Goya y Lucientes, Francisco Jose de (1746-1828) Assets (686 in total)

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Plate from Los Caprichos, 1797-1798
Plate from Los Caprichos, 1797-1798

MNS880933: Plate from Los Caprichos, 1797-1798, Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Plate from Los Caprichos, 1797-1798
Plate from Los Caprichos, 1797-1798

MNS880951: Plate from Los Caprichos, 1797-1798, Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Plate from Los Caprichos, 1797-1798
Plate from Los Caprichos, 1797-1798

MNS880956: Plate from Los Caprichos, 1797-1798, Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Plate from Los Caprichos, 1797-1798
Plate from Los Caprichos, 1797-1798

MNS880957: Plate from Los Caprichos, 1797-1798, Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Plate from Los Caprichos, 1797-1798
Plate from Los Caprichos, 1797-1798

MNS880962: Plate from Los Caprichos, 1797-1798, Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Cut the Old (Parten la vieja), c.1810 (sepia wash)
Cut the Old (Parten la vieja), c.1810 (sepia wash)

XIR896006: Cut the Old (Parten la vieja), c.1810 (sepia wash), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Luis de Borbon's Family, by Francisco Goya y Lucientes, 1783 - 1784, 18th Century, oil on canvas, 248 x 328 cm
Luis de Borbon's Family, by Francisco Goya y Lucientes, 1783 - 1784, 18th Century, oil on canvas, 248 x 328 cm

MEP944345: Luis de Borbon's Family, by Francisco Goya y Lucientes, 1783 - 1784, 18th Century, oil on canvas, 248 x 328 cm, Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Disparate Puntual (Precise Folly), from the series
Disparate Puntual (Precise Folly), from the series

DMW937468: Disparate Puntual (Precise Folly), from the series "Los Disparates" (Mad and Absurd Ideas), c.1815-24, published 1877 (etching & aquatint), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Desgracias acaecidas en el tendido de la plaza de Madrid, y muerte del alcalde de Tor rejon (Dreadful events in the Front Rows of the Ring at Madrid and Death of the Mayor of Torrejon) from the series
Desgracias acaecidas en el tendido de la plaza de Madrid, y muerte del alcalde de Tor rejon (Dreadful events in the Front Rows of the Ring at Madrid and Death of the Mayor of Torrejon) from the series

DMW937669: Desgracias acaecidas en el tendido de la plaza de Madrid, y muerte del alcalde de Tor rejon (Dreadful events in the Front Rows of the Ring at Madrid and Death of the Mayor of Torrejon) from the series "Tauromachia" (Bullfight), 1816 (etching & aquatint), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Two of a Kind (Tal para Qual), 1799 (etching, aquatint & drypoint)
Two of a Kind (Tal para Qual), 1799 (etching, aquatint & drypoint)

XDM1071366: Two of a Kind (Tal para Qual), 1799 (etching, aquatint & drypoint), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

To Rise and Fall (Subir y Bajar), 1799 (etching)
To Rise and Fall (Subir y Bajar), 1799 (etching)

XDM1071367: To Rise and Fall (Subir y Bajar), 1799 (etching), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

And the house is on fire,  Caprices, Plaque 18
And the house is on fire,  Caprices, Plaque 18

TRK1775385: And the house is on fire, Caprices, Plaque 18, Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Swalow it, dog', Caprices, Plaque 58
Swalow it, dog', Caprices, Plaque 58

TRK1775391: Swalow it, dog', Caprices, Plaque 58, Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

They Carried Her Off!, plate eight from Los Caprichos, 1797-99 (etching and aquatint on ivory laid paper)
They Carried Her Off!, plate eight from Los Caprichos, 1797-99 (etching and aquatint on ivory laid paper)

XCC2972717: They Carried Her Off!, plate eight from Los Caprichos, 1797-99 (etching and aquatint on ivory laid paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Buen Viage (Safe trip). Wing Monsters. c.1802 (engraving)
Buen Viage (Safe trip). Wing Monsters. c.1802 (engraving)

CCI1856385: Buen Viage (Safe trip). Wing Monsters. c.1802 (engraving), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Soplones, plate from 'Los Caprichos', 1799 (etching & aquatint)
Soplones, plate from 'Los Caprichos', 1799 (etching & aquatint)

CH3112266: Soplones, plate from 'Los Caprichos', 1799 (etching & aquatint), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Soplones, Los Caprichos, 1799 (etching)
Soplones, Los Caprichos, 1799 (etching)

FIT3251558: Soplones, Los Caprichos, 1799 (etching), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

War Destres: “” This is no less”” Anticlerical print on the cult of holy icons. Preparation drawing in red pencil for etching by Francisco de Goya y Lucientes (1746-1828). 1810-1812. Madrid. Prado Museum
War Destres: “” This is no less”” Anticlerical print on the cult of holy icons. Preparation drawing in red pencil for etching by Francisco de Goya y Lucientes (1746-1828). 1810-1812. Madrid. Prado Museum

LRI4606365: War Destres: “” This is no less”” Anticlerical print on the cult of holy icons. Preparation drawing in red pencil for etching by Francisco de Goya y Lucientes (1746-1828). 1810-1812. Madrid. Prado Museum, Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Profession of faith, witchcraft scene with elves by Goya, late 18th century.
Profession of faith, witchcraft scene with elves by Goya, late 18th century.

LSE4093457: Profession of faith, witchcraft scene with elves by Goya, late 18th century., Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Duchess Alba putting her hair in order. Drawing by Francisco de Goya y Lucientes (1746-1828). 1796.
Duchess Alba putting her hair in order. Drawing by Francisco de Goya y Lucientes (1746-1828). 1796.

IBE5333664: Duchess Alba putting her hair in order. Drawing by Francisco de Goya y Lucientes (1746-1828). 1796., Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

No Hay Quien Los Socorra (There is no one to help them), 1863 (etching, aquatint, burnishing & burin)
No Hay Quien Los Socorra (There is no one to help them), 1863 (etching, aquatint, burnishing & burin)

MAN3745581: No Hay Quien Los Socorra (There is no one to help them), 1863 (etching, aquatint, burnishing & burin), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

What a Tailor Can Do! (Lo que puede un sastre!), 1797-98 (etching and aquatint)
What a Tailor Can Do! (Lo que puede un sastre!), 1797-98 (etching and aquatint)

TBM3614320: What a Tailor Can Do! (Lo que puede un sastre!), 1797-98 (etching and aquatint), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Pretty Teacher! (Linda maestra!), 1797-98 (etching & aquatint)
Pretty Teacher! (Linda maestra!), 1797-98 (etching & aquatint)

TBM3614322: Pretty Teacher! (Linda maestra!), 1797-98 (etching & aquatint), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

No se convienen from
No se convienen from

TBM3614325: No se convienen from "Desastres de la Guerra", 1811-13 (etching and aquatint), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

The Clever 'Student of Falces' Infuriates the Bull by Moving about Wrapped in his Cloak, Plate 14, 1814-1816 (etching with burnished aquatint and engraving on laid paper)
The Clever 'Student of Falces' Infuriates the Bull by Moving about Wrapped in his Cloak, Plate 14, 1814-1816 (etching with burnished aquatint and engraving on laid paper)

HST2908410: The Clever 'Student of Falces' Infuriates the Bull by Moving about Wrapped in his Cloak, Plate 14, 1814-1816 (etching with burnished aquatint and engraving on laid paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

IBE5350317: "The whims" (Los caprichos): Love and Death. Preparatory drawing 1797-1798 (drawing), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Que se rompe la cuerda (May the cord break), Plate 77 from Los Desastres de la Guerra (The Disasters of War), after 1814-15, published 1863 (etching, aquatint or lavis & drypoint)
Que se rompe la cuerda (May the cord break), Plate 77 from Los Desastres de la Guerra (The Disasters of War), after 1814-15, published 1863 (etching, aquatint or lavis & drypoint)

XOS6067357: Que se rompe la cuerda (May the cord break), Plate 77 from Los Desastres de la Guerra (The Disasters of War), after 1814-15, published 1863 (etching, aquatint or lavis & drypoint), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Que se rompe la cuerda (May the cord break), Plate 77 from Los Desastres de la Guerra (The Disasters of War), after 1814-15, published 1863 (etching, aquatint or lavis & drypoint)
Que se rompe la cuerda (May the cord break), Plate 77 from Los Desastres de la Guerra (The Disasters of War), after 1814-15, published 1863 (etching, aquatint or lavis & drypoint)

XOS6067358: Que se rompe la cuerda (May the cord break), Plate 77 from Los Desastres de la Guerra (The Disasters of War), after 1814-15, published 1863 (etching, aquatint or lavis & drypoint), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

The age of misfortune, 1814-23 (wash, brush, pencil, grey-brown ink, iron gall ink on laid paper)
The age of misfortune, 1814-23 (wash, brush, pencil, grey-brown ink, iron gall ink on laid paper)

IBE5380014: The age of misfortune, 1814-23 (wash, brush, pencil, grey-brown ink, iron gall ink on laid paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Exhortation, 1815-19 (red wash, red chalk on ivory laid paper)
Exhortation, 1815-19 (red wash, red chalk on ivory laid paper)

IBE5380027: Exhortation, 1815-19 (red wash, red chalk on ivory laid paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Strange Dream, 1814-23 (wash, brush, bistre, grey-brown ink, iron gall ink on laid paper)
Strange Dream, 1814-23 (wash, brush, bistre, grey-brown ink, iron gall ink on laid paper)

IBE5380042: Strange Dream, 1814-23 (wash, brush, bistre, grey-brown ink, iron gall ink on laid paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Salvaje menos que otros (ink on paper)
Salvaje menos que otros (ink on paper)

AIS291909: Salvaje menos que otros (ink on paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Allegory: War or Evil, 1810s (ink on paper)
Allegory: War or Evil, 1810s (ink on paper)

AIS291915: Allegory: War or Evil, 1810s (ink on paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Awaiting his arrival (ink on paper)
Awaiting his arrival (ink on paper)

AIS291925: Awaiting his arrival (ink on paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

BOO74012: "May God forgive her: it was her mother", 1797 (etching and aquatint), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Letter from the Artist (1746-1828) (pen) (b/w photo)
Letter from the Artist (1746-1828) (pen) (b/w photo)

XJF128044: Letter from the Artist (1746-1828) (pen) (b/w photo), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images


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