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Hogarth, William (1697-1764) Assets (627 in total)

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A Harlot's Progress, Plate Six: The Funeral, etching and engraving)
A Harlot's Progress, Plate Six: The Funeral, etching and engraving)

WES67112: A Harlot's Progress, Plate Six: The Funeral, etching and engraving), Hogarth, William (1697-1764) / Bridgeman Images

ID: WES67112

A Harlot's Progress, Plate Six: The Funeral, etching and engraving)

Hogarth, William (1697-1764)

Beer Street, 1751 (engraving)
Beer Street, 1751 (engraving)

XJF396061: Beer Street, 1751 (engraving), Hogarth, William (1697-1764) / Bridgeman Images

ID: XJF396061

Beer Street, 1751 (engraving)

Hogarth, William (1697-1764)

The Rake's Levee, plate II, from 'A Rake's Progress', 1735 (engraving)
The Rake's Levee, plate II, from 'A Rake's Progress', 1735 (engraving)

GHL206156: The Rake's Levee, plate II, from 'A Rake's Progress', 1735 (engraving), Hogarth, William (1697-1764) / Bridgeman Images

ID: GHL206156

The Rake's Levee, plate II, from 'A Rake's Progress', 1735 (engraving)

Hogarth, William (1697-1764)

The Chorus or Rehearsal of the Oratorio of Judith, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)
The Chorus or Rehearsal of the Oratorio of Judith, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)

STC451236: The Chorus or Rehearsal of the Oratorio of Judith, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving), Hogarth, William (1697-1764) / Bridgeman Images

ID: STC451236

The Chorus or Rehearsal of the Oratorio of Judith, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)

Hogarth, William (1697-1764)

A Midnight Modern Conversation, 1733 (engraving)
A Midnight Modern Conversation, 1733 (engraving)

XJF397623: A Midnight Modern Conversation, 1733 (engraving), Hogarth, William (1697-1764) / Bridgeman Images

ID: XJF397623

A Midnight Modern Conversation, 1733 (engraving)

Hogarth, William (1697-1764)

Lavinia Fenton (1708-60) in the role of Polly Peachum from 'The Beggar's Opera' in 1728 (oil on board)
Lavinia Fenton (1708-60) in the role of Polly Peachum from 'The Beggar's Opera' in 1728 (oil on board)

BH26492: Lavinia Fenton (1708-60) in the role of Polly Peachum from 'The Beggar's Opera' in 1728 (oil on board), Hogarth, William (1697-1764) / Bridgeman Images

ID: BH26492

Lavinia Fenton (1708-60) in the role of Polly Peachum from 'The Beggar's Opera' in 1728 (oil on board)

Hogarth, William (1697-1764)

The Tempest, c.1730-35 (oil on canvas)
The Tempest, c.1730-35 (oil on canvas)

USB353593: The Tempest, c.1730-35 (oil on canvas), Hogarth, William (1697-1764) / Bridgeman Images

ID: USB353593

The Tempest, c.1730-35 (oil on canvas)

Hogarth, William (1697-1764)

Portrait of William Jones, 1740
Portrait of William Jones, 1740

CH18755: Portrait of William Jones, 1740, Hogarth, William (1697-1764) / Bridgeman Images

ID: CH18755

Portrait of William Jones, 1740

Hogarth, William (1697-1764)

Scene in a Madhouse, from A Rake's Progress, 1735 (engraving) (see also 2005)
Scene in a Madhouse, from A Rake's Progress, 1735 (engraving) (see also 2005)

WES67104: Scene in a Madhouse, from A Rake's Progress, 1735 (engraving) (see also 2005), Hogarth, William (1697-1764) / Bridgeman Images

ID: WES67104

Scene in a Madhouse, from A Rake's Progress, 1735 (engraving) (see also 2005)

Hogarth, William (1697-1764)

The Times of the Day: Night, 1738 (oil on canvas)
The Times of the Day: Night, 1738 (oil on canvas)

USB132178: The Times of the Day: Night, 1738 (oil on canvas), Hogarth, William (1697-1764) / Bridgeman Images

ID: USB132178

The Times of the Day: Night, 1738 (oil on canvas)

Hogarth, William (1697-1764)

The Fellow 'Prentices at their Looms, plate I of 'Industry and Idleness', published 1833 (engraving)
The Fellow 'Prentices at their Looms, plate I of 'Industry and Idleness', published 1833 (engraving)

GHL205226: The Fellow 'Prentices at their Looms, plate I of 'Industry and Idleness', published 1833 (engraving), Hogarth, William (1697-1764) / Bridgeman Images

ID: GHL205226

The Fellow 'Prentices at their Looms, plate I of 'Industry and Idleness', published 1833 (engraving)

Hogarth, William (1697-1764)

The Orgy, plate III from 'A Rake's Progress', 1733-98 (engraving)
The Orgy, plate III from 'A Rake's Progress', 1733-98 (engraving)

IMJ251061: The Orgy, plate III from 'A Rake's Progress', 1733-98 (engraving), Hogarth, William (1697-1764) / Bridgeman Images

ID: IMJ251061

The Orgy, plate III from 'A Rake's Progress', 1733-98 (engraving)

Hogarth, William (1697-1764)

The Chorus, from 'The Works of William Hogarth', published 1833 (litho)
The Chorus, from 'The Works of William Hogarth', published 1833 (litho)

KWE281832: The Chorus, from 'The Works of William Hogarth', published 1833 (litho), Hogarth, William (1697-1764) / Bridgeman Images

ID: KWE281832

The Chorus, from 'The Works of William Hogarth', published 1833 (litho)

Hogarth, William (1697-1764)

A Fishing Party or 'The Fair Angler', c.1730 (oil on canvas)
A Fishing Party or 'The Fair Angler', c.1730 (oil on canvas)

DPG18476: A Fishing Party or 'The Fair Angler', c.1730 (oil on canvas), Hogarth, William (1697-1764) / Bridgeman Images

ID: DPG18476

A Fishing Party or 'The Fair Angler', c.1730 (oil on canvas)

Hogarth, William (1697-1764)

Francis Matthew Schutz in his Bed, c.1755-60 (oil on canvas)
Francis Matthew Schutz in his Bed, c.1755-60 (oil on canvas)

NCM94567: Francis Matthew Schutz in his Bed, c.1755-60 (oil on canvas), Hogarth, William (1697-1764) / Bridgeman Images

ID: NCM94567

Francis Matthew Schutz in his Bed, c.1755-60 (oil on canvas)

Hogarth, William (1697-1764)

A Harlot's Progress, Plate Four: Scene in Bridewell, 1732 (etching and engraving)
A Harlot's Progress, Plate Four: Scene in Bridewell, 1732 (etching and engraving)

WES67110: A Harlot's Progress, Plate Four: Scene in Bridewell, 1732 (etching and engraving), Hogarth, William (1697-1764) / Bridgeman Images

ID: WES67110

A Harlot's Progress, Plate Four: Scene in Bridewell, 1732 (etching and engraving)

Hogarth, William (1697-1764)

The Industrious 'Prentice a Favourite and Entrusted by his Master, plate IV of 'Industry and Idleness', 1747 (engraving)
The Industrious 'Prentice a Favourite and Entrusted by his Master, plate IV of 'Industry and Idleness', 1747 (engraving)

XJF397606: The Industrious 'Prentice a Favourite and Entrusted by his Master, plate IV of 'Industry and Idleness', 1747 (engraving), Hogarth, William (1697-1764) / Bridgeman Images

ID: XJF397606

The Industrious 'Prentice a Favourite and Entrusted by his Master, plate IV of 'Industry and Idleness', 1747 (engraving)

Hogarth, William (1697-1764)

The Bench, 1753-54 (oil on canvas backed onto panel)
The Bench, 1753-54 (oil on canvas backed onto panel)

FIT69658: The Bench, 1753-54 (oil on canvas backed onto panel), Hogarth, William (1697-1764) / Bridgeman Images

ID: FIT69658

The Bench, 1753-54 (oil on canvas backed onto panel)

Hogarth, William (1697-1764)

Times of the Day, Morning, 1738 (engraving)
Times of the Day, Morning, 1738 (engraving)

XJF396059: Times of the Day, Morning, 1738 (engraving), Hogarth, William (1697-1764) / Bridgeman Images

ID: XJF396059

Times of the Day, Morning, 1738 (engraving)

Hogarth, William (1697-1764)

Inside a Turkish Mosque, illustration from Aubry de la Mottraye's 'Travels through Europe, Asia and into part of Africa', published 1723 (engraving)
Inside a Turkish Mosque, illustration from Aubry de la Mottraye's 'Travels through Europe, Asia and into part of Africa', published 1723 (engraving)

XJF400605: Inside a Turkish Mosque, illustration from Aubry de la Mottraye's 'Travels through Europe, Asia and into part of Africa', published 1723 (engraving), Hogarth, William (1697-1764) / Bridgeman Images

ID: XJF400605

Inside a Turkish Mosque, illustration from Aubry de la Mottraye's 'Travels through Europe, Asia and into part of Africa', published 1723 (engraving)

Hogarth, William (1697-1764)

James Caulfield, 1st Earl of Charlemont (oil on canvas)
James Caulfield, 1st Earl of Charlemont (oil on canvas)

PHD351: James Caulfield, 1st Earl of Charlemont (oil on canvas), Hogarth, William (1697-1764) / Bridgeman Images

ID: PHD351

James Caulfield, 1st Earl of Charlemont (oil on canvas)

Hogarth, William (1697-1764)

Self Portrait, 1749 (engraving)
Self Portrait, 1749 (engraving)

XTD140280: Self Portrait, 1749 (engraving), Hogarth, William (1697-1764) / Bridgeman Images

ID: XTD140280

Self Portrait, 1749 (engraving)

Hogarth, William (1697-1764)

Southwark Fair, 1733 (engraving)
Southwark Fair, 1733 (engraving)

GHL205225: Southwark Fair, 1733 (engraving), Hogarth, William (1697-1764) / Bridgeman Images

ID: GHL205225

Southwark Fair, 1733 (engraving)

Hogarth, William (1697-1764)

Marriage a la Mode, Plate II, The Tete a Tete, 1745 (engraving)
Marriage a la Mode, Plate II, The Tete a Tete, 1745 (engraving)

XJF397637: Marriage a la Mode, Plate II, The Tete a Tete, 1745 (engraving), Hogarth, William (1697-1764) / Bridgeman Images

ID: XJF397637

Marriage a la Mode, Plate II, The Tete a Tete, 1745 (engraving)

Hogarth, William (1697-1764)

The Sleeping Congregation, 1728 (oil on canvas)
The Sleeping Congregation, 1728 (oil on canvas)

MNS487783: The Sleeping Congregation, 1728 (oil on canvas), Hogarth, William (1697-1764) / Bridgeman Images

ID: MNS487783

The Sleeping Congregation, 1728 (oil on canvas)

Hogarth, William (1697-1764)

The Weighing House (engraving) (b/w photo)
The Weighing House (engraving) (b/w photo)

XJF225022: The Weighing House (engraving) (b/w photo), Hogarth, William (1697-1764) / Bridgeman Images

ID: XJF225022

The Weighing House (engraving) (b/w photo)

Hogarth, William (1697-1764)

David Garrick and his wife, Eva-Maria Veigel, 1757 (oil on canvas)
David Garrick and his wife, Eva-Maria Veigel, 1757 (oil on canvas)

ROC399149: David Garrick and his wife, Eva-Maria Veigel, 1757 (oil on canvas), Hogarth, William (1697-1764) / Bridgeman Images

ID: ROC399149

David Garrick and his wife, Eva-Maria Veigel, 1757 (oil on canvas)

Hogarth, William (1697-1764)

The Rake's Levee, plate II, from 'A Rake's Progress', illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)
The Rake's Levee, plate II, from 'A Rake's Progress', illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)

STC451145: The Rake's Levee, plate II, from 'A Rake's Progress', illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving), Hogarth, William (1697-1764) / Bridgeman Images

ID: STC451145

The Rake's Levee, plate II, from 'A Rake's Progress', illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)

Hogarth, William (1697-1764)

The Jones Family Conversation Piece, 1730 (oil on canvas)
The Jones Family Conversation Piece, 1730 (oil on canvas)

NGW184258: The Jones Family Conversation Piece, 1730 (oil on canvas), Hogarth, William (1697-1764) / Bridgeman Images

ID: NGW184258

The Jones Family Conversation Piece, 1730 (oil on canvas)

Hogarth, William (1697-1764)

Times of the Day: Evening, from 'The Works of William Hogarth', published 1833 (litho)
Times of the Day: Evening, from 'The Works of William Hogarth', published 1833 (litho)

KWE281812: Times of the Day: Evening, from 'The Works of William Hogarth', published 1833 (litho), Hogarth, William (1697-1764) / Bridgeman Images

ID: KWE281812

Times of the Day: Evening, from 'The Works of William Hogarth', published 1833 (litho)

Hogarth, William (1697-1764)

A Harlot's Progress, Plate VI, 1732 (engraving)
A Harlot's Progress, Plate VI, 1732 (engraving)

XJF397614: A Harlot's Progress, Plate VI, 1732 (engraving), Hogarth, William (1697-1764) / Bridgeman Images

ID: XJF397614

A Harlot's Progress, Plate VI, 1732 (engraving)

Hogarth, William (1697-1764)

The Laughing Audience, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)
The Laughing Audience, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)

STC451237: The Laughing Audience, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving), Hogarth, William (1697-1764) / Bridgeman Images

ID: STC451237

The Laughing Audience, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)

Hogarth, William (1697-1764)

Marriage a la Mode, Plate I, The Marriage Settlement, 1745 (engraving)
Marriage a la Mode, Plate I, The Marriage Settlement, 1745 (engraving)

XJF397636: Marriage a la Mode, Plate I, The Marriage Settlement, 1745 (engraving), Hogarth, William (1697-1764) / Bridgeman Images

ID: XJF397636

Marriage a la Mode, Plate I, The Marriage Settlement, 1745 (engraving)

Hogarth, William (1697-1764)

The Rake in Bedlam, plate VIII from 'A Rake's Progress', 1763 (engraving)
The Rake in Bedlam, plate VIII from 'A Rake's Progress', 1763 (engraving)

GHL206154: The Rake in Bedlam, plate VIII from 'A Rake's Progress', 1763 (engraving), Hogarth, William (1697-1764) / Bridgeman Images

ID: GHL206154

The Rake in Bedlam, plate VIII from 'A Rake's Progress', 1763 (engraving)

Hogarth, William (1697-1764)

Southwark Fair, 1733 (oil on canvas)
Southwark Fair, 1733 (oil on canvas)

CH376383: Southwark Fair, 1733 (oil on canvas), Hogarth, William (1697-1764) / Bridgeman Images

ID: CH376383

Southwark Fair, 1733 (oil on canvas)

Hogarth, William (1697-1764)

Southwark Fair, 1733 (oil on canvas)
Southwark Fair, 1733 (oil on canvas)

CIN403107: Southwark Fair, 1733 (oil on canvas), Hogarth, William (1697-1764) / Bridgeman Images

ID: CIN403107

Southwark Fair, 1733 (oil on canvas)

Hogarth, William (1697-1764)


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