Parrish, Maxfield Frederick (1870-1966) Assets (312 in total)

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

Results

A Swiss Admiral, 1921 (oil on panel)
A Swiss Admiral, 1921 (oil on panel)

AIG433607: A Swiss Admiral, 1921 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Such Sights as Youthful Poets Dream on Summer Eves by Haunted Stream, 1901 (colour litho)
Such Sights as Youthful Poets Dream on Summer Eves by Haunted Stream, 1901 (colour litho)

AIG433617: Such Sights as Youthful Poets Dream on Summer Eves by Haunted Stream, 1901 (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

The Century Midsummer Holiday Number, August, 1897 (oil on canvas)
The Century Midsummer Holiday Number, August, 1897 (oil on canvas)

AIG433622: The Century Midsummer Holiday Number, August, 1897 (oil on canvas), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Study for a Mural for the Lincoln Farm Association, 1907 (sepia or oil on paper)
Study for a Mural for the Lincoln Farm Association, 1907 (sepia or oil on paper)

AIG433704: Study for a Mural for the Lincoln Farm Association, 1907 (sepia or oil on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Two Young Boys by Maxfield Parrish, 1912 (screen print)
Two Young Boys by Maxfield Parrish, 1912 (screen print)

GRC3034692: Two Young Boys by Maxfield Parrish, 1912 (screen print), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)
Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)

LLM5992252: Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)
Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)

LLM5992259: Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)
Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)

LLM5992270: Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Illustration for The Knave Of Hearts (colour litho)
Illustration for The Knave Of Hearts (colour litho)

LLL5236204: Illustration for The Knave Of Hearts (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Illustration for The Knave Of Hearts (colour litho)
Illustration for The Knave Of Hearts (colour litho)

LLL5236212: Illustration for The Knave Of Hearts (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Illustration for The Knave Of Hearts (colour litho)
Illustration for The Knave Of Hearts (colour litho)

LLL5236213: Illustration for The Knave Of Hearts (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Illustration for The Knave Of Hearts (colour litho)
Illustration for The Knave Of Hearts (colour litho)

LLL5236218: Illustration for The Knave Of Hearts (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Little Sugar River at Noon, 1930 (oil on panel)
Little Sugar River at Noon, 1930 (oil on panel)

AIG433668: Little Sugar River at Noon, 1930 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Man in Top Hat and Red Tail with Musket - Cutout, 1897 (oil & w/c on paper)
Man in Top Hat and Red Tail with Musket - Cutout, 1897 (oil & w/c on paper)

AIG433693: Man in Top Hat and Red Tail with Musket - Cutout, 1897 (oil & w/c on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Cardinal Archbishop sat on his shaded balcony, 1901 (oil on paper on board)
Cardinal Archbishop sat on his shaded balcony, 1901 (oil on paper on board)

AIG433697: Cardinal Archbishop sat on his shaded balcony, 1901 (oil on paper on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Two Cooks Peeling Potatoes, 1925 (oil on canvas)
Two Cooks Peeling Potatoes, 1925 (oil on canvas)

AIG433546: Two Cooks Peeling Potatoes, 1925 (oil on canvas), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Head of Pandora, 1908 (oil on canvas)
Head of Pandora, 1908 (oil on canvas)

AIG433554: Head of Pandora, 1908 (oil on canvas), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Sunlit Valley, 1947 (oil on panel)
Sunlit Valley, 1947 (oil on panel)

AIG433566: Sunlit Valley, 1947 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

The Waterfall, 1931 (colour litho)
The Waterfall, 1931 (colour litho)

AIG433580: The Waterfall, 1931 (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Sunrise, 1931 (oil on panel)
Sunrise, 1931 (oil on panel)

AIG433583: Sunrise, 1931 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

The Botanist, 1908 (ink & oil on paper mounted on panel)
The Botanist, 1908 (ink & oil on paper mounted on panel)

AIG433590: The Botanist, 1908 (ink & oil on paper mounted on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

The Booklover, or The Idiot, 1910 (oil over graphite on paper)
The Booklover, or The Idiot, 1910 (oil over graphite on paper)

AIG433594: The Booklover, or The Idiot, 1910 (oil over graphite on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Pandora, 1908 (colour litho)
Pandora, 1908 (colour litho)

AIG433628: Pandora, 1908 (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Arizona, 1930 (oil on masonite)
Arizona, 1930 (oil on masonite)

AIG433632: Arizona, 1930 (oil on masonite), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Memento for Augustus Saint-Gaudens, 1902 (pen & ink on envelope)
Memento for Augustus Saint-Gaudens, 1902 (pen & ink on envelope)

AIG433639: Memento for Augustus Saint-Gaudens, 1902 (pen & ink on envelope), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Solitude, 1911 (oil on board)
Solitude, 1911 (oil on board)

AIG433648: Solitude, 1911 (oil on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Parcheesi Game Board, c.1913-20 (oil on board)
Parcheesi Game Board, c.1913-20 (oil on board)

AIG433649: Parcheesi Game Board, c.1913-20 (oil on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

It will be sufficient to break off a branch and carry it to plant in your garden, an illustration from 'The Arabian Nights, their best known tales', edited by Kate Douglas Wiggin and Nora A. Smith, 1909 (colour litho)
It will be sufficient to break off a branch and carry it to plant in your garden, an illustration from 'The Arabian Nights, their best known tales', edited by Kate Douglas Wiggin and Nora A. Smith, 1909 (colour litho)

STC321091: It will be sufficient to break off a branch and carry it to plant in your garden, an illustration from 'The Arabian Nights, their best known tales', edited by Kate Douglas Wiggin and Nora A. Smith, 1909 (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

And she proceeded to burn perfume and repeat spells until the sea foamed and was agitated, an illustration from 'The Arabian Nights, their best known tales', edited by Kate Douglas Wiggin and Nora A. Smith, 1909 (colour litho)
And she proceeded to burn perfume and repeat spells until the sea foamed and was agitated, an illustration from 'The Arabian Nights, their best known tales', edited by Kate Douglas Wiggin and Nora A. Smith, 1909 (colour litho)

STC321092: And she proceeded to burn perfume and repeat spells until the sea foamed and was agitated, an illustration from 'The Arabian Nights, their best known tales', edited by Kate Douglas Wiggin and Nora A. Smith, 1909 (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Dinky Bird, 1903 (colour litho) (detail of 150184)
Dinky Bird, 1903 (colour litho) (detail of 150184)

AIG2634592: Dinky Bird, 1903 (colour litho) (detail of 150184), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

No Gentleman of France, 1896 (oil and pen and black ink on paper)
No Gentleman of France, 1896 (oil and pen and black ink on paper)

CH985168: No Gentleman of France, 1896 (oil and pen and black ink on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Two Pastry Cooks - Blue Hose and Yellow Hose, 1921 (oil on panel)
Two Pastry Cooks - Blue Hose and Yellow Hose, 1921 (oil on panel)

CH985010: Two Pastry Cooks - Blue Hose and Yellow Hose, 1921 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

The Knave of Hearts: The Six Little Ingredients, 1925 (oil on board)
The Knave of Hearts: The Six Little Ingredients, 1925 (oil on board)

CH651125: The Knave of Hearts: The Six Little Ingredients, 1925 (oil on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Jason and His Teacher, 1910 (oil on canvas laid on aluminium)
Jason and His Teacher, 1910 (oil on canvas laid on aluminium)

CH650900: Jason and His Teacher, 1910 (oil on canvas laid on aluminium), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)
Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)

LLM5992247: Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)
Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)

LLM5992250: Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images


Back to top