Goya y Lucientes, Francisco Jose de (1746-1828) Assets (686 in total)

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La Bouillie': Beggars Eating Mash,  (black lead, brush and gray wash)
La Bouillie': Beggars Eating Mash,  (black lead, brush and gray wash)

CH990038: La Bouillie': Beggars Eating Mash, (black lead, brush and gray wash), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Chiton (Hush), plate 28 from the series
Chiton (Hush), plate 28 from the series

DMW937540: Chiton (Hush), plate 28 from the series "Los Caprichos" (The Caprices), 1796-97, printed mid-19th century (etching & aquatint with burin), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Nadie nos ha visto (No one has seen us), plate 79 from the series
Nadie nos ha visto (No one has seen us), plate 79 from the series

DMW937670: Nadie nos ha visto (No one has seen us), plate 79 from the series "Los Caprichos" (The Caprices), c.1799 (etching), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

No se descuida el Borrico, 1816-20 (chinese ink on laid paper)
No se descuida el Borrico, 1816-20 (chinese ink on laid paper)

AIS291941: No se descuida el Borrico, 1816-20 (chinese ink on laid paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Proverb 11 from the Follies Series, c.1815-24 (etching and aquatint on paper)
Proverb 11 from the Follies Series, c.1815-24 (etching and aquatint on paper)

XKH150635: Proverb 11 from the Follies Series, c.1815-24 (etching and aquatint on paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Portrait of Dona Amalia Bonells de Costa, c.1805 (oil on canvas)
Portrait of Dona Amalia Bonells de Costa, c.1805 (oil on canvas)

DTR114648: Portrait of Dona Amalia Bonells de Costa, c.1805 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

El de la Rollona, late 18th-early 19th century (print)
El de la Rollona, late 18th-early 19th century (print)

SEM6370387: El de la Rollona, late 18th-early 19th century (print), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

The Habit of Command, late 18th-early 19th
century (print)
The Habit of Command, late 18th-early 19th
century (print)

SEM6370390: The Habit of Command, late 18th-early 19th century (print), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Portrait of the Artist, late 18th-early 19th
century (print)
Portrait of the Artist, late 18th-early 19th
century (print)

SEM6370393: Portrait of the Artist, late 18th-early 19th century (print), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Portrait of Ferdinand VII (1784-1833) King of Spain, 19th century (drawing)
Portrait of Ferdinand VII (1784-1833) King of Spain, 19th century (drawing)

IBE5356097: Portrait of Ferdinand VII (1784-1833) King of Spain, 19th century (drawing), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

A Moor receives a horn blow in the arena, 1816 (etching)
A Moor receives a horn blow in the arena, 1816 (etching)

IBE5348882: A Moor receives a horn blow in the arena, 1816 (etching), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Modo de volar (A way of flying), 1864 (etching, aquatint, drypoint & burnishing)
Modo de volar (A way of flying), 1864 (etching, aquatint, drypoint & burnishing)

MAN3745575: Modo de volar (A way of flying), 1864 (etching, aquatint, drypoint & burnishing), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

An old woman kneeling in prayer, early 19th century (drawing)
An old woman kneeling in prayer, early 19th century (drawing)

IBE5380038: An old woman kneeling in prayer, early 19th century (drawing), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

He's Helping Him to Die Well, 1824-28 (pencil on laid paper)
He's Helping Him to Die Well, 1824-28 (pencil on laid paper)

IBE5380044: He's Helping Him to Die Well, 1824-28 (pencil on laid paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Dream of Flogging, 1801-03 (black w/c on ivory, moderately textured laid paper with partial watermark)
Dream of Flogging, 1801-03 (black w/c on ivory, moderately textured laid paper with partial watermark)

XCC2972603: Dream of Flogging, 1801-03 (black w/c on ivory, moderately textured laid paper with partial watermark), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Those Specks of Dust (Aquellos Polbos), 1799 (drypoint, etching & aquatint)
Those Specks of Dust (Aquellos Polbos), 1799 (drypoint, etching & aquatint)

XDM1066859: Those Specks of Dust (Aquellos Polbos), 1799 (drypoint, etching & aquatint), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Laughing Figures
Laughing Figures

PHD29688: Laughing Figures, Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Les Caprices (Los caprichos): 'What disease will he die from?' (drawing)
Les Caprices (Los caprichos): 'What disease will he die from?' (drawing)

IBE5368682: Les Caprices (Los caprichos): 'What disease will he die from?' (drawing), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Women and children near a cross (engraving)
Women and children near a cross (engraving)

IBE5369276: Women and children near a cross (engraving), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Plate 24 from La Tauromaquia: The Same
Ceballos Mounted on Another Bull Breaks
Short Spears in the Ring at Madrid, 1816,
printed 1876 (Etching and aquatint on paper)
Plate 24 from La Tauromaquia: The Same
Ceballos Mounted on Another Bull Breaks
Short Spears in the Ring at Madrid, 1816,
printed 1876 (Etching and aquatint on paper)

SEM7088517: Plate 24 from La Tauromaquia: The Same Ceballos Mounted on Another Bull Breaks Short Spears in the Ring at Madrid, 1816, printed 1876 (Etching and aquatint on paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Wind, late 18th-early 19th century (print)
Wind, late 18th-early 19th century (print)

SEM6370386: Wind, late 18th-early 19th century (print), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Who Would Believe It?, late 18th-early 19th
century (print)
Who Would Believe It?, late 18th-early 19th
century (print)

SEM6370391: Who Would Believe It?, late 18th-early 19th century (print), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Bullfighting: The Cid pierces another bull from its spear 1815-16 (preparatory drawing)
Bullfighting: The Cid pierces another bull from its spear 1815-16 (preparatory drawing)

IBE5349656: Bullfighting: The Cid pierces another bull from its spear 1815-16 (preparatory drawing), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Interior of a prison, 1819 (drawing)
Interior of a prison, 1819 (drawing)

IBE5354685: Interior of a prison, 1819 (drawing), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Soon you will be free, 1814-23 (wash, brush, bistre, grey-brown ink, iron gall ink on laid paper)
Soon you will be free, 1814-23 (wash, brush, bistre, grey-brown ink, iron gall ink on laid paper)

IBE5380052: Soon you will be free, 1814-23 (wash, brush, bistre, grey-brown ink, iron gall ink on laid paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Bullfighting: the Moors who resided in Spain, disregarding the superstitions of the Koran, adopted this art of hunting by throwing spears in the open air, 1816 (red chalk)
Bullfighting: the Moors who resided in Spain, disregarding the superstitions of the Koran, adopted this art of hunting by throwing spears in the open air, 1816 (red chalk)

IBE5380061: Bullfighting: the Moors who resided in Spain, disregarding the superstitions of the Koran, adopted this art of hunting by throwing spears in the open air, 1816 (red chalk), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

School of Drawing, c. 1790 (charcoal drawing on grey paper)
School of Drawing, c. 1790 (charcoal drawing on grey paper)

IBE5379512: School of Drawing, c. 1790 (charcoal drawing on grey paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Los Caprichos:
Los Caprichos:

IBE5379998: Los Caprichos: "Because She Was Susceptible", 1797-98 (red wash, red chalk on silk paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Disparate de tontos (Fool's folly), 1877 (etching, aquatint & drypoint)
Disparate de tontos (Fool's folly), 1877 (etching, aquatint & drypoint)

MAN3745584: Disparate de tontos (Fool's folly), 1877 (etching, aquatint & drypoint), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

They Say 'Yes' and Give Their Hand to the First Comer, plate two from Los Caprichos, 1797-99 (etching and aquatint on ivory laid paper)
They Say 'Yes' and Give Their Hand to the First Comer, plate two from Los Caprichos, 1797-99 (etching and aquatint on ivory laid paper)

XCC2972716: They Say 'Yes' and Give Their Hand to the First Comer, plate two from Los Caprichos, 1797-99 (etching and aquatint on ivory laid paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Do not open the eyes (ink on paper)
Do not open the eyes (ink on paper)

AIS291908: Do not open the eyes (ink on paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Portrait of Don Tomas Perez Estala (oil on canvas)
Portrait of Don Tomas Perez Estala (oil on canvas)

XKH145542: Portrait of Don Tomas Perez Estala (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Procession of Flagellants, 1815-19 (oil on canvas) (detail of 541)
Procession of Flagellants, 1815-19 (oil on canvas) (detail of 541)

BBC193309: Procession of Flagellants, 1815-19 (oil on canvas) (detail of 541), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

El Cid (c.1040-99) spearing another bull, plate 11 from La Tauromaquia, 1816 (etching)
El Cid (c.1040-99) spearing another bull, plate 11 from La Tauromaquia, 1816 (etching)

FIT156939: El Cid (c.1040-99) spearing another bull, plate 11 from La Tauromaquia, 1816 (etching), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

La seguridad de un reo no exige tormento (The safety of a defendant does not require torment), c.1810-20 (etching)
La seguridad de un reo no exige tormento (The safety of a defendant does not require torment), c.1810-20 (etching)

XKH154898: La seguridad de un reo no exige tormento (The safety of a defendant does not require torment), c.1810-20 (etching), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Portrait of Josepha Bayeu, 19th century (oil on canvas)
Portrait of Josepha Bayeu, 19th century (oil on canvas)

JLJ4665255: Portrait of Josepha Bayeu, 19th century (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images


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