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Anglo Saxon king of the 9th century, in a tunic with embroidered edges and hem, with a jete coat on the shoulder and fastener with a clasp. Clothing close to those of Charlemagne (742 or 748-814) and the kings of France. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Anglo Saxon king of the 9th century, in a tunic with embroidered edges and hem, with a jete coat on the shoulder and fastener with a clasp. Clothing close to those of Charlemagne (742 or 748-814) and the kings of France. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707463: Anglo Saxon king of the 9th century, in a tunic with embroidered edges and hem, with a jete coat on the shoulder and fastener with a clasp. Clothing close to those of Charlemagne (742 or 748-814) and the kings of France. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707463

Anglo Saxon king of the 9th century, in a tunic with embroidered edges and hem, with a jete coat on the shoulder and fastener with a clasp. Clothing close to those of Charlemagne (742 or 748-814) and the kings of France. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Knight of the Order of Aviz, in ceremonial dress. A Portuguese military religious order, after the conquest of Aviz (Portugal), a military fortress was built and became the mother house of the order, who first called themselves the Knights of St. Benedict d'Aviz until they adopted the Benedictine rule in 1162. They were subject to the rules and the Cistercian costume, wearing a white coat and a green lysee flower cross, although this illustration clearly shows a red Cistercian cross on the chest of his coat. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Knight of the Order of Aviz, in ceremonial dress. A Portuguese military religious order, after the conquest of Aviz (Portugal), a military fortress was built and became the mother house of the order, who first called themselves the Knights of St. Benedict d'Aviz until they adopted the Benedictine rule in 1162. They were subject to the rules and the Cistercian costume, wearing a white coat and a green lysee flower cross, although this illustration clearly shows a red Cistercian cross on the chest of his coat. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4708503: Knight of the Order of Aviz, in ceremonial dress. A Portuguese military religious order, after the conquest of Aviz (Portugal), a military fortress was built and became the mother house of the order, who first called themselves the Knights of St. Benedict d'Aviz until they adopted the Benedictine rule in 1162. They were subject to the rules and the Cistercian costume, wearing a white coat and a green lysee flower cross, although this illustration clearly shows a red Cistercian cross on the chest of his coat. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4708503

Knight of the Order of Aviz, in ceremonial dress. A Portuguese military religious order, after the conquest of Aviz (Portugal), a military fortress was built and became the mother house of the order, who first called themselves the Knights of St. Benedict d'Aviz until they adopted the Benedictine rule in 1162. They were subject to the rules and the Cistercian costume, wearing a white coat and a green lysee flower cross, although this illustration clearly shows a red Cistercian cross on the chest of his coat. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Knight of the Order of Constantine. The Order was first founded in 343 BC by the Roman Emperor Constantine, but received its official rules and statutes in 1190 by Isaac Ange Comnene (1155-1204), Emperor of Constantinople, the Order was also known as the Order of the Angelics, the Order of the Dory Knights or the Constantine militia of Saint George. It consisted of three rows for its members: Grand Cross, knight and brother serving; The insignia of the order is a red cross made of four flowers of lilies, surrounded by a golden border. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Knight of the Order of Constantine. The Order was first founded in 343 BC by the Roman Emperor Constantine, but received its official rules and statutes in 1190 by Isaac Ange Comnene (1155-1204), Emperor of Constantinople, the Order was also known as the Order of the Angelics, the Order of the Dory Knights or the Constantine militia of Saint George. It consisted of three rows for its members: Grand Cross, knight and brother serving; The insignia of the order is a red cross made of four flowers of lilies, surrounded by a golden border. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4708525: Knight of the Order of Constantine. The Order was first founded in 343 BC by the Roman Emperor Constantine, but received its official rules and statutes in 1190 by Isaac Ange Comnene (1155-1204), Emperor of Constantinople, the Order was also known as the Order of the Angelics, the Order of the Dory Knights or the Constantine militia of Saint George. It consisted of three rows for its members: Grand Cross, knight and brother serving; The insignia of the order is a red cross made of four flowers of lilies, surrounded by a golden border. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4708525

Knight of the Order of Constantine. The Order was first founded in 343 BC by the Roman Emperor Constantine, but received its official rules and statutes in 1190 by Isaac Ange Comnene (1155-1204), Emperor of Constantinople, the Order was also known as the Order of the Angelics, the Order of the Dory Knights or the Constantine militia of Saint George. It consisted of three rows for its members: Grand Cross, knight and brother serving; The insignia of the order is a red cross made of four flowers of lilies, surrounded by a golden border. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Knight of the Order of St. Catherine and Knight of the Order of the Sword. The Order of St. Catherine was founded by the Christian princes to protect the pelerins of Mount Sinai, who came to venerate the relics of St. Catherine, but also to protect them from desecration from the 11th to the 15th centuries. However, according to the Catholic encyclopedia, the knights of St. Catherine were not an order, nor secular, nor regal. The order of the Sword, or the sword-bearers, was a military order in order to prepare the crusade against the Prussian peers in the 13th century (uncarried out crusade).
Knight of the Order of St. Catherine and Knight of the Order of the Sword. The Order of St. Catherine was founded by the Christian princes to protect the pelerins of Mount Sinai, who came to venerate the relics of St. Catherine, but also to protect them from desecration from the 11th to the 15th centuries. However, according to the Catholic encyclopedia, the knights of St. Catherine were not an order, nor secular, nor regal. The order of the Sword, or the sword-bearers, was a military order in order to prepare the crusade against the Prussian peers in the 13th century (uncarried out crusade).

FLO4708528: Knight of the Order of St. Catherine and Knight of the Order of the Sword. The Order of St. Catherine was founded by the Christian princes to protect the pelerins of Mount Sinai, who came to venerate the relics of St. Catherine, but also to protect them from desecration from the 11th to the 15th centuries. However, according to the Catholic encyclopedia, the knights of St. Catherine were not an order, nor secular, nor regal. The order of the Sword, or the sword-bearers, was a military order in order to prepare the crusade against the Prussian peers in the 13th century (uncarried out crusade). / Bridgeman Images

ID: FLO4708528

Knight of the Order of St. Catherine and Knight of the Order of the Sword. The Order of St. Catherine was founded by the Christian princes to protect the pelerins of Mount Sinai, who came to venerate the relics of St. Catherine, but also to protect them from desecration from the 11th to the 15th centuries. However, according to the Catholic encyclopedia, the knights of St. Catherine were not an order, nor secular, nor regal. The order of the Sword, or the sword-bearers, was a military order in order to prepare the crusade against the Prussian peers in the 13th century (uncarried out crusade).

Two knights mounted and armed fighting with their hands in a tournament. The knights threw their spears and swords to the ground, but the fight continues without weapons. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Two knights mounted and armed fighting with their hands in a tournament. The knights threw their spears and swords to the ground, but the fight continues without weapons. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707208: Two knights mounted and armed fighting with their hands in a tournament. The knights threw their spears and swords to the ground, but the fight continues without weapons. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707208

Two knights mounted and armed fighting with their hands in a tournament. The knights threw their spears and swords to the ground, but the fight continues without weapons. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Title page of volume 2 Book 1 of the series. Title in German, with a vignette: two naked boys decorating a bust with a laurel wreath. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Title page of volume 2 Book 1 of the series. Title in German, with a vignette: two naked boys decorating a bust with a laurel wreath. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707247: Title page of volume 2 Book 1 of the series. Title in German, with a vignette: two naked boys decorating a bust with a laurel wreath. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707247

Title page of volume 2 Book 1 of the series. Title in German, with a vignette: two naked boys decorating a bust with a laurel wreath. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Noble anglo high rank saxon with a coat fastened with a buckle (31). This type of coat is worn only by the kingdoms and nobility. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Noble anglo high rank saxon with a coat fastened with a buckle (31). This type of coat is worn only by the kingdoms and nobility. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707281: Noble anglo high rank saxon with a coat fastened with a buckle (31). This type of coat is worn only by the kingdoms and nobility. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707281

Noble anglo high rank saxon with a coat fastened with a buckle (31). This type of coat is worn only by the kingdoms and nobility. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

A Saxon king in ceremonial costume. The great mantle is worn only by members of the realm or aristocracy and seems to have and reserve for divine or Celestial beings. Her hair and beard seem to have been dyed blue, as can be seen in paintings from the 8th century onwards. The saxons introduced the royal diademe, a circle of gold carries like a crown. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
A Saxon king in ceremonial costume. The great mantle is worn only by members of the realm or aristocracy and seems to have and reserve for divine or Celestial beings. Her hair and beard seem to have been dyed blue, as can be seen in paintings from the 8th century onwards. The saxons introduced the royal diademe, a circle of gold carries like a crown. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707290: A Saxon king in ceremonial costume. The great mantle is worn only by members of the realm or aristocracy and seems to have and reserve for divine or Celestial beings. Her hair and beard seem to have been dyed blue, as can be seen in paintings from the 8th century onwards. The saxons introduced the royal diademe, a circle of gold carries like a crown. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707290

A Saxon king in ceremonial costume. The great mantle is worn only by members of the realm or aristocracy and seems to have and reserve for divine or Celestial beings. Her hair and beard seem to have been dyed blue, as can be seen in paintings from the 8th century onwards. The saxons introduced the royal diademe, a circle of gold carries like a crown. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Anglo-Saxon women wearing a tunic, a coat and a large veil covering the hair and shoulder, falling to the knees (33), a floating veil (14) and wearing veil and belt (35). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Anglo-Saxon women wearing a tunic, a coat and a large veil covering the hair and shoulder, falling to the knees (33), a floating veil (14) and wearing veil and belt (35). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707301: Anglo-Saxon women wearing a tunic, a coat and a large veil covering the hair and shoulder, falling to the knees (33), a floating veil (14) and wearing veil and belt (35). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707301

Anglo-Saxon women wearing a tunic, a coat and a large veil covering the hair and shoulder, falling to the knees (33), a floating veil (14) and wearing veil and belt (35). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Red or plains pocket gopher, Geomys bursarius. Chromolithograph by Trautmann, Bailey and Blampey after an illustration by Ernest E. Thompson from the Report of the Ornithologist, US Department of Agriculture, 1892.
Red or plains pocket gopher, Geomys bursarius. Chromolithograph by Trautmann, Bailey and Blampey after an illustration by Ernest E. Thompson from the Report of the Ornithologist, US Department of Agriculture, 1892.

FLO4720790: Red or plains pocket gopher, Geomys bursarius. Chromolithograph by Trautmann, Bailey and Blampey after an illustration by Ernest E. Thompson from the Report of the Ornithologist, US Department of Agriculture, 1892. / Bridgeman Images

ID: FLO4720790

Red or plains pocket gopher, Geomys bursarius. Chromolithograph by Trautmann, Bailey and Blampey after an illustration by Ernest E. Thompson from the Report of the Ornithologist, US Department of Agriculture, 1892.

Description of leaflets, roots and golden bud flower. Chromolithographie in “” Recueil d'images instructives ou lecons du monde vegetal””, by Charlotte Mary Yonge (1823-1901), published in Edinburgh (Scotland) in 1858.
Description of leaflets, roots and golden bud flower. Chromolithographie in “” Recueil d'images instructives ou lecons du monde vegetal””, by Charlotte Mary Yonge (1823-1901), published in Edinburgh (Scotland) in 1858.

FLO4721194: Description of leaflets, roots and golden bud flower. Chromolithographie in “” Recueil d'images instructives ou lecons du monde vegetal””, by Charlotte Mary Yonge (1823-1901), published in Edinburgh (Scotland) in 1858. / Bridgeman Images

ID: FLO4721194

Description of leaflets, roots and golden bud flower. Chromolithographie in “” Recueil d'images instructives ou lecons du monde vegetal””, by Charlotte Mary Yonge (1823-1901), published in Edinburgh (Scotland) in 1858.

Description of the parisette has four leaf (Paris quadrifolia), with its fruit. Chromolithographie in “” Recueil d'images instructives ou lecons du monde vegetal””, by Charlotte Mary Yonge (1823-1901), published in Edinburgh (Scotland) in 1858.
Description of the parisette has four leaf (Paris quadrifolia), with its fruit. Chromolithographie in “” Recueil d'images instructives ou lecons du monde vegetal””, by Charlotte Mary Yonge (1823-1901), published in Edinburgh (Scotland) in 1858.

FLO4721225: Description of the parisette has four leaf (Paris quadrifolia), with its fruit. Chromolithographie in “” Recueil d'images instructives ou lecons du monde vegetal””, by Charlotte Mary Yonge (1823-1901), published in Edinburgh (Scotland) in 1858. / Bridgeman Images

ID: FLO4721225

Description of the parisette has four leaf (Paris quadrifolia), with its fruit. Chromolithographie in “” Recueil d'images instructives ou lecons du monde vegetal””, by Charlotte Mary Yonge (1823-1901), published in Edinburgh (Scotland) in 1858.

Description of the black nightshade (Solanum nigrum), or kills dog, with its black berries. Chromolithographie in “” Recueil d'images instructives ou lecons du monde vegetal””, by Charlotte Mary Yonge (1823-1901), published in Edinburgh (Scotland) in 1858.
Description of the black nightshade (Solanum nigrum), or kills dog, with its black berries. Chromolithographie in “” Recueil d'images instructives ou lecons du monde vegetal””, by Charlotte Mary Yonge (1823-1901), published in Edinburgh (Scotland) in 1858.

FLO4721333: Description of the black nightshade (Solanum nigrum), or kills dog, with its black berries. Chromolithographie in “” Recueil d'images instructives ou lecons du monde vegetal””, by Charlotte Mary Yonge (1823-1901), published in Edinburgh (Scotland) in 1858. / Bridgeman Images

ID: FLO4721333

Description of the black nightshade (Solanum nigrum), or kills dog, with its black berries. Chromolithographie in “” Recueil d'images instructives ou lecons du monde vegetal””, by Charlotte Mary Yonge (1823-1901), published in Edinburgh (Scotland) in 1858.

Description of a plant of small cike (Aethusa cynapium) or parsley of dogs. Chromolithographie in “” Recueil d'images instructives ou lecons du monde vegetal””, by Charlotte Mary Yonge (1823-1901), published in Edinburgh (Scotland) in 1858.
Description of a plant of small cike (Aethusa cynapium) or parsley of dogs. Chromolithographie in “” Recueil d'images instructives ou lecons du monde vegetal””, by Charlotte Mary Yonge (1823-1901), published in Edinburgh (Scotland) in 1858.

FLO4721339: Description of a plant of small cike (Aethusa cynapium) or parsley of dogs. Chromolithographie in “” Recueil d'images instructives ou lecons du monde vegetal””, by Charlotte Mary Yonge (1823-1901), published in Edinburgh (Scotland) in 1858. / Bridgeman Images

ID: FLO4721339

Description of a plant of small cike (Aethusa cynapium) or parsley of dogs. Chromolithographie in “” Recueil d'images instructives ou lecons du monde vegetal””, by Charlotte Mary Yonge (1823-1901), published in Edinburgh (Scotland) in 1858.

Description of the annual mercuriale, plant flowers, fruits and roots.
Description of the annual mercuriale, plant flowers, fruits and roots.

FLO4721404: Description of the annual mercuriale, plant flowers, fruits and roots. / Bridgeman Images

ID: FLO4721404

Description of the annual mercuriale, plant flowers, fruits and roots.

Description of the common bryone (Bryonia alba), with its golden berries. Chromolithographie in “” Recueil d'images instructives ou lecons du monde vegetal””, by Charlotte Mary Yonge (1823-1901), published in Edinburgh (Scotland) in 1858.
Description of the common bryone (Bryonia alba), with its golden berries. Chromolithographie in “” Recueil d'images instructives ou lecons du monde vegetal””, by Charlotte Mary Yonge (1823-1901), published in Edinburgh (Scotland) in 1858.

FLO4721416: Description of the common bryone (Bryonia alba), with its golden berries. Chromolithographie in “” Recueil d'images instructives ou lecons du monde vegetal””, by Charlotte Mary Yonge (1823-1901), published in Edinburgh (Scotland) in 1858. / Bridgeman Images

ID: FLO4721416

Description of the common bryone (Bryonia alba), with its golden berries. Chromolithographie in “” Recueil d'images instructives ou lecons du monde vegetal””, by Charlotte Mary Yonge (1823-1901), published in Edinburgh (Scotland) in 1858.

Roman colombarium filled with cinerary urns of the nobility - Strong water extracted from the Encyclopedie of Natural History: Humanite, by Gottlieb Tobias Wilhelm (1758-1811), 1804 - Roman columbarium full of noble cinerary urns - Handcoloured copperplate engraving from Gottlieb Tobias Wilhelm's “” Encyclopedia of Natural History: Mankind,”” Augsburg, 1804
Roman colombarium filled with cinerary urns of the nobility - Strong water extracted from the Encyclopedie of Natural History: Humanite, by Gottlieb Tobias Wilhelm (1758-1811), 1804 - Roman columbarium full of noble cinerary urns - Handcoloured copperplate engraving from Gottlieb Tobias Wilhelm's “” Encyclopedia of Natural History: Mankind,”” Augsburg, 1804

FLO4727397: Roman colombarium filled with cinerary urns of the nobility - Strong water extracted from the Encyclopedie of Natural History: Humanite, by Gottlieb Tobias Wilhelm (1758-1811), 1804 - Roman columbarium full of noble cinerary urns - Handcoloured copperplate engraving from Gottlieb Tobias Wilhelm's “” Encyclopedia of Natural History: Mankind,”” Augsburg, 1804 / Bridgeman Images

ID: FLO4727397

Roman colombarium filled with cinerary urns of the nobility - Strong water extracted from the Encyclopedie of Natural History: Humanite, by Gottlieb Tobias Wilhelm (1758-1811), 1804 - Roman columbarium full of noble cinerary urns - Handcoloured copperplate engraving from Gottlieb Tobias Wilhelm's “” Encyclopedia of Natural History: Mankind,”” Augsburg, 1804

Sorghum, Sorghum bicolor 48 and Holcus saccharatus 49, and Johnson grass, Sorghum halepense 50. Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte” (Encyclopedia of Natural History), Augsburg, 1811. Gottlieb Tobias Wilhelm (1758-1811) was a clergy and naturalist in Augsburg, Bavaria.
Sorghum, Sorghum bicolor 48 and Holcus saccharatus 49, and Johnson grass, Sorghum halepense 50. Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte” (Encyclopedia of Natural History), Augsburg, 1811. Gottlieb Tobias Wilhelm (1758-1811) was a clergy and naturalist in Augsburg, Bavaria.

FLO4728614: Sorghum, Sorghum bicolor 48 and Holcus saccharatus 49, and Johnson grass, Sorghum halepense 50. Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte” (Encyclopedia of Natural History), Augsburg, 1811. Gottlieb Tobias Wilhelm (1758-1811) was a clergy and naturalist in Augsburg, Bavaria. / Bridgeman Images

ID: FLO4728614

Sorghum, Sorghum bicolor 48 and Holcus saccharatus 49, and Johnson grass, Sorghum halepense 50. Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte” (Encyclopedia of Natural History), Augsburg, 1811. Gottlieb Tobias Wilhelm (1758-1811) was a clergy and naturalist in Augsburg, Bavaria.

Meadow fescue or water mannagras, Festuca pratensis (fetuque des pres). Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte” (Encyclopedia of Natural History), Augsburg, 1811. Gottlieb Tobias Wilhelm (1758-1811) was a clergy and naturalist in Augsburg, Bavaria.
Meadow fescue or water mannagras, Festuca pratensis (fetuque des pres). Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte” (Encyclopedia of Natural History), Augsburg, 1811. Gottlieb Tobias Wilhelm (1758-1811) was a clergy and naturalist in Augsburg, Bavaria.

FLO4728635: Meadow fescue or water mannagras, Festuca pratensis (fetuque des pres). Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte” (Encyclopedia of Natural History), Augsburg, 1811. Gottlieb Tobias Wilhelm (1758-1811) was a clergy and naturalist in Augsburg, Bavaria. / Bridgeman Images

ID: FLO4728635

Meadow fescue or water mannagras, Festuca pratensis (fetuque des pres). Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte” (Encyclopedia of Natural History), Augsburg, 1811. Gottlieb Tobias Wilhelm (1758-1811) was a clergy and naturalist in Augsburg, Bavaria.

Crested fireback, Lophura ignita, male (Euplocomus ignitus). After an illustration by James Stewart. Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig, 1840.
Crested fireback, Lophura ignita, male (Euplocomus ignitus). After an illustration by James Stewart. Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig, 1840.

FLO4720511: Crested fireback, Lophura ignita, male (Euplocomus ignitus). After an illustration by James Stewart. Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig, 1840. / Bridgeman Images

ID: FLO4720511

Crested fireback, Lophura ignita, male (Euplocomus ignitus). After an illustration by James Stewart. Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig, 1840.

Common cuckoo, Cuculus canorus. Handcoloured lithograph by J. Biller from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig, 1840.
Common cuckoo, Cuculus canorus. Handcoloured lithograph by J. Biller from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig, 1840.

FLO4720518: Common cuckoo, Cuculus canorus. Handcoloured lithograph by J. Biller from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig, 1840. / Bridgeman Images

ID: FLO4720518

Common cuckoo, Cuculus canorus. Handcoloured lithograph by J. Biller from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig, 1840.

Thrush nightingale, Luscinia luscinia (Motacilla luscinia). Handcoloured lithograph by J. Biller from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig, 1840.
Thrush nightingale, Luscinia luscinia (Motacilla luscinia). Handcoloured lithograph by J. Biller from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig, 1840.

FLO4720537: Thrush nightingale, Luscinia luscinia (Motacilla luscinia). Handcoloured lithograph by J. Biller from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig, 1840. / Bridgeman Images

ID: FLO4720537

Thrush nightingale, Luscinia luscinia (Motacilla luscinia). Handcoloured lithograph by J. Biller from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig, 1840.

Red bird-of-paradise, Paradisaea rubra. After an illustration by Rene-Primevere Lesson. Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig, 1840.
Red bird-of-paradise, Paradisaea rubra. After an illustration by Rene-Primevere Lesson. Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig, 1840.

FLO4720562: Red bird-of-paradise, Paradisaea rubra. After an illustration by Rene-Primevere Lesson. Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig, 1840. / Bridgeman Images

ID: FLO4720562

Red bird-of-paradise, Paradisaea rubra. After an illustration by Rene-Primevere Lesson. Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig, 1840.

Title page with digital, water lilies, reeds, irises, binders, etc. Lithography by Louisa Twamley (1812-1895) in Our Wild Flower, Charles Tilt, London, England, 1839.
Title page with digital, water lilies, reeds, irises, binders, etc. Lithography by Louisa Twamley (1812-1895) in Our Wild Flower, Charles Tilt, London, England, 1839.

FLO4720588: Title page with digital, water lilies, reeds, irises, binders, etc. Lithography by Louisa Twamley (1812-1895) in Our Wild Flower, Charles Tilt, London, England, 1839. / Bridgeman Images

ID: FLO4720588

Title page with digital, water lilies, reeds, irises, binders, etc. Lithography by Louisa Twamley (1812-1895) in Our Wild Flower, Charles Tilt, London, England, 1839.

Vipere aspic - Eau forte by Gottlieb Tobias Wilhelm (1758-1811), extracted from Encyclopedie of Natural History: Amphibians, 1794 - Common European viper or adder, Vipera berus - Handcolored copperplate engraving from G. T. Wilhelm's “” Encyclopedia of Natural History: Amphibia,”” 1794
Vipere aspic - Eau forte by Gottlieb Tobias Wilhelm (1758-1811), extracted from Encyclopedie of Natural History: Amphibians, 1794 - Common European viper or adder, Vipera berus - Handcolored copperplate engraving from G. T. Wilhelm's “” Encyclopedia of Natural History: Amphibia,”” 1794

FLO4724904: Vipere aspic - Eau forte by Gottlieb Tobias Wilhelm (1758-1811), extracted from Encyclopedie of Natural History: Amphibians, 1794 - Common European viper or adder, Vipera berus - Handcolored copperplate engraving from G. T. Wilhelm's “” Encyclopedia of Natural History: Amphibia,”” 1794 / Bridgeman Images

ID: FLO4724904

Vipere aspic - Eau forte by Gottlieb Tobias Wilhelm (1758-1811), extracted from Encyclopedie of Natural History: Amphibians, 1794 - Common European viper or adder, Vipera berus - Handcolored copperplate engraving from G. T. Wilhelm's “” Encyclopedia of Natural History: Amphibia,”” 1794

Orvet fragile or common and variete of American apode lezard - Eau forte by Gottlieb Tobias Wilhelm (1758-1811), from Encyclopedie of Natural History: Amphibians, 1794 - Slow-worm or blind worm, Anguis fragilis, and eastern glass lizard, Ophisaurus ventralis - Handcolored copperplate engraving from G. T. Wilhelm's “Encyclopedia of Natural History: Amphibia,”” 1794
Orvet fragile or common and variete of American apode lezard - Eau forte by Gottlieb Tobias Wilhelm (1758-1811), from Encyclopedie of Natural History: Amphibians, 1794 - Slow-worm or blind worm, Anguis fragilis, and eastern glass lizard, Ophisaurus ventralis - Handcolored copperplate engraving from G. T. Wilhelm's “Encyclopedia of Natural History: Amphibia,”” 1794

FLO4724906: Orvet fragile or common and variete of American apode lezard - Eau forte by Gottlieb Tobias Wilhelm (1758-1811), from Encyclopedie of Natural History: Amphibians, 1794 - Slow-worm or blind worm, Anguis fragilis, and eastern glass lizard, Ophisaurus ventralis - Handcolored copperplate engraving from G. T. Wilhelm's “Encyclopedia of Natural History: Amphibia,”” 1794 / Bridgeman Images

ID: FLO4724906

Orvet fragile or common and variete of American apode lezard - Eau forte by Gottlieb Tobias Wilhelm (1758-1811), from Encyclopedie of Natural History: Amphibians, 1794 - Slow-worm or blind worm, Anguis fragilis, and eastern glass lizard, Ophisaurus ventralis - Handcolored copperplate engraving from G. T. Wilhelm's “Encyclopedia of Natural History: Amphibia,”” 1794

Lizard apode (black and white variete) and cecilie (gymniophone or apode) of Guayaquil - Eau forte by Gottlieb Tobias Wilhelm (1758-1811), extracted from Encyclopedie d'histoire naturelle: amphibians, 1794 - Black and white worm lizard and Guayaquil caecilian - Handcolored copperplate engraving from G. T. Wilhelm “” Clopedia of Natural History: Amphibia,”” 1794
Lizard apode (black and white variete) and cecilie (gymniophone or apode) of Guayaquil - Eau forte by Gottlieb Tobias Wilhelm (1758-1811), extracted from Encyclopedie d'histoire naturelle: amphibians, 1794 - Black and white worm lizard and Guayaquil caecilian - Handcolored copperplate engraving from G. T. Wilhelm “” Clopedia of Natural History: Amphibia,”” 1794

FLO4724980: Lizard apode (black and white variete) and cecilie (gymniophone or apode) of Guayaquil - Eau forte by Gottlieb Tobias Wilhelm (1758-1811), extracted from Encyclopedie d'histoire naturelle: amphibians, 1794 - Black and white worm lizard and Guayaquil caecilian - Handcolored copperplate engraving from G. T. Wilhelm “” Clopedia of Natural History: Amphibia,”” 1794 / Bridgeman Images

ID: FLO4724980

Lizard apode (black and white variete) and cecilie (gymniophone or apode) of Guayaquil - Eau forte by Gottlieb Tobias Wilhelm (1758-1811), extracted from Encyclopedie d'histoire naturelle: amphibians, 1794 - Black and white worm lizard and Guayaquil caecilian - Handcolored copperplate engraving from G. T. Wilhelm “” Clopedia of Natural History: Amphibia,”” 1794

Sea lamprey - Planer's Lamprey (Lamprillon) - Sea lamprey eel, Petromyzon marinus 1, mouth 2, river lamprey, Lampetra fluviatilis 3,4, and brook lamprey, Lampetra planeri 5. Handcolored copperplate engraving from Gottlieb Tobias Wilhelm's Encyclopedia of Natural History: Fish, Augsburg, 1804. Wilhelm (1758-1811) was a Bavarian clergy and naturalist known as the German Buffon.
Sea lamprey - Planer's Lamprey (Lamprillon) - Sea lamprey eel, Petromyzon marinus 1, mouth 2, river lamprey, Lampetra fluviatilis 3,4, and brook lamprey, Lampetra planeri 5. Handcolored copperplate engraving from Gottlieb Tobias Wilhelm's Encyclopedia of Natural History: Fish, Augsburg, 1804. Wilhelm (1758-1811) was a Bavarian clergy and naturalist known as the German Buffon.

FLO4725074: Sea lamprey - Planer's Lamprey (Lamprillon) - Sea lamprey eel, Petromyzon marinus 1, mouth 2, river lamprey, Lampetra fluviatilis 3,4, and brook lamprey, Lampetra planeri 5. Handcolored copperplate engraving from Gottlieb Tobias Wilhelm's Encyclopedia of Natural History: Fish, Augsburg, 1804. Wilhelm (1758-1811) was a Bavarian clergy and naturalist known as the German Buffon. / Bridgeman Images

ID: FLO4725074

Sea lamprey - Planer's Lamprey (Lamprillon) - Sea lamprey eel, Petromyzon marinus 1, mouth 2, river lamprey, Lampetra fluviatilis 3,4, and brook lamprey, Lampetra planeri 5. Handcolored copperplate engraving from Gottlieb Tobias Wilhelm's Encyclopedia of Natural History: Fish, Augsburg, 1804. Wilhelm (1758-1811) was a Bavarian clergy and naturalist known as the German Buffon.

Fish sabre - Lancon equille - Pacific cutlassfish, Trichiurus lepturus 71, and sand eel, Ammodytes tobianus 72. Handcolored copperplate engraving from Gottlieb Tobias Wilhelm's Encyclopedia of Natural History: Fish, Augsburg, 1804. Wilhelm (1758-1811) was a Bavarian clergy and naturalist known as the German Buffon.
Fish sabre - Lancon equille - Pacific cutlassfish, Trichiurus lepturus 71, and sand eel, Ammodytes tobianus 72. Handcolored copperplate engraving from Gottlieb Tobias Wilhelm's Encyclopedia of Natural History: Fish, Augsburg, 1804. Wilhelm (1758-1811) was a Bavarian clergy and naturalist known as the German Buffon.

FLO4725152: Fish sabre - Lancon equille - Pacific cutlassfish, Trichiurus lepturus 71, and sand eel, Ammodytes tobianus 72. Handcolored copperplate engraving from Gottlieb Tobias Wilhelm's Encyclopedia of Natural History: Fish, Augsburg, 1804. Wilhelm (1758-1811) was a Bavarian clergy and naturalist known as the German Buffon. / Bridgeman Images

ID: FLO4725152

Fish sabre - Lancon equille - Pacific cutlassfish, Trichiurus lepturus 71, and sand eel, Ammodytes tobianus 72. Handcolored copperplate engraving from Gottlieb Tobias Wilhelm's Encyclopedia of Natural History: Fish, Augsburg, 1804. Wilhelm (1758-1811) was a Bavarian clergy and naturalist known as the German Buffon.

Feast of the spirits among the Japanese - Strong water from the Encyclopedie of Natural History: Humanite, by Gottlieb Tobias Wilhelm (1758-1811), 1804 - All Souls festival among the Japanese - Handcoloured copperplate engraving from Gottlieb Tobias Wilhelm's “” Encyclopedia of Natural History: Mankind,” Augsburg, 1804
Feast of the spirits among the Japanese - Strong water from the Encyclopedie of Natural History: Humanite, by Gottlieb Tobias Wilhelm (1758-1811), 1804 - All Souls festival among the Japanese - Handcoloured copperplate engraving from Gottlieb Tobias Wilhelm's “” Encyclopedia of Natural History: Mankind,” Augsburg, 1804

FLO4727347: Feast of the spirits among the Japanese - Strong water from the Encyclopedie of Natural History: Humanite, by Gottlieb Tobias Wilhelm (1758-1811), 1804 - All Souls festival among the Japanese - Handcoloured copperplate engraving from Gottlieb Tobias Wilhelm's “” Encyclopedia of Natural History: Mankind,” Augsburg, 1804 / Bridgeman Images

ID: FLO4727347

Feast of the spirits among the Japanese - Strong water from the Encyclopedie of Natural History: Humanite, by Gottlieb Tobias Wilhelm (1758-1811), 1804 - All Souls festival among the Japanese - Handcoloured copperplate engraving from Gottlieb Tobias Wilhelm's “” Encyclopedia of Natural History: Mankind,” Augsburg, 1804

Mumbin plum (Spondias mombin). Lithograph from “Afbeelding der Artseny-Gewassen” by Johannes Zorn (1739-1799), Netherlands, 1796. Hog plum tree, Spondias mombin. Handcoloured copperplate botanical engraving from J. Zorn's “Afbeelding der Artseny-Gewassen,” Amsterdam, 1796.
Mumbin plum (Spondias mombin). Lithograph from “Afbeelding der Artseny-Gewassen” by Johannes Zorn (1739-1799), Netherlands, 1796. Hog plum tree, Spondias mombin. Handcoloured copperplate botanical engraving from J. Zorn's “Afbeelding der Artseny-Gewassen,” Amsterdam, 1796.

FLO4737271: Mumbin plum (Spondias mombin). Lithograph from “Afbeelding der Artseny-Gewassen” by Johannes Zorn (1739-1799), Netherlands, 1796. Hog plum tree, Spondias mombin. Handcoloured copperplate botanical engraving from J. Zorn's “Afbeelding der Artseny-Gewassen,” Amsterdam, 1796. / Bridgeman Images

ID: FLO4737271

Mumbin plum (Spondias mombin). Lithograph from “Afbeelding der Artseny-Gewassen” by Johannes Zorn (1739-1799), Netherlands, 1796. Hog plum tree, Spondias mombin. Handcoloured copperplate botanical engraving from J. Zorn's “Afbeelding der Artseny-Gewassen,” Amsterdam, 1796.

Lycopod in clubs or officinal lycopod (Lycopodium clavatum). Lithograph from “Afbeelding der Artseny-Gewassen” by Johannes Zorn (1739-1799), Netherlands, 1796. Clubmoss or groundpine, Lycopodium clavatum. Handcoloured copperplate botanical engraving from J. Zorn's “Afbeelding der Artseny-Gewassen,” Amsterdam, 1796.
Lycopod in clubs or officinal lycopod (Lycopodium clavatum). Lithograph from “Afbeelding der Artseny-Gewassen” by Johannes Zorn (1739-1799), Netherlands, 1796. Clubmoss or groundpine, Lycopodium clavatum. Handcoloured copperplate botanical engraving from J. Zorn's “Afbeelding der Artseny-Gewassen,” Amsterdam, 1796.

FLO4737316: Lycopod in clubs or officinal lycopod (Lycopodium clavatum). Lithograph from “Afbeelding der Artseny-Gewassen” by Johannes Zorn (1739-1799), Netherlands, 1796. Clubmoss or groundpine, Lycopodium clavatum. Handcoloured copperplate botanical engraving from J. Zorn's “Afbeelding der Artseny-Gewassen,” Amsterdam, 1796. / Bridgeman Images

ID: FLO4737316

Lycopod in clubs or officinal lycopod (Lycopodium clavatum). Lithograph from “Afbeelding der Artseny-Gewassen” by Johannes Zorn (1739-1799), Netherlands, 1796. Clubmoss or groundpine, Lycopodium clavatum. Handcoloured copperplate botanical engraving from J. Zorn's “Afbeelding der Artseny-Gewassen,” Amsterdam, 1796.

Hemp or cannabis, male (Cannabis sativa mas). Lithograph from “Afbeelding der Artseny-Gewassen” by Johannes Zorn (1739-1799), Netherlands, 1796. Cannabis or hemp plant (male), Cannabis sativa mas. Handcoloured copperplate botanical engraving from J. Zorn's “Afbeelding der Artseny-Gewassen,” Amsterdam, 1796.
Hemp or cannabis, male (Cannabis sativa mas). Lithograph from “Afbeelding der Artseny-Gewassen” by Johannes Zorn (1739-1799), Netherlands, 1796. Cannabis or hemp plant (male), Cannabis sativa mas. Handcoloured copperplate botanical engraving from J. Zorn's “Afbeelding der Artseny-Gewassen,” Amsterdam, 1796.

FLO4737345: Hemp or cannabis, male (Cannabis sativa mas). Lithograph from “Afbeelding der Artseny-Gewassen” by Johannes Zorn (1739-1799), Netherlands, 1796. Cannabis or hemp plant (male), Cannabis sativa mas. Handcoloured copperplate botanical engraving from J. Zorn's “Afbeelding der Artseny-Gewassen,” Amsterdam, 1796. / Bridgeman Images

ID: FLO4737345

Hemp or cannabis, male (Cannabis sativa mas). Lithograph from “Afbeelding der Artseny-Gewassen” by Johannes Zorn (1739-1799), Netherlands, 1796. Cannabis or hemp plant (male), Cannabis sativa mas. Handcoloured copperplate botanical engraving from J. Zorn's “Afbeelding der Artseny-Gewassen,” Amsterdam, 1796.

Feve (Vicia faba). Lithograph from “Afbeelding der Artseny-Gewassen” by Johannes Zorn (1739-1799), Netherlands, 1796. Broad bean, Vicia faba. Handcoloured copperplate botanical engraving from J. Zorn's “Afbeelding der Artseny-Gewassen,” Amsterdam, 1796.
Feve (Vicia faba). Lithograph from “Afbeelding der Artseny-Gewassen” by Johannes Zorn (1739-1799), Netherlands, 1796. Broad bean, Vicia faba. Handcoloured copperplate botanical engraving from J. Zorn's “Afbeelding der Artseny-Gewassen,” Amsterdam, 1796.

FLO4737429: Feve (Vicia faba). Lithograph from “Afbeelding der Artseny-Gewassen” by Johannes Zorn (1739-1799), Netherlands, 1796. Broad bean, Vicia faba. Handcoloured copperplate botanical engraving from J. Zorn's “Afbeelding der Artseny-Gewassen,” Amsterdam, 1796. / Bridgeman Images

ID: FLO4737429

Feve (Vicia faba). Lithograph from “Afbeelding der Artseny-Gewassen” by Johannes Zorn (1739-1799), Netherlands, 1796. Broad bean, Vicia faba. Handcoloured copperplate botanical engraving from J. Zorn's “Afbeelding der Artseny-Gewassen,” Amsterdam, 1796.

Gaiac, iron wood (Guaiacum sanctum). Lithograph from “Afbeelding der Artseny-Gewassen” by Johannes Zorn (1739-1799), Netherlands, 1796. Holywood, Guaiacum sanctum. Handcoloured copperplate botanical engraving from J. Zorn's “Afbeelding der Artseny-Gewassen,” Amsterdam, 1796.
Gaiac, iron wood (Guaiacum sanctum). Lithograph from “Afbeelding der Artseny-Gewassen” by Johannes Zorn (1739-1799), Netherlands, 1796. Holywood, Guaiacum sanctum. Handcoloured copperplate botanical engraving from J. Zorn's “Afbeelding der Artseny-Gewassen,” Amsterdam, 1796.

FLO4737455: Gaiac, iron wood (Guaiacum sanctum). Lithograph from “Afbeelding der Artseny-Gewassen” by Johannes Zorn (1739-1799), Netherlands, 1796. Holywood, Guaiacum sanctum. Handcoloured copperplate botanical engraving from J. Zorn's “Afbeelding der Artseny-Gewassen,” Amsterdam, 1796. / Bridgeman Images

ID: FLO4737455

Gaiac, iron wood (Guaiacum sanctum). Lithograph from “Afbeelding der Artseny-Gewassen” by Johannes Zorn (1739-1799), Netherlands, 1796. Holywood, Guaiacum sanctum. Handcoloured copperplate botanical engraving from J. Zorn's “Afbeelding der Artseny-Gewassen,” Amsterdam, 1796.

Botanical: long pepper - Long pepper, Piper longum. Handcoloured copperplate engraving from a drawing by B. Thanner from Johannes Zorn's “” Icons plantarum medicinalium,”” Germany, 1796. Zorn (1739-99) was a German pharmacist and botanist who travelled all over Europe searching for medicinal plants.
Botanical: long pepper - Long pepper, Piper longum. Handcoloured copperplate engraving from a drawing by B. Thanner from Johannes Zorn's “” Icons plantarum medicinalium,”” Germany, 1796. Zorn (1739-99) was a German pharmacist and botanist who travelled all over Europe searching for medicinal plants.

FLO4737765: Botanical: long pepper - Long pepper, Piper longum. Handcoloured copperplate engraving from a drawing by B. Thanner from Johannes Zorn's “” Icons plantarum medicinalium,”” Germany, 1796. Zorn (1739-99) was a German pharmacist and botanist who travelled all over Europe searching for medicinal plants. / Bridgeman Images

ID: FLO4737765

Botanical: long pepper - Long pepper, Piper longum. Handcoloured copperplate engraving from a drawing by B. Thanner from Johannes Zorn's “” Icons plantarum medicinalium,”” Germany, 1796. Zorn (1739-99) was a German pharmacist and botanist who travelled all over Europe searching for medicinal plants.


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