard seem to have been dyed blue, as can be seen in paintings from the 8th century onwards. The saxons introduced the royal diademe, a circle of gold carries like a crown. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707290: A Saxon king in ceremonial costume. The great mantle is worn only by members of the realm or aristocracy and seems to have and reserve for divine or Celestial beings. Her hair and beard seem to have been dyed blue, as can be seen in paintings from the 8th century onwards. The saxons introduced the royal diademe, a circle of gold carries like a crown. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707290

A Saxon king in ceremonial costume. The great mantle is worn only by members of the realm or aristocracy and seems to have and reserve for divine or Celestial beings. Her hair and beard seem to have been dyed blue, as can be seen in paintings from the 8th century onwards. The saxons introduced the royal diademe, a circle of gold carries like a crown. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Anglo-Saxon women wearing a tunic, a coat and a large veil covering the hair and shoulder, falling to the knees (33), a floating veil (14) and wearing veil and belt (35). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Anglo-Saxon women wearing a tunic, a coat and a large veil covering the hair and shoulder, falling to the knees (33), a floating veil (14) and wearing veil and belt (35). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707301: Anglo-Saxon women wearing a tunic, a coat and a large veil covering the hair and shoulder, falling to the knees (33), a floating veil (14) and wearing veil and belt (35). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707301

Anglo-Saxon women wearing a tunic, a coat and a large veil covering the hair and shoulder, falling to the knees (33), a floating veil (14) and wearing veil and belt (35). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Anglo-Saxon women: wearing tunic, veil, coat and shoe with open toe (36), wearing tunic and veil (37) and wearing a veil of a different colour from that of her coat. The sails were dyed in various colours and woven in more or less precious materials. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Anglo-Saxon women: wearing tunic, veil, coat and shoe with open toe (36), wearing tunic and veil (37) and wearing a veil of a different colour from that of her coat. The sails were dyed in various colours and woven in more or less precious materials. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707314: Anglo-Saxon women: wearing tunic, veil, coat and shoe with open toe (36), wearing tunic and veil (37) and wearing a veil of a different colour from that of her coat. The sails were dyed in various colours and woven in more or less precious materials. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707314

Anglo-Saxon women: wearing tunic, veil, coat and shoe with open toe (36), wearing tunic and veil (37) and wearing a veil of a different colour from that of her coat. The sails were dyed in various colours and woven in more or less precious materials. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

First officer of the Royal Guard (41), rider with a spear (42) and Anglo-Saxon infantryman with a spear and a shield (43). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
First officer of the Royal Guard (41), rider with a spear (42) and Anglo-Saxon infantryman with a spear and a shield (43). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707340: First officer of the Royal Guard (41), rider with a spear (42) and Anglo-Saxon infantryman with a spear and a shield (43). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707340

First officer of the Royal Guard (41), rider with a spear (42) and Anglo-Saxon infantryman with a spear and a shield (43). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Anglo Saxon king of the 9th century, in a tunic with embroidered edges and hem, with a jete coat on the shoulder and fastener with a clasp. Clothing close to those of Charlemagne (742 or 748-814) and the kings of France. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Anglo Saxon king of the 9th century, in a tunic with embroidered edges and hem, with a jete coat on the shoulder and fastener with a clasp. Clothing close to those of Charlemagne (742 or 748-814) and the kings of France. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707463: Anglo Saxon king of the 9th century, in a tunic with embroidered edges and hem, with a jete coat on the shoulder and fastener with a clasp. Clothing close to those of Charlemagne (742 or 748-814) and the kings of France. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707463

Anglo Saxon king of the 9th century, in a tunic with embroidered edges and hem, with a jete coat on the shoulder and fastener with a clasp. Clothing close to those of Charlemagne (742 or 748-814) and the kings of France. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Knight of the Order of Aviz, in ceremonial dress. A Portuguese military religious order, after the conquest of Aviz (Portugal), a military fortress was built and became the mother house of the order, who first called themselves the Knights of St. Benedict d'Aviz until they adopted the Benedictine rule in 1162. They were subject to the rules and the Cistercian costume, wearing a white coat and a green lysee flower cross, although this illustration clearly shows a red Cistercian cross on the chest of his coat. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Knight of the Order of Aviz, in ceremonial dress. A Portuguese military religious order, after the conquest of Aviz (Portugal), a military fortress was built and became the mother house of the order, who first called themselves the Knights of St. Benedict d'Aviz until they adopted the Benedictine rule in 1162. They were subject to the rules and the Cistercian costume, wearing a white coat and a green lysee flower cross, although this illustration clearly shows a red Cistercian cross on the chest of his coat. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4708503: Knight of the Order of Aviz, in ceremonial dress. A Portuguese military religious order, after the conquest of Aviz (Portugal), a military fortress was built and became the mother house of the order, who first called themselves the Knights of St. Benedict d'Aviz until they adopted the Benedictine rule in 1162. They were subject to the rules and the Cistercian costume, wearing a white coat and a green lysee flower cross, although this illustration clearly shows a red Cistercian cross on the chest of his coat. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4708503

Knight of the Order of Aviz, in ceremonial dress. A Portuguese military religious order, after the conquest of Aviz (Portugal), a military fortress was built and became the mother house of the order, who first called themselves the Knights of St. Benedict d'Aviz until they adopted the Benedictine rule in 1162. They were subject to the rules and the Cistercian costume, wearing a white coat and a green lysee flower cross, although this illustration clearly shows a red Cistercian cross on the chest of his coat. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Knight of the Order of Constantine. The Order was first founded in 343 BC by the Roman Emperor Constantine, but received its official rules and statutes in 1190 by Isaac Ange Comnene (1155-1204), Emperor of Constantinople, the Order was also known as the Order of the Angelics, the Order of the Dory Knights or the Constantine militia of Saint George. It consisted of three rows for its members: Grand Cross, knight and brother serving; The insignia of the order is a red cross made of four flowers of lilies, surrounded by a golden border. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Knight of the Order of Constantine. The Order was first founded in 343 BC by the Roman Emperor Constantine, but received its official rules and statutes in 1190 by Isaac Ange Comnene (1155-1204), Emperor of Constantinople, the Order was also known as the Order of the Angelics, the Order of the Dory Knights or the Constantine militia of Saint George. It consisted of three rows for its members: Grand Cross, knight and brother serving; The insignia of the order is a red cross made of four flowers of lilies, surrounded by a golden border. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4708525: Knight of the Order of Constantine. The Order was first founded in 343 BC by the Roman Emperor Constantine, but received its official rules and statutes in 1190 by Isaac Ange Comnene (1155-1204), Emperor of Constantinople, the Order was also known as the Order of the Angelics, the Order of the Dory Knights or the Constantine militia of Saint George. It consisted of three rows for its members: Grand Cross, knight and brother serving; The insignia of the order is a red cross made of four flowers of lilies, surrounded by a golden border. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4708525

Knight of the Order of Constantine. The Order was first founded in 343 BC by the Roman Emperor Constantine, but received its official rules and statutes in 1190 by Isaac Ange Comnene (1155-1204), Emperor of Constantinople, the Order was also known as the Order of the Angelics, the Order of the Dory Knights or the Constantine militia of Saint George. It consisted of three rows for its members: Grand Cross, knight and brother serving; The insignia of the order is a red cross made of four flowers of lilies, surrounded by a golden border. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Knight of the Order of St. Catherine and Knight of the Order of the Sword. The Order of St. Catherine was founded by the Christian princes to protect the pelerins of Mount Sinai, who came to venerate the relics of St. Catherine, but also to protect them from desecration from the 11th to the 15th centuries. However, according to the Catholic encyclopedia, the knights of St. Catherine were not an order, nor secular, nor regal. The order of the Sword, or the sword-bearers, was a military order in order to prepare the crusade against the Prussian peers in the 13th century (uncarried out crusade).
Knight of the Order of St. Catherine and Knight of the Order of the Sword. The Order of St. Catherine was founded by the Christian princes to protect the pelerins of Mount Sinai, who came to venerate the relics of St. Catherine, but also to protect them from desecration from the 11th to the 15th centuries. However, according to the Catholic encyclopedia, the knights of St. Catherine were not an order, nor secular, nor regal. The order of the Sword, or the sword-bearers, was a military order in order to prepare the crusade against the Prussian peers in the 13th century (uncarried out crusade).

FLO4708528: Knight of the Order of St. Catherine and Knight of the Order of the Sword. The Order of St. Catherine was founded by the Christian princes to protect the pelerins of Mount Sinai, who came to venerate the relics of St. Catherine, but also to protect them from desecration from the 11th to the 15th centuries. However, according to the Catholic encyclopedia, the knights of St. Catherine were not an order, nor secular, nor regal. The order of the Sword, or the sword-bearers, was a military order in order to prepare the crusade against the Prussian peers in the 13th century (uncarried out crusade). / Bridgeman Images

ID: FLO4708528

Knight of the Order of St. Catherine and Knight of the Order of the Sword. The Order of St. Catherine was founded by the Christian princes to protect the pelerins of Mount Sinai, who came to venerate the relics of St. Catherine, but also to protect them from desecration from the 11th to the 15th centuries. However, according to the Catholic encyclopedia, the knights of St. Catherine were not an order, nor secular, nor regal. The order of the Sword, or the sword-bearers, was a military order in order to prepare the crusade against the Prussian peers in the 13th century (uncarried out crusade).

Varieties of stapelia, Giant Stapelia, Hirsute Stapelia and Campanulata Stapelia Strong Water, extracted from The Temple of Flora, by Dr. Robert Thornton (1768-1837), 1812
Varieties of stapelia, Giant Stapelia, Hirsute Stapelia and Campanulata Stapelia Strong Water, extracted from The Temple of Flora, by Dr. Robert Thornton (1768-1837), 1812

FLO4717033: Varieties of stapelia, Giant Stapelia, Hirsute Stapelia and Campanulata Stapelia Strong Water, extracted from The Temple of Flora, by Dr. Robert Thornton (1768-1837), 1812 / Bridgeman Images

ID: FLO4717033

Varieties of stapelia, Giant Stapelia, Hirsute Stapelia and Campanulata Stapelia Strong Water, extracted from The Temple of Flora, by Dr. Robert Thornton (1768-1837), 1812

Variete of primevere auricle (bear ear or woolly epiary) Strong water, extracted from The Temple of Flora, by Dr. Robert Thornton (1768-1837), 1812
Variete of primevere auricle (bear ear or woolly epiary) Strong water, extracted from The Temple of Flora, by Dr. Robert Thornton (1768-1837), 1812

FLO4717046: Variete of primevere auricle (bear ear or woolly epiary) Strong water, extracted from The Temple of Flora, by Dr. Robert Thornton (1768-1837), 1812 / Bridgeman Images

ID: FLO4717046

Variete of primevere auricle (bear ear or woolly epiary) Strong water, extracted from The Temple of Flora, by Dr. Robert Thornton (1768-1837), 1812

Banana fruit growing upright on the branch.
Banana fruit growing upright on the branch.

FLO4726002: Banana fruit growing upright on the branch. / Bridgeman Images

ID: FLO4726002

Banana fruit growing upright on the branch.

Plantain banana, whole fruit, cut and section, flower. Plantain bananas, whole fruit and section.Musa paradisiaca.Handcolored copperplate engraving from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History) 1813. Gottlieb Tobias Wilhelm (1758-1811).
Plantain banana, whole fruit, cut and section, flower. Plantain bananas, whole fruit and section.Musa paradisiaca.Handcolored copperplate engraving from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History) 1813. Gottlieb Tobias Wilhelm (1758-1811).

FLO4726023: Plantain banana, whole fruit, cut and section, flower. Plantain bananas, whole fruit and section.Musa paradisiaca.Handcolored copperplate engraving from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History) 1813. Gottlieb Tobias Wilhelm (1758-1811). / Bridgeman Images

ID: FLO4726023

Plantain banana, whole fruit, cut and section, flower. Plantain bananas, whole fruit and section.Musa paradisiaca.Handcolored copperplate engraving from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History) 1813. Gottlieb Tobias Wilhelm (1758-1811).

Wood strawberry and Virginia strawberry. Woodland strawberry and Virginia strawberry. Fragaria vesca, Fragaria elatior, Fragaria virginiana.Handcolored copperplate engraving from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History) 1813. Gottlieb Tobias Wilhelm (1758-1811).
Wood strawberry and Virginia strawberry. Woodland strawberry and Virginia strawberry. Fragaria vesca, Fragaria elatior, Fragaria virginiana.Handcolored copperplate engraving from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History) 1813. Gottlieb Tobias Wilhelm (1758-1811).

FLO4726072: Wood strawberry and Virginia strawberry. Woodland strawberry and Virginia strawberry. Fragaria vesca, Fragaria elatior, Fragaria virginiana.Handcolored copperplate engraving from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History) 1813. Gottlieb Tobias Wilhelm (1758-1811). / Bridgeman Images

ID: FLO4726072

Wood strawberry and Virginia strawberry. Woodland strawberry and Virginia strawberry. Fragaria vesca, Fragaria elatior, Fragaria virginiana.Handcolored copperplate engraving from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History) 1813. Gottlieb Tobias Wilhelm (1758-1811).

The bigaradier, with flower and fruit. Coloured copper engraving, based on an illustration by Gottlieb Tobias Wilhelm (1758-1811), in Encyclopedie d'histoire naturelle, published in Vienna (Austria), 1816. Orange, Citrus aurantium. Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1816. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published.
The bigaradier, with flower and fruit. Coloured copper engraving, based on an illustration by Gottlieb Tobias Wilhelm (1758-1811), in Encyclopedie d'histoire naturelle, published in Vienna (Austria), 1816. Orange, Citrus aurantium. Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1816. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published.

FLO4726422: The bigaradier, with flower and fruit. Coloured copper engraving, based on an illustration by Gottlieb Tobias Wilhelm (1758-1811), in Encyclopedie d'histoire naturelle, published in Vienna (Austria), 1816. Orange, Citrus aurantium. Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1816. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published. / Bridgeman Images

ID: FLO4726422

The bigaradier, with flower and fruit. Coloured copper engraving, based on an illustration by Gottlieb Tobias Wilhelm (1758-1811), in Encyclopedie d'histoire naturelle, published in Vienna (Austria), 1816. Orange, Citrus aurantium. Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1816. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published.

Italian artist Giacomo Manzu (about 1980)/L'artista Giacomo Manzu (1980 circa) -
Italian artist Giacomo Manzu (about 1980)/L'artista Giacomo Manzu (1980 circa) -

MME4726426: Italian artist Giacomo Manzu (about 1980)/L'artista Giacomo Manzu (1980 circa) - / Bridgeman Images

ID: MME4726426

Italian artist Giacomo Manzu (about 1980)/L'artista Giacomo Manzu (1980 circa) -

Orange grapefruit. Grapefruit, Citrus aurantium decumana, Citrus aurantium striatum. Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1816. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published.
Orange grapefruit. Grapefruit, Citrus aurantium decumana, Citrus aurantium striatum. Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1816. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published.

FLO4726436: Orange grapefruit. Grapefruit, Citrus aurantium decumana, Citrus aurantium striatum. Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1816. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published. / Bridgeman Images

ID: FLO4726436

Orange grapefruit. Grapefruit, Citrus aurantium decumana, Citrus aurantium striatum. Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1816. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published.

Pomegranate, fruit description and sections. Coloured copper engraving, based on an illustration by Gottlieb Tobias Wilhelm (1758-1811), in Encyclopedie d'histoire naturelle, published in Vienna (Austria), 1816. Pomegranate fruit and section, Punica granatum. Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1816. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published.
Pomegranate, fruit description and sections. Coloured copper engraving, based on an illustration by Gottlieb Tobias Wilhelm (1758-1811), in Encyclopedie d'histoire naturelle, published in Vienna (Austria), 1816. Pomegranate fruit and section, Punica granatum. Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1816. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published.

FLO4726465: Pomegranate, fruit description and sections. Coloured copper engraving, based on an illustration by Gottlieb Tobias Wilhelm (1758-1811), in Encyclopedie d'histoire naturelle, published in Vienna (Austria), 1816. Pomegranate fruit and section, Punica granatum. Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1816. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published. / Bridgeman Images

ID: FLO4726465

Pomegranate, fruit description and sections. Coloured copper engraving, based on an illustration by Gottlieb Tobias Wilhelm (1758-1811), in Encyclopedie d'histoire naturelle, published in Vienna (Austria), 1816. Pomegranate fruit and section, Punica granatum. Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1816. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published.

Uranoscope (or white rascasse, sea rat, beef, tapecon, hemerocet) - Great vivid - Star gazer, Uranoscopus scaber 82 and great weaver fish, Trachinus draco 83. Handcolored copperplate engraving from Gottlieb Tobias Wilhelm's Encyclopedia of Natural History: Fish, Augsburg, 1804. Wilhelm (1758-1811) was a Bavarian clergy and naturalist known as the German Buffon.
Uranoscope (or white rascasse, sea rat, beef, tapecon, hemerocet) - Great vivid - Star gazer, Uranoscopus scaber 82 and great weaver fish, Trachinus draco 83. Handcolored copperplate engraving from Gottlieb Tobias Wilhelm's Encyclopedia of Natural History: Fish, Augsburg, 1804. Wilhelm (1758-1811) was a Bavarian clergy and naturalist known as the German Buffon.

FLO4725190: Uranoscope (or white rascasse, sea rat, beef, tapecon, hemerocet) - Great vivid - Star gazer, Uranoscopus scaber 82 and great weaver fish, Trachinus draco 83. Handcolored copperplate engraving from Gottlieb Tobias Wilhelm's Encyclopedia of Natural History: Fish, Augsburg, 1804. Wilhelm (1758-1811) was a Bavarian clergy and naturalist known as the German Buffon. / Bridgeman Images

ID: FLO4725190

Uranoscope (or white rascasse, sea rat, beef, tapecon, hemerocet) - Great vivid - Star gazer, Uranoscopus scaber 82 and great weaver fish, Trachinus draco 83. Handcolored copperplate engraving from Gottlieb Tobias Wilhelm's Encyclopedia of Natural History: Fish, Augsburg, 1804. Wilhelm (1758-1811) was a Bavarian clergy and naturalist known as the German Buffon.

Ling, Molva molva 99, burbot, Lota 100, oyster toadfish, Opsanus tau 101,102, and tusk fish, Brosme brosme 103. Handcolored copperplate engraving from Gottlieb Tobias Wilhelm's Encyclopedia of Natural History: Fish, Augsburg, 1804. Wilhelm (1758-1811) was a Bavarian clergy and naturalist known as the German Buffon.
Ling, Molva molva 99, burbot, Lota 100, oyster toadfish, Opsanus tau 101,102, and tusk fish, Brosme brosme 103. Handcolored copperplate engraving from Gottlieb Tobias Wilhelm's Encyclopedia of Natural History: Fish, Augsburg, 1804. Wilhelm (1758-1811) was a Bavarian clergy and naturalist known as the German Buffon.

FLO4725354: Ling, Molva molva 99, burbot, Lota 100, oyster toadfish, Opsanus tau 101,102, and tusk fish, Brosme brosme 103. Handcolored copperplate engraving from Gottlieb Tobias Wilhelm's Encyclopedia of Natural History: Fish, Augsburg, 1804. Wilhelm (1758-1811) was a Bavarian clergy and naturalist known as the German Buffon. / Bridgeman Images

ID: FLO4725354

Ling, Molva molva 99, burbot, Lota 100, oyster toadfish, Opsanus tau 101,102, and tusk fish, Brosme brosme 103. Handcolored copperplate engraving from Gottlieb Tobias Wilhelm's Encyclopedia of Natural History: Fish, Augsburg, 1804. Wilhelm (1758-1811) was a Bavarian clergy and naturalist known as the German Buffon.

Rattlesnake variete with tail end detail - Strong water by Gottlieb Tobias Wilhelm (1758-1811), from Encyclopedie of Natural History: Amphibians, 1794 - Ground rattlesnake, Sistrurus miliarius - Handcolored copperplate engraving from G. T. Wilhelm's “” Encyclophipedia of Natural History: Bia,”” 1794
Rattlesnake variete with tail end detail - Strong water by Gottlieb Tobias Wilhelm (1758-1811), from Encyclopedie of Natural History: Amphibians, 1794 - Ground rattlesnake, Sistrurus miliarius - Handcolored copperplate engraving from G. T. Wilhelm's “” Encyclophipedia of Natural History: Bia,”” 1794

FLO4724836: Rattlesnake variete with tail end detail - Strong water by Gottlieb Tobias Wilhelm (1758-1811), from Encyclopedie of Natural History: Amphibians, 1794 - Ground rattlesnake, Sistrurus miliarius - Handcolored copperplate engraving from G. T. Wilhelm's “” Encyclophipedia of Natural History: Bia,”” 1794 / Bridgeman Images

ID: FLO4724836

Rattlesnake variete with tail end detail - Strong water by Gottlieb Tobias Wilhelm (1758-1811), from Encyclopedie of Natural History: Amphibians, 1794 - Ground rattlesnake, Sistrurus miliarius - Handcolored copperplate engraving from G. T. Wilhelm's “” Encyclophipedia of Natural History: Bia,”” 1794

Haddock (haddock, haddock if smoked) - Atlantic cod (or Atlantic cod, common or cod) - Haddock, Melanogrammus aeglefinus 84, and Atlantic cod, Gadus morhua 85. Handcolored copperplate engraving from Gottlieb Tobias Wilhelm's Encyclopedia of Natural History: Fish, Augsburg, 1804. Wilhelm (1758-1811) was a Bavarian clergy and naturalist known as the German Buffon.
Haddock (haddock, haddock if smoked) - Atlantic cod (or Atlantic cod, common or cod) - Haddock, Melanogrammus aeglefinus 84, and Atlantic cod, Gadus morhua 85. Handcolored copperplate engraving from Gottlieb Tobias Wilhelm's Encyclopedia of Natural History: Fish, Augsburg, 1804. Wilhelm (1758-1811) was a Bavarian clergy and naturalist known as the German Buffon.

FLO4725268: Haddock (haddock, haddock if smoked) - Atlantic cod (or Atlantic cod, common or cod) - Haddock, Melanogrammus aeglefinus 84, and Atlantic cod, Gadus morhua 85. Handcolored copperplate engraving from Gottlieb Tobias Wilhelm's Encyclopedia of Natural History: Fish, Augsburg, 1804. Wilhelm (1758-1811) was a Bavarian clergy and naturalist known as the German Buffon. / Bridgeman Images

ID: FLO4725268

Haddock (haddock, haddock if smoked) - Atlantic cod (or Atlantic cod, common or cod) - Haddock, Melanogrammus aeglefinus 84, and Atlantic cod, Gadus morhua 85. Handcolored copperplate engraving from Gottlieb Tobias Wilhelm's Encyclopedia of Natural History: Fish, Augsburg, 1804. Wilhelm (1758-1811) was a Bavarian clergy and naturalist known as the German Buffon.

Huchon (or Danube salmon) and Coregone Lavaret (lavaret) - boat fishermen, using poles and lines - Danube salmon, Hucho hucho endangered 101, whitefish, Coregonus lavaretus 102, and fishermen in boats fishing using rod and line on a river. Handcolored copperplate engraving after Jacob Nilson from Gottlieb Tobias Wilhelm's Encyclopedia of Natural History: Fish, Augsburg, 1804. Wilhelm (1758-1811) was a Bavarian clergy and naturalist known as the German Buffon.
Huchon (or Danube salmon) and Coregone Lavaret (lavaret) - boat fishermen, using poles and lines - Danube salmon, Hucho hucho endangered 101, whitefish, Coregonus lavaretus 102, and fishermen in boats fishing using rod and line on a river. Handcolored copperplate engraving after Jacob Nilson from Gottlieb Tobias Wilhelm's Encyclopedia of Natural History: Fish, Augsburg, 1804. Wilhelm (1758-1811) was a Bavarian clergy and naturalist known as the German Buffon.

FLO4725947: Huchon (or Danube salmon) and Coregone Lavaret (lavaret) - boat fishermen, using poles and lines - Danube salmon, Hucho hucho endangered 101, whitefish, Coregonus lavaretus 102, and fishermen in boats fishing using rod and line on a river. Handcolored copperplate engraving after Jacob Nilson from Gottlieb Tobias Wilhelm's Encyclopedia of Natural History: Fish, Augsburg, 1804. Wilhelm (1758-1811) was a Bavarian clergy and naturalist known as the German Buffon. / Bridgeman Images

ID: FLO4725947

Huchon (or Danube salmon) and Coregone Lavaret (lavaret) - boat fishermen, using poles and lines - Danube salmon, Hucho hucho endangered 101, whitefish, Coregonus lavaretus 102, and fishermen in boats fishing using rod and line on a river. Handcolored copperplate engraving after Jacob Nilson from Gottlieb Tobias Wilhelm's Encyclopedia of Natural History: Fish, Augsburg, 1804. Wilhelm (1758-1811) was a Bavarian clergy and naturalist known as the German Buffon.

Creole Frog, American Toad and Suriname Horn Frog - Strong Water by Gottlieb Tobias Wilhelm (1758-1811), from Encyclopedie of Natural History: Amphibians, 1794 - Creole frog, American toad and Surinam horned frog - Handcolored copperplate engraving from G. T. Wilhelm's “” Encyclopedia of Natural History: Amphibia,”” 1794
Creole Frog, American Toad and Suriname Horn Frog - Strong Water by Gottlieb Tobias Wilhelm (1758-1811), from Encyclopedie of Natural History: Amphibians, 1794 - Creole frog, American toad and Surinam horned frog - Handcolored copperplate engraving from G. T. Wilhelm's “” Encyclopedia of Natural History: Amphibia,”” 1794

FLO4724643: Creole Frog, American Toad and Suriname Horn Frog - Strong Water by Gottlieb Tobias Wilhelm (1758-1811), from Encyclopedie of Natural History: Amphibians, 1794 - Creole frog, American toad and Surinam horned frog - Handcolored copperplate engraving from G. T. Wilhelm's “” Encyclopedia of Natural History: Amphibia,”” 1794 / Bridgeman Images

ID: FLO4724643

Creole Frog, American Toad and Suriname Horn Frog - Strong Water by Gottlieb Tobias Wilhelm (1758-1811), from Encyclopedie of Natural History: Amphibians, 1794 - Creole frog, American toad and Surinam horned frog - Handcolored copperplate engraving from G. T. Wilhelm's “” Encyclopedia of Natural History: Amphibia,”” 1794

Caiman a glasses - Eau forte by Gottlieb Tobias Wilhelm (1758-1811), from Encyclopedie d'histoire naturelle: amphibians, 1794 - Spectacled caiman, Caiman crocodilus - Handcolored copperplate engraving from G. T. Wilhelm's “” Encyclopedia of Natural History: Amphibia,”” 1794
Caiman a glasses - Eau forte by Gottlieb Tobias Wilhelm (1758-1811), from Encyclopedie d'histoire naturelle: amphibians, 1794 - Spectacled caiman, Caiman crocodilus - Handcolored copperplate engraving from G. T. Wilhelm's “” Encyclopedia of Natural History: Amphibia,”” 1794

FLO4724701: Caiman a glasses - Eau forte by Gottlieb Tobias Wilhelm (1758-1811), from Encyclopedie d'histoire naturelle: amphibians, 1794 - Spectacled caiman, Caiman crocodilus - Handcolored copperplate engraving from G. T. Wilhelm's “” Encyclopedia of Natural History: Amphibia,”” 1794 / Bridgeman Images

ID: FLO4724701

Caiman a glasses - Eau forte by Gottlieb Tobias Wilhelm (1758-1811), from Encyclopedie d'histoire naturelle: amphibians, 1794 - Spectacled caiman, Caiman crocodilus - Handcolored copperplate engraving from G. T. Wilhelm's “” Encyclopedia of Natural History: Amphibia,”” 1794

Common European or Mediterranean Cameleon and Gecko - Forte Water by Gottlieb Tobias Wilhelm (1758-1811), from Encyclopedie of Natural History: Amphibians, 1794 - Mediterranean chameleon and tokay gecko - Handcolored copperplate engraving from G. T. Wilhelm's “” Encyclopedia of Natural History: Amphibia,”” 1794
Common European or Mediterranean Cameleon and Gecko - Forte Water by Gottlieb Tobias Wilhelm (1758-1811), from Encyclopedie of Natural History: Amphibians, 1794 - Mediterranean chameleon and tokay gecko - Handcolored copperplate engraving from G. T. Wilhelm's “” Encyclopedia of Natural History: Amphibia,”” 1794

FLO4724727: Common European or Mediterranean Cameleon and Gecko - Forte Water by Gottlieb Tobias Wilhelm (1758-1811), from Encyclopedie of Natural History: Amphibians, 1794 - Mediterranean chameleon and tokay gecko - Handcolored copperplate engraving from G. T. Wilhelm's “” Encyclopedia of Natural History: Amphibia,”” 1794 / Bridgeman Images

ID: FLO4724727

Common European or Mediterranean Cameleon and Gecko - Forte Water by Gottlieb Tobias Wilhelm (1758-1811), from Encyclopedie of Natural History: Amphibians, 1794 - Mediterranean chameleon and tokay gecko - Handcolored copperplate engraving from G. T. Wilhelm's “” Encyclopedia of Natural History: Amphibia,”” 1794

Unknown, Architectonic foreshortening with naumachia, 62 - 79, 1st Century (painted stucco)
Unknown, Architectonic foreshortening with naumachia, 62 - 79, 1st Century (painted stucco)

MEP4744339: Unknown, Architectonic foreshortening with naumachia, 62 - 79, 1st Century (painted stucco), Roman, (1st century AD) / Bridgeman Images

ID: MEP4744339

Unknown, Architectonic foreshortening with naumachia, 62 - 79, 1st Century (painted stucco)

Roman, (1st century AD)

Tragic mask, 1st Century (painted stucco)
Tragic mask, 1st Century (painted stucco)

MEP4744434: Tragic mask, 1st Century (painted stucco), Roman, (1st century AD) / Bridgeman Images

ID: MEP4744434

Tragic mask, 1st Century (painted stucco)

Roman, (1st century AD)

Hunting cupids, 62-79, 1st Century (painted stucco)
Hunting cupids, 62-79, 1st Century (painted stucco)

MEP4743831: Hunting cupids, 62-79, 1st Century (painted stucco), Roman, (1st century AD) / Bridgeman Images

ID: MEP4743831

Hunting cupids, 62-79, 1st Century (painted stucco)

Roman, (1st century AD)

Unknown artist, Rape of Europe, 1st Century, Italy; Campania (fresco)
Unknown artist, Rape of Europe, 1st Century, Italy; Campania (fresco)

MEP4743411: Unknown artist, Rape of Europe, 1st Century, Italy; Campania (fresco) / Bridgeman Images

ID: MEP4743411

Unknown artist, Rape of Europe, 1st Century, Italy; Campania (fresco)

Guereza of Angola or Angolan black and white colobe - Angola colobus, Colobus angolensis. Full-bottom monkey, named for its resemblance to a full-bottomed wig. Handcoloured copperplate engraving by J. Pass after an illustration by Johann Jakob Ihle from Ebenezer Sibly's Universal System of Natural History, London, 1796
Guereza of Angola or Angolan black and white colobe - Angola colobus, Colobus angolensis. Full-bottom monkey, named for its resemblance to a full-bottomed wig. Handcoloured copperplate engraving by J. Pass after an illustration by Johann Jakob Ihle from Ebenezer Sibly's Universal System of Natural History, London, 1796

FLO4714818: Guereza of Angola or Angolan black and white colobe - Angola colobus, Colobus angolensis. Full-bottom monkey, named for its resemblance to a full-bottomed wig. Handcoloured copperplate engraving by J. Pass after an illustration by Johann Jakob Ihle from Ebenezer Sibly's Universal System of Natural History, London, 1796 / Bridgeman Images

ID: FLO4714818

Guereza of Angola or Angolan black and white colobe - Angola colobus, Colobus angolensis. Full-bottom monkey, named for its resemblance to a full-bottomed wig. Handcoloured copperplate engraving by J. Pass after an illustration by Johann Jakob Ihle from Ebenezer Sibly's Universal System of Natural History, London, 1796


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