Parrish, Maxfield Frederick (1870-1966) Assets (312 in total)

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Having finished his repast, he returned to his porch, where he lay and fell asleep, snoring louder than thunder, an illustration from 'The Arabian Nights, their best known tales', edited by Kate Douglas Wiggin and Nora A. Smith, 1909 (colour litho)
Having finished his repast, he returned to his porch, where he lay and fell asleep, snoring louder than thunder, an illustration from 'The Arabian Nights, their best known tales', edited by Kate Douglas Wiggin and Nora A. Smith, 1909 (colour litho)

STC321098: Having finished his repast, he returned to his porch, where he lay and fell asleep, snoring louder than thunder, an illustration from 'The Arabian Nights, their best known tales', edited by Kate Douglas Wiggin and Nora A. Smith, 1909 (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Villa Cicogna at Bisuschio, the Lower Terrace, 1904 (oil on paper)
Villa Cicogna at Bisuschio, the Lower Terrace, 1904 (oil on paper)

CH92921: Villa Cicogna at Bisuschio, the Lower Terrace, 1904 (oil on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Cover illustration for 'Book News' Magazine, published by John Wanamaker, Philadelphia, October 1895 (litho)
Cover illustration for 'Book News' Magazine, published by John Wanamaker, Philadelphia, October 1895 (litho)

DAM184640: Cover illustration for 'Book News' Magazine, published by John Wanamaker, Philadelphia, October 1895 (litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Lamp Seller of Baghdad, 1923 (colour litho)
Lamp Seller of Baghdad, 1923 (colour litho)

AIG150189: Lamp Seller of Baghdad, 1923 (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Djer-Kiss, 1916 (colour litho)
Djer-Kiss, 1916 (colour litho)

AIG150192: Djer-Kiss, 1916 (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Spring, Cutout Study, 1936 (ink, pencil & w/c on paper)
Spring, Cutout Study, 1936 (ink, pencil & w/c on paper)

AIG433501: Spring, Cutout Study, 1936 (ink, pencil & w/c on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

New Hampshire Winter Paradise, 1939 (colour litho)
New Hampshire Winter Paradise, 1939 (colour litho)

AIG433503: New Hampshire Winter Paradise, 1939 (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Mutabile Semper, Chocolate, 1900 (pen & ink on board)
Mutabile Semper, Chocolate, 1900 (pen & ink on board)

AIG433509: Mutabile Semper, Chocolate, 1900 (pen & ink on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

The Walls Were As Of Jasper, 1900 (oil on board)
The Walls Were As Of Jasper, 1900 (oil on board)

AIG433512: The Walls Were As Of Jasper, 1900 (oil on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

The Twenty-First of October, 1902 (oil on board)
The Twenty-First of October, 1902 (oil on board)

AIG433520: The Twenty-First of October, 1902 (oil on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Villa Gameraia, 1903 (oil on canvas)
Villa Gameraia, 1903 (oil on canvas)

AIG433529: Villa Gameraia, 1903 (oil on canvas), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Villa Gori, La Palazzina, Siena, 1903 (oil on panel)
Villa Gori, La Palazzina, Siena, 1903 (oil on panel)

AIG433530: Villa Gori, La Palazzina, Siena, 1903 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Villa Isola Bella, Lake Maggiore, 1904 (oil on paper mounted on board)
Villa Isola Bella, Lake Maggiore, 1904 (oil on paper mounted on board)

AIG433531: Villa Isola Bella, Lake Maggiore, 1904 (oil on paper mounted on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Villa Lante, Bagnaia, 1903-04 (oil on paper mounted on board)
Villa Lante, Bagnaia, 1903-04 (oil on paper mounted on board)

AIG433532: Villa Lante, Bagnaia, 1903-04 (oil on paper mounted on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Villa Medici, Rome, 1903-04 (colour litho)
Villa Medici, Rome, 1903-04 (colour litho)

AIG433537: Villa Medici, Rome, 1903-04 (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Ancient Tree, 1941 (oil on board)
Ancient Tree, 1941 (oil on board)

AIG433559: Ancient Tree, 1941 (oil on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Sheltering Oaks, or A Nice Place to Be, 1956 (w/c on paper)
Sheltering Oaks, or A Nice Place to Be, 1956 (w/c on paper)

AIG433570: Sheltering Oaks, or A Nice Place to Be, 1956 (w/c on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Little Stone House, or The Morning Light, 1954 (oil on panel)
Little Stone House, or The Morning Light, 1954 (oil on panel)

AIG433571: Little Stone House, or The Morning Light, 1954 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Venetian Lamplighters, 1922 (oil on panel)
Venetian Lamplighters, 1922 (oil on panel)

AIG433574: Venetian Lamplighters, 1922 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Reverie, 1926 (oil on panel)
Reverie, 1926 (oil on panel)

AIG433577: Reverie, 1926 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Waterfall, 1930 (oil on panel)
Waterfall, 1930 (oil on panel)

AIG433579: Waterfall, 1930 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

The Prospector, 1909 (oil on paper)
The Prospector, 1909 (oil on paper)

AIG433597: The Prospector, 1909 (oil on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Parading Soldiers, 1912 (oil and collage)
Parading Soldiers, 1912 (oil and collage)

AIG433599: Parading Soldiers, 1912 (oil and collage), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Morning, 1922 (oil on panel)
Morning, 1922 (oil on panel)

AIG433609: Morning, 1922 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

A Dark Futurist, 1923 (oil on panel)
A Dark Futurist, 1923 (oil on panel)

AIG433610: A Dark Futurist, 1923 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Evening, or Winterscape, 1953 (oil on artist board)
Evening, or Winterscape, 1953 (oil on artist board)

AIG433615: Evening, or Winterscape, 1953 (oil on artist board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Bill Sachs: The Flying Dutchman, 1902 (oil on canvas mounted on paper & board)
Bill Sachs: The Flying Dutchman, 1902 (oil on canvas mounted on paper & board)

AIG433618: Bill Sachs: The Flying Dutchman, 1902 (oil on canvas mounted on paper & board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Dies Irae, 1902 (pen & ink on board)
Dies Irae, 1902 (pen & ink on board)

AIG433637: Dies Irae, 1902 (pen & ink on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Letter to Austin Purves, c.1904 (pencil on paper)
Letter to Austin Purves, c.1904 (pencil on paper)

AIG433640: Letter to Austin Purves, c.1904 (pencil on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Spotted Horse and Soldier cutout, c.1910 (collage mounted on board)
Spotted Horse and Soldier cutout, c.1910 (collage mounted on board)

AIG433647: Spotted Horse and Soldier cutout, c.1910 (collage mounted on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Mermen, 1916 (oil on panel with cut-out reliefs)
Mermen, 1916 (oil on panel with cut-out reliefs)

AIG433653: Mermen, 1916 (oil on panel with cut-out reliefs), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Farmer with Clasped Hands in Back, c.1920s (oil & w/c on paper)
Farmer with Clasped Hands in Back, c.1920s (oil & w/c on paper)

AIG433656: Farmer with Clasped Hands in Back, c.1920s (oil & w/c on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

October, or Dreaming, 1928 (oil on panel)
October, or Dreaming, 1928 (oil on panel)

AIG433667: October, or Dreaming, 1928 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

White Birch Winter, 1931 (oil on panel)
White Birch Winter, 1931 (oil on panel)

AIG433669: White Birch Winter, 1931 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Just a Moment Please, c.1935 (oil on panel)
Just a Moment Please, c.1935 (oil on panel)

AIG433673: Just a Moment Please, c.1935 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

The River at Ascutney, 1942 (oil on panel)
The River at Ascutney, 1942 (oil on panel)

AIG433676: The River at Ascutney, 1942 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images


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