Parrish, Maxfield Frederick (1870-1966) Assets (312 in total)

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Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)
Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)

LLM5992258: Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)
Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)

LLM5992260: Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Illustration for The Knave Of Hearts (colour litho)
Illustration for The Knave Of Hearts (colour litho)

LLL5236194: Illustration for The Knave Of Hearts (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Illustration for The Knave Of Hearts (colour litho)
Illustration for The Knave Of Hearts (colour litho)

LLL5236196: Illustration for The Knave Of Hearts (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Illustration for The Knave Of Hearts (colour litho)
Illustration for The Knave Of Hearts (colour litho)

LLL5236211: Illustration for The Knave Of Hearts (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Pennsylvania Academy of the Fine Arts Program Cover, 1897 (oil on paper)
Pennsylvania Academy of the Fine Arts Program Cover, 1897 (oil on paper)

AIG433504: Pennsylvania Academy of the Fine Arts Program Cover, 1897 (oil on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Dream Days, 1898 (colour litho)
Dream Days, 1898 (colour litho)

AIG433505: Dream Days, 1898 (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Magic Ring, 1901 (oil on board)
Magic Ring, 1901 (oil on board)

AIG433515: Magic Ring, 1901 (oil on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

The Reluctant Dragon, 1902 (litho)
The Reluctant Dragon, 1902 (litho)

AIG433518: The Reluctant Dragon, 1902 (litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Parading Soldier with Musket, Cutout, 1912 (oil on paper)
Parading Soldier with Musket, Cutout, 1912 (oil on paper)

AIG433600: Parading Soldier with Musket, Cutout, 1912 (oil on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Humpty Dumpty, Cutout, 1921 (oil on paper)
Humpty Dumpty, Cutout, 1921 (oil on paper)

AIG433606: Humpty Dumpty, Cutout, 1921 (oil on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Shepherd with Purple Robe, 1899 (mixed media)
Shepherd with Purple Robe, 1899 (mixed media)

AIG433613: Shepherd with Purple Robe, 1899 (mixed media), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Milkmaid, 1901 (oil on panel)
Milkmaid, 1901 (oil on panel)

AIG433616: Milkmaid, 1901 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Egypt, 1922 (colour litho)
Egypt, 1922 (colour litho)

AIG150605: Egypt, 1922 (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Air Castles, 1904 (oil on board)
Air Castles, 1904 (oil on board)

AIG150616: Air Castles, 1904 (oil on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Atlas (colour litho)
Atlas (colour litho)

AIG150931: Atlas (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

The City of Brass by Maxfield Parrish, 1909 (screen print)
The City of Brass by Maxfield Parrish, 1909 (screen print)

GRC3035750: The City of Brass by Maxfield Parrish, 1909 (screen print), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

At the approach of evening I opened the first closet and, entering it, found a mansion like paradise., from 'The Arabian Nights, their best known tales', edited by Kate Douglas Wiggin and Nora A. Smith, 1909 (colour litho)
At the approach of evening I opened the first closet and, entering it, found a mansion like paradise., from 'The Arabian Nights, their best known tales', edited by Kate Douglas Wiggin and Nora A. Smith, 1909 (colour litho)

STC3506773: At the approach of evening I opened the first closet and, entering it, found a mansion like paradise., from 'The Arabian Nights, their best known tales', edited by Kate Douglas Wiggin and Nora A. Smith, 1909 (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

The Storm, 1907 (oil on canvas)
The Storm, 1907 (oil on canvas)

PLL3949714: The Storm, 1907 (oil on canvas), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Old King Cole Mural, 1906 (oil on canvas)
Old King Cole Mural, 1906 (oil on canvas)

AIG433706: Old King Cole Mural, 1906 (oil on canvas), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Villa Scassi, Genoa, 1903 (oil on paper)
Villa Scassi, Genoa, 1903 (oil on paper)

AIG433533: Villa Scassi, Genoa, 1903 (oil on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Villa D'Este, Tivoli, c.1904 (colour litho)
Villa D'Este, Tivoli, c.1904 (colour litho)

AIG433535: Villa D'Este, Tivoli, c.1904 (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Wond'rous Wise Man, 1897 (pen & ink on paper)
Wond'rous Wise Man, 1897 (pen & ink on paper)

AIG433549: Wond'rous Wise Man, 1897 (pen & ink on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Little Jack Horner, 1897 (pen & ink on paper)
Little Jack Horner, 1897 (pen & ink on paper)

AIG433550: Little Jack Horner, 1897 (pen & ink on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Thy Rocks and Rills, The Old Mill, 1942 (oil on masonite)
Thy Rocks and Rills, The Old Mill, 1942 (oil on masonite)

AIG433561: Thy Rocks and Rills, The Old Mill, 1942 (oil on masonite), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Afterglow, A New Day, 1947 (oil on panel)
Afterglow, A New Day, 1947 (oil on panel)

AIG433563: Afterglow, A New Day, 1947 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Church at Norwich, Vermont, 1950 (oil on panel)
Church at Norwich, Vermont, 1950 (oil on panel)

AIG433568: Church at Norwich, Vermont, 1950 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Prometheus, 1919 (colour litho)
Prometheus, 1919 (colour litho)

AIG433573: Prometheus, 1919 (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Contentment, 1927 (oil on panel)
Contentment, 1927 (oil on panel)

AIG433576: Contentment, 1927 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Moonlight, 1932 (colour litho)
Moonlight, 1932 (colour litho)

AIG433584: Moonlight, 1932 (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Atlas Landscape, 1907-10 (oil on panel)
Atlas Landscape, 1907-10 (oil on panel)

AIG433589: Atlas Landscape, 1907-10 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Father Time, 1904 (pen & ink on paper with gold leaf)
Father Time, 1904 (pen & ink on paper with gold leaf)

AIG433626: Father Time, 1904 (pen & ink on paper with gold leaf), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Study for Dream Garden, 1914 (oil on panel)
Study for Dream Garden, 1914 (oil on panel)

AIG433650: Study for Dream Garden, 1914 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Stage Set Model for Woodland Scene, c.1915-16 (oil on panel)
Stage Set Model for Woodland Scene, c.1915-16 (oil on panel)

AIG433651: Stage Set Model for Woodland Scene, c.1915-16 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Deep Woods, Moonlight, 1916 (oil on masonite)
Deep Woods, Moonlight, 1916 (oil on masonite)

AIG433652: Deep Woods, Moonlight, 1916 (oil on masonite), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Aquamarine, 1917 (oil on panel)
Aquamarine, 1917 (oil on panel)

AIG433655: Aquamarine, 1917 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images


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