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FLO4734328: Ceylon fluting machine (Laurus cinnamomum). Lithograph from “Afbeelding der Artseny-Gewassen” by Johannes Zorn (1739-1799), Netherlands, 1796. Cinnamon tree, Laurus cinnamomum. Handcoloured copperplate botanical engraving from J. Zorn's “Afbeelding der Artseny-Gewassen,” Amsterdam, 1796. / Bridgeman Images
FLO4734341: Molene thapsus or white broth (Verbasum thapsus). Lithograph from “Afbeelding der Artseny-Gewassen” by Johannes Zorn (1739-1799), Netherlands, 1796. Great mullein, Verbasum thapsus. Handcoloured copperplate botanical engraving from J. Zorn's “Afbeelding der Artseny-Gewassen,” Amsterdam, 1796. / Bridgeman Images
FLO4734410: Melilot yellow (Melilotus officinalis). Lithograph from “Afbeelding der Artseny-Gewassen” by Johannes Zorn (1739-1799), Netherlands, 1796. Melilot or sweet-clover, Melilotus officinalis. Handcoloured copperplate botanical engraving from J. Zorn's “Afbeelding der Artseny-Gewassen,” Amsterdam, 1796. / Bridgeman Images
FLO4734523: Purgative flax (Linum cathartium). Lithograph from “Afbeelding der Artseny-Gewassen” by Johannes Zorn (1739-1799), Netherlands, 1796. Fairy flax, Linum cathartiCum. Handcoloured copperplate botanical engraving from J. Zorn's “Afbeelding der Artseny-Gewassen,” Amsterdam, 1796. / Bridgeman Images
FLO4734537: Scamonee (Convolvulus scammonia). Lithograph from “Afbeelding der Artseny-Gewassen” by Johannes Zorn (1739-1799), Netherlands, 1796. Scammony, Convolvulus scammonia. Handcoloured copperplate botanical engraving from J. Zorn's “Afbeelding der Artseny-Gewassen,” Amsterdam, 1796. / Bridgeman Images
FLO4736574: Yellow pigamon (Thalictrum flavum). Lithograph from “Afbeelding der Artseny-Gewassen” by Johannes Zorn (1739-1799), Netherlands, 1796. Meadow Street, Thalictrum flavum. Handcoloured copperplate botanical engraving from J. Zorn's “Afbeelding der Artseny-Gewassen,” Amsterdam, 1796. / Bridgeman Images
MEP4764913: The founder of psychoanalysis Sigmund Freud sitting at the desk in his studio. Vienna, 1937 (b/w photo) / Bridgeman Images
FLO4722557: The Tomb of Charles Clerke (1741-1779) - View of Captain Clerke's tomb at St. Peter and St. Paul's (Petropavlosk-Kamchatsky), Kamchatka. From Joseph Billings (1758-1806) and Martin Sauer 1785-1806 An Account of an Expedition to the Northern Parts of Russia. Copperplate engraving by dell'Acqua handcoloured by Lazaretti from Giovanni Battista Sonzogno's Collection of the Most Interesting Voyages (Raccolta de Viaggi Piu Interessanti), Milan, 1815-1817 / Bridgeman Images
FLO4722593: Pagoda of Linqing, Daqiao village, Shandong Province, China. Eight-story tower in white brick and varnished tile, about 240 feet high. From Samuel Holmes (18th-19th century) Journal of a Voyage to China and Tartary. Copperplate engraving by dell'Acqua handcoloured by Lazaretti from Giovanni Battista Sonzogno's Collection of the Most Interesting Voyages (Raccolta de Viaggi Piu Interessanti), Milan, 1815-1817 / Bridgeman Images
MEP4756950: Hermit Saints Triptych, detail of the right panel with Saint Giles praying in a grotto, c.1493 (oil on panel), Bosch, Hieronymus (c.1450-1516) / Bridgeman Images
MME4762491: Venice Art Biennale 1990. Spanish artist Eduardo Chillida/Biennale Arte di Venezia 1990.L'Artista spagnolo Eduardo Chillida - / Bridgeman Images
MME4782162: 1999 Venice Art Biennale. Painter Emilio Vedova at the Italian Pavilion/Biennale di Venezia 1999. The painter Emilio Vedova in Padiglione Italy -, Vedova, Emilio (1919-2006) / Bridgeman Images
MME4782165: Venice Art Biennale 1999. Painter Emilio Vedova at the Italian Pavilion/Biennale di Venezia 1999. Il pittore Emilio Vedova nel Padiglione Italia - / Bridgeman Images
MME4766176: 41th Venice Art Biennale, 1984. Italian artist Alberto Burri in front of one of his works/41a Biennale Arte di Venezia, 1984. L'artista Alberto Burri davanti a una sua opera -, Burri, Alberto (1915-95) / Bridgeman Images
MME4785351: Turin, December 6, 2000. British artist Stuart Thornton in his studio where he composes his botanicals/Torino, 6 December 2000. L'artista inglese Stuart Thornton nel suo studio dove compone i suoi erbari - / Bridgeman Images
MME4785401: Turin, December 6, 2000. British artist Stuart Thornton in his studio where he composes his botanicals/Torino, 6 December 2000. L'artista inglese Stuart Thornton nel suo studio dove compone i suoi erbari - / Bridgeman Images
MME4784049: Venice Biennale of Contemporary Art 1980. Italian painter Giulio Turcato/Biennale Arte di Venezia 1980. Il pittore Giulio Turcato - / Bridgeman Images
MME4800379: Painter Domenico Purificato, Rome about 1980/Il pittore Domenico Purificato, Roma 1980 - / Bridgeman Images
MME4805539: American composer and visual artist Charlemagne Palestine preparing the screening of his video "Sacre Asnieres", Milan Triennale, May 2006 / Bridgeman Images
MME4805559: Milan Triennale, May 2006. American composer and visual artist Charlemagne Palestine while preparing the screening of his video “” Sacre Asnieres”” for inContemporanea numerodue festival, organized by O '(former O'Artoteca)/Triennale di Milano, maggio 2006. He compositore and visual artist Charlemagne Palestine prepara la preiezione del suo video “” Sacre Asnieres”” per la rassegna inContemporanA numerodue organizzata da O '(gi O'Artoteca) - / Bridgeman Images
MME4792045: Rome, 1980. Painter Gregorio Sciltian in his studio/Roma, 1980. Il pittore Gregorio Sciltian nel suo studio - / Bridgeman Images
MME4792114: Rome, 1980. Russian painter Gregorio Sciltian at his studio with a collection of mannequins./Roma, 1980. Il pittore Gregorio Sciltian nel suo studio - / Bridgeman Images
MME4813065: Pig Island by Paul McCarthy, exhibited in the first major solo show in an Italian institution by the American artist Paul McCarthy. Fondazione Nicola Trussardi, Palazzo Citterio, Via Brera 14, Milan. May-July, 2010/“” Pig Island”” by Paul McCarthy, opera esposta nella prima personale dedicata all'artista americano da una istituzione italiana. Fondazione Nicola Trussardi, Palazzo Citterio, Via Brera 14, Milano. maggio-luglio 2010 -, McCarthy, Paul (b.1945) / Bridgeman Images
MME4807333: Officina Asia art exhibition. Chinese artist Wang Mai, Bologna, June 2004 (photo) / Bridgeman Images
MME4807346: Officina Asia art exhibition. Chinese artist Wang Mai, Bologna, June 2004 (photo) / Bridgeman Images
FLO4704211: Median king and Persian king seated on a throne and holding a sceptre. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797). / Bridgeman Images
FLO4705866: Eccentric dress of a French count, 1399. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757. / Bridgeman Images
FLO4705868: A girl of Padua, Italy. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757. / Bridgeman Images
FLO4705968: Noblewoman of Genoa with flowers in her hair and bodice. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590 / Bridgeman Images
FLO4706013: Woman of Alsace, with her purse hanging from her belt. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590 / Bridgeman Images
FLO4706036: Nobleman of Bohemia, 1500s and 1600s. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590 / Bridgeman Images
FLO4706051: Married couple of Venice in the early middle ages. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590 / Bridgeman Images
FLO4706073: Man of fashion in Venice and other Italian towns, 16th century. He wears a copper balzo headdress. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590 / Bridgeman Images
FLO4706129: Nobleman of Venice in the early century of the republic (8th century). His hat with cross indicates high rank. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590 / Bridgeman Images
FLO4707314: Anglo-Saxon women: wearing tunic, veil, coat and shoe with open toe (36), wearing tunic and veil (37) and wearing a veil of a different colour from that of her coat. The sails were dyed in various colours and woven in more or less precious materials. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images
FLO4707340: First officer of the Royal Guard (41), rider with a spear (42) and Anglo-Saxon infantryman with a spear and a shield (43). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images