Dore, Gustave (1832-83) Assets (2601 in total)

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Mary Magdalene repenting, 19th century (engraving)
Mary Magdalene repenting, 19th century (engraving)

XEE4160894: Mary Magdalene repenting, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

David, King of the United Kingdom of Israel Mourning the Death of Absalom, 19th century (engraving)
David, King of the United Kingdom of Israel Mourning the Death of Absalom, 19th century (engraving)

XEE4161054: David, King of the United Kingdom of Israel Mourning the Death of Absalom, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 25: The lustful pass through fire in the seventh circle - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 25: The lustful pass through fire in the seventh circle - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145463: The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 25: The lustful pass through fire in the seventh circle - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 33: Gaddo dies before his father's eyes - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 33: Gaddo dies before his father's eyes - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145577: The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 33: Gaddo dies before his father's eyes - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 25: Agnello transforming into a serpent - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 25: Agnello transforming into a serpent - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145628: The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 25: Agnello transforming into a serpent - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

The miraculous draught of fishes, 19th century (engraving)
The miraculous draught of fishes, 19th century (engraving)

XEE4160676: The miraculous draught of fishes, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration for 'Gargantua and Pantagruel', by Francois Rabelais, 1854 (engraving)
Illustration for 'Gargantua and Pantagruel', by Francois Rabelais, 1854 (engraving)

XEE4162670: Illustration for 'Gargantua and Pantagruel', by Francois Rabelais, 1854 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Abraham Journeying Into the Land of Canaan, 19th century (engraving)
Abraham Journeying Into the Land of Canaan, 19th century (engraving)

XEE4160422: Abraham Journeying Into the Land of Canaan, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

The Dove Sent Forth from the Ark, 19th century (engraving)
The Dove Sent Forth from the Ark, 19th century (engraving)

XEE4160445: The Dove Sent Forth from the Ark, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Samson removing the gates of Gaza , 19th century (engraving)
Samson removing the gates of Gaza , 19th century (engraving)

XEE4160952: Samson removing the gates of Gaza , 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Moses brings forth water from the rock - Book of Exodus, 19th century (engraving)
Moses brings forth water from the rock - Book of Exodus, 19th century (engraving)

XEE4161010: Moses brings forth water from the rock - Book of Exodus, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Fourth Crusade - Fourth Crusade - Alexis V Doukas Murzuphle - Murzuflo negotiating with Doge Enrico Dandolo, en 1204. engraving by Gustave Dore from History of the Crusades
Fourth Crusade - Fourth Crusade - Alexis V Doukas Murzuphle - Murzuflo negotiating with Doge Enrico Dandolo, en 1204. engraving by Gustave Dore from History of the Crusades

XEE4163570: Fourth Crusade - Fourth Crusade - Alexis V Doukas Murzuphle - Murzuflo negotiating with Doge Enrico Dandolo, en 1204. engraving by Gustave Dore from History of the Crusades, Dore, Gustave (1832-83) / Bridgeman Images

Captive story. Aagi-Morato, the father of Zoraide, is barque on the shore from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Captive story. Aagi-Morato, the father of Zoraide, is barque on the shore from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156159: Captive story. Aagi-Morato, the father of Zoraide, is barque on the shore from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote beaten in the middle of a group of merchants - The mule maker had taken a taste of the game - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Don Quixote beaten in the middle of a group of merchants - The mule maker had taken a taste of the game - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156177: Don Quixote beaten in the middle of a group of merchants - The mule maker had taken a taste of the game - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Illustration for
Illustration for

XEE4156182: Illustration for "Don Quixote de la Mancha” by Miguel Cervantes, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote and Sancho Panza continuing their adventures in a mountainous region, Sierra Morena - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Don Quixote and Sancho Panza continuing their adventures in a mountainous region, Sierra Morena - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156215: Don Quixote and Sancho Panza continuing their adventures in a mountainous region, Sierra Morena - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

One of the fugitives, Gines de Passamont, steals the donkey from Sancho Panza during the sleep of the two travellers - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
One of the fugitives, Gines de Passamont, steals the donkey from Sancho Panza during the sleep of the two travellers - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156222: One of the fugitives, Gines de Passamont, steals the donkey from Sancho Panza during the sleep of the two travellers - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Recite des feats du chevalier Diego Garcia de Paredes - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Recite des feats du chevalier Diego Garcia de Paredes - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156255: Recite des feats du chevalier Diego Garcia de Paredes - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Sancho Panza flies in front of Don Quixote in order to fulfill Merlin's wish and thus disenchanting Dulcinee from Toboso. Don Quixote urges him to moderate his ardors - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Sancho Panza flies in front of Don Quixote in order to fulfill Merlin's wish and thus disenchanting Dulcinee from Toboso. Don Quixote urges him to moderate his ardors - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156274: Sancho Panza flies in front of Don Quixote in order to fulfill Merlin's wish and thus disenchanting Dulcinee from Toboso. Don Quixote urges him to moderate his ardors - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

The workmen's train - (Metro) from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-94) - illustrations by Gustave Dore - 1872 -
The workmen's train - (Metro) from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-94) - illustrations by Gustave Dore - 1872 -

XEE4155895: The workmen's train - (Metro) from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-94) - illustrations by Gustave Dore - 1872 -, Dore, Gustave (1832-83) / Bridgeman Images

Sancho Panza, Don Quixote and their mounts after their defeat against the Yangers - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Sancho Panza, Don Quixote and their mounts after their defeat against the Yangers - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156195: Sancho Panza, Don Quixote and their mounts after their defeat against the Yangers - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote and Sancho Panza at the beginning of the adventure in a thick and unknown forest - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Don Quixote and Sancho Panza at the beginning of the adventure in a thick and unknown forest - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156207: Don Quixote and Sancho Panza at the beginning of the adventure in a thick and unknown forest - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Sancho Panza finds his master, always in penitence - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Sancho Panza finds his master, always in penitence - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156244: Sancho Panza finds his master, always in penitence - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Arrivee de Don Quixote at the wedding of Camache - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Arrivee de Don Quixote at the wedding of Camache - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156288: Arrivee de Don Quixote at the wedding of Camache - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Illustration by Don Quixote de la Mancha written by Miguel Cervantes, 19th century (engraving)
Illustration by Don Quixote de la Mancha written by Miguel Cervantes, 19th century (engraving)

XEE4157518: Illustration by Don Quixote de la Mancha written by Miguel Cervantes, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 5: Paolo and Francesca - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 5: Paolo and Francesca - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145732: The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 5: Paolo and Francesca - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 29: The forgers tormented in the valley - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 29: The forgers tormented in the valley - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145610: The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 29: The forgers tormented in the valley - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 1: The she-wolf appears - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 1: The she-wolf appears - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145769: The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 1: The she-wolf appears - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

Buhonero, Aragonese peddler. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Buhonero, Aragonese peddler. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329304: Buhonero, Aragonese peddler. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

A funeral dance, during the mortuary day in Jijonas (province of Alicante). Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.
A funeral dance, during the mortuary day in Jijonas (province of Alicante). Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.

LSE4326303: A funeral dance, during the mortuary day in Jijonas (province of Alicante). Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

Scene of bullfighting: the triumph of Teresa Bolsi, Andalusian torrera, saluting the assembly that acclaim him in Seville. Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.
Scene of bullfighting: the triumph of Teresa Bolsi, Andalusian torrera, saluting the assembly that acclaim him in Seville. Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.

LSE4326317: Scene of bullfighting: the triumph of Teresa Bolsi, Andalusian torrera, saluting the assembly that acclaim him in Seville. Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

A serenade in the moonlight, in the streets of Cordoba, the lover, guitar in his hand, speaks in a low voice to his fiancee through a wire mesh window, recites poems or sings a song to him. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.
A serenade in the moonlight, in the streets of Cordoba, the lover, guitar in his hand, speaks in a low voice to his fiancee through a wire mesh window, recites poems or sings a song to him. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.

LSE4326328: A serenade in the moonlight, in the streets of Cordoba, the lover, guitar in his hand, speaks in a low voice to his fiancee through a wire mesh window, recites poems or sings a song to him. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

A troupe of beggars and infirm, a veritable court of miracles, is headed for a diligence to ask for almon in the vicinity of Almuradiel (Mancha Province). Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.
A troupe of beggars and infirm, a veritable court of miracles, is headed for a diligence to ask for almon in the vicinity of Almuradiel (Mancha Province). Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.

LSE4326339: A troupe of beggars and infirm, a veritable court of miracles, is headed for a diligence to ask for almon in the vicinity of Almuradiel (Mancha Province). Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

The baratero weapon of the navaja, demanding the barato, tribute that he arrogates on the amount of clandestine games. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
The baratero weapon of the navaja, demanding the barato, tribute that he arrogates on the amount of clandestine games. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325637: The baratero weapon of the navaja, demanding the barato, tribute that he arrogates on the amount of clandestine games. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

A family of nomadic dancers resting in the streets of Seville. Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.
A family of nomadic dancers resting in the streets of Seville. Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.

LSE4326293: A family of nomadic dancers resting in the streets of Seville. Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

Don Quixoteby Miguel Cervantes (1547-1616). Engraving by Gustave Dore
Don Quixoteby Miguel Cervantes (1547-1616). Engraving by Gustave Dore

TRK2007162: Don Quixoteby Miguel Cervantes (1547-1616). Engraving by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images


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