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Ecole nationale superieure des Mines, 60 boulevard Saint Michel, Paris 6th arrondissement.
Ecole nationale superieure des Mines, 60 boulevard Saint Michel, Paris 6th arrondissement.

TEC4598075: Ecole nationale superieure des Mines, 60 boulevard Saint Michel, Paris 6th arrondissement. / Bridgeman Images

ID: TEC4598075

Ecole nationale superieure des Mines, 60 boulevard Saint Michel, Paris 6th arrondissement.

La Fontaine “” Embacle”, boulevard Saint Germain in Paris.
La Fontaine “” Embacle”, boulevard Saint Germain in Paris.

TEC4598111: La Fontaine “” Embacle”, boulevard Saint Germain in Paris. / Bridgeman Images

ID: TEC4598111

La Fontaine “” Embacle”, boulevard Saint Germain in Paris.

Hotel des Monnins in Paris. Architect Jacques Denis Antoine (1733-1801), construction 1775.
Hotel des Monnins in Paris. Architect Jacques Denis Antoine (1733-1801), construction 1775.

TEC4598140: Hotel des Monnins in Paris. Architect Jacques Denis Antoine (1733-1801), construction 1775. / Bridgeman Images

ID: TEC4598140

Hotel des Monnins in Paris. Architect Jacques Denis Antoine (1733-1801), construction 1775.

Pont des Arts Pont des Arts, Paris 6th arrondissement, reconstruction in 1981 by Louis Arretche. The Passerelle des Arts, the first iron bridge in Paris, had the mission of joining the Institut de France and the Louvre, which was then called the Palais des Arts. Reserved for pawns, it was built from 1801 to 1804. It initially consisted of nine arches. Following numerous river accidents, its reconstruction was decided in 1981 but two arches were removed to line them up on the Pont Neuf.
Pont des Arts Pont des Arts, Paris 6th arrondissement, reconstruction in 1981 by Louis Arretche. The Passerelle des Arts, the first iron bridge in Paris, had the mission of joining the Institut de France and the Louvre, which was then called the Palais des Arts. Reserved for pawns, it was built from 1801 to 1804. It initially consisted of nine arches. Following numerous river accidents, its reconstruction was decided in 1981 but two arches were removed to line them up on the Pont Neuf.

TEC4598161: Pont des Arts Pont des Arts, Paris 6th arrondissement, reconstruction in 1981 by Louis Arretche. The Passerelle des Arts, the first iron bridge in Paris, had the mission of joining the Institut de France and the Louvre, which was then called the Palais des Arts. Reserved for pawns, it was built from 1801 to 1804. It initially consisted of nine arches. Following numerous river accidents, its reconstruction was decided in 1981 but two arches were removed to line them up on the Pont Neuf. / Bridgeman Images

ID: TEC4598161

Pont des Arts Pont des Arts, Paris 6th arrondissement, reconstruction in 1981 by Louis Arretche. The Passerelle des Arts, the first iron bridge in Paris, had the mission of joining the Institut de France and the Louvre, which was then called the Palais des Arts. Reserved for pawns, it was built from 1801 to 1804. It initially consisted of nine arches. Following numerous river accidents, its reconstruction was decided in 1981 but two arches were removed to line them up on the Pont Neuf.

The Palais des Etudes of the Ecole Nationale Superieure des Beaux Arts in Paris. Architects Felix Duban (1797-1872) and Francois Debret (1777-1850), reconstructions 1816. The building occupies what remains of the convent of the Petites Augustins (17th century) and the hotel de Chimay (1635), to which buildings were assistant in the 19th century.
The Palais des Etudes of the Ecole Nationale Superieure des Beaux Arts in Paris. Architects Felix Duban (1797-1872) and Francois Debret (1777-1850), reconstructions 1816. The building occupies what remains of the convent of the Petites Augustins (17th century) and the hotel de Chimay (1635), to which buildings were assistant in the 19th century.

TEC4598202: The Palais des Etudes of the Ecole Nationale Superieure des Beaux Arts in Paris. Architects Felix Duban (1797-1872) and Francois Debret (1777-1850), reconstructions 1816. The building occupies what remains of the convent of the Petites Augustins (17th century) and the hotel de Chimay (1635), to which buildings were assistant in the 19th century. / Bridgeman Images

ID: TEC4598202

The Palais des Etudes of the Ecole Nationale Superieure des Beaux Arts in Paris. Architects Felix Duban (1797-1872) and Francois Debret (1777-1850), reconstructions 1816. The building occupies what remains of the convent of the Petites Augustins (17th century) and the hotel de Chimay (1635), to which buildings were assistant in the 19th century.

Court of Honour of the Palais des Etudes of the Ecole Nationale Superieure des Beaux Arts in Paris. Architects Felix Duban (1797-1872) and Francois Debret (1777-1850), reconstructions 1816. The building occupies what remains of the convent of the Petites Augustins (17th century) and the hotel de Chimay (1635), to which buildings were assistant in the 19th century.
Court of Honour of the Palais des Etudes of the Ecole Nationale Superieure des Beaux Arts in Paris. Architects Felix Duban (1797-1872) and Francois Debret (1777-1850), reconstructions 1816. The building occupies what remains of the convent of the Petites Augustins (17th century) and the hotel de Chimay (1635), to which buildings were assistant in the 19th century.

TEC4598206: Court of Honour of the Palais des Etudes of the Ecole Nationale Superieure des Beaux Arts in Paris. Architects Felix Duban (1797-1872) and Francois Debret (1777-1850), reconstructions 1816. The building occupies what remains of the convent of the Petites Augustins (17th century) and the hotel de Chimay (1635), to which buildings were assistant in the 19th century. / Bridgeman Images

ID: TEC4598206

Court of Honour of the Palais des Etudes of the Ecole Nationale Superieure des Beaux Arts in Paris. Architects Felix Duban (1797-1872) and Francois Debret (1777-1850), reconstructions 1816. The building occupies what remains of the convent of the Petites Augustins (17th century) and the hotel de Chimay (1635), to which buildings were assistant in the 19th century.

The Palais des Etudes of the Ecole Nationale Superieure des Beaux Arts in Paris. Architects Felix Duban (1797-1872) and Francois Debret (1777-1850), reconstructions 1816. The building occupies what remains of the convent of the Petites Augustins (17th century) and the hotel de Chimay (1635), to which buildings were assistant in the 19th century.
The Palais des Etudes of the Ecole Nationale Superieure des Beaux Arts in Paris. Architects Felix Duban (1797-1872) and Francois Debret (1777-1850), reconstructions 1816. The building occupies what remains of the convent of the Petites Augustins (17th century) and the hotel de Chimay (1635), to which buildings were assistant in the 19th century.

TEC4598212: The Palais des Etudes of the Ecole Nationale Superieure des Beaux Arts in Paris. Architects Felix Duban (1797-1872) and Francois Debret (1777-1850), reconstructions 1816. The building occupies what remains of the convent of the Petites Augustins (17th century) and the hotel de Chimay (1635), to which buildings were assistant in the 19th century. / Bridgeman Images

ID: TEC4598212

The Palais des Etudes of the Ecole Nationale Superieure des Beaux Arts in Paris. Architects Felix Duban (1797-1872) and Francois Debret (1777-1850), reconstructions 1816. The building occupies what remains of the convent of the Petites Augustins (17th century) and the hotel de Chimay (1635), to which buildings were assistant in the 19th century.

The Palais des Etudes of the Ecole Nationale Superieure des Beaux Arts in Paris. Architects Felix Duban (1797-1872) and Francois Debret (1777-1850), reconstructions 1816. The building occupies what remains of the convent of the Petites Augustins (17th century) and the hotel de Chimay (1635), to which buildings were assistant in the 19th century.
The Palais des Etudes of the Ecole Nationale Superieure des Beaux Arts in Paris. Architects Felix Duban (1797-1872) and Francois Debret (1777-1850), reconstructions 1816. The building occupies what remains of the convent of the Petites Augustins (17th century) and the hotel de Chimay (1635), to which buildings were assistant in the 19th century.

TEC4598219: The Palais des Etudes of the Ecole Nationale Superieure des Beaux Arts in Paris. Architects Felix Duban (1797-1872) and Francois Debret (1777-1850), reconstructions 1816. The building occupies what remains of the convent of the Petites Augustins (17th century) and the hotel de Chimay (1635), to which buildings were assistant in the 19th century. / Bridgeman Images

ID: TEC4598219

The Palais des Etudes of the Ecole Nationale Superieure des Beaux Arts in Paris. Architects Felix Duban (1797-1872) and Francois Debret (1777-1850), reconstructions 1816. The building occupies what remains of the convent of the Petites Augustins (17th century) and the hotel de Chimay (1635), to which buildings were assistant in the 19th century.

Verriere of the Ecole Nationale Superieure des Beaux Arts in Paris. Architects Felix Duban (1797-1872) and Francois Debret (1777-1850), reconstructions 1816. The building occupies what remains of the convent of the Petites Augustins (17th century) and the hotel de Chimay (1635), to which buildings were assistant in the 19th century.
Verriere of the Ecole Nationale Superieure des Beaux Arts in Paris. Architects Felix Duban (1797-1872) and Francois Debret (1777-1850), reconstructions 1816. The building occupies what remains of the convent of the Petites Augustins (17th century) and the hotel de Chimay (1635), to which buildings were assistant in the 19th century.

TEC4598230: Verriere of the Ecole Nationale Superieure des Beaux Arts in Paris. Architects Felix Duban (1797-1872) and Francois Debret (1777-1850), reconstructions 1816. The building occupies what remains of the convent of the Petites Augustins (17th century) and the hotel de Chimay (1635), to which buildings were assistant in the 19th century. / Bridgeman Images

ID: TEC4598230

Verriere of the Ecole Nationale Superieure des Beaux Arts in Paris. Architects Felix Duban (1797-1872) and Francois Debret (1777-1850), reconstructions 1816. The building occupies what remains of the convent of the Petites Augustins (17th century) and the hotel de Chimay (1635), to which buildings were assistant in the 19th century.

The Luxembourg Garden in Paris.
The Luxembourg Garden in Paris.

TEC4598391: The Luxembourg Garden in Paris. / Bridgeman Images

ID: TEC4598391

The Luxembourg Garden in Paris.

Building Felix Potin, 140 bis rue de Rennes Paris 6th arrondissement. Architect Paul Auscher (1866-1932), construction 1904.
Building Felix Potin, 140 bis rue de Rennes Paris 6th arrondissement. Architect Paul Auscher (1866-1932), construction 1904.

TEC4598427: Building Felix Potin, 140 bis rue de Rennes Paris 6th arrondissement. Architect Paul Auscher (1866-1932), construction 1904. / Bridgeman Images

ID: TEC4598427

Building Felix Potin, 140 bis rue de Rennes Paris 6th arrondissement. Architect Paul Auscher (1866-1932), construction 1904.

Building Felix Potin, 140 bis rue de Rennes Paris 6th arrondissement. Architect Paul Auscher (1866-1932), construction 1904.
Building Felix Potin, 140 bis rue de Rennes Paris 6th arrondissement. Architect Paul Auscher (1866-1932), construction 1904.

TEC4598430: Building Felix Potin, 140 bis rue de Rennes Paris 6th arrondissement. Architect Paul Auscher (1866-1932), construction 1904. / Bridgeman Images

ID: TEC4598430

Building Felix Potin, 140 bis rue de Rennes Paris 6th arrondissement. Architect Paul Auscher (1866-1932), construction 1904.

The café Les Deux Magots in Paris.
The café Les Deux Magots in Paris.

TEC4598471: The café Les Deux Magots in Paris. / Bridgeman Images

ID: TEC4598471

The café Les Deux Magots in Paris.

Perspective on the rue de l'Odeon in Paris.
Perspective on the rue de l'Odeon in Paris.

TEC4598474: Perspective on the rue de l'Odeon in Paris. / Bridgeman Images

ID: TEC4598474

Perspective on the rue de l'Odeon in Paris.

Building rue Vavin in in Paris, built in 1911-1912 by Henri Sauvage (1876-1932). It is a building with bleachers, covered with ceramics, like the building of the rue des Amiraux in Paris.
Building rue Vavin in in Paris, built in 1911-1912 by Henri Sauvage (1876-1932). It is a building with bleachers, covered with ceramics, like the building of the rue des Amiraux in Paris.

TEC4598489: Building rue Vavin in in Paris, built in 1911-1912 by Henri Sauvage (1876-1932). It is a building with bleachers, covered with ceramics, like the building of the rue des Amiraux in Paris. / Bridgeman Images

ID: TEC4598489

Building rue Vavin in in Paris, built in 1911-1912 by Henri Sauvage (1876-1932). It is a building with bleachers, covered with ceramics, like the building of the rue des Amiraux in Paris.

Drugstore Publicis Saint Germain in Paris, launched in 1965 to ceder the place in 2002 to the fashion emperor Armani. Photography 1995.
Drugstore Publicis Saint Germain in Paris, launched in 1965 to ceder the place in 2002 to the fashion emperor Armani. Photography 1995.

OMG4599642: Drugstore Publicis Saint Germain in Paris, launched in 1965 to ceder the place in 2002 to the fashion emperor Armani. Photography 1995. / Bridgeman Images

ID: OMG4599642

Drugstore Publicis Saint Germain in Paris, launched in 1965 to ceder the place in 2002 to the fashion emperor Armani. Photography 1995.

Porte de la Premiere Renaissance, 60 rue Saint Andre des Arts, Paris 6th arrondissement.
Porte de la Premiere Renaissance, 60 rue Saint Andre des Arts, Paris 6th arrondissement.

OMG4599661: Porte de la Premiere Renaissance, 60 rue Saint Andre des Arts, Paris 6th arrondissement. / Bridgeman Images

ID: OMG4599661

Porte de la Premiere Renaissance, 60 rue Saint Andre des Arts, Paris 6th arrondissement.

Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles. For its reopening in April 2009, after two years of construction, the school welcomes Giuseppe Penone's sculpture “Matrix de Seve””. It is a tree of 24 meters cut in its length and whose hollow heart is covered with seve. Photography 03/06/09.
Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles. For its reopening in April 2009, after two years of construction, the school welcomes Giuseppe Penone's sculpture “Matrix de Seve””. It is a tree of 24 meters cut in its length and whose hollow heart is covered with seve. Photography 03/06/09.

OMG4599678: Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles. For its reopening in April 2009, after two years of construction, the school welcomes Giuseppe Penone's sculpture “Matrix de Seve””. It is a tree of 24 meters cut in its length and whose hollow heart is covered with seve. Photography 03/06/09. / Bridgeman Images

ID: OMG4599678

Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles. For its reopening in April 2009, after two years of construction, the school welcomes Giuseppe Penone's sculpture “Matrix de Seve””. It is a tree of 24 meters cut in its length and whose hollow heart is covered with se

Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles.Photography 03/06/09.
Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles.Photography 03/06/09.

OMG4599722: Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles.Photography 03/06/09. / Bridgeman Images

ID: OMG4599722

Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles.Photography 03/06/09.

Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles.Photography 03/06/09.
Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles.Photography 03/06/09.

OMG4599756: Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles.Photography 03/06/09. / Bridgeman Images

ID: OMG4599756

Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles.Photography 03/06/09.

Sculpture in the Cour vitree of the Palais des Etudes of the Ecole Nationale Superieure des Beaux Arts de Paris. Extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles. Photography 03/06/09.
Sculpture in the Cour vitree of the Palais des Etudes of the Ecole Nationale Superieure des Beaux Arts de Paris. Extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles. Photography 03/06/09.

OMG4599799: Sculpture in the Cour vitree of the Palais des Etudes of the Ecole Nationale Superieure des Beaux Arts de Paris. Extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles. Photography 03/06/09. / Bridgeman Images

ID: OMG4599799

Sculpture in the Cour vitree of the Palais des Etudes of the Ecole Nationale Superieure des Beaux Arts de Paris. Extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles. Photography 03/06/09.

Serge Gainsbourg's house (1928-1991), 5 bis rue de Verneuil, Paris 7th arrondissement.
Serge Gainsbourg's house (1928-1991), 5 bis rue de Verneuil, Paris 7th arrondissement.

TEC4599982: Serge Gainsbourg's house (1928-1991), 5 bis rue de Verneuil, Paris 7th arrondissement. / Bridgeman Images

ID: TEC4599982

Serge Gainsbourg's house (1928-1991), 5 bis rue de Verneuil, Paris 7th arrondissement.

The military school in Paris. Construction 1756-1773, Architect Jacques Ange Gabriel (1698-1782).
The military school in Paris. Construction 1756-1773, Architect Jacques Ange Gabriel (1698-1782).

TEC4599986: The military school in Paris. Construction 1756-1773, Architect Jacques Ange Gabriel (1698-1782). / Bridgeman Images

ID: TEC4599986

The military school in Paris. Construction 1756-1773, Architect Jacques Ange Gabriel (1698-1782).

Au Bon Marche, 24 rue de Sevres, Paris 7th arrondissement. Construction 1869-1887, architect Louis Charles Boileau, engineer Gustave Eiffel.
Au Bon Marche, 24 rue de Sevres, Paris 7th arrondissement. Construction 1869-1887, architect Louis Charles Boileau, engineer Gustave Eiffel.

TEC4600014: Au Bon Marche, 24 rue de Sevres, Paris 7th arrondissement. Construction 1869-1887, architect Louis Charles Boileau, engineer Gustave Eiffel. / Bridgeman Images

ID: TEC4600014

Au Bon Marche, 24 rue de Sevres, Paris 7th arrondissement. Construction 1869-1887, architect Louis Charles Boileau, engineer Gustave Eiffel.

Art nouveau residential building, 29 avenue Rapp, Paris 7th arrondissement. Construction 1901, architects Jules Lavirotte (1864-1924) and Alexandre Marcel (1860-1928).
Art nouveau residential building, 29 avenue Rapp, Paris 7th arrondissement. Construction 1901, architects Jules Lavirotte (1864-1924) and Alexandre Marcel (1860-1928).

TEC4600063: Art nouveau residential building, 29 avenue Rapp, Paris 7th arrondissement. Construction 1901, architects Jules Lavirotte (1864-1924) and Alexandre Marcel (1860-1928). / Bridgeman Images

ID: TEC4600063

Art nouveau residential building, 29 avenue Rapp, Paris 7th arrondissement. Construction 1901, architects Jules Lavirotte (1864-1924) and Alexandre Marcel (1860-1928).

Musee Maillol-Fondation Dina Vierny at the Hotel Bouchardon 61 rue de Grenelle, Paris 7th arrondissement.
Musee Maillol-Fondation Dina Vierny at the Hotel Bouchardon 61 rue de Grenelle, Paris 7th arrondissement.

TEC4600079: Musee Maillol-Fondation Dina Vierny at the Hotel Bouchardon 61 rue de Grenelle, Paris 7th arrondissement. / Bridgeman Images

ID: TEC4600079

Musee Maillol-Fondation Dina Vierny at the Hotel Bouchardon 61 rue de Grenelle, Paris 7th arrondissement.

Pont Alexandre III, Paris 7th arrondissement. Tsar Alexander III of Russia (1845-1894) laid the first stone of the bridge in 1886, which was to be completed for the 1900 World Exhibition. One of the most beautiful bridges in Paris has a single-flight metal structure.
Pont Alexandre III, Paris 7th arrondissement. Tsar Alexander III of Russia (1845-1894) laid the first stone of the bridge in 1886, which was to be completed for the 1900 World Exhibition. One of the most beautiful bridges in Paris has a single-flight metal structure.

TEC4600116: Pont Alexandre III, Paris 7th arrondissement. Tsar Alexander III of Russia (1845-1894) laid the first stone of the bridge in 1886, which was to be completed for the 1900 World Exhibition. One of the most beautiful bridges in Paris has a single-flight metal structure. / Bridgeman Images

ID: TEC4600116

Pont Alexandre III, Paris 7th arrondissement. Tsar Alexander III of Russia (1845-1894) laid the first stone of the bridge in 1886, which was to be completed for the 1900 World Exhibition. One of the most beautiful bridges in Paris has a single-flight metal structure.

Pont Alexandre III, Paris 7th arrondissement. Tsar Alexander III of Russia (1845-1894) laid the first stone of the bridge in 1886, which was to be completed for the 1900 World Exhibition. One of the most beautiful bridges in Paris has a single-flight metal structure.
Pont Alexandre III, Paris 7th arrondissement. Tsar Alexander III of Russia (1845-1894) laid the first stone of the bridge in 1886, which was to be completed for the 1900 World Exhibition. One of the most beautiful bridges in Paris has a single-flight metal structure.

TEC4600122: Pont Alexandre III, Paris 7th arrondissement. Tsar Alexander III of Russia (1845-1894) laid the first stone of the bridge in 1886, which was to be completed for the 1900 World Exhibition. One of the most beautiful bridges in Paris has a single-flight metal structure. / Bridgeman Images

ID: TEC4600122

Pont Alexandre III, Paris 7th arrondissement. Tsar Alexander III of Russia (1845-1894) laid the first stone of the bridge in 1886, which was to be completed for the 1900 World Exhibition. One of the most beautiful bridges in Paris has a single-flight metal structure.

Assemblee Nationale metro station, Boulevard Saint Germain, Paris 7th arrondissement. Photography 22/09/08.
Assemblee Nationale metro station, Boulevard Saint Germain, Paris 7th arrondissement. Photography 22/09/08.

TEC4600209: Assemblee Nationale metro station, Boulevard Saint Germain, Paris 7th arrondissement. Photography 22/09/08. / Bridgeman Images

ID: TEC4600209

Assemblee Nationale metro station, Boulevard Saint Germain, Paris 7th arrondissement. Photography 22/09/08.

Assemblee Nationale metro station, Boulevard Saint Germain, Paris 7th arrondissement. Photography 22/09/08.
Assemblee Nationale metro station, Boulevard Saint Germain, Paris 7th arrondissement. Photography 22/09/08.

TEC4600227: Assemblee Nationale metro station, Boulevard Saint Germain, Paris 7th arrondissement. Photography 22/09/08. / Bridgeman Images

ID: TEC4600227

Assemblee Nationale metro station, Boulevard Saint Germain, Paris 7th arrondissement. Photography 22/09/08.

Map of Paris on the boulevard Saint Germain in Paris 7th arrondissement.
Map of Paris on the boulevard Saint Germain in Paris 7th arrondissement.

TEC4600237: Map of Paris on the boulevard Saint Germain in Paris 7th arrondissement. / Bridgeman Images

ID: TEC4600237

Map of Paris on the boulevard Saint Germain in Paris 7th arrondissement.

The Hotel de Ville de Paris, Place de l'Hotel de Ville, Paris 4th arrondissement. Construction 1874-1882, architects Theodore Ballu (1817-1885) and Edouard Deperthes (1833-1898).
The Hotel de Ville de Paris, Place de l'Hotel de Ville, Paris 4th arrondissement. Construction 1874-1882, architects Theodore Ballu (1817-1885) and Edouard Deperthes (1833-1898).

TEC4600836: The Hotel de Ville de Paris, Place de l'Hotel de Ville, Paris 4th arrondissement. Construction 1874-1882, architects Theodore Ballu (1817-1885) and Edouard Deperthes (1833-1898). / Bridgeman Images

ID: TEC4600836

The Hotel de Ville de Paris, Place de l'Hotel de Ville, Paris 4th arrondissement. Construction 1874-1882, architects Theodore Ballu (1817-1885) and Edouard Deperthes (1833-1898).

L'Hotel Dieu, 1 place Parvis Notre Dame, Paris 4th arrondisement. Renovation 1866-1878, architect Jacques Gilbert (1793-1874), realisation Arthur Stanislas Diet (1827-1890).
L'Hotel Dieu, 1 place Parvis Notre Dame, Paris 4th arrondisement. Renovation 1866-1878, architect Jacques Gilbert (1793-1874), realisation Arthur Stanislas Diet (1827-1890).

TEC4600872: L'Hotel Dieu, 1 place Parvis Notre Dame, Paris 4th arrondisement. Renovation 1866-1878, architect Jacques Gilbert (1793-1874), realisation Arthur Stanislas Diet (1827-1890). / Bridgeman Images

ID: TEC4600872

L'Hotel Dieu, 1 place Parvis Notre Dame, Paris 4th arrondisement. Renovation 1866-1878, architect Jacques Gilbert (1793-1874), realisation Arthur Stanislas Diet (1827-1890).

Quarter Centro Habana, Calzada de la Infanta in Havana, Cuba.
Quarter Centro Habana, Calzada de la Infanta in Havana, Cuba.

TEC4592602: Quarter Centro Habana, Calzada de la Infanta in Havana, Cuba. / Bridgeman Images

ID: TEC4592602

Quarter Centro Habana, Calzada de la Infanta in Havana, Cuba.

Vedado district in Havana, Cuba.
Vedado district in Havana, Cuba.

TEC4592612: Vedado district in Havana, Cuba. / Bridgeman Images

ID: TEC4592612

Vedado district in Havana, Cuba.

University leisure centre in Miramar district, Avenida Primera in Havana (Cuba). Photography 20/04/05.
University leisure centre in Miramar district, Avenida Primera in Havana (Cuba). Photography 20/04/05.

TEC4592641: University leisure centre in Miramar district, Avenida Primera in Havana (Cuba). Photography 20/04/05. / Bridgeman Images

ID: TEC4592641

University leisure centre in Miramar district, Avenida Primera in Havana (Cuba). Photography 20/04/05.


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