Dore, Gustave (1832-83) Assets (2601 in total)

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La liberté, engraving by Gustave Doré, 19th century
La liberté, engraving by Gustave Doré, 19th century

LSE4083525: La liberté, engraving by Gustave Doré, 19th century, Dore, Gustave (1832-83) / Bridgeman Images

View of life in London. Drawing by Gustave Dore. Engraving in “” Le Monde illustrious”” 1883. Private collection.
View of life in London. Drawing by Gustave Dore. Engraving in “” Le Monde illustrious”” 1883. Private collection.

XEE4177545: View of life in London. Drawing by Gustave Dore. Engraving in “” Le Monde illustrious”” 1883. Private collection., Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote and Sancho Panca (Panza) in the sky, between the moon and the stars, riding the wooden horse Clavilegne. Engraving by Gustave Dore illustrating the 1869 Hachette edition of the book “” L'ingenieux hidalgo Don Quixote de la Mancha”” (Mancha) by Miguel de Cervantes Saavedra, translation by Louis Viardot, 370 compositions engraved on wood by H. Pisan.
Don Quixote and Sancho Panca (Panza) in the sky, between the moon and the stars, riding the wooden horse Clavilegne. Engraving by Gustave Dore illustrating the 1869 Hachette edition of the book “” L'ingenieux hidalgo Don Quixote de la Mancha”” (Mancha) by Miguel de Cervantes Saavedra, translation by Louis Viardot, 370 compositions engraved on wood by H. Pisan.

PCT4266999: Don Quixote and Sancho Panca (Panza) in the sky, between the moon and the stars, riding the wooden horse Clavilegne. Engraving by Gustave Dore illustrating the 1869 Hachette edition of the book “” L'ingenieux hidalgo Don Quixote de la Mancha”” (Mancha) by Miguel de Cervantes Saavedra, translation by Louis Viardot, 370 compositions engraved on wood by H. Pisan., Dore, Gustave (1832-83) / Bridgeman Images

Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)
Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)

PCT4267113: Illsutration for 'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)
Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)

PCT4267159: Illsutration for 'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)
Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)

PCT4267152: Illsutration for 'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)
Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)

PCT4267163: Illsutration for 'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

In the fourth circle of Hell, under which Pluto (Hades) presides, the Avares and the Prodigans carry and roll heavy burdens (rocks), colliding with anger. Engraving from The Hell by Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “” Tutto l'oro ch 'e sotto la Luna/O che gia fu, di question' anime stanche/Non poterebble farne posar una. (All gold that is or was ever under the moon could not give a moment of rest to one of these tired souls”, song 7. v. 64, 65 & 66.
In the fourth circle of Hell, under which Pluto (Hades) presides, the Avares and the Prodigans carry and roll heavy burdens (rocks), colliding with anger. Engraving from The Hell by Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “” Tutto l'oro ch 'e sotto la Luna/O che gia fu, di question' anime stanche/Non poterebble farne posar una. (All gold that is or was ever under the moon could not give a moment of rest to one of these tired souls”, song 7. v. 64, 65 & 66.

PCT4265339: In the fourth circle of Hell, under which Pluto (Hades) presides, the Avares and the Prodigans carry and roll heavy burdens (rocks), colliding with anger. Engraving from The Hell by Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “” Tutto l'oro ch 'e sotto la Luna/O che gia fu, di question' anime stanche/Non poterebble farne posar una. (All gold that is or was ever under the moon could not give a moment of rest to one of these tired souls”, song 7. v. 64, 65 & 66., Dore, Gustave (1832-83) / Bridgeman Images

Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore (detail) - Maxwell edition 1865 - Sixth voyage: To the court of the king of Serendib
Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore (detail) - Maxwell edition 1865 - Sixth voyage: To the court of the king of Serendib

PCT4278376: Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore (detail) - Maxwell edition 1865 - Sixth voyage: To the court of the king of Serendib, Dore, Gustave (1832-83) / Bridgeman Images

Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - edition Maxwell 1865 - Second voyage: Sindbat discovers a valley with diamonds, but which is unfortunately occupied by giant snakes. He will take refuge in a cave where he will close the entrance with a rock to get out of reach of the monsters.
Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - edition Maxwell 1865 - Second voyage: Sindbat discovers a valley with diamonds, but which is unfortunately occupied by giant snakes. He will take refuge in a cave where he will close the entrance with a rock to get out of reach of the monsters.

PCT4278292: Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - edition Maxwell 1865 - Second voyage: Sindbat discovers a valley with diamonds, but which is unfortunately occupied by giant snakes. He will take refuge in a cave where he will close the entrance with a rock to get out of reach of the monsters., Dore, Gustave (1832-83) / Bridgeman Images

Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - First voyage: Sindbad, abandoned in the middle of the sea by his companions, reached an island and met in a cave the palefreniers of King Miihrage
Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - First voyage: Sindbad, abandoned in the middle of the sea by his companions, reached an island and met in a cave the palefreniers of King Miihrage

PCT4278407: Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - First voyage: Sindbad, abandoned in the middle of the sea by his companions, reached an island and met in a cave the palefreniers of King Miihrage, Dore, Gustave (1832-83) / Bridgeman Images

Gant Gargantua's education: as a child, he learns to read with his preceptor. Illustration by Gustave Dore for the work of Francois Rabelais.
Gant Gargantua's education: as a child, he learns to read with his preceptor. Illustration by Gustave Dore for the work of Francois Rabelais.

PCT4277083: Gant Gargantua's education: as a child, he learns to read with his preceptor. Illustration by Gustave Dore for the work of Francois Rabelais., Dore, Gustave (1832-83) / Bridgeman Images

Hunting on the river Teoghe, tributary of the Ngami. Hippo harpoon. Engraving by Gustave Dore illustrating “” les aventures et chasse du voyageur Charles-Jean Anderson dans l'Afrique Australe”, published in the journal “” Le tour du monde”, a new journal of voyages under the direction of Edouard Charton, 1860.
Hunting on the river Teoghe, tributary of the Ngami. Hippo harpoon. Engraving by Gustave Dore illustrating “” les aventures et chasse du voyageur Charles-Jean Anderson dans l'Afrique Australe”, published in the journal “” Le tour du monde”, a new journal of voyages under the direction of Edouard Charton, 1860.

PCT4273773: Hunting on the river Teoghe, tributary of the Ngami. Hippo harpoon. Engraving by Gustave Dore illustrating “” les aventures et chasse du voyageur Charles-Jean Anderson dans l'Afrique Australe”, published in the journal “” Le tour du monde”, a new journal of voyages under the direction of Edouard Charton, 1860., Dore, Gustave (1832-83) / Bridgeman Images

Merlin and Viviane in the Brocéliande Forest - in “” Viviane”” by Alfred Tennyson, illustration by G. Doré, 1868
Merlin and Viviane in the Brocéliande Forest - in “” Viviane”” by Alfred Tennyson, illustration by G. Doré, 1868

LSE4096522: Merlin and Viviane in the Brocéliande Forest - in “” Viviane”” by Alfred Tennyson, illustration by G. Doré, 1868, Dore, Gustave (1832-83) / Bridgeman Images

Pantagruel - de Rabelais, by Gustave Doré, 1873
Pantagruel - de Rabelais, by Gustave Doré, 1873

LSE4096504: Pantagruel - de Rabelais, by Gustave Doré, 1873, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 25: The lustful pass through fire in the seventh circle - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 25: The lustful pass through fire in the seventh circle - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145463: The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 25: The lustful pass through fire in the seventh circle - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 1: The she-wolf appears - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 1: The she-wolf appears - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145769: The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 1: The she-wolf appears - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 33: Gaddo dies before his father's eyes - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 33: Gaddo dies before his father's eyes - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145577: The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 33: Gaddo dies before his father's eyes - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 29: The forgers tormented in the valley - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 29: The forgers tormented in the valley - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145610: The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 29: The forgers tormented in the valley - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 25: Agnello transforming into a serpent - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 25: Agnello transforming into a serpent - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145628: The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 25: Agnello transforming into a serpent - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 5: Paolo and Francesca - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 5: Paolo and Francesca - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145732: The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 5: Paolo and Francesca - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

Engraving by Gustave Dore around 1850: evocation of an apocalyptic deluge combining biblical tradition (one can see in the distance the ark of Noe on the sea) and the beginning of scientific knowledge (various monstrous animals failed on the mountain, prefiguring the dinosaurs).
Engraving by Gustave Dore around 1850: evocation of an apocalyptic deluge combining biblical tradition (one can see in the distance the ark of Noe on the sea) and the beginning of scientific knowledge (various monstrous animals failed on the mountain, prefiguring the dinosaurs).

PCT4262427: Engraving by Gustave Dore around 1850: evocation of an apocalyptic deluge combining biblical tradition (one can see in the distance the ark of Noe on the sea) and the beginning of scientific knowledge (various monstrous animals failed on the mountain, prefiguring the dinosaurs)., Dore, Gustave (1832-83) / Bridgeman Images

Waterfall of Cirque de Gavarnie seen from the inn: engraving by Gustave Dore illustrating the book “” Voyage aux Pyrenees”” by Hippolyte Taine, Hachette 1860.
Waterfall of Cirque de Gavarnie seen from the inn: engraving by Gustave Dore illustrating the book “” Voyage aux Pyrenees”” by Hippolyte Taine, Hachette 1860.

PCT4262560: Waterfall of Cirque de Gavarnie seen from the inn: engraving by Gustave Dore illustrating the book “” Voyage aux Pyrenees”” by Hippolyte Taine, Hachette 1860., Dore, Gustave (1832-83) / Bridgeman Images

Sully (Maximilian of Bethune, Baron de Rosny, Duke of Sully, 1560-1641), French Protestant statesman, counsellor, friend and minister of finance of Henry IV - Engraving by Gustave Dore.
Sully (Maximilian of Bethune, Baron de Rosny, Duke of Sully, 1560-1641), French Protestant statesman, counsellor, friend and minister of finance of Henry IV - Engraving by Gustave Dore.

PCT4262585: Sully (Maximilian of Bethune, Baron de Rosny, Duke of Sully, 1560-1641), French Protestant statesman, counsellor, friend and minister of finance of Henry IV - Engraving by Gustave Dore., Dore, Gustave (1832-83) / Bridgeman Images

Scene of bullfighting: the triumph of Teresa Bolsi, Andalusian torrera, saluting the assembly that acclaim him in Seville. Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.
Scene of bullfighting: the triumph of Teresa Bolsi, Andalusian torrera, saluting the assembly that acclaim him in Seville. Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.

LSE4326317: Scene of bullfighting: the triumph of Teresa Bolsi, Andalusian torrera, saluting the assembly that acclaim him in Seville. Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

A funeral dance, during the mortuary day in Jijonas (province of Alicante). Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.
A funeral dance, during the mortuary day in Jijonas (province of Alicante). Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.

LSE4326303: A funeral dance, during the mortuary day in Jijonas (province of Alicante). Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

A troupe of beggars and infirm, a veritable court of miracles, is headed for a diligence to ask for almon in the vicinity of Almuradiel (Mancha Province). Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.
A troupe of beggars and infirm, a veritable court of miracles, is headed for a diligence to ask for almon in the vicinity of Almuradiel (Mancha Province). Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.

LSE4326339: A troupe of beggars and infirm, a veritable court of miracles, is headed for a diligence to ask for almon in the vicinity of Almuradiel (Mancha Province). Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

A family of nomadic dancers resting in the streets of Seville. Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.
A family of nomadic dancers resting in the streets of Seville. Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.

LSE4326293: A family of nomadic dancers resting in the streets of Seville. Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

A serenade in the moonlight, in the streets of Cordoba, the lover, guitar in his hand, speaks in a low voice to his fiancee through a wire mesh window, recites poems or sings a song to him. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.
A serenade in the moonlight, in the streets of Cordoba, the lover, guitar in his hand, speaks in a low voice to his fiancee through a wire mesh window, recites poems or sings a song to him. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.

LSE4326328: A serenade in the moonlight, in the streets of Cordoba, the lover, guitar in his hand, speaks in a low voice to his fiancee through a wire mesh window, recites poems or sings a song to him. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

A priest and a woman of the people, dressed in rags; the professional Spanish beggars settled on the courts of the churches to exploit the Christian charity skillfully. Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.
A priest and a woman of the people, dressed in rags; the professional Spanish beggars settled on the courts of the churches to exploit the Christian charity skillfully. Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.

LSE4326331: A priest and a woman of the people, dressed in rags; the professional Spanish beggars settled on the courts of the churches to exploit the Christian charity skillfully. Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

Giant Pantagruel and his companions visit the monastery of the Freres Fredons, on the island of Esclots - illustration by Gustave Dore for complete works by Francois Rabelais - Fifth Book
Giant Pantagruel and his companions visit the monastery of the Freres Fredons, on the island of Esclots - illustration by Gustave Dore for complete works by Francois Rabelais - Fifth Book

PCT4282223: Giant Pantagruel and his companions visit the monastery of the Freres Fredons, on the island of Esclots - illustration by Gustave Dore for complete works by Francois Rabelais - Fifth Book, Dore, Gustave (1832-83) / Bridgeman Images

Students of tuna (or tunantes) in the district of the University of Alcala de Henares, the peculiarity of these students who have adopted idle, free and wandering life is not to study, sketch on the live by Gustave Dore. Engraving to illustrate the voyage in Spain, by Gustave Dore (1832-1883) and C.Davillier, in 1862, published in “” Le tour du monde””” 1870-1871, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Students of tuna (or tunantes) in the district of the University of Alcala de Henares, the peculiarity of these students who have adopted idle, free and wandering life is not to study, sketch on the live by Gustave Dore. Engraving to illustrate the voyage in Spain, by Gustave Dore (1832-1883) and C.Davillier, in 1862, published in “” Le tour du monde””” 1870-1871, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329086: Students of tuna (or tunantes) in the district of the University of Alcala de Henares, the peculiarity of these students who have adopted idle, free and wandering life is not to study, sketch on the live by Gustave Dore. Engraving to illustrate the voyage in Spain, by Gustave Dore (1832-1883) and C.Davillier, in 1862, published in “” Le tour du monde””” 1870-1871, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

Buhonero, Aragonese peddler. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Buhonero, Aragonese peddler. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329304: Buhonero, Aragonese peddler. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

The baratero weapon of the navaja, demanding the barato, tribute that he arrogates on the amount of clandestine games. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
The baratero weapon of the navaja, demanding the barato, tribute that he arrogates on the amount of clandestine games. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325637: The baratero weapon of the navaja, demanding the barato, tribute that he arrogates on the amount of clandestine games. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

One night in a relay in Jaen. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
One night in a relay in Jaen. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325635: One night in a relay in Jaen. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

Extract from the Gospel of St. Matthew. Jesus Christ preaches before the crowd of his disciples. Engraving of the 19th century.
Extract from the Gospel of St. Matthew. Jesus Christ preaches before the crowd of his disciples. Engraving of the 19th century.

GIA4733360: Extract from the Gospel of St. Matthew. Jesus Christ preaches before the crowd of his disciples. Engraving of the 19th century., Dore, Gustave (1832-83) / Bridgeman Images


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