Goya y Lucientes, Francisco Jose de (1746-1828) Assets (686 in total)

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Plate from Los Caprichos, 1797-1798
Plate from Los Caprichos, 1797-1798

MNS880896: Plate from Los Caprichos, 1797-1798, Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Plate from Los Caprichos, 1797-1798
Plate from Los Caprichos, 1797-1798

MNS880899: Plate from Los Caprichos, 1797-1798, Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

The Clever 'Student of Falces' Infuriates the Bull by Moving about Wrapped in his Cloak, 1814-16 (etching)
The Clever 'Student of Falces' Infuriates the Bull by Moving about Wrapped in his Cloak, 1814-16 (etching)

HST861730: The Clever 'Student of Falces' Infuriates the Bull by Moving about Wrapped in his Cloak, 1814-16 (etching), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Don Jose Antonio, Marquis de Caballero, 1807 (oil on canvas)
Don Jose Antonio, Marquis de Caballero, 1807 (oil on canvas)

LSE2629156: Don Jose Antonio, Marquis de Caballero, 1807 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Disparate de tontos (Fool's folly), 1877 (etching, aquatint & drypoint)
Disparate de tontos (Fool's folly), 1877 (etching, aquatint & drypoint)

MAN3745584: Disparate de tontos (Fool's folly), 1877 (etching, aquatint & drypoint), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Portrait of Don Bernardo de Iriarte (1735-1814). Painting by Francisco de Goya (1746-1828), oil on canvas, 1797. Spanish art, 18th century. Strasbourg Museum of Fine Arts.
Portrait of Don Bernardo de Iriarte (1735-1814). Painting by Francisco de Goya (1746-1828), oil on canvas, 1797. Spanish art, 18th century. Strasbourg Museum of Fine Arts.

LSE4315753: Portrait of Don Bernardo de Iriarte (1735-1814). Painting by Francisco de Goya (1746-1828), oil on canvas, 1797. Spanish art, 18th century. Strasbourg Museum of Fine Arts., Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

El dos de Mayo (May 2) or The charge of the Mamluks. Detail (oil on canvas, 1814)
El dos de Mayo (May 2) or The charge of the Mamluks. Detail (oil on canvas, 1814)

LRI4606011: El dos de Mayo (May 2) or The charge of the Mamluks. Detail (oil on canvas, 1814), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Portrait of Leandro Fernandez de Moratin, Spanish poet and playwright. (oil on canvas, 1799)
Portrait of Leandro Fernandez de Moratin, Spanish poet and playwright. (oil on canvas, 1799)

LRI4606154: Portrait of Leandro Fernandez de Moratin, Spanish poet and playwright. (oil on canvas, 1799), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

El Cid (c.1040-99) spearing another bull, plate 11 from La Tauromaquia, 1816 (etching)
El Cid (c.1040-99) spearing another bull, plate 11 from La Tauromaquia, 1816 (etching)

FIT156939: El Cid (c.1040-99) spearing another bull, plate 11 from La Tauromaquia, 1816 (etching), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Procession of Flagellants, 1815-19 (oil on canvas) (detail of 541)
Procession of Flagellants, 1815-19 (oil on canvas) (detail of 541)

BBC193309: Procession of Flagellants, 1815-19 (oil on canvas) (detail of 541), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Les Caprices (Los caprichos): 'What disease will he die from?' (drawing)
Les Caprices (Los caprichos): 'What disease will he die from?' (drawing)

IBE5368682: Les Caprices (Los caprichos): 'What disease will he die from?' (drawing), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Women and children near a cross (engraving)
Women and children near a cross (engraving)

IBE5369276: Women and children near a cross (engraving), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Interior of a prison, 1819 (drawing)
Interior of a prison, 1819 (drawing)

IBE5354685: Interior of a prison, 1819 (drawing), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Portrait of the King of Spain, Ferdinand VII (1784-1833) with his royal mantle, 1815 (oil on canvas)
Portrait of the King of Spain, Ferdinand VII (1784-1833) with his royal mantle, 1815 (oil on canvas)

IBE5356112: Portrait of the King of Spain, Ferdinand VII (1784-1833) with his royal mantle, 1815 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Portrait of Mariano Luis de Urquijo y Muga (1768-1817), 1798-1799 (oil on canvas)
Portrait of Mariano Luis de Urquijo y Muga (1768-1817), 1798-1799 (oil on canvas)

IBE5349545: Portrait of Mariano Luis de Urquijo y Muga (1768-1817), 1798-1799 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Bullfighting: The Cid pierces another bull from its spear 1815-16 (preparatory drawing)
Bullfighting: The Cid pierces another bull from its spear 1815-16 (preparatory drawing)

IBE5349656: Bullfighting: The Cid pierces another bull from its spear 1815-16 (preparatory drawing), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Los Caprichos:
Los Caprichos:

IBE5379998: Los Caprichos: "Because She Was Susceptible", 1797-98 (red wash, red chalk on silk paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Soon you will be free, 1814-23 (wash, brush, bistre, grey-brown ink, iron gall ink on laid paper)
Soon you will be free, 1814-23 (wash, brush, bistre, grey-brown ink, iron gall ink on laid paper)

IBE5380052: Soon you will be free, 1814-23 (wash, brush, bistre, grey-brown ink, iron gall ink on laid paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Bullfighting: the Moors who resided in Spain, disregarding the superstitions of the Koran, adopted this art of hunting by throwing spears in the open air, 1816 (red chalk)
Bullfighting: the Moors who resided in Spain, disregarding the superstitions of the Koran, adopted this art of hunting by throwing spears in the open air, 1816 (red chalk)

IBE5380061: Bullfighting: the Moors who resided in Spain, disregarding the superstitions of the Koran, adopted this art of hunting by throwing spears in the open air, 1816 (red chalk), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

School of Drawing, c. 1790 (charcoal drawing on grey paper)
School of Drawing, c. 1790 (charcoal drawing on grey paper)

IBE5379512: School of Drawing, c. 1790 (charcoal drawing on grey paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Portrait of Don Tomas Perez Estala (oil on canvas)
Portrait of Don Tomas Perez Estala (oil on canvas)

XKH145542: Portrait of Don Tomas Perez Estala (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Mal tiempo pasas (gouache)
Mal tiempo pasas (gouache)

BRM347390: Mal tiempo pasas (gouache), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Portrait of José Antonio, Marqués de Caballero (oil on canvas)
Portrait of José Antonio, Marqués de Caballero (oil on canvas)

XIR488891: Portrait of José Antonio, Marqués de Caballero (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Two of a Kind, plate 5 from 'Los Caprichos', published in 1799 (etching)
Two of a Kind, plate 5 from 'Los Caprichos', published in 1799 (etching)

XJF441964: Two of a Kind, plate 5 from 'Los Caprichos', published in 1799 (etching), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Pretty Teachings, 1868 (etching & aquatint)
Pretty Teachings, 1868 (etching & aquatint)

XCK877295: Pretty Teachings, 1868 (etching & aquatint), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Cut the Old (Parten la vieja), c.1810 (sepia wash)
Cut the Old (Parten la vieja), c.1810 (sepia wash)

XIR896006: Cut the Old (Parten la vieja), c.1810 (sepia wash), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Plate 24 from La Tauromaquia: The Same
Ceballos Mounted on Another Bull Breaks
Short Spears in the Ring at Madrid, 1816,
printed 1876 (Etching and aquatint on paper)
Plate 24 from La Tauromaquia: The Same
Ceballos Mounted on Another Bull Breaks
Short Spears in the Ring at Madrid, 1816,
printed 1876 (Etching and aquatint on paper)

SEM7088517: Plate 24 from La Tauromaquia: The Same Ceballos Mounted on Another Bull Breaks Short Spears in the Ring at Madrid, 1816, printed 1876 (Etching and aquatint on paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Wind, late 18th-early 19th century (print)
Wind, late 18th-early 19th century (print)

SEM6370386: Wind, late 18th-early 19th century (print), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Who Would Believe It?, late 18th-early 19th
century (print)
Who Would Believe It?, late 18th-early 19th
century (print)

SEM6370391: Who Would Believe It?, late 18th-early 19th century (print), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Portrait of General Don Antonio Ricardos, 18th century (oil on canvas)
Portrait of General Don Antonio Ricardos, 18th century (oil on canvas)

JLJ4577311: Portrait of General Don Antonio Ricardos, 18th century (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

The dish dealer, 1779 (oil on canvas)
The dish dealer, 1779 (oil on canvas)

JLJ4597299: The dish dealer, 1779 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Portrait of Josepha Bayeu, 19th century (oil on canvas)
Portrait of Josepha Bayeu, 19th century (oil on canvas)

JLJ4665255: Portrait of Josepha Bayeu, 19th century (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Do not open the eyes (ink on paper)
Do not open the eyes (ink on paper)

AIS291908: Do not open the eyes (ink on paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

They Say 'Yes' and Give Their Hand to the First Comer, plate two from Los Caprichos, 1797-99 (etching and aquatint on ivory laid paper)
They Say 'Yes' and Give Their Hand to the First Comer, plate two from Los Caprichos, 1797-99 (etching and aquatint on ivory laid paper)

XCC2972716: They Say 'Yes' and Give Their Hand to the First Comer, plate two from Los Caprichos, 1797-99 (etching and aquatint on ivory laid paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Winter Scene, c.1786 (oil on canvas)
Winter Scene, c.1786 (oil on canvas)

XCC2970849: Winter Scene, c.1786 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Portrait of General José Manuel Romero, c.1810 (oil on canvas)
Portrait of General José Manuel Romero, c.1810 (oil on canvas)

XCC2968542: Portrait of General José Manuel Romero, c.1810 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images


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