Goya y Lucientes, Francisco Jose de (1746-1828) Assets (685 in total)
Results
LRI4606480: Destres of the war: “” The carnivorous vulture”” Representation of the supporters of the monarchy of Ferdinand VII of Spain as animals. Preparation drawing in red pencil for etching n.76 by Francisco de Goya y Lucientes (1746-1828). 1810-1812. Madrid. Prado Museum, Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
LRI4606453: War Destres: “This is the worst””. Representation of the supporters of the monarchy of Ferdinand VII of Spain as animals. Preparation drawing in red pencil for etching n.74 by Francisco de Goya y Lucientes (1746-1828). 1810-1812. Madrid. Prado Museum, Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
LRI4606494: Destres of the war: “” The carnivorous vulture”” Representation of the supporters of the monarchy of Ferdinand VII of Spain as animals. Etching n.76 by Francisco de Goya y Lucientes (1746-1828). 1810-1812. Madrid. Prado Museum, Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
JLJ4597244: The elegant guitar, 19th century (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
PWI779026: Portrait of Ferdinand Guillemardet, detail of sword and sash, 1798-99 (oil on canvas) (detail of 83585), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
XJL779027: The Family of the Infante Don Luis de Borbon, 1783-84 (oil on canvas) (detail of 214612), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
XJL779016: The Milkmaid of Bordeaux, c.1824 (oil on canvas) (detail of 12861), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
XDM1066859: Those Specks of Dust (Aquellos Polbos), 1799 (drypoint, etching & aquatint), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
MEP848394: The Nude Maja (La maja desnuda), by Francisco José de Goya y Lucientes, 1800, 19th Century, oil on canvas, 95 x 190 cm, Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
DTR114648: Portrait of Dona Amalia Bonells de Costa, c.1805 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
XIR896211: Head of a Philosopher, c.1810 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
TBM3614317: Nothing Could Be Done About It (Nohubo remedio), 1797-98 (etching and aquatint), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
TBM3614315: Love and death (El amor y la muerte), 1797-98 (etching and aquatint), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
MPX5128202: Detective Sergeant Jack Ion, Detective Inspector John Morrison and Chief Detective Inspector Wallace Virgo from London's West End central police station, with the recovered £140000 Goya portrait at Birmingham's New Street railway station, 22nd May 1965 (b/w photo), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
SEM6370387: El de la Rollona, late 18th-early 19th century (print), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
SEM6370390: The Habit of Command, late 18th-early 19th century (print), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
SEM6370393: Portrait of the Artist, late 18th-early 19th century (print), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
XKH154898: La seguridad de un reo no exige tormento (The safety of a defendant does not require torment), c.1810-20 (etching), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
FIT156939: El Cid (c.1040-99) spearing another bull, plate 11 from La Tauromaquia, 1816 (etching), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
XKH145542: Portrait of Don Tomas Perez Estala (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
IBE291908: Do not open the eyes (ink on paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
BRM347390: Mal tiempo pasas (gouache), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
XJF441964: Two of a Kind, plate 5 from 'Los Caprichos', published in 1799 (etching), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
XIR488891: Portrait of José Antonio, Marqués de Caballero (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
LSE2629156: Don Jose Antonio, Marquis de Caballero, 1807 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
JLJ4665255: Portrait of Josepha Bayeu, 19th century (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
IBE5368682: Les Caprices (Los caprichos): 'What disease will he die from?' (drawing), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
IBE5354685: Interior of a prison, 1819 (drawing), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
IBE5356112: Portrait of the King of Spain, Ferdinand VII (1784-1833) with his royal mantle, 1815 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
FIA5400375: Manuel Quijano, 1815 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
FIA5392467: Portrait of Martin Zapater y Claveria (1747-1803), 1797 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
IBE5379512: School of Drawing, c. 1790 (charcoal drawing on grey paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
IBE5379998: Los Caprichos: "Because She Was Susceptible", 1797-98 (red wash, red chalk on silk paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
