Goya y Lucientes, Francisco Jose de (1746-1828) Assets (686 in total)
Results
MNS880932: Plate from Los Caprichos, 1797-1798, Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
MNS880933: Plate from Los Caprichos, 1797-1798, Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
MNS880949: Plate from Los Caprichos, 1797-1798, Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
MNS880950: Plate from Los Caprichos, 1797-1798, Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
MNS880951: Plate from Los Caprichos, 1797-1798, Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
MNS880956: Plate from Los Caprichos, 1797-1798, Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
MNS880957: Plate from Los Caprichos, 1797-1798, Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
MNS880962: Plate from Los Caprichos, 1797-1798, Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
LSE2629156: Don Jose Antonio, Marquis de Caballero, 1807 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
IBE5368682: Les Caprices (Los caprichos): 'What disease will he die from?' (drawing), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
IBE5369276: Women and children near a cross (engraving), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
IBE5379998: Los Caprichos: "Because She Was Susceptible", 1797-98 (red wash, red chalk on silk paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
IBE5380052: Soon you will be free, 1814-23 (wash, brush, bistre, grey-brown ink, iron gall ink on laid paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
MAN3745584: Disparate de tontos (Fool's folly), 1877 (etching, aquatint & drypoint), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
SEM6370386: Wind, late 18th-early 19th century (print), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
SEM6370391: Who Would Believe It?, late 18th-early 19th century (print), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
IBE5356112: Portrait of the King of Spain, Ferdinand VII (1784-1833) with his royal mantle, 1815 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
IBE5349545: Portrait of Mariano Luis de Urquijo y Muga (1768-1817), 1798-1799 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
IBE5349656: Bullfighting: The Cid pierces another bull from its spear 1815-16 (preparatory drawing), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
IBE5354685: Interior of a prison, 1819 (drawing), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
FIA5400375: Manuel Quijano, 1815 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
IBE5380061: Bullfighting: the Moors who resided in Spain, disregarding the superstitions of the Koran, adopted this art of hunting by throwing spears in the open air, 1816 (red chalk), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
FIA5392467: Portrait of Martin Zapater y Claveria (1747-1803), 1797 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
LRI4606011: El dos de Mayo (May 2) or The charge of the Mamluks. Detail (oil on canvas, 1814), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
LRI4606154: Portrait of Leandro Fernandez de Moratin, Spanish poet and playwright. (oil on canvas, 1799), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
GIA4778769: They make their toilet, c.1820 (engraving), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
LSE4315753: Portrait of Don Bernardo de Iriarte (1735-1814). Painting by Francisco de Goya (1746-1828), oil on canvas, 1797. Spanish art, 18th century. Strasbourg Museum of Fine Arts., Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
SEM7088517: Plate 24 from La Tauromaquia: The Same Ceballos Mounted on Another Bull Breaks Short Spears in the Ring at Madrid, 1816, printed 1876 (Etching and aquatint on paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
JLJ4577311: Portrait of General Don Antonio Ricardos, 18th century (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
JLJ4597299: The dish dealer, 1779 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
HST861730: The Clever 'Student of Falces' Infuriates the Bull by Moving about Wrapped in his Cloak, 1814-16 (etching), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
XKH145542: Portrait of Don Tomas Perez Estala (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
XKH154898: La seguridad de un reo no exige tormento (The safety of a defendant does not require torment), c.1810-20 (etching), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
XJF441964: Two of a Kind, plate 5 from 'Los Caprichos', published in 1799 (etching), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
JLJ4665255: Portrait of Josepha Bayeu, 19th century (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
