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Nobleman of Bohemia, 1500s and 1600s. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590
Nobleman of Bohemia, 1500s and 1600s. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590

FLO4706036: Nobleman of Bohemia, 1500s and 1600s. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590 / Bridgeman Images

ID: FLO4706036

Nobleman of Bohemia, 1500s and 1600s. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590

Married couple of Venice in the early middle ages. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590
Married couple of Venice in the early middle ages. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590

FLO4706051: Married couple of Venice in the early middle ages. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590 / Bridgeman Images

ID: FLO4706051

Married couple of Venice in the early middle ages. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590

Man of fashion in Venice and other Italian towns, 16th century. He wears a copper balzo headdress. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590
Man of fashion in Venice and other Italian towns, 16th century. He wears a copper balzo headdress. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590

FLO4706073: Man of fashion in Venice and other Italian towns, 16th century. He wears a copper balzo headdress. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590 / Bridgeman Images

ID: FLO4706073

Man of fashion in Venice and other Italian towns, 16th century. He wears a copper balzo headdress. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590

Nobleman of Venice in the early century of the republic (8th century). His hat with cross indicates high rank. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590
Nobleman of Venice in the early century of the republic (8th century). His hat with cross indicates high rank. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590

FLO4706129: Nobleman of Venice in the early century of the republic (8th century). His hat with cross indicates high rank. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590 / Bridgeman Images

ID: FLO4706129

Nobleman of Venice in the early century of the republic (8th century). His hat with cross indicates high rank. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590

Longhorn cowfish, Lactoria cornuta (Ostracion cornutus). Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig-1842.
Longhorn cowfish, Lactoria cornuta (Ostracion cornutus). Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig-1842.

FLO4720179: Longhorn cowfish, Lactoria cornuta (Ostracion cornutus). Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig-1842. / Bridgeman Images

ID: FLO4720179

Longhorn cowfish, Lactoria cornuta (Ostracion cornutus). Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig-1842.

Common sawfish, Pristis pristis (Pristis antiquorum). Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig-1842.
Common sawfish, Pristis pristis (Pristis antiquorum). Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig-1842.

FLO4720197: Common sawfish, Pristis pristis (Pristis antiquorum). Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig-1842. / Bridgeman Images

ID: FLO4720197

Common sawfish, Pristis pristis (Pristis antiquorum). Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig-1842.

Bronze-tailed peacock-pheasant or Sumatran peacock-pheasant, Polyplectron chalcurum. Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig, 1842.
Bronze-tailed peacock-pheasant or Sumatran peacock-pheasant, Polyplectron chalcurum. Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig, 1842.

FLO4720292: Bronze-tailed peacock-pheasant or Sumatran peacock-pheasant, Polyplectron chalcurum. Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig, 1842. / Bridgeman Images

ID: FLO4720292

Bronze-tailed peacock-pheasant or Sumatran peacock-pheasant, Polyplectron chalcurum. Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig, 1842.

Yellow nenuphar, arrow, blue lobelia and grass of Parnassus. Lithograph by Louisa Anne Twamley (1812-1895) in Our Wild Flower, Charles Tilt, London, England, 1839.
Yellow nenuphar, arrow, blue lobelia and grass of Parnassus. Lithograph by Louisa Anne Twamley (1812-1895) in Our Wild Flower, Charles Tilt, London, England, 1839.

FLO4720624: Yellow nenuphar, arrow, blue lobelia and grass of Parnassus. Lithograph by Louisa Anne Twamley (1812-1895) in Our Wild Flower, Charles Tilt, London, England, 1839. / Bridgeman Images

ID: FLO4720624

Yellow nenuphar, arrow, blue lobelia and grass of Parnassus. Lithograph by Louisa Anne Twamley (1812-1895) in Our Wild Flower, Charles Tilt, London, England, 1839.

Red or plains pocket gopher, Geomys bursarius. Chromolithograph by Trautmann, Bailey and Blampey after an illustration by Ernest E. Thompson from the Report of the Ornithologist, US Department of Agriculture, 1892.
Red or plains pocket gopher, Geomys bursarius. Chromolithograph by Trautmann, Bailey and Blampey after an illustration by Ernest E. Thompson from the Report of the Ornithologist, US Department of Agriculture, 1892.

FLO4720790: Red or plains pocket gopher, Geomys bursarius. Chromolithograph by Trautmann, Bailey and Blampey after an illustration by Ernest E. Thompson from the Report of the Ornithologist, US Department of Agriculture, 1892. / Bridgeman Images

ID: FLO4720790

Red or plains pocket gopher, Geomys bursarius. Chromolithograph by Trautmann, Bailey and Blampey after an illustration by Ernest E. Thompson from the Report of the Ornithologist, US Department of Agriculture, 1892.

Description of leaflets, roots and golden bud flower. Chromolithographie in “” Recueil d'images instructives ou lecons du monde vegetal””, by Charlotte Mary Yonge (1823-1901), published in Edinburgh (Scotland) in 1858.
Description of leaflets, roots and golden bud flower. Chromolithographie in “” Recueil d'images instructives ou lecons du monde vegetal””, by Charlotte Mary Yonge (1823-1901), published in Edinburgh (Scotland) in 1858.

FLO4721194: Description of leaflets, roots and golden bud flower. Chromolithographie in “” Recueil d'images instructives ou lecons du monde vegetal””, by Charlotte Mary Yonge (1823-1901), published in Edinburgh (Scotland) in 1858. / Bridgeman Images

ID: FLO4721194

Description of leaflets, roots and golden bud flower. Chromolithographie in “” Recueil d'images instructives ou lecons du monde vegetal””, by Charlotte Mary Yonge (1823-1901), published in Edinburgh (Scotland) in 1858.

Description of the parisette has four leaf (Paris quadrifolia), with its fruit. Chromolithographie in “” Recueil d'images instructives ou lecons du monde vegetal””, by Charlotte Mary Yonge (1823-1901), published in Edinburgh (Scotland) in 1858.
Description of the parisette has four leaf (Paris quadrifolia), with its fruit. Chromolithographie in “” Recueil d'images instructives ou lecons du monde vegetal””, by Charlotte Mary Yonge (1823-1901), published in Edinburgh (Scotland) in 1858.

FLO4721225: Description of the parisette has four leaf (Paris quadrifolia), with its fruit. Chromolithographie in “” Recueil d'images instructives ou lecons du monde vegetal””, by Charlotte Mary Yonge (1823-1901), published in Edinburgh (Scotland) in 1858. / Bridgeman Images

ID: FLO4721225

Description of the parisette has four leaf (Paris quadrifolia), with its fruit. Chromolithographie in “” Recueil d'images instructives ou lecons du monde vegetal””, by Charlotte Mary Yonge (1823-1901), published in Edinburgh (Scotland) in 1858.

Description of the black nightshade (Solanum nigrum), or kills dog, with its black berries. Chromolithographie in “” Recueil d'images instructives ou lecons du monde vegetal””, by Charlotte Mary Yonge (1823-1901), published in Edinburgh (Scotland) in 1858.
Description of the black nightshade (Solanum nigrum), or kills dog, with its black berries. Chromolithographie in “” Recueil d'images instructives ou lecons du monde vegetal””, by Charlotte Mary Yonge (1823-1901), published in Edinburgh (Scotland) in 1858.

FLO4721333: Description of the black nightshade (Solanum nigrum), or kills dog, with its black berries. Chromolithographie in “” Recueil d'images instructives ou lecons du monde vegetal””, by Charlotte Mary Yonge (1823-1901), published in Edinburgh (Scotland) in 1858. / Bridgeman Images

ID: FLO4721333

Description of the black nightshade (Solanum nigrum), or kills dog, with its black berries. Chromolithographie in “” Recueil d'images instructives ou lecons du monde vegetal””, by Charlotte Mary Yonge (1823-1901), published in Edinburgh (Scotland) in 1858.

Two knights mounted and armed fighting with their hands in a tournament. The knights threw their spears and swords to the ground, but the fight continues without weapons. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Two knights mounted and armed fighting with their hands in a tournament. The knights threw their spears and swords to the ground, but the fight continues without weapons. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707208: Two knights mounted and armed fighting with their hands in a tournament. The knights threw their spears and swords to the ground, but the fight continues without weapons. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707208

Two knights mounted and armed fighting with their hands in a tournament. The knights threw their spears and swords to the ground, but the fight continues without weapons. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Title page of volume 2 Book 1 of the series. Title in German, with a vignette: two naked boys decorating a bust with a laurel wreath. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Title page of volume 2 Book 1 of the series. Title in German, with a vignette: two naked boys decorating a bust with a laurel wreath. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707247: Title page of volume 2 Book 1 of the series. Title in German, with a vignette: two naked boys decorating a bust with a laurel wreath. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707247

Title page of volume 2 Book 1 of the series. Title in German, with a vignette: two naked boys decorating a bust with a laurel wreath. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Noble anglo high rank saxon with a coat fastened with a buckle (31). This type of coat is worn only by the kingdoms and nobility. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Noble anglo high rank saxon with a coat fastened with a buckle (31). This type of coat is worn only by the kingdoms and nobility. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707281: Noble anglo high rank saxon with a coat fastened with a buckle (31). This type of coat is worn only by the kingdoms and nobility. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707281

Noble anglo high rank saxon with a coat fastened with a buckle (31). This type of coat is worn only by the kingdoms and nobility. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

A Saxon king in ceremonial costume. The great mantle is worn only by members of the realm or aristocracy and seems to have and reserve for divine or Celestial beings. Her hair and beard seem to have been dyed blue, as can be seen in paintings from the 8th century onwards. The saxons introduced the royal diademe, a circle of gold carries like a crown. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
A Saxon king in ceremonial costume. The great mantle is worn only by members of the realm or aristocracy and seems to have and reserve for divine or Celestial beings. Her hair and beard seem to have been dyed blue, as can be seen in paintings from the 8th century onwards. The saxons introduced the royal diademe, a circle of gold carries like a crown. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707290: A Saxon king in ceremonial costume. The great mantle is worn only by members of the realm or aristocracy and seems to have and reserve for divine or Celestial beings. Her hair and beard seem to have been dyed blue, as can be seen in paintings from the 8th century onwards. The saxons introduced the royal diademe, a circle of gold carries like a crown. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707290

A Saxon king in ceremonial costume. The great mantle is worn only by members of the realm or aristocracy and seems to have and reserve for divine or Celestial beings. Her hair and beard seem to have been dyed blue, as can be seen in paintings from the 8th century onwards. The saxons introduced the royal diademe, a circle of gold carries like a crown. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Anglo-Saxon women wearing a tunic, a coat and a large veil covering the hair and shoulder, falling to the knees (33), a floating veil (14) and wearing veil and belt (35). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Anglo-Saxon women wearing a tunic, a coat and a large veil covering the hair and shoulder, falling to the knees (33), a floating veil (14) and wearing veil and belt (35). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707301: Anglo-Saxon women wearing a tunic, a coat and a large veil covering the hair and shoulder, falling to the knees (33), a floating veil (14) and wearing veil and belt (35). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707301

Anglo-Saxon women wearing a tunic, a coat and a large veil covering the hair and shoulder, falling to the knees (33), a floating veil (14) and wearing veil and belt (35). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Anglo-Saxon women: wearing tunic, veil, coat and shoe with open toe (36), wearing tunic and veil (37) and wearing a veil of a different colour from that of her coat. The sails were dyed in various colours and woven in more or less precious materials. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Anglo-Saxon women: wearing tunic, veil, coat and shoe with open toe (36), wearing tunic and veil (37) and wearing a veil of a different colour from that of her coat. The sails were dyed in various colours and woven in more or less precious materials. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707314: Anglo-Saxon women: wearing tunic, veil, coat and shoe with open toe (36), wearing tunic and veil (37) and wearing a veil of a different colour from that of her coat. The sails were dyed in various colours and woven in more or less precious materials. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707314

Anglo-Saxon women: wearing tunic, veil, coat and shoe with open toe (36), wearing tunic and veil (37) and wearing a veil of a different colour from that of her coat. The sails were dyed in various colours and woven in more or less precious materials. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

First officer of the Royal Guard (41), rider with a spear (42) and Anglo-Saxon infantryman with a spear and a shield (43). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
First officer of the Royal Guard (41), rider with a spear (42) and Anglo-Saxon infantryman with a spear and a shield (43). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707340: First officer of the Royal Guard (41), rider with a spear (42) and Anglo-Saxon infantryman with a spear and a shield (43). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707340

First officer of the Royal Guard (41), rider with a spear (42) and Anglo-Saxon infantryman with a spear and a shield (43). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Anglo Saxon king of the 9th century, in a tunic with embroidered edges and hem, with a jete coat on the shoulder and fastener with a clasp. Clothing close to those of Charlemagne (742 or 748-814) and the kings of France. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Anglo Saxon king of the 9th century, in a tunic with embroidered edges and hem, with a jete coat on the shoulder and fastener with a clasp. Clothing close to those of Charlemagne (742 or 748-814) and the kings of France. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707463: Anglo Saxon king of the 9th century, in a tunic with embroidered edges and hem, with a jete coat on the shoulder and fastener with a clasp. Clothing close to those of Charlemagne (742 or 748-814) and the kings of France. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707463

Anglo Saxon king of the 9th century, in a tunic with embroidered edges and hem, with a jete coat on the shoulder and fastener with a clasp. Clothing close to those of Charlemagne (742 or 748-814) and the kings of France. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Knight of the Order of Aviz, in ceremonial dress. A Portuguese military religious order, after the conquest of Aviz (Portugal), a military fortress was built and became the mother house of the order, who first called themselves the Knights of St. Benedict d'Aviz until they adopted the Benedictine rule in 1162. They were subject to the rules and the Cistercian costume, wearing a white coat and a green lysee flower cross, although this illustration clearly shows a red Cistercian cross on the chest of his coat. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Knight of the Order of Aviz, in ceremonial dress. A Portuguese military religious order, after the conquest of Aviz (Portugal), a military fortress was built and became the mother house of the order, who first called themselves the Knights of St. Benedict d'Aviz until they adopted the Benedictine rule in 1162. They were subject to the rules and the Cistercian costume, wearing a white coat and a green lysee flower cross, although this illustration clearly shows a red Cistercian cross on the chest of his coat. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4708503: Knight of the Order of Aviz, in ceremonial dress. A Portuguese military religious order, after the conquest of Aviz (Portugal), a military fortress was built and became the mother house of the order, who first called themselves the Knights of St. Benedict d'Aviz until they adopted the Benedictine rule in 1162. They were subject to the rules and the Cistercian costume, wearing a white coat and a green lysee flower cross, although this illustration clearly shows a red Cistercian cross on the chest of his coat. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4708503

Knight of the Order of Aviz, in ceremonial dress. A Portuguese military religious order, after the conquest of Aviz (Portugal), a military fortress was built and became the mother house of the order, who first called themselves the Knights of St. Benedict d'Aviz until they adopted the Benedictine rule in 1162. They were subject to the rules and the Cistercian costume, wearing a white coat and a green lysee flower cross, although this illustration clearly shows a red Cistercian cross on the chest of his coat. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Knight of the Order of Constantine. The Order was first founded in 343 BC by the Roman Emperor Constantine, but received its official rules and statutes in 1190 by Isaac Ange Comnene (1155-1204), Emperor of Constantinople, the Order was also known as the Order of the Angelics, the Order of the Dory Knights or the Constantine militia of Saint George. It consisted of three rows for its members: Grand Cross, knight and brother serving; The insignia of the order is a red cross made of four flowers of lilies, surrounded by a golden border. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Knight of the Order of Constantine. The Order was first founded in 343 BC by the Roman Emperor Constantine, but received its official rules and statutes in 1190 by Isaac Ange Comnene (1155-1204), Emperor of Constantinople, the Order was also known as the Order of the Angelics, the Order of the Dory Knights or the Constantine militia of Saint George. It consisted of three rows for its members: Grand Cross, knight and brother serving; The insignia of the order is a red cross made of four flowers of lilies, surrounded by a golden border. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4708525: Knight of the Order of Constantine. The Order was first founded in 343 BC by the Roman Emperor Constantine, but received its official rules and statutes in 1190 by Isaac Ange Comnene (1155-1204), Emperor of Constantinople, the Order was also known as the Order of the Angelics, the Order of the Dory Knights or the Constantine militia of Saint George. It consisted of three rows for its members: Grand Cross, knight and brother serving; The insignia of the order is a red cross made of four flowers of lilies, surrounded by a golden border. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4708525

Knight of the Order of Constantine. The Order was first founded in 343 BC by the Roman Emperor Constantine, but received its official rules and statutes in 1190 by Isaac Ange Comnene (1155-1204), Emperor of Constantinople, the Order was also known as the Order of the Angelics, the Order of the Dory Knights or the Constantine militia of Saint George. It consisted of three rows for its members: Grand Cross, knight and brother serving; The insignia of the order is a red cross made of four flowers of lilies, surrounded by a golden border. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Knight of the Order of St. Catherine and Knight of the Order of the Sword. The Order of St. Catherine was founded by the Christian princes to protect the pelerins of Mount Sinai, who came to venerate the relics of St. Catherine, but also to protect them from desecration from the 11th to the 15th centuries. However, according to the Catholic encyclopedia, the knights of St. Catherine were not an order, nor secular, nor regal. The order of the Sword, or the sword-bearers, was a military order in order to prepare the crusade against the Prussian peers in the 13th century (uncarried out crusade).
Knight of the Order of St. Catherine and Knight of the Order of the Sword. The Order of St. Catherine was founded by the Christian princes to protect the pelerins of Mount Sinai, who came to venerate the relics of St. Catherine, but also to protect them from desecration from the 11th to the 15th centuries. However, according to the Catholic encyclopedia, the knights of St. Catherine were not an order, nor secular, nor regal. The order of the Sword, or the sword-bearers, was a military order in order to prepare the crusade against the Prussian peers in the 13th century (uncarried out crusade).

FLO4708528: Knight of the Order of St. Catherine and Knight of the Order of the Sword. The Order of St. Catherine was founded by the Christian princes to protect the pelerins of Mount Sinai, who came to venerate the relics of St. Catherine, but also to protect them from desecration from the 11th to the 15th centuries. However, according to the Catholic encyclopedia, the knights of St. Catherine were not an order, nor secular, nor regal. The order of the Sword, or the sword-bearers, was a military order in order to prepare the crusade against the Prussian peers in the 13th century (uncarried out crusade). / Bridgeman Images

ID: FLO4708528

Knight of the Order of St. Catherine and Knight of the Order of the Sword. The Order of St. Catherine was founded by the Christian princes to protect the pelerins of Mount Sinai, who came to venerate the relics of St. Catherine, but also to protect them from desecration from the 11th to the 15th centuries. However, according to the Catholic encyclopedia, the knights of St. Catherine were not an order, nor secular, nor regal. The order of the Sword, or the sword-bearers, was a military order in order to prepare the crusade against the Prussian peers in the 13th century (uncarried out crusade).

Varieties of stapelia, Giant Stapelia, Hirsute Stapelia and Campanulata Stapelia Strong Water, extracted from The Temple of Flora, by Dr. Robert Thornton (1768-1837), 1812
Varieties of stapelia, Giant Stapelia, Hirsute Stapelia and Campanulata Stapelia Strong Water, extracted from The Temple of Flora, by Dr. Robert Thornton (1768-1837), 1812

FLO4717033: Varieties of stapelia, Giant Stapelia, Hirsute Stapelia and Campanulata Stapelia Strong Water, extracted from The Temple of Flora, by Dr. Robert Thornton (1768-1837), 1812 / Bridgeman Images

ID: FLO4717033

Varieties of stapelia, Giant Stapelia, Hirsute Stapelia and Campanulata Stapelia Strong Water, extracted from The Temple of Flora, by Dr. Robert Thornton (1768-1837), 1812

Variete of primevere auricle (bear ear or woolly epiary) Strong water, extracted from The Temple of Flora, by Dr. Robert Thornton (1768-1837), 1812
Variete of primevere auricle (bear ear or woolly epiary) Strong water, extracted from The Temple of Flora, by Dr. Robert Thornton (1768-1837), 1812

FLO4717046: Variete of primevere auricle (bear ear or woolly epiary) Strong water, extracted from The Temple of Flora, by Dr. Robert Thornton (1768-1837), 1812 / Bridgeman Images

ID: FLO4717046

Variete of primevere auricle (bear ear or woolly epiary) Strong water, extracted from The Temple of Flora, by Dr. Robert Thornton (1768-1837), 1812

Banana fruit growing upright on the branch.
Banana fruit growing upright on the branch.

FLO4726002: Banana fruit growing upright on the branch. / Bridgeman Images

ID: FLO4726002

Banana fruit growing upright on the branch.

Plantain banana, whole fruit, cut and section, flower. Plantain bananas, whole fruit and section.Musa paradisiaca.Handcolored copperplate engraving from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History) 1813. Gottlieb Tobias Wilhelm (1758-1811).
Plantain banana, whole fruit, cut and section, flower. Plantain bananas, whole fruit and section.Musa paradisiaca.Handcolored copperplate engraving from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History) 1813. Gottlieb Tobias Wilhelm (1758-1811).

FLO4726023: Plantain banana, whole fruit, cut and section, flower. Plantain bananas, whole fruit and section.Musa paradisiaca.Handcolored copperplate engraving from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History) 1813. Gottlieb Tobias Wilhelm (1758-1811). / Bridgeman Images

ID: FLO4726023

Plantain banana, whole fruit, cut and section, flower. Plantain bananas, whole fruit and section.Musa paradisiaca.Handcolored copperplate engraving from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History) 1813. Gottlieb Tobias Wilhelm (1758-1811).

Wood strawberry and Virginia strawberry. Woodland strawberry and Virginia strawberry. Fragaria vesca, Fragaria elatior, Fragaria virginiana.Handcolored copperplate engraving from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History) 1813. Gottlieb Tobias Wilhelm (1758-1811).
Wood strawberry and Virginia strawberry. Woodland strawberry and Virginia strawberry. Fragaria vesca, Fragaria elatior, Fragaria virginiana.Handcolored copperplate engraving from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History) 1813. Gottlieb Tobias Wilhelm (1758-1811).

FLO4726072: Wood strawberry and Virginia strawberry. Woodland strawberry and Virginia strawberry. Fragaria vesca, Fragaria elatior, Fragaria virginiana.Handcolored copperplate engraving from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History) 1813. Gottlieb Tobias Wilhelm (1758-1811). / Bridgeman Images

ID: FLO4726072

Wood strawberry and Virginia strawberry. Woodland strawberry and Virginia strawberry. Fragaria vesca, Fragaria elatior, Fragaria virginiana.Handcolored copperplate engraving from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History) 1813. Gottlieb Tobias Wilhelm (1758-1811).

The bigaradier, with flower and fruit. Coloured copper engraving, based on an illustration by Gottlieb Tobias Wilhelm (1758-1811), in Encyclopedie d'histoire naturelle, published in Vienna (Austria), 1816. Orange, Citrus aurantium. Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1816. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published.
The bigaradier, with flower and fruit. Coloured copper engraving, based on an illustration by Gottlieb Tobias Wilhelm (1758-1811), in Encyclopedie d'histoire naturelle, published in Vienna (Austria), 1816. Orange, Citrus aurantium. Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1816. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published.

FLO4726422: The bigaradier, with flower and fruit. Coloured copper engraving, based on an illustration by Gottlieb Tobias Wilhelm (1758-1811), in Encyclopedie d'histoire naturelle, published in Vienna (Austria), 1816. Orange, Citrus aurantium. Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1816. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published. / Bridgeman Images

ID: FLO4726422

The bigaradier, with flower and fruit. Coloured copper engraving, based on an illustration by Gottlieb Tobias Wilhelm (1758-1811), in Encyclopedie d'histoire naturelle, published in Vienna (Austria), 1816. Orange, Citrus aurantium. Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1816. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published.

Italian artist Giacomo Manzu (about 1980)/L'artista Giacomo Manzu (1980 circa) -
Italian artist Giacomo Manzu (about 1980)/L'artista Giacomo Manzu (1980 circa) -

MME4726426: Italian artist Giacomo Manzu (about 1980)/L'artista Giacomo Manzu (1980 circa) - / Bridgeman Images

ID: MME4726426

Italian artist Giacomo Manzu (about 1980)/L'artista Giacomo Manzu (1980 circa) -

Orange grapefruit. Grapefruit, Citrus aurantium decumana, Citrus aurantium striatum. Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1816. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published.
Orange grapefruit. Grapefruit, Citrus aurantium decumana, Citrus aurantium striatum. Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1816. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published.

FLO4726436: Orange grapefruit. Grapefruit, Citrus aurantium decumana, Citrus aurantium striatum. Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1816. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published. / Bridgeman Images

ID: FLO4726436

Orange grapefruit. Grapefruit, Citrus aurantium decumana, Citrus aurantium striatum. Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1816. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published.

Pomegranate, fruit description and sections. Coloured copper engraving, based on an illustration by Gottlieb Tobias Wilhelm (1758-1811), in Encyclopedie d'histoire naturelle, published in Vienna (Austria), 1816. Pomegranate fruit and section, Punica granatum. Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1816. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published.
Pomegranate, fruit description and sections. Coloured copper engraving, based on an illustration by Gottlieb Tobias Wilhelm (1758-1811), in Encyclopedie d'histoire naturelle, published in Vienna (Austria), 1816. Pomegranate fruit and section, Punica granatum. Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1816. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published.

FLO4726465: Pomegranate, fruit description and sections. Coloured copper engraving, based on an illustration by Gottlieb Tobias Wilhelm (1758-1811), in Encyclopedie d'histoire naturelle, published in Vienna (Austria), 1816. Pomegranate fruit and section, Punica granatum. Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1816. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published. / Bridgeman Images

ID: FLO4726465

Pomegranate, fruit description and sections. Coloured copper engraving, based on an illustration by Gottlieb Tobias Wilhelm (1758-1811), in Encyclopedie d'histoire naturelle, published in Vienna (Austria), 1816. Pomegranate fruit and section, Punica granatum. Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1816. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published.

Uranoscope (or white rascasse, sea rat, beef, tapecon, hemerocet) - Great vivid - Star gazer, Uranoscopus scaber 82 and great weaver fish, Trachinus draco 83. Handcolored copperplate engraving from Gottlieb Tobias Wilhelm's Encyclopedia of Natural History: Fish, Augsburg, 1804. Wilhelm (1758-1811) was a Bavarian clergy and naturalist known as the German Buffon.
Uranoscope (or white rascasse, sea rat, beef, tapecon, hemerocet) - Great vivid - Star gazer, Uranoscopus scaber 82 and great weaver fish, Trachinus draco 83. Handcolored copperplate engraving from Gottlieb Tobias Wilhelm's Encyclopedia of Natural History: Fish, Augsburg, 1804. Wilhelm (1758-1811) was a Bavarian clergy and naturalist known as the German Buffon.

FLO4725190: Uranoscope (or white rascasse, sea rat, beef, tapecon, hemerocet) - Great vivid - Star gazer, Uranoscopus scaber 82 and great weaver fish, Trachinus draco 83. Handcolored copperplate engraving from Gottlieb Tobias Wilhelm's Encyclopedia of Natural History: Fish, Augsburg, 1804. Wilhelm (1758-1811) was a Bavarian clergy and naturalist known as the German Buffon. / Bridgeman Images

ID: FLO4725190

Uranoscope (or white rascasse, sea rat, beef, tapecon, hemerocet) - Great vivid - Star gazer, Uranoscopus scaber 82 and great weaver fish, Trachinus draco 83. Handcolored copperplate engraving from Gottlieb Tobias Wilhelm's Encyclopedia of Natural History: Fish, Augsburg, 1804. Wilhelm (1758-1811) was a Bavarian clergy and naturalist known as the German Buffon.

Ling, Molva molva 99, burbot, Lota 100, oyster toadfish, Opsanus tau 101,102, and tusk fish, Brosme brosme 103. Handcolored copperplate engraving from Gottlieb Tobias Wilhelm's Encyclopedia of Natural History: Fish, Augsburg, 1804. Wilhelm (1758-1811) was a Bavarian clergy and naturalist known as the German Buffon.
Ling, Molva molva 99, burbot, Lota 100, oyster toadfish, Opsanus tau 101,102, and tusk fish, Brosme brosme 103. Handcolored copperplate engraving from Gottlieb Tobias Wilhelm's Encyclopedia of Natural History: Fish, Augsburg, 1804. Wilhelm (1758-1811) was a Bavarian clergy and naturalist known as the German Buffon.

FLO4725354: Ling, Molva molva 99, burbot, Lota 100, oyster toadfish, Opsanus tau 101,102, and tusk fish, Brosme brosme 103. Handcolored copperplate engraving from Gottlieb Tobias Wilhelm's Encyclopedia of Natural History: Fish, Augsburg, 1804. Wilhelm (1758-1811) was a Bavarian clergy and naturalist known as the German Buffon. / Bridgeman Images

ID: FLO4725354

Ling, Molva molva 99, burbot, Lota 100, oyster toadfish, Opsanus tau 101,102, and tusk fish, Brosme brosme 103. Handcolored copperplate engraving from Gottlieb Tobias Wilhelm's Encyclopedia of Natural History: Fish, Augsburg, 1804. Wilhelm (1758-1811) was a Bavarian clergy and naturalist known as the German Buffon.

Rattlesnake variete with tail end detail - Strong water by Gottlieb Tobias Wilhelm (1758-1811), from Encyclopedie of Natural History: Amphibians, 1794 - Ground rattlesnake, Sistrurus miliarius - Handcolored copperplate engraving from G. T. Wilhelm's “” Encyclophipedia of Natural History: Bia,”” 1794
Rattlesnake variete with tail end detail - Strong water by Gottlieb Tobias Wilhelm (1758-1811), from Encyclopedie of Natural History: Amphibians, 1794 - Ground rattlesnake, Sistrurus miliarius - Handcolored copperplate engraving from G. T. Wilhelm's “” Encyclophipedia of Natural History: Bia,”” 1794

FLO4724836: Rattlesnake variete with tail end detail - Strong water by Gottlieb Tobias Wilhelm (1758-1811), from Encyclopedie of Natural History: Amphibians, 1794 - Ground rattlesnake, Sistrurus miliarius - Handcolored copperplate engraving from G. T. Wilhelm's “” Encyclophipedia of Natural History: Bia,”” 1794 / Bridgeman Images

ID: FLO4724836

Rattlesnake variete with tail end detail - Strong water by Gottlieb Tobias Wilhelm (1758-1811), from Encyclopedie of Natural History: Amphibians, 1794 - Ground rattlesnake, Sistrurus miliarius - Handcolored copperplate engraving from G. T. Wilhelm's “” Encyclophipedia of Natural History: Bia,”” 1794

Haddock (haddock, haddock if smoked) - Atlantic cod (or Atlantic cod, common or cod) - Haddock, Melanogrammus aeglefinus 84, and Atlantic cod, Gadus morhua 85. Handcolored copperplate engraving from Gottlieb Tobias Wilhelm's Encyclopedia of Natural History: Fish, Augsburg, 1804. Wilhelm (1758-1811) was a Bavarian clergy and naturalist known as the German Buffon.
Haddock (haddock, haddock if smoked) - Atlantic cod (or Atlantic cod, common or cod) - Haddock, Melanogrammus aeglefinus 84, and Atlantic cod, Gadus morhua 85. Handcolored copperplate engraving from Gottlieb Tobias Wilhelm's Encyclopedia of Natural History: Fish, Augsburg, 1804. Wilhelm (1758-1811) was a Bavarian clergy and naturalist known as the German Buffon.

FLO4725268: Haddock (haddock, haddock if smoked) - Atlantic cod (or Atlantic cod, common or cod) - Haddock, Melanogrammus aeglefinus 84, and Atlantic cod, Gadus morhua 85. Handcolored copperplate engraving from Gottlieb Tobias Wilhelm's Encyclopedia of Natural History: Fish, Augsburg, 1804. Wilhelm (1758-1811) was a Bavarian clergy and naturalist known as the German Buffon. / Bridgeman Images

ID: FLO4725268

Haddock (haddock, haddock if smoked) - Atlantic cod (or Atlantic cod, common or cod) - Haddock, Melanogrammus aeglefinus 84, and Atlantic cod, Gadus morhua 85. Handcolored copperplate engraving from Gottlieb Tobias Wilhelm's Encyclopedia of Natural History: Fish, Augsburg, 1804. Wilhelm (1758-1811) was a Bavarian clergy and naturalist known as the German Buffon.


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