Goya y Lucientes, Francisco Jose de (1746-1828) Assets (686 in total)

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The Infante Francisco de Paula, 1800 (oil on canvas)
The Infante Francisco de Paula, 1800 (oil on canvas)

IBE5380620: The Infante Francisco de Paula, 1800 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Duchess Alba putting her hair in order. Drawing by Francisco de Goya y Lucientes (1746-1828). 1796.
Duchess Alba putting her hair in order. Drawing by Francisco de Goya y Lucientes (1746-1828). 1796.

IBE5333664: Duchess Alba putting her hair in order. Drawing by Francisco de Goya y Lucientes (1746-1828). 1796., Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Friar Pedro Binds El Maragato with a Rope, painting by Francisco de Goya, 1806-7
Friar Pedro Binds El Maragato with a Rope, painting by Francisco de Goya, 1806-7

IBE5345414: Friar Pedro Binds El Maragato with a Rope, painting by Francisco de Goya, 1806-7, Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Soplones, plate from 'Los Caprichos', 1799 (etching & aquatint)
Soplones, plate from 'Los Caprichos', 1799 (etching & aquatint)

CH3112266: Soplones, plate from 'Los Caprichos', 1799 (etching & aquatint), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Buen Viage (Safe trip). Wing Monsters. c.1802 (engraving)
Buen Viage (Safe trip). Wing Monsters. c.1802 (engraving)

CCI1856385: Buen Viage (Safe trip). Wing Monsters. c.1802 (engraving), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Salvaje menos que otros (ink on paper)
Salvaje menos que otros (ink on paper)

IBE291909: Salvaje menos que otros (ink on paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Awaiting his arrival (ink on paper)
Awaiting his arrival (ink on paper)

IBE291925: Awaiting his arrival (ink on paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

BOO74012: "May God forgive her: it was her mother", 1797 (etching and aquatint), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Allegory: War or Evil, 1810s (ink on paper)
Allegory: War or Evil, 1810s (ink on paper)

IBE291915: Allegory: War or Evil, 1810s (ink on paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

To Rise and Fall (Subir y Bajar), 1799 (etching)
To Rise and Fall (Subir y Bajar), 1799 (etching)

XDM1071367: To Rise and Fall (Subir y Bajar), 1799 (etching), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Two of a Kind (Tal para Qual), 1799 (etching, aquatint & drypoint)
Two of a Kind (Tal para Qual), 1799 (etching, aquatint & drypoint)

XDM1071366: Two of a Kind (Tal para Qual), 1799 (etching, aquatint & drypoint), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Mariano Ceballos called
Mariano Ceballos called

IBE5376422: Mariano Ceballos called "the Indian" on the back of a bull breaks his pike in the arenas of Madrid, c. 1810 (painting), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

The age of misfortune, 1814-23 (wash, brush, pencil, grey-brown ink, iron gall ink on laid paper)
The age of misfortune, 1814-23 (wash, brush, pencil, grey-brown ink, iron gall ink on laid paper)

IBE5380014: The age of misfortune, 1814-23 (wash, brush, pencil, grey-brown ink, iron gall ink on laid paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Exhortation, 1815-19 (red wash, red chalk on ivory laid paper)
Exhortation, 1815-19 (red wash, red chalk on ivory laid paper)

IBE5380027: Exhortation, 1815-19 (red wash, red chalk on ivory laid paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Strange Dream, 1814-23 (wash, brush, bistre, grey-brown ink, iron gall ink on laid paper)
Strange Dream, 1814-23 (wash, brush, bistre, grey-brown ink, iron gall ink on laid paper)

IBE5380042: Strange Dream, 1814-23 (wash, brush, bistre, grey-brown ink, iron gall ink on laid paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Bullfighting, 1780-90 (oil on canvas)
Bullfighting, 1780-90 (oil on canvas)

IBE5376375: Bullfighting, 1780-90 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Que se rompe la cuerda (May the cord break), Plate 77 from Los Desastres de la Guerra (The Disasters of War), after 1814-15, published 1863 (etching, aquatint or lavis & drypoint)
Que se rompe la cuerda (May the cord break), Plate 77 from Los Desastres de la Guerra (The Disasters of War), after 1814-15, published 1863 (etching, aquatint or lavis & drypoint)

XOS6067357: Que se rompe la cuerda (May the cord break), Plate 77 from Los Desastres de la Guerra (The Disasters of War), after 1814-15, published 1863 (etching, aquatint or lavis & drypoint), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Que se rompe la cuerda (May the cord break), Plate 77 from Los Desastres de la Guerra (The Disasters of War), after 1814-15, published 1863 (etching, aquatint or lavis & drypoint)
Que se rompe la cuerda (May the cord break), Plate 77 from Los Desastres de la Guerra (The Disasters of War), after 1814-15, published 1863 (etching, aquatint or lavis & drypoint)

XOS6067358: Que se rompe la cuerda (May the cord break), Plate 77 from Los Desastres de la Guerra (The Disasters of War), after 1814-15, published 1863 (etching, aquatint or lavis & drypoint), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Because she was susceptible, plate 32 of 'Los Caprichos', 1799 (aquatint)
Because she was susceptible, plate 32 of 'Los Caprichos', 1799 (aquatint)

XKH153640: Because she was susceptible, plate 32 of 'Los Caprichos', 1799 (aquatint), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Equestrian Portrait of Ferdinand VII (1784-1833) King of Spain (oil on canvas)
Equestrian Portrait of Ferdinand VII (1784-1833) King of Spain (oil on canvas)

XIR203356: Equestrian Portrait of Ferdinand VII (1784-1833) King of Spain (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Woman with a Fan, c.1805-06 (oil on canvas)
Woman with a Fan, c.1805-06 (oil on canvas)

XIR897700: Woman with a Fan, c.1805-06 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

They Carried Her Off!, plate eight from Los Caprichos, 1797-99 (etching and aquatint on ivory laid paper)
They Carried Her Off!, plate eight from Los Caprichos, 1797-99 (etching and aquatint on ivory laid paper)

XCC2972717: They Carried Her Off!, plate eight from Los Caprichos, 1797-99 (etching and aquatint on ivory laid paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Portrait of the 10th Marquesa de Santa Cruz as the Muse, Euterpe, 1805 (oil on canvas)
Portrait of the 10th Marquesa de Santa Cruz as the Muse, Euterpe, 1805 (oil on canvas)

CH376754: Portrait of the 10th Marquesa de Santa Cruz as the Muse, Euterpe, 1805 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Spring or the Flower Seller, 1786 (oil on canvas)
Spring or the Flower Seller, 1786 (oil on canvas)

XIR238646: Spring or the Flower Seller, 1786 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Letter from the Artist (1746-1828) (pen) (b/w photo)
Letter from the Artist (1746-1828) (pen) (b/w photo)

XJF128044: Letter from the Artist (1746-1828) (pen) (b/w photo), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Sleep overcomes them, plater 34 of 'Los caprichos', 1799 (etching)
Sleep overcomes them, plater 34 of 'Los caprichos', 1799 (etching)

XKH153637: Sleep overcomes them, plater 34 of 'Los caprichos', 1799 (etching), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Portrait of a man presumed to be Don Evaristo Perez de Castro
Portrait of a man presumed to be Don Evaristo Perez de Castro

PWI83796: Portrait of a man presumed to be Don Evaristo Perez de Castro, Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Portrait of Dona Manuela Camas, 1795 (oil on canvas)
Portrait of Dona Manuela Camas, 1795 (oil on canvas)

FIA2629153: Portrait of Dona Manuela Camas, 1795 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Bull Fight, from 'La Tauromaquia', 1921 (etching & aquatint on paper)
Bull Fight, from 'La Tauromaquia', 1921 (etching & aquatint on paper)

HMA616445: Bull Fight, from 'La Tauromaquia', 1921 (etching & aquatint on paper) , Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Hasta la muerta from Los Caprichos, published 1799 (etching, burnished aquatint & drypoint)
Hasta la muerta from Los Caprichos, published 1799 (etching, burnished aquatint & drypoint)

HST861607: Hasta la muerta from Los Caprichos, published 1799 (etching, burnished aquatint & drypoint), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Luis de Borbon's Family, by Francisco Goya y Lucientes, 1783 - 1784, 18th Century, oil on canvas, 248 x 328 cm
Luis de Borbon's Family, by Francisco Goya y Lucientes, 1783 - 1784, 18th Century, oil on canvas, 248 x 328 cm

MEP944345: Luis de Borbon's Family, by Francisco Goya y Lucientes, 1783 - 1784, 18th Century, oil on canvas, 248 x 328 cm, Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

The Clever 'Student of Falces' Infuriates the Bull by Moving about Wrapped in his Cloak, Plate 14, 1814-1816 (etching with burnished aquatint and engraving on laid paper)
The Clever 'Student of Falces' Infuriates the Bull by Moving about Wrapped in his Cloak, Plate 14, 1814-1816 (etching with burnished aquatint and engraving on laid paper)

HST2908410: The Clever 'Student of Falces' Infuriates the Bull by Moving about Wrapped in his Cloak, Plate 14, 1814-1816 (etching with burnished aquatint and engraving on laid paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

What a Tailor Can Do! (Lo que puede un sastre!), 1797-98 (etching and aquatint)
What a Tailor Can Do! (Lo que puede un sastre!), 1797-98 (etching and aquatint)

TBM3614320: What a Tailor Can Do! (Lo que puede un sastre!), 1797-98 (etching and aquatint), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

No se convienen from
No se convienen from

TBM3614325: No se convienen from "Desastres de la Guerra", 1811-13 (etching and aquatint), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Appearances Are Deceptive, late 18th-early
19th century (print)
Appearances Are Deceptive, late 18th-early
19th century (print)

SEM6370389: Appearances Are Deceptive, late 18th-early 19th century (print), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

La Tauromaquia, Plate 29: Pepe Ilo making the pass of the 'recorte', (print, etching, aquatint, drypoint, burin on paper)
La Tauromaquia, Plate 29: Pepe Ilo making the pass of the 'recorte', (print, etching, aquatint, drypoint, burin on paper)

WHT6952584: La Tauromaquia, Plate 29: Pepe Ilo making the pass of the 'recorte', (print, etching, aquatint, drypoint, burin on paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images


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