Dore, Gustave (1832-83) Assets (2601 in total)

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Sancho and the cousin pull Don Quijote (asleep) out of Montesinos' cave - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Sancho and the cousin pull Don Quijote (asleep) out of Montesinos' cave - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4157518: Sancho and the cousin pull Don Quijote (asleep) out of Montesinos' cave - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Sancho Panza flies in front of Don Quixote in order to fulfill Merlin's wish and thus disenchanting Dulcinee from Toboso. Don Quixote urges him to moderate his ardors - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Sancho Panza flies in front of Don Quixote in order to fulfill Merlin's wish and thus disenchanting Dulcinee from Toboso. Don Quixote urges him to moderate his ardors - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156274: Sancho Panza flies in front of Don Quixote in order to fulfill Merlin's wish and thus disenchanting Dulcinee from Toboso. Don Quixote urges him to moderate his ardors - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Arrivee de Don Quixote at the wedding of Camache - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Arrivee de Don Quixote at the wedding of Camache - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156288: Arrivee de Don Quixote at the wedding of Camache - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 1: The she-wolf appears - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 1: The she-wolf appears - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145769: The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 1: The she-wolf appears - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 5: Paolo and Francesca - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 5: Paolo and Francesca - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145732: The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 5: Paolo and Francesca - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

Boabdil leaves Granada - Abu Abd Allah Mohammed, aka El Chico (Muhammad XII) (1459-1533) the last Arab King of Granada, illustration from 'Stories of the Crusades' by J-F. Michaud, 1877 - The last of the Moorish kings Boabdil - Muhammad XII AZ-Zughbi leaves Granada, 1492 - engraving by Gustave Dore, in “” HISTORY of the CROUSADES”” 1877
Boabdil leaves Granada - Abu Abd Allah Mohammed, aka El Chico (Muhammad XII) (1459-1533) the last Arab King of Granada, illustration from 'Stories of the Crusades' by J-F. Michaud, 1877 - The last of the Moorish kings Boabdil - Muhammad XII AZ-Zughbi leaves Granada, 1492 - engraving by Gustave Dore, in “” HISTORY of the CROUSADES”” 1877

XEE4152083: Boabdil leaves Granada - Abu Abd Allah Mohammed, aka El Chico (Muhammad XII) (1459-1533) the last Arab King of Granada, illustration from 'Stories of the Crusades' by J-F. Michaud, 1877 - The last of the Moorish kings Boabdil - Muhammad XII AZ-Zughbi leaves Granada, 1492 - engraving by Gustave Dore, in “” HISTORY of the CROUSADES”” 1877, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Comedia, La Divine Comedie), Purgatorio, Canto 9: Dante, in a dream, is carried off by an eagle - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Comedia, La Divine Comedie), Purgatorio, Canto 9: Dante, in a dream, is carried off by an eagle - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145521: The Divine Comedy (La Divina Comedia, La Divine Comedie), Purgatorio, Canto 9: Dante, in a dream, is carried off by an eagle - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 33: Gaddo dies before his father's eyes - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 33: Gaddo dies before his father's eyes - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145577: The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 33: Gaddo dies before his father's eyes - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 29: The forgers tormented in the valley - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 29: The forgers tormented in the valley - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145610: The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 29: The forgers tormented in the valley - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 25: Agnello transforming into a serpent - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 25: Agnello transforming into a serpent - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145628: The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 25: Agnello transforming into a serpent - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 25: The lustful pass through fire in the seventh circle - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 25: The lustful pass through fire in the seventh circle - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145463: The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 25: The lustful pass through fire in the seventh circle - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

Fourth Crusade - Fourth Crusade - Alexis V Doukas Murzuphle (1140-1204) - Murzuflo (Alessio Ducas) negotiating with Doge Enrico Dandolo (1107-1205), en 1204. engraving by Gustave Dore (1832-1883) from History of the Crusades
Fourth Crusade - Fourth Crusade - Alexis V Doukas Murzuphle (1140-1204) - Murzuflo (Alessio Ducas) negotiating with Doge Enrico Dandolo (1107-1205), en 1204. engraving by Gustave Dore (1832-1883) from History of the Crusades

XEE4163570: Fourth Crusade - Fourth Crusade - Alexis V Doukas Murzuphle (1140-1204) - Murzuflo (Alessio Ducas) negotiating with Doge Enrico Dandolo (1107-1205), en 1204. engraving by Gustave Dore (1832-1883) from History of the Crusades, Dore, Gustave (1832-83) / Bridgeman Images

Illustration by Gustave Dore for the Inestimable Life of the Grand Gargantua by Francois Rabelais - illustration from 'Gargantua and Pantagruel', by Francois Rabelais - engraving by Gustave Dore (1832-1883)
Illustration by Gustave Dore for the Inestimable Life of the Grand Gargantua by Francois Rabelais - illustration from 'Gargantua and Pantagruel', by Francois Rabelais - engraving by Gustave Dore (1832-1883)

XEE4162670: Illustration by Gustave Dore for the Inestimable Life of the Grand Gargantua by Francois Rabelais - illustration from 'Gargantua and Pantagruel', by Francois Rabelais - engraving by Gustave Dore (1832-1883), Dore, Gustave (1832-83) / Bridgeman Images

A family of nomadic dancers resting in the streets of Seville. Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.
A family of nomadic dancers resting in the streets of Seville. Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.

LSE4326293: A family of nomadic dancers resting in the streets of Seville. Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

A funeral dance, during the mortuary day in Jijonas (province of Alicante). Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.
A funeral dance, during the mortuary day in Jijonas (province of Alicante). Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.

LSE4326303: A funeral dance, during the mortuary day in Jijonas (province of Alicante). Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

A troupe of beggars and infirm, a veritable court of miracles, is headed for a diligence to ask for almon in the vicinity of Almuradiel (Mancha Province). Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.
A troupe of beggars and infirm, a veritable court of miracles, is headed for a diligence to ask for almon in the vicinity of Almuradiel (Mancha Province). Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.

LSE4326339: A troupe of beggars and infirm, a veritable court of miracles, is headed for a diligence to ask for almon in the vicinity of Almuradiel (Mancha Province). Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

Scene of bullfighting: the triumph of Teresa Bolsi, Andalusian torrera, saluting the assembly that acclaim him in Seville. Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.
Scene of bullfighting: the triumph of Teresa Bolsi, Andalusian torrera, saluting the assembly that acclaim him in Seville. Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.

LSE4326317: Scene of bullfighting: the triumph of Teresa Bolsi, Andalusian torrera, saluting the assembly that acclaim him in Seville. Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

A priest and a woman of the people, dressed in rags; the professional Spanish beggars settled on the courts of the churches to exploit the Christian charity skillfully. Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.
A priest and a woman of the people, dressed in rags; the professional Spanish beggars settled on the courts of the churches to exploit the Christian charity skillfully. Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.

LSE4326331: A priest and a woman of the people, dressed in rags; the professional Spanish beggars settled on the courts of the churches to exploit the Christian charity skillfully. Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

Students of tuna (or tunantes) in the district of the University of Alcala de Henares, the peculiarity of these students who have adopted idle, free and wandering life is not to study, sketch on the live by Gustave Dore. Engraving to illustrate the voyage in Spain, by Gustave Dore (1832-1883) and C.Davillier, in 1862, published in “” Le tour du monde””” 1870-1871, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Students of tuna (or tunantes) in the district of the University of Alcala de Henares, the peculiarity of these students who have adopted idle, free and wandering life is not to study, sketch on the live by Gustave Dore. Engraving to illustrate the voyage in Spain, by Gustave Dore (1832-1883) and C.Davillier, in 1862, published in “” Le tour du monde””” 1870-1871, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329086: Students of tuna (or tunantes) in the district of the University of Alcala de Henares, the peculiarity of these students who have adopted idle, free and wandering life is not to study, sketch on the live by Gustave Dore. Engraving to illustrate the voyage in Spain, by Gustave Dore (1832-1883) and C.Davillier, in 1862, published in “” Le tour du monde””” 1870-1871, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

Buhonero, Aragonese peddler. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Buhonero, Aragonese peddler. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329304: Buhonero, Aragonese peddler. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008321: Gustave Dore’s Don Quixote: "The sail hurled away both knight and horse along with it" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008326: Gustave Dore’s Don Quixote: "In spite of his arms, he thrashed him like a wheat-sheaf" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008341: Gustave Dore’s Don Quixote: "When they came nearer, even patient Rozinante himself started at the dreadful sound" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008346: Gustave Dore’s Don Quixote: "They came to a park, where they found a mule lying dead" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008362: Gustave Dore’s Don Quixote: "At last I resolved to trust a renegade of Murcia, who had shown me great proofs of his kindness" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008374: Gustave Dore’s Don Quixote: "Another damsel comes into the room, and begins to inform him what castle that is, and how she is enchanted in it" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008384: Gustave Dore’s Don Quixote: "He posted himself just before the door of the cage" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008386: Gustave Dore’s Don Quixote: "To all this fine expostulation Sancho answered not a word" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008387: Gustave Dore’s Don Quixote: "Arrival of Don Quixote at the wedding of Camacho and Quiteria" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008391: Gustave Dore’s Don Quixote: "Poor Sancho followed his master with a heavy heart" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008397: Gustave Dore’s Don Quixote: "I saw a mournful procession of most beautiful damsels, all in black" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008398: Gustave Dore’s Don Quixote: "Observe what a vast company of glittering horse comes pouring out of the city, in pursuit of the Christian lovers" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008399: Gustave Dore’s Don Quixote: "At the duchess's request, he related the whole passage of the late pretended enchantment very faithfully" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008402: Gustave Dore’s Don Quixote: "Here the courting damsel ended her song" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008404: Gustave Dore’s Don Quixote: "'Absit!' cried the doctor" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008407: Gustave Dore’s Don Quixote: "The figure in the gown stood up" (engraving), Dore, Gustave (1832-83) / Bridgeman Images


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