Goya y Lucientes, Francisco Jose de (1746-1828) Assets (685 in total)

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

Results

Plate from Los Caprichos, 1797-1798
Plate from Los Caprichos, 1797-1798

MNS880905: Plate from Los Caprichos, 1797-1798, Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Al Conde Palantino, from Los Caprichos, 1797-1798
Al Conde Palantino, from Los Caprichos, 1797-1798

MNS880915: Al Conde Palantino, from Los Caprichos, 1797-1798, Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Plate from Los Caprichos, 1797-1798
Plate from Los Caprichos, 1797-1798

MNS880936: Plate from Los Caprichos, 1797-1798, Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Plate from Los Caprichos, 1797-1798
Plate from Los Caprichos, 1797-1798

MNS880958: Plate from Los Caprichos, 1797-1798, Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Plate from Los Caprichos, 1797-1798
Plate from Los Caprichos, 1797-1798

MNS880903: Plate from Los Caprichos, 1797-1798, Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Plate from Los Caprichos, 1797-1798
Plate from Los Caprichos, 1797-1798

MNS880913: Plate from Los Caprichos, 1797-1798, Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Plate from Los Caprichos, 1797-1798
Plate from Los Caprichos, 1797-1798

MNS880926: Plate from Los Caprichos, 1797-1798, Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Plate from Los Caprichos, 1797-1798
Plate from Los Caprichos, 1797-1798

MNS880955: Plate from Los Caprichos, 1797-1798, Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Two of a Kind (Tal para Qual), 1799 (etching, aquatint & drypoint)
Two of a Kind (Tal para Qual), 1799 (etching, aquatint & drypoint)

XDM1071366: Two of a Kind (Tal para Qual), 1799 (etching, aquatint & drypoint), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

To Rise and Fall (Subir y Bajar), 1799 (etching)
To Rise and Fall (Subir y Bajar), 1799 (etching)

XDM1071367: To Rise and Fall (Subir y Bajar), 1799 (etching), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Desgracias acaecidas en el tendido de la plaza de Madrid, y muerte del alcalde de Tor rejon (Dreadful events in the Front Rows of the Ring at Madrid and Death of the Mayor of Torrejon) from the series
Desgracias acaecidas en el tendido de la plaza de Madrid, y muerte del alcalde de Tor rejon (Dreadful events in the Front Rows of the Ring at Madrid and Death of the Mayor of Torrejon) from the series

DMW937669: Desgracias acaecidas en el tendido de la plaza de Madrid, y muerte del alcalde de Tor rejon (Dreadful events in the Front Rows of the Ring at Madrid and Death of the Mayor of Torrejon) from the series "Tauromachia" (Bullfight), 1816 (etching & aquatint), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Disparate Puntual (Precise Folly), from the series
Disparate Puntual (Precise Folly), from the series

DMW937468: Disparate Puntual (Precise Folly), from the series "Los Disparates" (Mad and Absurd Ideas), c.1815-24, published 1877 (etching & aquatint), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Swalow it, dog', Caprices, Plaque 58
Swalow it, dog', Caprices, Plaque 58

TRK1775391: Swalow it, dog', Caprices, Plaque 58, Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

And the house is on fire,  Caprices, Plaque 18
And the house is on fire,  Caprices, Plaque 18

TRK1775385: And the house is on fire, Caprices, Plaque 18, Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Buen Viage (Safe trip). Wing Monsters. c.1802 (engraving)
Buen Viage (Safe trip). Wing Monsters. c.1802 (engraving)

CCI1856385: Buen Viage (Safe trip). Wing Monsters. c.1802 (engraving), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

They Carried Her Off!, plate eight from Los Caprichos, 1797-99 (etching and aquatint on ivory laid paper)
They Carried Her Off!, plate eight from Los Caprichos, 1797-99 (etching and aquatint on ivory laid paper)

XCC2972717: They Carried Her Off!, plate eight from Los Caprichos, 1797-99 (etching and aquatint on ivory laid paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Portrait of Dona Manuela Camas, 1795 (oil on canvas)
Portrait of Dona Manuela Camas, 1795 (oil on canvas)

FIA2629153: Portrait of Dona Manuela Camas, 1795 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Soplones, plate from 'Los Caprichos', 1799 (etching & aquatint)
Soplones, plate from 'Los Caprichos', 1799 (etching & aquatint)

CH3112266: Soplones, plate from 'Los Caprichos', 1799 (etching & aquatint), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Soplones, Los Caprichos, 1799 (etching)
Soplones, Los Caprichos, 1799 (etching)

FIT3251558: Soplones, Los Caprichos, 1799 (etching), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

No Hay Quien Los Socorra (There is no one to help them), 1863 (etching, aquatint, burnishing & burin)
No Hay Quien Los Socorra (There is no one to help them), 1863 (etching, aquatint, burnishing & burin)

MAN3745581: No Hay Quien Los Socorra (There is no one to help them), 1863 (etching, aquatint, burnishing & burin), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Profession of faith, witchcraft scene with elves by Goya, late 18th century.
Profession of faith, witchcraft scene with elves by Goya, late 18th century.

LSE4093457: Profession of faith, witchcraft scene with elves by Goya, late 18th century., Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Charles III of Spain in hunting dress, c.1786-88 (oil on canvas)
Charles III of Spain in hunting dress, c.1786-88 (oil on canvas)

JLJ4577316: Charles III of Spain in hunting dress, c.1786-88 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Portrait of Francisco Bayeu, 1795 (oil on canvas)
Portrait of Francisco Bayeu, 1795 (oil on canvas)

JLJ4579496: Portrait of Francisco Bayeu, 1795 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

War Destres: “” This is no less”” Anticlerical print on the cult of holy icons. Preparation drawing in red pencil for etching by Francisco de Goya y Lucientes (1746-1828). 1810-1812. Madrid. Prado Museum
War Destres: “” This is no less”” Anticlerical print on the cult of holy icons. Preparation drawing in red pencil for etching by Francisco de Goya y Lucientes (1746-1828). 1810-1812. Madrid. Prado Museum

LRI4606365: War Destres: “” This is no less”” Anticlerical print on the cult of holy icons. Preparation drawing in red pencil for etching by Francisco de Goya y Lucientes (1746-1828). 1810-1812. Madrid. Prado Museum, Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

The Prairie of San Isidro (San Isidro) View of the City of Madrid from the Hermitage of San Isidoro, 1788 (oil on canvas)
The Prairie of San Isidro (San Isidro) View of the City of Madrid from the Hermitage of San Isidoro, 1788 (oil on canvas)

JLJ4612864: The Prairie of San Isidro (San Isidro) View of the City of Madrid from the Hermitage of San Isidoro, 1788 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Que se rompe la cuerda (May the cord break), Plate 77 from Los Desastres de la Guerra (The Disasters of War), after 1814-15, published 1863 (etching, aquatint or lavis & drypoint)
Que se rompe la cuerda (May the cord break), Plate 77 from Los Desastres de la Guerra (The Disasters of War), after 1814-15, published 1863 (etching, aquatint or lavis & drypoint)

XOS6067357: Que se rompe la cuerda (May the cord break), Plate 77 from Los Desastres de la Guerra (The Disasters of War), after 1814-15, published 1863 (etching, aquatint or lavis & drypoint), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Que se rompe la cuerda (May the cord break), Plate 77 from Los Desastres de la Guerra (The Disasters of War), after 1814-15, published 1863 (etching, aquatint or lavis & drypoint)
Que se rompe la cuerda (May the cord break), Plate 77 from Los Desastres de la Guerra (The Disasters of War), after 1814-15, published 1863 (etching, aquatint or lavis & drypoint)

XOS6067358: Que se rompe la cuerda (May the cord break), Plate 77 from Los Desastres de la Guerra (The Disasters of War), after 1814-15, published 1863 (etching, aquatint or lavis & drypoint), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Portrait of Don Andres del Peral (active 1770-1820) painter decorator - Oil on wood,  1798
Portrait of Don Andres del Peral (active 1770-1820) painter decorator - Oil on wood,  1798

LRI4353590: Portrait of Don Andres del Peral (active 1770-1820) painter decorator - Oil on wood, 1798, Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Duchess Alba putting her hair in order. Drawing by Francisco de Goya y Lucientes (1746-1828). 1796.
Duchess Alba putting her hair in order. Drawing by Francisco de Goya y Lucientes (1746-1828). 1796.

IBE5333664: Duchess Alba putting her hair in order. Drawing by Francisco de Goya y Lucientes (1746-1828). 1796., Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Friar Pedro Binds El Maragato with a Rope, painting by Francisco de Goya, 1806-7
Friar Pedro Binds El Maragato with a Rope, painting by Francisco de Goya, 1806-7

IBE5345414: Friar Pedro Binds El Maragato with a Rope, painting by Francisco de Goya, 1806-7, Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Bullfighting, 1780-90 (oil on canvas)
Bullfighting, 1780-90 (oil on canvas)

IBE5376375: Bullfighting, 1780-90 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Exhortation, 1815-19 (red wash, red chalk on ivory laid paper)
Exhortation, 1815-19 (red wash, red chalk on ivory laid paper)

IBE5380027: Exhortation, 1815-19 (red wash, red chalk on ivory laid paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

The age of misfortune, 1814-23 (wash, brush, pencil, grey-brown ink, iron gall ink on laid paper)
The age of misfortune, 1814-23 (wash, brush, pencil, grey-brown ink, iron gall ink on laid paper)

IBE5380014: The age of misfortune, 1814-23 (wash, brush, pencil, grey-brown ink, iron gall ink on laid paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Strange Dream, 1814-23 (wash, brush, bistre, grey-brown ink, iron gall ink on laid paper)
Strange Dream, 1814-23 (wash, brush, bistre, grey-brown ink, iron gall ink on laid paper)

IBE5380042: Strange Dream, 1814-23 (wash, brush, bistre, grey-brown ink, iron gall ink on laid paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

The Infante Francisco de Paula, 1800 (oil on canvas)
The Infante Francisco de Paula, 1800 (oil on canvas)

IBE5380620: The Infante Francisco de Paula, 1800 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Boys with mastiff, c.1786 (oil on cardboard)
Boys with mastiff, c.1786 (oil on cardboard)

TRK5494986: Boys with mastiff, c.1786 (oil on cardboard), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images


Back to top