Parrish, Maxfield Frederick (1870-1966) Assets (311 in total)

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Villa Lante, Bagnaia, 1903-04 (oil on paper mounted on board)
Villa Lante, Bagnaia, 1903-04 (oil on paper mounted on board)

AIG433532: Villa Lante, Bagnaia, 1903-04 (oil on paper mounted on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Little Stone House, or The Morning Light, 1954 (oil on panel)
Little Stone House, or The Morning Light, 1954 (oil on panel)

AIG433571: Little Stone House, or The Morning Light, 1954 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Reverie, 1926 (oil on panel)
Reverie, 1926 (oil on panel)

AIG433577: Reverie, 1926 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

The Prospector, 1909 (oil on paper)
The Prospector, 1909 (oil on paper)

AIG433597: The Prospector, 1909 (oil on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

A Dark Futurist, 1923 (oil on panel)
A Dark Futurist, 1923 (oil on panel)

AIG433610: A Dark Futurist, 1923 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Bill Sachs: The Flying Dutchman, 1902 (oil on canvas mounted on paper & board)
Bill Sachs: The Flying Dutchman, 1902 (oil on canvas mounted on paper & board)

AIG433618: Bill Sachs: The Flying Dutchman, 1902 (oil on canvas mounted on paper & board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Letter to Austin Purves, c.1904 (pencil on paper)
Letter to Austin Purves, c.1904 (pencil on paper)

AIG433640: Letter to Austin Purves, c.1904 (pencil on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

White Birch Winter, 1931 (oil on panel)
White Birch Winter, 1931 (oil on panel)

AIG433669: White Birch Winter, 1931 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Glen Mill, 1950 (oil on panel)
Glen Mill, 1950 (oil on panel)

AIG433683: Glen Mill, 1950 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Indian Drinking Rum, 1899 (pen & ink on paper)
Indian Drinking Rum, 1899 (pen & ink on paper)

AIG433695: Indian Drinking Rum, 1899 (pen & ink on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Waterfall, 1930 (oil on panel)
Waterfall, 1930 (oil on panel)

AIG433579: Waterfall, 1930 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Morning, 1922 (oil on panel)
Morning, 1922 (oil on panel)

AIG433609: Morning, 1922 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Evening, or Winterscape, 1953 (oil on artist board)
Evening, or Winterscape, 1953 (oil on artist board)

AIG433615: Evening, or Winterscape, 1953 (oil on artist board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Dies Irae, 1902 (pen & ink on board)
Dies Irae, 1902 (pen & ink on board)

AIG433637: Dies Irae, 1902 (pen & ink on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Mermen, 1916 (oil on panel with cut-out reliefs)
Mermen, 1916 (oil on panel with cut-out reliefs)

AIG433653: Mermen, 1916 (oil on panel with cut-out reliefs), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

October, or Dreaming, 1928 (oil on panel)
October, or Dreaming, 1928 (oil on panel)

AIG433667: October, or Dreaming, 1928 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Just a Moment Please, c.1935 (oil on panel)
Just a Moment Please, c.1935 (oil on panel)

AIG433673: Just a Moment Please, c.1935 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Road to the Valley, 1943 (oil on masonite)
Road to the Valley, 1943 (oil on masonite)

AIG433677: Road to the Valley, 1943 (oil on masonite), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Sheltering Oaks, or A Nice Place to Be, 1956 (w/c on paper)
Sheltering Oaks, or A Nice Place to Be, 1956 (w/c on paper)

AIG433570: Sheltering Oaks, or A Nice Place to Be, 1956 (w/c on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

New Hampshire Winter Paradise, 1939 (colour litho)
New Hampshire Winter Paradise, 1939 (colour litho)

AIG433503: New Hampshire Winter Paradise, 1939 (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Mutabile Semper, Chocolate, 1900 (pen & ink on board)
Mutabile Semper, Chocolate, 1900 (pen & ink on board)

AIG433509: Mutabile Semper, Chocolate, 1900 (pen & ink on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Villa Isola Bella, Lake Maggiore, 1904 (oil on paper mounted on board)
Villa Isola Bella, Lake Maggiore, 1904 (oil on paper mounted on board)

AIG433531: Villa Isola Bella, Lake Maggiore, 1904 (oil on paper mounted on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Ancient Tree, 1941 (oil on board)
Ancient Tree, 1941 (oil on board)

AIG433559: Ancient Tree, 1941 (oil on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

The spot where she left me was encompassed on all sides by mountains that seemed to reach above the clouds, and so steep that there was no possibility of getting out of the valley, an illustration from 'The Arabian Nights, their best known tales', edited by Kate Douglas Wiggin and Nora A. Smith, 1909 (colour litho)
The spot where she left me was encompassed on all sides by mountains that seemed to reach above the clouds, and so steep that there was no possibility of getting out of the valley, an illustration from 'The Arabian Nights, their best known tales', edited by Kate Douglas Wiggin and Nora A. Smith, 1909 (colour litho)

STC321097: The spot where she left me was encompassed on all sides by mountains that seemed to reach above the clouds, and so steep that there was no possibility of getting out of the valley, an illustration from 'The Arabian Nights, their best known tales', edited by Kate Douglas Wiggin and Nora A. Smith, 1909 (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Deep Valley, 1946 (oil on masonite)
Deep Valley, 1946 (oil on masonite)

CH985038: Deep Valley, 1946 (oil on masonite), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Mask and Pierrot, 1908 (oil on paper laid down on panel)
Mask and Pierrot, 1908 (oil on paper laid down on panel)

CH985115: Mask and Pierrot, 1908 (oil on paper laid down on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Old King Cole, 1895 (oil on canvas)
Old King Cole, 1895 (oil on canvas)

CH985167: Old King Cole, 1895 (oil on canvas), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Prince Agib by Maxfield Parrish, 1909 (screen print)
Prince Agib by Maxfield Parrish, 1909 (screen print)

GRC3035749: Prince Agib by Maxfield Parrish, 1909 (screen print), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Acoma Pueblo by Maxfield Parrish, 1907 (screen print)
Acoma Pueblo by Maxfield Parrish, 1907 (screen print)

GRC3035835: Acoma Pueblo by Maxfield Parrish, 1907 (screen print), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

And when the boat came to me I found in it a man of brass, with a tablet of lead on his breast, engraven with names and talismans, from 'The Arabian Nights, their best known tales', edited by Kate Douglas Wiggin and Nora A. Smith, 1909 (colour litho)
And when the boat came to me I found in it a man of brass, with a tablet of lead on his breast, engraven with names and talismans, from 'The Arabian Nights, their best known tales', edited by Kate Douglas Wiggin and Nora A. Smith, 1909 (colour litho)

STC3506772: And when the boat came to me I found in it a man of brass, with a tablet of lead on his breast, engraven with names and talismans, from 'The Arabian Nights, their best known tales', edited by Kate Douglas Wiggin and Nora A. Smith, 1909 (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Illustration for The Knave Of Hearts (colour litho)
Illustration for The Knave Of Hearts (colour litho)

LLL5236200: Illustration for The Knave Of Hearts (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Autumn Brook, 1948 (oil on board)
Autumn Brook, 1948 (oil on board)

CH1767338: Autumn Brook, 1948 (oil on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)
Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)

LLM5992245: Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)
Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)

LLM5992262: Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Title-age illustration for The Golden Age by Kenneth Grahame (litho)
Title-age illustration for The Golden Age by Kenneth Grahame (litho)

LLM5992246: Title-age illustration for The Golden Age by Kenneth Grahame (litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)
Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)

LLM5992264: Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images


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