Dore, Gustave (1832-83) Assets (2601 in total)

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Jesus and His Disciples in the Corn Field, by Gustave Doré, 1832 - 1883, French. Engraving for the Bible. 1870, Art, Artist, Holy Book, Religion, Religious, Christianity, Christian, Romanticism, Colour, Color Engraving
Jesus and His Disciples in the Corn Field, by Gustave Doré, 1832 - 1883, French. Engraving for the Bible. 1870, Art, Artist, Holy Book, Religion, Religious, Christianity, Christian, Romanticism, Colour, Color Engraving

LZT1035704: Jesus and His Disciples in the Corn Field, by Gustave Doré, 1832 - 1883, French. Engraving for the Bible. 1870, Art, Artist, Holy Book, Religion, Religious, Christianity, Christian, Romanticism, Colour, Color Engraving, Dore, Gustave (1832-83) / Bridgeman Images

Spain.  From Life and Reminiscences of Gustave Dore, published 1885.
Spain.  From Life and Reminiscences of Gustave Dore, published 1885.

KWE478440: Spain. From Life and Reminiscences of Gustave Dore, published 1885., Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote meets a traveling theater group, from Don Quixote by Miguel de Cervantes (engraving)
Don Quixote meets a traveling theater group, from Don Quixote by Miguel de Cervantes (engraving)

TRK697061: Don Quixote meets a traveling theater group, from Don Quixote by Miguel de Cervantes (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Jesus and the tribute money
Jesus and the tribute money

XLF3790850: Jesus and the tribute money, Dore, Gustave (1832-83) / Bridgeman Images

Victorian London Lambeth Gasworks
Victorian London Lambeth Gasworks

XLF3779042: Victorian London Lambeth Gasworks, Dore, Gustave (1832-83) / Bridgeman Images

The disciples plucking corn on the Sabbath
The disciples plucking corn on the Sabbath

XLF3790862: The disciples plucking corn on the Sabbath, Dore, Gustave (1832-83) / Bridgeman Images

Escorting Guenever from Cameliard, from 'Stories of the Days of King Arthur' by Charles Henry Hanson, pub.1898 (engraving)
Escorting Guenever from Cameliard, from 'Stories of the Days of King Arthur' by Charles Henry Hanson, pub.1898 (engraving)

STC3587725: Escorting Guenever from Cameliard, from 'Stories of the Days of King Arthur' by Charles Henry Hanson, pub.1898 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

The Parable of the Rich Man and the Beggar Lazarus, 19th century (engraving)
The Parable of the Rich Man and the Beggar Lazarus, 19th century (engraving)

XLF3790858: The Parable of the Rich Man and the Beggar Lazarus, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Monument to Alexandre Dumas Pere, the readers, 1883 (detail) (stone & bronze)
Monument to Alexandre Dumas Pere, the readers, 1883 (detail) (stone & bronze)

XIR287762: Monument to Alexandre Dumas Pere, the readers, 1883 (detail) (stone & bronze), Dore, Gustave (1832-83) / Bridgeman Images

Parable of the Good Samaritan (engraving)
Parable of the Good Samaritan (engraving)

TRK2597859: Parable of the Good Samaritan (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Engraving by Gustave Dore around 1850: evocation of an apocalyptic deluge combining biblical tradition (one can see in the distance the ark of Noe on the sea) and the beginning of scientific knowledge (various monstrous animals failed on the mountain, prefiguring the dinosaurs).
Engraving by Gustave Dore around 1850: evocation of an apocalyptic deluge combining biblical tradition (one can see in the distance the ark of Noe on the sea) and the beginning of scientific knowledge (various monstrous animals failed on the mountain, prefiguring the dinosaurs).

PCT4262427: Engraving by Gustave Dore around 1850: evocation of an apocalyptic deluge combining biblical tradition (one can see in the distance the ark of Noe on the sea) and the beginning of scientific knowledge (various monstrous animals failed on the mountain, prefiguring the dinosaurs)., Dore, Gustave (1832-83) / Bridgeman Images

In the fourth circle of Hell, under which Pluto (Hades) presides, the Avares and the Prodigans carry and roll heavy burdens (rocks), colliding with anger. Engraving from The Hell by Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “” Tutto l'oro ch 'e sotto la Luna/O che gia fu, di question' anime stanche/Non poterebble farne posar una. (All gold that is or was ever under the moon could not give a moment of rest to one of these tired souls”, song 7. v. 64, 65 & 66.
In the fourth circle of Hell, under which Pluto (Hades) presides, the Avares and the Prodigans carry and roll heavy burdens (rocks), colliding with anger. Engraving from The Hell by Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “” Tutto l'oro ch 'e sotto la Luna/O che gia fu, di question' anime stanche/Non poterebble farne posar una. (All gold that is or was ever under the moon could not give a moment of rest to one of these tired souls”, song 7. v. 64, 65 & 66.

PCT4265339: In the fourth circle of Hell, under which Pluto (Hades) presides, the Avares and the Prodigans carry and roll heavy burdens (rocks), colliding with anger. Engraving from The Hell by Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “” Tutto l'oro ch 'e sotto la Luna/O che gia fu, di question' anime stanche/Non poterebble farne posar una. (All gold that is or was ever under the moon could not give a moment of rest to one of these tired souls”, song 7. v. 64, 65 & 66., Dore, Gustave (1832-83) / Bridgeman Images

Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)
Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)

PCT4267163: Illsutration for 'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gant Gargantua's education: as a child, he learns to read with his preceptor. Illustration by Gustave Dore for the work of Francois Rabelais.
Gant Gargantua's education: as a child, he learns to read with his preceptor. Illustration by Gustave Dore for the work of Francois Rabelais.

PCT4277083: Gant Gargantua's education: as a child, he learns to read with his preceptor. Illustration by Gustave Dore for the work of Francois Rabelais., Dore, Gustave (1832-83) / Bridgeman Images

Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore (detail) - Maxwell edition 1865 - Sixth voyage: To the court of the king of Serendib
Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore (detail) - Maxwell edition 1865 - Sixth voyage: To the court of the king of Serendib

PCT4278376: Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore (detail) - Maxwell edition 1865 - Sixth voyage: To the court of the king of Serendib, Dore, Gustave (1832-83) / Bridgeman Images

The Ingenious Hidalgo Don Quixote de la Mancha (Quixotte - Quijote) by Miguel de Cervantes (1547-1616): the knight has the sad figure made cabrioles “” putting naked certain things that Sancho, in order not to see them, hasten to turn around, satisfied to be able to testify that his master is perfectly crazy”. Gustave Dore (1832- 1883).
The Ingenious Hidalgo Don Quixote de la Mancha (Quixotte - Quijote) by Miguel de Cervantes (1547-1616): the knight has the sad figure made cabrioles “” putting naked certain things that Sancho, in order not to see them, hasten to turn around, satisfied to be able to testify that his master is perfectly crazy”. Gustave Dore (1832- 1883).

PCT4279477: The Ingenious Hidalgo Don Quixote de la Mancha (Quixotte - Quijote) by Miguel de Cervantes (1547-1616): the knight has the sad figure made cabrioles “” putting naked certain things that Sancho, in order not to see them, hasten to turn around, satisfied to be able to testify that his master is perfectly crazy”. Gustave Dore (1832- 1883)., Dore, Gustave (1832-83) / Bridgeman Images

Death vision: the fourth rider of the apocalypse - “” we saw a pale horse; the one who mounted it was Death. Hell followed him” - Illustration by Gustave Dore (1832-1883) for The Bible (1866) -
Death vision: the fourth rider of the apocalypse - “” we saw a pale horse; the one who mounted it was Death. Hell followed him” - Illustration by Gustave Dore (1832-1883) for The Bible (1866) -

PCT4285050: Death vision: the fourth rider of the apocalypse - “” we saw a pale horse; the one who mounted it was Death. Hell followed him” - Illustration by Gustave Dore (1832-1883) for The Bible (1866) -, Dore, Gustave (1832-83) / Bridgeman Images

The fall of angels (the angels dechus) Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection
The fall of angels (the angels dechus) Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection

PCT4285108: The fall of angels (the angels dechus) Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection, Dore, Gustave (1832-83) / Bridgeman Images

View of life in London. Drawing by Gustave Dore. Engraving in “” Le Monde illustrious”” 1883. Private collection.
View of life in London. Drawing by Gustave Dore. Engraving in “” Le Monde illustrious”” 1883. Private collection.

XEE4177545: View of life in London. Drawing by Gustave Dore. Engraving in “” Le Monde illustrious”” 1883. Private collection., Dore, Gustave (1832-83) / Bridgeman Images

Hunting on the river Teoghe, tributary of the Ngami. Hippo harpoon. Engraving by Gustave Dore illustrating “” les aventures et chasse du voyageur Charles-Jean Anderson dans l'Afrique Australe”, published in the journal “” Le tour du monde”, a new journal of voyages under the direction of Edouard Charton, 1860.
Hunting on the river Teoghe, tributary of the Ngami. Hippo harpoon. Engraving by Gustave Dore illustrating “” les aventures et chasse du voyageur Charles-Jean Anderson dans l'Afrique Australe”, published in the journal “” Le tour du monde”, a new journal of voyages under the direction of Edouard Charton, 1860.

PCT4273773: Hunting on the river Teoghe, tributary of the Ngami. Hippo harpoon. Engraving by Gustave Dore illustrating “” les aventures et chasse du voyageur Charles-Jean Anderson dans l'Afrique Australe”, published in the journal “” Le tour du monde”, a new journal of voyages under the direction of Edouard Charton, 1860., Dore, Gustave (1832-83) / Bridgeman Images

Giant Pantagruel and his companions visit the monastery of the Freres Fredons, on the island of Esclots - illustration by Gustave Dore for complete works by Francois Rabelais - Fifth Book
Giant Pantagruel and his companions visit the monastery of the Freres Fredons, on the island of Esclots - illustration by Gustave Dore for complete works by Francois Rabelais - Fifth Book

PCT4282223: Giant Pantagruel and his companions visit the monastery of the Freres Fredons, on the island of Esclots - illustration by Gustave Dore for complete works by Francois Rabelais - Fifth Book, Dore, Gustave (1832-83) / Bridgeman Images

Adam and Eve are hunting from Paradise. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection
Adam and Eve are hunting from Paradise. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection

PCT4285150: Adam and Eve are hunting from Paradise. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection, Dore, Gustave (1832-83) / Bridgeman Images

The wolf became shepherd: fable by Jean de la Fontaine illustree by Gustave Dore - The wolf turned shepherd -
The wolf became shepherd: fable by Jean de la Fontaine illustree by Gustave Dore - The wolf turned shepherd -

PCT4288737: The wolf became shepherd: fable by Jean de la Fontaine illustree by Gustave Dore - The wolf turned shepherd -, Dore, Gustave (1832-83) / Bridgeman Images

Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)
Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)

PCT4267159: Illsutration for 'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Appearance of Dorothee in Farmer's Clothes - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Appearance of Dorothee in Farmer's Clothes - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156239: Appearance of Dorothee in Farmer's Clothes - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote goes on mission for Dorothee, accompanied by Sancho Panza, barber, Dorothee, cure and Cardenio - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Don Quixote goes on mission for Dorothee, accompanied by Sancho Panza, barber, Dorothee, cure and Cardenio - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156251: Don Quixote goes on mission for Dorothee, accompanied by Sancho Panza, barber, Dorothee, cure and Cardenio - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Waterfall of Cirque de Gavarnie seen from the inn: engraving by Gustave Dore illustrating the book “” Voyage aux Pyrenees”” by Hippolyte Taine, Hachette 1860.
Waterfall of Cirque de Gavarnie seen from the inn: engraving by Gustave Dore illustrating the book “” Voyage aux Pyrenees”” by Hippolyte Taine, Hachette 1860.

PCT4262560: Waterfall of Cirque de Gavarnie seen from the inn: engraving by Gustave Dore illustrating the book “” Voyage aux Pyrenees”” by Hippolyte Taine, Hachette 1860., Dore, Gustave (1832-83) / Bridgeman Images

Sully (Maximilian of Bethune, Baron de Rosny, Duke of Sully, 1560-1641), French Protestant statesman, counsellor, friend and minister of finance of Henry IV - Engraving by Gustave Dore.
Sully (Maximilian of Bethune, Baron de Rosny, Duke of Sully, 1560-1641), French Protestant statesman, counsellor, friend and minister of finance of Henry IV - Engraving by Gustave Dore.

PCT4262585: Sully (Maximilian of Bethune, Baron de Rosny, Duke of Sully, 1560-1641), French Protestant statesman, counsellor, friend and minister of finance of Henry IV - Engraving by Gustave Dore., Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote and Sancho Panca (Panza) in the sky, between the moon and the stars, riding the wooden horse Clavilegne. Engraving by Gustave Dore illustrating the 1869 Hachette edition of the book “” L'ingenieux hidalgo Don Quixote de la Mancha”” (Mancha) by Miguel de Cervantes Saavedra, translation by Louis Viardot, 370 compositions engraved on wood by H. Pisan.
Don Quixote and Sancho Panca (Panza) in the sky, between the moon and the stars, riding the wooden horse Clavilegne. Engraving by Gustave Dore illustrating the 1869 Hachette edition of the book “” L'ingenieux hidalgo Don Quixote de la Mancha”” (Mancha) by Miguel de Cervantes Saavedra, translation by Louis Viardot, 370 compositions engraved on wood by H. Pisan.

PCT4266999: Don Quixote and Sancho Panca (Panza) in the sky, between the moon and the stars, riding the wooden horse Clavilegne. Engraving by Gustave Dore illustrating the 1869 Hachette edition of the book “” L'ingenieux hidalgo Don Quixote de la Mancha”” (Mancha) by Miguel de Cervantes Saavedra, translation by Louis Viardot, 370 compositions engraved on wood by H. Pisan., Dore, Gustave (1832-83) / Bridgeman Images

Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)
Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)

PCT4267152: Illsutration for 'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - edition Maxwell 1865 - Second voyage: Sindbat discovers a valley with diamonds, but which is unfortunately occupied by giant snakes. He will take refuge in a cave where he will close the entrance with a rock to get out of reach of the monsters.
Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - edition Maxwell 1865 - Second voyage: Sindbat discovers a valley with diamonds, but which is unfortunately occupied by giant snakes. He will take refuge in a cave where he will close the entrance with a rock to get out of reach of the monsters.

PCT4278292: Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - edition Maxwell 1865 - Second voyage: Sindbat discovers a valley with diamonds, but which is unfortunately occupied by giant snakes. He will take refuge in a cave where he will close the entrance with a rock to get out of reach of the monsters., Dore, Gustave (1832-83) / Bridgeman Images

Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - First voyage: Sindbad, abandoned in the middle of the sea by his companions, reached an island and met in a cave the palefreniers of King Miihrage
Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - First voyage: Sindbad, abandoned in the middle of the sea by his companions, reached an island and met in a cave the palefreniers of King Miihrage

PCT4278407: Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - First voyage: Sindbad, abandoned in the middle of the sea by his companions, reached an island and met in a cave the palefreniers of King Miihrage, Dore, Gustave (1832-83) / Bridgeman Images

Illustration by Gustave Dore (1832-1883) for Ernest Lepine's book “La legende de Croquemitaine”” (1863) - In front of this image of fighting with the sword against a gigantic araignee, one cannot help but think of the battle of Frodo and Aragne in Tolkien's “Lord of the Rings” -
Illustration by Gustave Dore (1832-1883) for Ernest Lepine's book “La legende de Croquemitaine”” (1863) - In front of this image of fighting with the sword against a gigantic araignee, one cannot help but think of the battle of Frodo and Aragne in Tolkien's “Lord of the Rings” -

PCT4285061: Illustration by Gustave Dore (1832-1883) for Ernest Lepine's book “La legende de Croquemitaine”” (1863) - In front of this image of fighting with the sword against a gigantic araignee, one cannot help but think of the battle of Frodo and Aragne in Tolkien's “Lord of the Rings” -, Dore, Gustave (1832-83) / Bridgeman Images

Lucifer (Satan, dechu angel, fell from heaven to Earth) reflected by perverting Adam and Eve. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection
Lucifer (Satan, dechu angel, fell from heaven to Earth) reflected by perverting Adam and Eve. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection

PCT4285126: Lucifer (Satan, dechu angel, fell from heaven to Earth) reflected by perverting Adam and Eve. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection, Dore, Gustave (1832-83) / Bridgeman Images

The snake is heading to Adam and Eve. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674) - Temptation - Fishing - Engraving from 1866. Private Collection
The snake is heading to Adam and Eve. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674) - Temptation - Fishing - Engraving from 1866. Private Collection

PCT4285148: The snake is heading to Adam and Eve. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674) - Temptation - Fishing - Engraving from 1866. Private Collection, Dore, Gustave (1832-83) / Bridgeman Images

Mary Magdalene repenting, 19th century (engraving)
Mary Magdalene repenting, 19th century (engraving)

XEE4160894: Mary Magdalene repenting, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images


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