Dore, Gustave (1832-83) Assets (2601 in total)

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Buhonero, Aragonese peddler. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Buhonero, Aragonese peddler. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329304: Buhonero, Aragonese peddler. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

A funeral dance, during the mortuary day in Jijonas (province of Alicante). Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.
A funeral dance, during the mortuary day in Jijonas (province of Alicante). Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.

LSE4326303: A funeral dance, during the mortuary day in Jijonas (province of Alicante). Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

Scene of bullfighting: the triumph of Teresa Bolsi, Andalusian torrera, saluting the assembly that acclaim him in Seville. Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.
Scene of bullfighting: the triumph of Teresa Bolsi, Andalusian torrera, saluting the assembly that acclaim him in Seville. Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.

LSE4326317: Scene of bullfighting: the triumph of Teresa Bolsi, Andalusian torrera, saluting the assembly that acclaim him in Seville. Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

A serenade in the moonlight, in the streets of Cordoba, the lover, guitar in his hand, speaks in a low voice to his fiancee through a wire mesh window, recites poems or sings a song to him. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.
A serenade in the moonlight, in the streets of Cordoba, the lover, guitar in his hand, speaks in a low voice to his fiancee through a wire mesh window, recites poems or sings a song to him. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.

LSE4326328: A serenade in the moonlight, in the streets of Cordoba, the lover, guitar in his hand, speaks in a low voice to his fiancee through a wire mesh window, recites poems or sings a song to him. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

A troupe of beggars and infirm, a veritable court of miracles, is headed for a diligence to ask for almon in the vicinity of Almuradiel (Mancha Province). Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.
A troupe of beggars and infirm, a veritable court of miracles, is headed for a diligence to ask for almon in the vicinity of Almuradiel (Mancha Province). Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.

LSE4326339: A troupe of beggars and infirm, a veritable court of miracles, is headed for a diligence to ask for almon in the vicinity of Almuradiel (Mancha Province). Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

The baratero weapon of the navaja, demanding the barato, tribute that he arrogates on the amount of clandestine games. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
The baratero weapon of the navaja, demanding the barato, tribute that he arrogates on the amount of clandestine games. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325637: The baratero weapon of the navaja, demanding the barato, tribute that he arrogates on the amount of clandestine games. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

A family of nomadic dancers resting in the streets of Seville. Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.
A family of nomadic dancers resting in the streets of Seville. Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.

LSE4326293: A family of nomadic dancers resting in the streets of Seville. Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

Don Quixoteby Miguel Cervantes (1547-1616). Engraving by Gustave Dore
Don Quixoteby Miguel Cervantes (1547-1616). Engraving by Gustave Dore

TRK2007162: Don Quixoteby Miguel Cervantes (1547-1616). Engraving by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

The astrologer Herr Trippa, illustration from 'Gargantua and Pantagruel', by François Rabelais, 19th century (engraving)
The astrologer Herr Trippa, illustration from 'Gargantua and Pantagruel', by François Rabelais, 19th century (engraving)

XIR1200167: The astrologer Herr Trippa, illustration from 'Gargantua and Pantagruel', by François Rabelais, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Flower Girl after a work by Gustave Dore.  From Life and Reminiscences of Gustave Dore, published 1885.
Flower Girl after a work by Gustave Dore.  From Life and Reminiscences of Gustave Dore, published 1885.

KWE478447: Flower Girl after a work by Gustave Dore. From Life and Reminiscences of Gustave Dore, published 1885., Dore, Gustave (1832-83) / Bridgeman Images

After a drawing done in 1880 by Gustave Dore of his nurse Francoise.  From Life and Reminiscences of Gustave Dore, published 1885.
After a drawing done in 1880 by Gustave Dore of his nurse Francoise.  From Life and Reminiscences of Gustave Dore, published 1885.

KWE478457: After a drawing done in 1880 by Gustave Dore of his nurse Francoise. From Life and Reminiscences of Gustave Dore, published 1885., Dore, Gustave (1832-83) / Bridgeman Images

Engraving by Gustave Dore 1832-1883 French artist and illustrator for Inferno by Dante Alighieri Canto XV lines 28 and 29
Engraving by Gustave Dore 1832-1883 French artist and illustrator for Inferno by Dante Alighieri Canto XV lines 28 and 29

KWE2919893: Engraving by Gustave Dore 1832-1883 French artist and illustrator for Inferno by Dante Alighieri Canto XV lines 28 and 29, Dore, Gustave (1832-83) / Bridgeman Images

Swimming in the Seine, Paris.  From Life and Reminiscences of Gustave Dore, published 1885.
Swimming in the Seine, Paris.  From Life and Reminiscences of Gustave Dore, published 1885.

KWE478439: Swimming in the Seine, Paris. From Life and Reminiscences of Gustave Dore, published 1885., Dore, Gustave (1832-83) / Bridgeman Images

After a work by Gustave Dore from Fables by La Fontaine. From Life and Reminiscences of Gustave Dore, published 1885.
After a work by Gustave Dore from Fables by La Fontaine. From Life and Reminiscences of Gustave Dore, published 1885.

KWE478445: After a work by Gustave Dore from Fables by La Fontaine. From Life and Reminiscences of Gustave Dore, published 1885., Dore, Gustave (1832-83) / Bridgeman Images

The duel between the graduate and the bachelor Corchuelo, from Don Quixote by Miguel de Cervantes (engraving)
The duel between the graduate and the bachelor Corchuelo, from Don Quixote by Miguel de Cervantes (engraving)

TRK697062: The duel between the graduate and the bachelor Corchuelo, from Don Quixote by Miguel de Cervantes (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Extract from the Gospel of St. Matthew. Jesus Christ preaches before the crowd of his disciples. Engraving of the 19th century.
Extract from the Gospel of St. Matthew. Jesus Christ preaches before the crowd of his disciples. Engraving of the 19th century.

GIA4733360: Extract from the Gospel of St. Matthew. Jesus Christ preaches before the crowd of his disciples. Engraving of the 19th century., Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008346: Gustave Dore’s Don Quixote: "They came to a park, where they found a mule lying dead" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008391: Gustave Dore’s Don Quixote: "Poor Sancho followed his master with a heavy heart" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008397: Gustave Dore’s Don Quixote: "I saw a mournful procession of most beautiful damsels, all in black" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008409: Gustave Dore’s Don Quixote: "The morn began to spread her smiling looks in the eastern quarter of the skies" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008440: Gustave Dore’s Don Quixote: "They found him pale, and in a cold sweat" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration for Don Quixote written by Cervantes, 1880 (engraving)
Illustration for Don Quixote written by Cervantes, 1880 (engraving)

LLM6008321: Illustration for Don Quixote written by Cervantes, 1880 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008384: Gustave Dore’s Don Quixote: "He posted himself just before the door of the cage" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008387: Gustave Dore’s Don Quixote: "Arrival of Don Quixote at the wedding of Camacho and Quiteria" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008399: Gustave Dore’s Don Quixote: "At the duchess's request, he related the whole passage of the late pretended enchantment very faithfully" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008402: Gustave Dore’s Don Quixote: "Here the courting damsel ended her song" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008411: Gustave Dore’s Don Quixote: "He acquainted the duke and duchess with his sentiments, and begged their leave to depart" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008417: Gustave Dore’s Don Quixote: "He called out to Don Quixote for help" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008429: Gustave Dore’s Don Quixote: "'Sleep, Sancho,' cried Don Quixote: 'sleep, for thou wert born to sleep'" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008326: Gustave Dore’s Don Quixote: "In spite of his arms, he thrashed him like a wheat-sheaf" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008341: Gustave Dore’s Don Quixote: "When they came nearer, even patient Rozinante himself started at the dreadful sound" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008362: Gustave Dore’s Don Quixote: "At last I resolved to trust a renegade of Murcia, who had shown me great proofs of his kindness" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008374: Gustave Dore’s Don Quixote: "Another damsel comes into the room, and begins to inform him what castle that is, and how she is enchanted in it" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008386: Gustave Dore’s Don Quixote: "To all this fine expostulation Sancho answered not a word" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008398: Gustave Dore’s Don Quixote: "Observe what a vast company of glittering horse comes pouring out of the city, in pursuit of the Christian lovers" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008404: Gustave Dore’s Don Quixote: "'Absit!' cried the doctor" (engraving), Dore, Gustave (1832-83) / Bridgeman Images


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