Goya y Lucientes, Francisco Jose de (1746-1828) Assets (686 in total)
Results
TRK1775385: And the house is on fire, Caprices, Plaque 18, Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
TRK1775391: Swalow it, dog', Caprices, Plaque 58, Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
CCI1856385: Buen Viage (Safe trip). Wing Monsters. c.1802 (engraving), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
IBE5380620: The Infante Francisco de Paula, 1800 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
IBE5376375: Bullfighting, 1780-90 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
IBE5380014: The age of misfortune, 1814-23 (wash, brush, pencil, grey-brown ink, iron gall ink on laid paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
IBE5380027: Exhortation, 1815-19 (red wash, red chalk on ivory laid paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
IBE5380042: Strange Dream, 1814-23 (wash, brush, bistre, grey-brown ink, iron gall ink on laid paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
LRI4606365: War Destres: “” This is no less”” Anticlerical print on the cult of holy icons. Preparation drawing in red pencil for etching by Francisco de Goya y Lucientes (1746-1828). 1810-1812. Madrid. Prado Museum, Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
MAN3745581: No Hay Quien Los Socorra (There is no one to help them), 1863 (etching, aquatint, burnishing & burin), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
IBE5376422: Mariano Ceballos called "the Indian" on the back of a bull breaks his pike in the arenas of Madrid, c. 1810 (painting), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
FIA5400364: Allegory of Love (Cupid and Psyche), 1798-1805 (painting), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
IBE5350317: "The whims" (Los caprichos): Love and Death. Preparatory drawing 1797-1798 (drawing), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
IBE5345414: Friar Pedro Binds El Maragato with a Rope, painting by Francisco de Goya, 1806-7, Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
LRI4353590: Portrait of Don Andres del Peral (active 1770-1820) painter decorator - Oil on wood, 1798, Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
IBE5333664: Duchess Alba putting her hair in order. Drawing by Francisco de Goya y Lucientes (1746-1828). 1796., Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
TRK5494986: Boys with mastiff, c.1786 (oil on cardboard), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
XOS6067357: Que se rompe la cuerda (May the cord break), Plate 77 from Los Desastres de la Guerra (The Disasters of War), after 1814-15, published 1863 (etching, aquatint or lavis & drypoint), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
XOS6067358: Que se rompe la cuerda (May the cord break), Plate 77 from Los Desastres de la Guerra (The Disasters of War), after 1814-15, published 1863 (etching, aquatint or lavis & drypoint), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
SEM6370389: Appearances Are Deceptive, late 18th-early 19th century (print), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
WHT6952584: La Tauromaquia, Plate 29: Pepe Ilo making the pass of the 'recorte', (print, etching, aquatint, drypoint, burin on paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
SEM7088516: Plate 10 from La Tauromaquia: Charles V Spearing a Bull in the Ring at Valladolid, 1816, printed 1876 (Etching and aquatint on laid paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
TBM3614320: What a Tailor Can Do! (Lo que puede un sastre!), 1797-98 (etching and aquatint), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
TBM3614322: Pretty Teacher! (Linda maestra!), 1797-98 (etching & aquatint), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
TBM3614325: No se convienen from "Desastres de la Guerra", 1811-13 (etching and aquatint), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
HST861607: Hasta la muerta from Los Caprichos, published 1799 (etching, burnished aquatint & drypoint), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
XIR203356: Equestrian Portrait of Ferdinand VII (1784-1833) King of Spain (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
XKH153637: Sleep overcomes them, plater 34 of 'Los caprichos', 1799 (etching), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
XKH153640: Because she was susceptible, plate 32 of 'Los Caprichos', 1799 (aquatint), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
XJF128044: Letter from the Artist (1746-1828) (pen) (b/w photo), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
HST2908410: The Clever 'Student of Falces' Infuriates the Bull by Moving about Wrapped in his Cloak, Plate 14, 1814-1816 (etching with burnished aquatint and engraving on laid paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
XIR238646: Spring or the Flower Seller, 1786 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
XDM1071366: Two of a Kind (Tal para Qual), 1799 (etching, aquatint & drypoint), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
XDM1071367: To Rise and Fall (Subir y Bajar), 1799 (etching), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
JLJ4579496: Portrait of Francisco Bayeu, 1795 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
