Parrish, Maxfield Frederick (1870-1966) Assets (312 in total)

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Man in Moon, Tailpiece, 1900 (oil on board)
Man in Moon, Tailpiece, 1900 (oil on board)

AIG433507: Man in Moon, Tailpiece, 1900 (oil on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Mutabile Semper, Chocolate, 1900-01 (oil on board)
Mutabile Semper, Chocolate, 1900-01 (oil on board)

AIG433510: Mutabile Semper, Chocolate, 1900-01 (oil on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Sawdust and Sin, 1899 (oil on brown paper)
Sawdust and Sin, 1899 (oil on brown paper)

AIG433522: Sawdust and Sin, 1899 (oil on brown paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Two Cooks Peeling Potatoes, 1925 (oil on canvas)
Two Cooks Peeling Potatoes, 1925 (oil on canvas)

AIG433546: Two Cooks Peeling Potatoes, 1925 (oil on canvas), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Head of Pandora, 1908 (oil on canvas)
Head of Pandora, 1908 (oil on canvas)

AIG433554: Head of Pandora, 1908 (oil on canvas), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Sunlit Valley, 1947 (oil on panel)
Sunlit Valley, 1947 (oil on panel)

AIG433566: Sunlit Valley, 1947 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

The Waterfall, 1931 (colour litho)
The Waterfall, 1931 (colour litho)

AIG433580: The Waterfall, 1931 (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Sunrise, 1931 (oil on panel)
Sunrise, 1931 (oil on panel)

AIG433583: Sunrise, 1931 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

The Botanist, 1908 (ink & oil on paper mounted on panel)
The Botanist, 1908 (ink & oil on paper mounted on panel)

AIG433590: The Botanist, 1908 (ink & oil on paper mounted on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

The Booklover, or The Idiot, 1910 (oil over graphite on paper)
The Booklover, or The Idiot, 1910 (oil over graphite on paper)

AIG433594: The Booklover, or The Idiot, 1910 (oil over graphite on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

The Maiden, 1896 (oil on canvas)
The Maiden, 1896 (oil on canvas)

AIG433604: The Maiden, 1896 (oil on canvas), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

A Swiss Admiral, 1921 (oil on panel)
A Swiss Admiral, 1921 (oil on panel)

AIG433607: A Swiss Admiral, 1921 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Such Sights as Youthful Poets Dream on Summer Eves by Haunted Stream, 1901 (colour litho)
Such Sights as Youthful Poets Dream on Summer Eves by Haunted Stream, 1901 (colour litho)

AIG433617: Such Sights as Youthful Poets Dream on Summer Eves by Haunted Stream, 1901 (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

The Century Midsummer Holiday Number, August, 1897 (oil on canvas)
The Century Midsummer Holiday Number, August, 1897 (oil on canvas)

AIG433622: The Century Midsummer Holiday Number, August, 1897 (oil on canvas), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Pandora, 1908 (colour litho)
Pandora, 1908 (colour litho)

AIG433628: Pandora, 1908 (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Arizona, 1930 (oil on masonite)
Arizona, 1930 (oil on masonite)

AIG433632: Arizona, 1930 (oil on masonite), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Memento for Augustus Saint-Gaudens, 1902 (pen & ink on envelope)
Memento for Augustus Saint-Gaudens, 1902 (pen & ink on envelope)

AIG433639: Memento for Augustus Saint-Gaudens, 1902 (pen & ink on envelope), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Solitude, 1911 (oil on board)
Solitude, 1911 (oil on board)

AIG433648: Solitude, 1911 (oil on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Parcheesi Game Board, c.1913-20 (oil on board)
Parcheesi Game Board, c.1913-20 (oil on board)

AIG433649: Parcheesi Game Board, c.1913-20 (oil on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Little Sugar River at Noon, 1930 (oil on panel)
Little Sugar River at Noon, 1930 (oil on panel)

AIG433668: Little Sugar River at Noon, 1930 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Man in Top Hat and Red Tail with Musket - Cutout, 1897 (oil & w/c on paper)
Man in Top Hat and Red Tail with Musket - Cutout, 1897 (oil & w/c on paper)

AIG433693: Man in Top Hat and Red Tail with Musket - Cutout, 1897 (oil & w/c on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Cardinal Archbishop sat on his shaded balcony, 1901 (oil on paper on board)
Cardinal Archbishop sat on his shaded balcony, 1901 (oil on paper on board)

AIG433697: Cardinal Archbishop sat on his shaded balcony, 1901 (oil on paper on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Study for a Mural for the Lincoln Farm Association, 1907 (sepia or oil on paper)
Study for a Mural for the Lincoln Farm Association, 1907 (sepia or oil on paper)

AIG433704: Study for a Mural for the Lincoln Farm Association, 1907 (sepia or oil on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Two Young Boys by Maxfield Parrish, 1912 (screen print)
Two Young Boys by Maxfield Parrish, 1912 (screen print)

GRC3034692: Two Young Boys by Maxfield Parrish, 1912 (screen print), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

It will be sufficient to break off a branch and carry it to plant in your garden, an illustration from 'The Arabian Nights, their best known tales', edited by Kate Douglas Wiggin and Nora A. Smith, 1909 (colour litho)
It will be sufficient to break off a branch and carry it to plant in your garden, an illustration from 'The Arabian Nights, their best known tales', edited by Kate Douglas Wiggin and Nora A. Smith, 1909 (colour litho)

STC321091: It will be sufficient to break off a branch and carry it to plant in your garden, an illustration from 'The Arabian Nights, their best known tales', edited by Kate Douglas Wiggin and Nora A. Smith, 1909 (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

And she proceeded to burn perfume and repeat spells until the sea foamed and was agitated, an illustration from 'The Arabian Nights, their best known tales', edited by Kate Douglas Wiggin and Nora A. Smith, 1909 (colour litho)
And she proceeded to burn perfume and repeat spells until the sea foamed and was agitated, an illustration from 'The Arabian Nights, their best known tales', edited by Kate Douglas Wiggin and Nora A. Smith, 1909 (colour litho)

STC321092: And she proceeded to burn perfume and repeat spells until the sea foamed and was agitated, an illustration from 'The Arabian Nights, their best known tales', edited by Kate Douglas Wiggin and Nora A. Smith, 1909 (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Illustration for The Knave Of Hearts (colour litho)
Illustration for The Knave Of Hearts (colour litho)

LLL5236204: Illustration for The Knave Of Hearts (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Illustration for The Knave Of Hearts (colour litho)
Illustration for The Knave Of Hearts (colour litho)

LLL5236212: Illustration for The Knave Of Hearts (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Illustration for The Knave Of Hearts (colour litho)
Illustration for The Knave Of Hearts (colour litho)

LLL5236213: Illustration for The Knave Of Hearts (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Illustration for The Knave Of Hearts (colour litho)
Illustration for The Knave Of Hearts (colour litho)

LLL5236218: Illustration for The Knave Of Hearts (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)
Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)

LLM5992252: Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)
Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)

LLM5992259: Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)
Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)

LLM5992270: Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

The Egyptian Sculpture,1903 (oil on paper)
The Egyptian Sculpture,1903 (oil on paper)

CH985012: The Egyptian Sculpture,1903 (oil on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

L'Allegro, 1901 (oil on paper)
L'Allegro, 1901 (oil on paper)

CH89282: L'Allegro, 1901 (oil on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

The Knave of Hearts, endpiece to 'The Knave of Hearts' by Louise Saunders, 1923 (oil on paper)
The Knave of Hearts, endpiece to 'The Knave of Hearts' by Louise Saunders, 1923 (oil on paper)

CH92972: The Knave of Hearts, endpiece to 'The Knave of Hearts' by Louise Saunders, 1923 (oil on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images


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