Bridgeman Education

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ID: DAM184640

Cover illustration for 'Book News' Magazine, published by John Wanamaker, Philadelphia, October 1895 (litho)

Parrish, Maxfield Frederick (1870-1966)

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ID: AIG433501

Spring, Cutout Study, 1936 (ink, pencil & watercolour on paper)

Parrish, Maxfield Frederick (1870-1966)

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ID: AIG433537

Villa Medici, Rome, 1903-04 (colour litho)

Parrish, Maxfield Frederick (1870-1966)

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ID: AIG433570

Sheltering Oaks, or A Nice Place to Be, 1956 (w/c on paper)

Parrish, Maxfield Frederick (1870-1966)

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ID: AIG433579

Waterfall, 1930 (oil on panel)

Parrish, Maxfield Frederick (1870-1966)

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ID: AIG433597

The Prospector, 1909 (oil on paper)

Parrish, Maxfield Frederick (1870-1966)

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ID: AIG433609

Morning, 1922 (oil on panel)

Parrish, Maxfield Frederick (1870-1966)

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ID: AIG433615

Evening, or Winterscape, 1953 (oil on artist board)

Parrish, Maxfield Frederick (1870-1966)

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ID: AIG433618

Bill Sachs: The Flying Dutchman, 1902 (oil on canvas mounted on paper & board)

Parrish, Maxfield Frederick (1870-1966)

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ID: AIG433667

October, or Dreaming, 1928 (oil on panel)

Parrish, Maxfield Frederick (1870-1966)

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ID: AIG433673

Just a Moment Please, c.1935 (oil on panel)

Parrish, Maxfield Frederick (1870-1966)

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ID: AIG433676

The River at Ascutney, 1942 (oil on panel)

Parrish, Maxfield Frederick (1870-1966)

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ID: AIG433669

White Birch Winter, 1931 (oil on panel)

Parrish, Maxfield Frederick (1870-1966)

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ID: AIG433503

New Hampshire Winter Paradise, 1939 (colour litho)

Parrish, Maxfield Frederick (1870-1966)

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ID: AIG433509

Mutabile Semper, Chocolate, 1900 (pen & ink on board)

Parrish, Maxfield Frederick (1870-1966)

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ID: AIG433512

The Walls Were As Of Jasper, 1900 (oil on board)

Parrish, Maxfield Frederick (1870-1966)

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ID: AIG433530

Villa Gori, La Palazzina, Siena, 1903 (oil on panel)

Parrish, Maxfield Frederick (1870-1966)

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ID: AIG433599

Parading Soldiers, 1912 (oil and collage)

Parrish, Maxfield Frederick (1870-1966)

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ID: AIG433647

Spotted Horse and Soldier cutout, c.1910 (collage mounted on board)

Parrish, Maxfield Frederick (1870-1966)

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ID: AIG433653

Mermen, 1916 (oil on panel with cut-out reliefs)

Parrish, Maxfield Frederick (1870-1966)

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ID: AIG433531

Villa Isola Bella, Lake Maggiore, 1904 (oil on paper mounted on board)

Parrish, Maxfield Frederick (1870-1966)

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ID: STC321097

The spot where she left me was encompassed on all sides by mountains that seemed to reach above the clouds, and so steep that there was no possibility of getting out of the valley, an illustration from 'The Arabian Nights, their best known tales', edited by Kate Douglas Wiggin and Nora A. Smith, 1909 (colour litho)

Parrish, Maxfield Frederick (1870-1966)

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ID: CH985115

Mask and Pierrot, 1908 (oil on paper laid down on panel)

Parrish, Maxfield Frederick (1870-1966)

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ID: CH985167

Old King Cole, 1895 (oil on canvas)

Parrish, Maxfield Frederick (1870-1966)

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ID: CH985038

Deep Valley, 1946 (oil on masonite)

Parrish, Maxfield Frederick (1870-1966)

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ID: CH1767338

Autumn Brook, 1948 (oil on board)

Parrish, Maxfield Frederick (1870-1966)

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ID: STC3506772

And when the boat came to me I found in it a man of brass, with a tablet of lead on his breast, engraven with names and talismans, from 'The Arabian Nights, their best known tales', edited by Kate Douglas Wiggin and Nora A. Smith, 1909 (colour litho)

Parrish, Maxfield Frederick (1870-1966)