Hogarth, William (1697-1764) Assets (627 in total)

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A Harlot's Progress, plate I from the series
A Harlot's Progress, plate I from the series

DMW937367: A Harlot's Progress, plate I from the series "A Harlot's Progress", April 1732 (etching & engraving), Hogarth, William (1697-1764) / Bridgeman Images

Some of the Principal Inhabitants of the Moon by William Hogarth 1724
Some of the Principal Inhabitants of the Moon by William Hogarth 1724

XLA3762912: Some of the Principal Inhabitants of the Moon by William Hogarth 1724, Hogarth, William (1697-1764) / Bridgeman Images

Goodchild as Lord Mayor
Goodchild as Lord Mayor

XLF3793440: Goodchild as Lord Mayor, Hogarth, William (1697-1764) / Bridgeman Images

Marriage a la Mode, Plate V, The Bagnio, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)
Marriage a la Mode, Plate V, The Bagnio, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)

STC451155: Marriage a la Mode, Plate V, The Bagnio, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving), Hogarth, William (1697-1764) / Bridgeman Images

Detail from Southwark Fair, 1733 (oil on canvas)
Detail from Southwark Fair, 1733 (oil on canvas)

CIN3050634: Detail from Southwark Fair, 1733 (oil on canvas), Hogarth, William (1697-1764) / Bridgeman Images

Sancho at the Feast Starved by his Physician, from 'The Works of Hogarth', published 1833 (litho)
Sancho at the Feast Starved by his Physician, from 'The Works of Hogarth', published 1833 (litho)

KWE281800: Sancho at the Feast Starved by his Physician, from 'The Works of Hogarth', published 1833 (litho), Hogarth, William (1697-1764) / Bridgeman Images

'Evening London' by William
'Evening London' by William

XLF3793992: 'Evening London' by William, Hogarth, William (1697-1764) / Bridgeman Images

Gin Lane, 1751 (engraving on laid paper)
Gin Lane, 1751 (engraving on laid paper)

TBM5752642: Gin Lane, 1751 (engraving on laid paper), Hogarth, William (1697-1764) / Bridgeman Images

A Rake's Progress, Plate 3, 1735 (etching)
A Rake's Progress, Plate 3, 1735 (etching)

WHT430614: A Rake's Progress, Plate 3, 1735 (etching), Hogarth, William (1697-1764) / Bridgeman Images

Detail from Angelica Coming to the Aid of the Wounded Medoro, from the Room of Orlando Furioso in the Palazzina, 1757 (fresco)
Detail from Angelica Coming to the Aid of the Wounded Medoro, from the Room of Orlando Furioso in the Palazzina, 1757 (fresco)

LSA363828: Detail from Angelica Coming to the Aid of the Wounded Medoro, from the Room of Orlando Furioso in the Palazzina, 1757 (fresco), Hogarth, William (1697-1764) / Bridgeman Images

Mary and Ann Hogarth 'A shop-bill'   by William Hogarth 1724
Mary and Ann Hogarth 'A shop-bill'   by William Hogarth 1724

XLF3788030: Mary and Ann Hogarth 'A shop-bill' by William Hogarth 1724, Hogarth, William (1697-1764) / Bridgeman Images

Surrounded by Artists and Professors, plate II from 'A Rake's Progress', from 'The Works of William Hogarth', published 1833 (litho)
Surrounded by Artists and Professors, plate II from 'A Rake's Progress', from 'The Works of William Hogarth', published 1833 (litho)

KWE281809: Surrounded by Artists and Professors, plate II from 'A Rake's Progress', from 'The Works of William Hogarth', published 1833 (litho), Hogarth, William (1697-1764) / Bridgeman Images

The Industrious 'Prentice a Favourite and Entrusted by his Master, plate IV of 'Industry and Idleness', illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)
The Industrious 'Prentice a Favourite and Entrusted by his Master, plate IV of 'Industry and Idleness', illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)

STC451235: The Industrious 'Prentice a Favourite and Entrusted by his Master, plate IV of 'Industry and Idleness', illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving), Hogarth, William (1697-1764) / Bridgeman Images

Times of the Day, Night, 1738 (engraving)
Times of the Day, Night, 1738 (engraving)

XJF396058: Times of the Day, Night, 1738 (engraving), Hogarth, William (1697-1764) / Bridgeman Images

The Industrious 'Prentice out of his Time and Married to his Master's Daughter, plate VI of 'Industry and Idleness', 1747 (engraving)
The Industrious 'Prentice out of his Time and Married to his Master's Daughter, plate VI of 'Industry and Idleness', 1747 (engraving)

XJF397602: The Industrious 'Prentice out of his Time and Married to his Master's Daughter, plate VI of 'Industry and Idleness', 1747 (engraving), Hogarth, William (1697-1764) / Bridgeman Images

The Bruiser Charles Churchill, once the Reverend, in the Character of a Russian Hercules, 1763 (engraving)
The Bruiser Charles Churchill, once the Reverend, in the Character of a Russian Hercules, 1763 (engraving)

XJF397624: The Bruiser Charles Churchill, once the Reverend, in the Character of a Russian Hercules, 1763 (engraving), Hogarth, William (1697-1764) / Bridgeman Images

Marriage a la Mode, Plate V, The Bagnio, 1745 (engraving)
Marriage a la Mode, Plate V, The Bagnio, 1745 (engraving)

XJF397640: Marriage a la Mode, Plate V, The Bagnio, 1745 (engraving), Hogarth, William (1697-1764) / Bridgeman Images

John Lloyd, Curate of St. Mildred's, Broad Street, 1738 (oil on canvas)
John Lloyd, Curate of St. Mildred's, Broad Street, 1738 (oil on canvas)

XYC165955: John Lloyd, Curate of St. Mildred's, Broad Street, 1738 (oil on canvas), Hogarth, William (1697-1764) / Bridgeman Images

Portrait of a young lady of the Stamford family, thought to be Lady Jane Grey (oil on canvas)
Portrait of a young lady of the Stamford family, thought to be Lady Jane Grey (oil on canvas)

MOU84123: Portrait of a young lady of the Stamford family, thought to be Lady Jane Grey (oil on canvas), Hogarth, William (1697-1764) / Bridgeman Images

Dr Arbuthnot and Count Viviani in  Button's coffee house
Dr Arbuthnot and Count Viviani in  Button's coffee house

XLF3788033: Dr Arbuthnot and Count Viviani in Button's coffee house, Hogarth, William (1697-1764) / Bridgeman Images

Martin Folkes and Addison in  Button's coffee house
Martin Folkes and Addison in  Button's coffee house

XLF3788032: Martin Folkes and Addison in Button's coffee house, Hogarth, William (1697-1764) / Bridgeman Images

Paul before Felix, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)
Paul before Felix, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)

STC451174: Paul before Felix, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving), Hogarth, William (1697-1764) / Bridgeman Images

Beer Street, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)
Beer Street, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)

STC451189: Beer Street, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving), Hogarth, William (1697-1764) / Bridgeman Images

Portrait of a Young Lady (oil on canvas)
Portrait of a Young Lady (oil on canvas)

LAF470828: Portrait of a Young Lady (oil on canvas), Hogarth, William (1697-1764) / Bridgeman Images

A Rake's Progress, Plate 8, 1st State, 1735 (engraving)
A Rake's Progress, Plate 8, 1st State, 1735 (engraving)

XDM1071401: A Rake's Progress, Plate 8, 1st State, 1735 (engraving), Hogarth, William (1697-1764) / Bridgeman Images

Study of a Female Nude (pencil and chalk on paper)
Study of a Female Nude (pencil and chalk on paper)

XYC159610: Study of a Female Nude (pencil and chalk on paper), Hogarth, William (1697-1764) / Bridgeman Images

The March of the Guards to Finchley, 1750 (oil on canvas)
The March of the Guards to Finchley, 1750 (oil on canvas)

CF346995: The March of the Guards to Finchley, 1750 (oil on canvas), Hogarth, William (1697-1764) / Bridgeman Images

The Young Heir Takes Possession of the Miser's Effects, plate I from 'A Rake's Progress', from 'The Works of William Hogarth', published 1833 (litho)
The Young Heir Takes Possession of the Miser's Effects, plate I from 'A Rake's Progress', from 'The Works of William Hogarth', published 1833 (litho)

KWE281805: The Young Heir Takes Possession of the Miser's Effects, plate I from 'A Rake's Progress', from 'The Works of William Hogarth', published 1833 (litho), Hogarth, William (1697-1764) / Bridgeman Images

Thomas Morell
Thomas Morell

XLF3779634: Thomas Morell, Hogarth, William (1697-1764) / Bridgeman Images

House of Commons, 18th century
House of Commons, 18th century

XLF3793333: House of Commons, 18th century, Hogarth, William (1697-1764) / Bridgeman Images

'Evening London' by William
'Evening London' by William

XLF3793443: 'Evening London' by William, Hogarth, William (1697-1764) / Bridgeman Images

The Industrious 'Prentice Grown Rich, and Sheriff of London, plate VIII of 'Industry and Idleness', published 1833 (engraving)
The Industrious 'Prentice Grown Rich, and Sheriff of London, plate VIII of 'Industry and Idleness', published 1833 (engraving)

GHL205233: The Industrious 'Prentice Grown Rich, and Sheriff of London, plate VIII of 'Industry and Idleness', published 1833 (engraving), Hogarth, William (1697-1764) / Bridgeman Images

Rehearsal of the Oratorio of Judith, 1734 (engraving) (b/w photo)
Rehearsal of the Oratorio of Judith, 1734 (engraving) (b/w photo)

XJF323029: Rehearsal of the Oratorio of Judith, 1734 (engraving) (b/w photo), Hogarth, William (1697-1764) / Bridgeman Images

The Edwards Hamilton Family on their Terrace in Kensington, 1733 (oil on canvas)
The Edwards Hamilton Family on their Terrace in Kensington, 1733 (oil on canvas)

AGN342964: The Edwards Hamilton Family on their Terrace in Kensington, 1733 (oil on canvas), Hogarth, William (1697-1764) / Bridgeman Images

Portrait of an Unknown Man, cc.1740 (oil on canvas)
Portrait of an Unknown Man, cc.1740 (oil on canvas)

FIT282843: Portrait of an Unknown Man, cc.1740 (oil on canvas), Hogarth, William (1697-1764) / Bridgeman Images

Bathos, Manner of Sinking, in Sublime Paintings inscribed to the Dealers in Dark Pictures, 1764 (engraving)
Bathos, Manner of Sinking, in Sublime Paintings inscribed to the Dealers in Dark Pictures, 1764 (engraving)

XJF396053: Bathos, Manner of Sinking, in Sublime Paintings inscribed to the Dealers in Dark Pictures, 1764 (engraving), Hogarth, William (1697-1764) / Bridgeman Images


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