Goya y Lucientes, Francisco Jose de (1746-1828) Assets (686 in total)

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Plate 10 from La Tauromaquia: Charles V
Spearing a Bull in the Ring at Valladolid,
1816, printed 1876 (Etching and aquatint on laid paper)
Plate 10 from La Tauromaquia: Charles V
Spearing a Bull in the Ring at Valladolid,
1816, printed 1876 (Etching and aquatint on laid paper)

SEM7088516: Plate 10 from La Tauromaquia: Charles V Spearing a Bull in the Ring at Valladolid, 1816, printed 1876 (Etching and aquatint on laid paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

La Tauromaquia, Plate 29: Pepe Ilo making the pass of the 'recorte', (print, etching, aquatint, drypoint, burin on paper)
La Tauromaquia, Plate 29: Pepe Ilo making the pass of the 'recorte', (print, etching, aquatint, drypoint, burin on paper)

WHT6952584: La Tauromaquia, Plate 29: Pepe Ilo making the pass of the 'recorte', (print, etching, aquatint, drypoint, burin on paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Appearances Are Deceptive, late 18th-early
19th century (print)
Appearances Are Deceptive, late 18th-early
19th century (print)

SEM6370389: Appearances Are Deceptive, late 18th-early 19th century (print), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Charles III of Spain in hunting dress, c.1786-88 (oil on canvas)
Charles III of Spain in hunting dress, c.1786-88 (oil on canvas)

JLJ4577316: Charles III of Spain in hunting dress, c.1786-88 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Portrait of Francisco Bayeu, 1795 (oil on canvas)
Portrait of Francisco Bayeu, 1795 (oil on canvas)

JLJ4579496: Portrait of Francisco Bayeu, 1795 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

The Prairie of San Isidro (San Isidro) View of the City of Madrid from the Hermitage of San Isidoro, 1788 (oil on canvas)
The Prairie of San Isidro (San Isidro) View of the City of Madrid from the Hermitage of San Isidoro, 1788 (oil on canvas)

JLJ4612864: The Prairie of San Isidro (San Isidro) View of the City of Madrid from the Hermitage of San Isidoro, 1788 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Portrait of a man presumed to be Don Evaristo Perez de Castro
Portrait of a man presumed to be Don Evaristo Perez de Castro

PWI83796: Portrait of a man presumed to be Don Evaristo Perez de Castro, Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Portrait of the 10th Marquesa de Santa Cruz as the Muse, Euterpe, 1805 (oil on canvas)
Portrait of the 10th Marquesa de Santa Cruz as the Muse, Euterpe, 1805 (oil on canvas)

CH376754: Portrait of the 10th Marquesa de Santa Cruz as the Muse, Euterpe, 1805 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Letter from the Artist (1746-1828) (pen) (b/w photo)
Letter from the Artist (1746-1828) (pen) (b/w photo)

XJF128044: Letter from the Artist (1746-1828) (pen) (b/w photo), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Soplones, plate from 'Los Caprichos', 1799 (etching & aquatint)
Soplones, plate from 'Los Caprichos', 1799 (etching & aquatint)

CH3112266: Soplones, plate from 'Los Caprichos', 1799 (etching & aquatint), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Woman with a Fan, c.1805-06 (oil on canvas)
Woman with a Fan, c.1805-06 (oil on canvas)

XIR897700: Woman with a Fan, c.1805-06 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Two of a Kind (Tal para Qual), 1799 (etching, aquatint & drypoint)
Two of a Kind (Tal para Qual), 1799 (etching, aquatint & drypoint)

XDM1071366: Two of a Kind (Tal para Qual), 1799 (etching, aquatint & drypoint), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

To Rise and Fall (Subir y Bajar), 1799 (etching)
To Rise and Fall (Subir y Bajar), 1799 (etching)

XDM1071367: To Rise and Fall (Subir y Bajar), 1799 (etching), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Buen Viage (Safe trip). Wing Monsters. c.1802 (engraving)
Buen Viage (Safe trip). Wing Monsters. c.1802 (engraving)

CCI1856385: Buen Viage (Safe trip). Wing Monsters. c.1802 (engraving), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Portrait of Dona Manuela Camas, 1795 (oil on canvas)
Portrait of Dona Manuela Camas, 1795 (oil on canvas)

FIA2629153: Portrait of Dona Manuela Camas, 1795 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

They Carried Her Off!, plate eight from Los Caprichos, 1797-99 (etching and aquatint on ivory laid paper)
They Carried Her Off!, plate eight from Los Caprichos, 1797-99 (etching and aquatint on ivory laid paper)

XCC2972717: They Carried Her Off!, plate eight from Los Caprichos, 1797-99 (etching and aquatint on ivory laid paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Que se rompe la cuerda (May the cord break), Plate 77 from Los Desastres de la Guerra (The Disasters of War), after 1814-15, published 1863 (etching, aquatint or lavis & drypoint)
Que se rompe la cuerda (May the cord break), Plate 77 from Los Desastres de la Guerra (The Disasters of War), after 1814-15, published 1863 (etching, aquatint or lavis & drypoint)

XOS6067357: Que se rompe la cuerda (May the cord break), Plate 77 from Los Desastres de la Guerra (The Disasters of War), after 1814-15, published 1863 (etching, aquatint or lavis & drypoint), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Que se rompe la cuerda (May the cord break), Plate 77 from Los Desastres de la Guerra (The Disasters of War), after 1814-15, published 1863 (etching, aquatint or lavis & drypoint)
Que se rompe la cuerda (May the cord break), Plate 77 from Los Desastres de la Guerra (The Disasters of War), after 1814-15, published 1863 (etching, aquatint or lavis & drypoint)

XOS6067358: Que se rompe la cuerda (May the cord break), Plate 77 from Los Desastres de la Guerra (The Disasters of War), after 1814-15, published 1863 (etching, aquatint or lavis & drypoint), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Allegory of Love (Cupid and Psyche), 1798-1805 (painting)
Allegory of Love (Cupid and Psyche), 1798-1805 (painting)

FIA5400364: Allegory of Love (Cupid and Psyche), 1798-1805 (painting), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Sleep overcomes them, plater 34 of 'Los caprichos', 1799 (etching)
Sleep overcomes them, plater 34 of 'Los caprichos', 1799 (etching)

XKH153637: Sleep overcomes them, plater 34 of 'Los caprichos', 1799 (etching), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Because she was susceptible, plate 32 of 'Los Caprichos', 1799 (aquatint)
Because she was susceptible, plate 32 of 'Los Caprichos', 1799 (aquatint)

XKH153640: Because she was susceptible, plate 32 of 'Los Caprichos', 1799 (aquatint), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Equestrian Portrait of Ferdinand VII (1784-1833) King of Spain (oil on canvas)
Equestrian Portrait of Ferdinand VII (1784-1833) King of Spain (oil on canvas)

XIR203356: Equestrian Portrait of Ferdinand VII (1784-1833) King of Spain (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

BOO74012: "May God forgive her: it was her mother", 1797 (etching and aquatint), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Spring or the Flower Seller, 1786 (oil on canvas)
Spring or the Flower Seller, 1786 (oil on canvas)

XIR238646: Spring or the Flower Seller, 1786 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Bull Fight, from 'La Tauromaquia', 1921 (etching & aquatint on paper)
Bull Fight, from 'La Tauromaquia', 1921 (etching & aquatint on paper)

HMA616445: Bull Fight, from 'La Tauromaquia', 1921 (etching & aquatint on paper) , Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Disparate Puntual (Precise Folly), from the series
Disparate Puntual (Precise Folly), from the series

DMW937468: Disparate Puntual (Precise Folly), from the series "Los Disparates" (Mad and Absurd Ideas), c.1815-24, published 1877 (etching & aquatint), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Desgracias acaecidas en el tendido de la plaza de Madrid, y muerte del alcalde de Tor rejon (Dreadful events in the Front Rows of the Ring at Madrid and Death of the Mayor of Torrejon) from the series
Desgracias acaecidas en el tendido de la plaza de Madrid, y muerte del alcalde de Tor rejon (Dreadful events in the Front Rows of the Ring at Madrid and Death of the Mayor of Torrejon) from the series

DMW937669: Desgracias acaecidas en el tendido de la plaza de Madrid, y muerte del alcalde de Tor rejon (Dreadful events in the Front Rows of the Ring at Madrid and Death of the Mayor of Torrejon) from the series "Tauromachia" (Bullfight), 1816 (etching & aquatint), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Profession of faith, witchcraft scene with elves by Goya, late 18th century.
Profession of faith, witchcraft scene with elves by Goya, late 18th century.

LSE4093457: Profession of faith, witchcraft scene with elves by Goya, late 18th century., Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Friar Pedro Binds El Maragato with a Rope, painting by Francisco de Goya, 1806-7
Friar Pedro Binds El Maragato with a Rope, painting by Francisco de Goya, 1806-7

IBE5345414: Friar Pedro Binds El Maragato with a Rope, painting by Francisco de Goya, 1806-7, Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

IBE5350317: "The whims" (Los caprichos): Love and Death. Preparatory drawing 1797-1798 (drawing), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Duchess Alba putting her hair in order. Drawing by Francisco de Goya y Lucientes (1746-1828). 1796.
Duchess Alba putting her hair in order. Drawing by Francisco de Goya y Lucientes (1746-1828). 1796.

IBE5333664: Duchess Alba putting her hair in order. Drawing by Francisco de Goya y Lucientes (1746-1828). 1796., Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Bullfighting, 1780-90 (oil on canvas)
Bullfighting, 1780-90 (oil on canvas)

IBE5376375: Bullfighting, 1780-90 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Mariano Ceballos called
Mariano Ceballos called

IBE5376422: Mariano Ceballos called "the Indian" on the back of a bull breaks his pike in the arenas of Madrid, c. 1810 (painting), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

The Infante Francisco de Paula, 1800 (oil on canvas)
The Infante Francisco de Paula, 1800 (oil on canvas)

IBE5380620: The Infante Francisco de Paula, 1800 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

The age of misfortune, 1814-23 (wash, brush, pencil, grey-brown ink, iron gall ink on laid paper)
The age of misfortune, 1814-23 (wash, brush, pencil, grey-brown ink, iron gall ink on laid paper)

IBE5380014: The age of misfortune, 1814-23 (wash, brush, pencil, grey-brown ink, iron gall ink on laid paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Exhortation, 1815-19 (red wash, red chalk on ivory laid paper)
Exhortation, 1815-19 (red wash, red chalk on ivory laid paper)

IBE5380027: Exhortation, 1815-19 (red wash, red chalk on ivory laid paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images


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