Hogarth, William (1697-1764) Assets (627 in total)

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

Results

The Four Times of Day: Morning, 1736 (oil on canvas)
The Four Times of Day: Morning, 1736 (oil on canvas)

USB400499: The Four Times of Day: Morning, 1736 (oil on canvas), Hogarth, William (1697-1764) / Bridgeman Images

Marriage a la Mode:II- The Tete a Tete, c.1743 (oil on canvas) (detail from 4395)
Marriage a la Mode:II- The Tete a Tete, c.1743 (oil on canvas) (detail from 4395)

XCF276402: Marriage a la Mode:II- The Tete a Tete, c.1743 (oil on canvas) (detail from 4395), Hogarth, William (1697-1764) / Bridgeman Images

Times of the Day: Night, from 'The Works of William Hogarth', published 1833 (litho)
Times of the Day: Night, from 'The Works of William Hogarth', published 1833 (litho)

KWE281818: Times of the Day: Night, from 'The Works of William Hogarth', published 1833 (litho), Hogarth, William (1697-1764) / Bridgeman Images

Scene VIII: The Rake in Bedlam, 1735 (engraving)
Scene VIII: The Rake in Bedlam, 1735 (engraving)

XJF397618: Scene VIII: The Rake in Bedlam, 1735 (engraving), Hogarth, William (1697-1764) / Bridgeman Images

Scene in Bedlam, plate VIII, from A Rake's Progress, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)
Scene in Bedlam, plate VIII, from A Rake's Progress, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)

STC451150: Scene in Bedlam, plate VIII, from A Rake's Progress, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving), Hogarth, William (1697-1764) / Bridgeman Images

Portrait of a Family, 1730s (oil on canvas)
Portrait of a Family, 1730s (oil on canvas)

XYC156344: Portrait of a Family, 1730s (oil on canvas), Hogarth, William (1697-1764) / Bridgeman Images

The Beggar's Opera, c.1731 (oil on canvas)
The Beggar's Opera, c.1731 (oil on canvas)

XBM189836: The Beggar's Opera, c.1731 (oil on canvas), Hogarth, William (1697-1764) / Bridgeman Images

A Harlot's Progress, Plate Two: Quarrels with her Jew Protector, 1732 (etching and engraving)
A Harlot's Progress, Plate Two: Quarrels with her Jew Protector, 1732 (etching and engraving)

WES67108: A Harlot's Progress, Plate Two: Quarrels with her Jew Protector, 1732 (etching and engraving), Hogarth, William (1697-1764) / Bridgeman Images

The Enraged Musician, 1741 (engraving)
The Enraged Musician, 1741 (engraving)

XYC252288: The Enraged Musician, 1741 (engraving), Hogarth, William (1697-1764) / Bridgeman Images

Industry and Idleness, The Fellow 'Prentices at their Looms, plate 1, 1747 (engraving) (b/w photo)
Industry and Idleness, The Fellow 'Prentices at their Looms, plate 1, 1747 (engraving) (b/w photo)

XIR163799: Industry and Idleness, The Fellow 'Prentices at their Looms, plate 1, 1747 (engraving) (b/w photo), Hogarth, William (1697-1764) / Bridgeman Images

Portrait of George Frederick Handel (1685-1759) (oil on canvas)
Portrait of George Frederick Handel (1685-1759) (oil on canvas)

BH34408: Portrait of George Frederick Handel (1685-1759) (oil on canvas), Hogarth, William (1697-1764) / Bridgeman Images

The Lecture, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)
The Lecture, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)

STC451215: The Lecture, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving), Hogarth, William (1697-1764) / Bridgeman Images

John Wilkes, 1763 (etching)
John Wilkes, 1763 (etching)

XJF196568: John Wilkes, 1763 (etching), Hogarth, William (1697-1764) / Bridgeman Images

Marriage a la Mode: IV - The Toilette, c.1743 (oil on canvas) (detail of 182092)
Marriage a la Mode: IV - The Toilette, c.1743 (oil on canvas) (detail of 182092)

PHD29756: Marriage a la Mode: IV - The Toilette, c.1743 (oil on canvas) (detail of 182092), Hogarth, William (1697-1764) / Bridgeman Images

The Distressed Poet, c.1736 (oil on canvas)
The Distressed Poet, c.1736 (oil on canvas)

XBM189258: The Distressed Poet, c.1736 (oil on canvas), Hogarth, William (1697-1764) / Bridgeman Images

The Laughing Audience, 1733 (engraving) (b/w photo)
The Laughing Audience, 1733 (engraving) (b/w photo)

XJF142897: The Laughing Audience, 1733 (engraving) (b/w photo), Hogarth, William (1697-1764) / Bridgeman Images

Gin Lane, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)
Gin Lane, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)

STC451187: Gin Lane, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving), Hogarth, William (1697-1764) / Bridgeman Images

Beer Street, 1751 (engraving)
Beer Street, 1751 (engraving)

GHL195985: Beer Street, 1751 (engraving), Hogarth, William (1697-1764) / Bridgeman Images

Night  - London
Night  - London

XLF3793993: Night - London, Hogarth, William (1697-1764) / Bridgeman Images

A Harlot's Progress, Plate Three: Apprehended by a Magistrate, 1732 (etching and engraving)
A Harlot's Progress, Plate Three: Apprehended by a Magistrate, 1732 (etching and engraving)

WES67109: A Harlot's Progress, Plate Three: Apprehended by a Magistrate, 1732 (etching and engraving), Hogarth, William (1697-1764) / Bridgeman Images

The Tempest, detail of Caliban (oil on canvas) (detail of 353593)
The Tempest, detail of Caliban (oil on canvas) (detail of 353593)

PHD349: The Tempest, detail of Caliban (oil on canvas) (detail of 353593), Hogarth, William (1697-1764) / Bridgeman Images

Plate VIII from A Rake's Progress, 1735 (engraving)
Plate VIII from A Rake's Progress, 1735 (engraving)

BAL45404: Plate VIII from A Rake's Progress, 1735 (engraving), Hogarth, William (1697-1764) / Bridgeman Images

Characters and Caricatures, published in April 1743 (etching) (b/w photo)
Characters and Caricatures, published in April 1743 (etching) (b/w photo)

XJF264774: Characters and Caricatures, published in April 1743 (etching) (b/w photo), Hogarth, William (1697-1764) / Bridgeman Images

The Orgy, plate III from 'A Rake's Progress', illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)
The Orgy, plate III from 'A Rake's Progress', illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)

STC451146: The Orgy, plate III from 'A Rake's Progress', illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving), Hogarth, William (1697-1764) / Bridgeman Images

Beer Street, 1751 (engraving on laid paper)
Beer Street, 1751 (engraving on laid paper)

TBM5752710: Beer Street, 1751 (engraving on laid paper), Hogarth, William (1697-1764) / Bridgeman Images

Marriage a la Mode: III - The Inspection, c.1743 (oil on canvas)
Marriage a la Mode: III - The Inspection, c.1743 (oil on canvas)

XOS1109251: Marriage a la Mode: III - The Inspection, c.1743 (oil on canvas), Hogarth, William (1697-1764) / Bridgeman Images

The Four Times of Day: Evening, 1736
The Four Times of Day: Evening, 1736

BAL72330: The Four Times of Day: Evening, 1736, Hogarth, William (1697-1764) / Bridgeman Images

A Harlot's Progress, Plate Five: Expires while the Doctors are Disputing, 1732 (etching and engraving)
A Harlot's Progress, Plate Five: Expires while the Doctors are Disputing, 1732 (etching and engraving)

WES67111: A Harlot's Progress, Plate Five: Expires while the Doctors are Disputing, 1732 (etching and engraving), Hogarth, William (1697-1764) / Bridgeman Images

Farinelli with the soprano Cuzzoni and Senesino in Flavio, 18th century (engraving)
Farinelli with the soprano Cuzzoni and Senesino in Flavio, 18th century (engraving)

GIA4777923: Farinelli with the soprano Cuzzoni and Senesino in Flavio, 18th century (engraving), Hogarth, William (1697-1764) / Bridgeman Images

A Children's Tea Party, 1730 (oil on canvas)
A Children's Tea Party, 1730 (oil on canvas)

NGW184284: A Children's Tea Party, 1730 (oil on canvas), Hogarth, William (1697-1764) / Bridgeman Images

Times of the Day, Noon, 1738 (engraving)
Times of the Day, Noon, 1738 (engraving)

XJF396057: Times of the Day, Noon, 1738 (engraving), Hogarth, William (1697-1764) / Bridgeman Images

John and Elizabeth Jeffreys and their Children, 1730 (oil on canvas)
John and Elizabeth Jeffreys and their Children, 1730 (oil on canvas)

XYC156349: John and Elizabeth Jeffreys and their Children, 1730 (oil on canvas), Hogarth, William (1697-1764) / Bridgeman Images

Credulity, Superstition and Fanaticism, 1762 (engraving)
Credulity, Superstition and Fanaticism, 1762 (engraving)

IMJ251063: Credulity, Superstition and Fanaticism, 1762 (engraving), Hogarth, William (1697-1764) / Bridgeman Images

The Graham Children, detail, 1742 (oil on canvas)
The Graham Children, detail, 1742 (oil on canvas)

BAL259734: The Graham Children, detail, 1742 (oil on canvas), Hogarth, William (1697-1764) / Bridgeman Images

Beer Street, 1751 (engraving)
Beer Street, 1751 (engraving)

XJF396061: Beer Street, 1751 (engraving), Hogarth, William (1697-1764) / Bridgeman Images

The Rake's Levee, plate II, from 'A Rake's Progress', 1735 (engraving)
The Rake's Levee, plate II, from 'A Rake's Progress', 1735 (engraving)

GHL206156: The Rake's Levee, plate II, from 'A Rake's Progress', 1735 (engraving), Hogarth, William (1697-1764) / Bridgeman Images


Back to top