Parrish, Maxfield Frederick (1870-1966) Assets (312 in total)
Results
AIG433619: Hot Springs, Yavapai, 1902 (oil on illustration board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images
AIG433626: Father Time, 1904 (pen & ink on paper with gold leaf), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images
AIG433650: Study for Dream Garden, 1914 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images
AIG433652: Deep Woods, Moonlight, 1916 (oil on masonite), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images
AIG433655: Aquamarine, 1917 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images
AIG433663: Interlude - Lute Players, 1922 (oil on canvas), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images
AIG433674: Riverbank, Autumn, 1938 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images
AIG433681: Christmas Morning, 1949 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images
AIG433686: New Hampshire Summer Landscape, 1958 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images
AIG433691: The Sandman, 1896 (oil on canvas on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images
AIG433696: Presentation Design for the Bulletin Board at the Mask and Wig Clubhouse, Philadelphia, PA, 1896 (oil on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images
AIG433706: Old King Cole Mural, 1906 (oil on canvas), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images
AIG433723: Study for Irenee du Pont Mural, 1932 (w/c & pencil on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images
CH92972: The Knave of Hearts, endpiece to 'The Knave of Hearts' by Louise Saunders, 1923 (oil on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images
AIG150616: Air Castles, 1904 (oil on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images
GRC3035749: Prince Agib by Maxfield Parrish, 1909 (screen print), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images
GRC3035835: Acoma Pueblo by Maxfield Parrish, 1907 (screen print), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images
STC3506772: And when the boat came to me I found in it a man of brass, with a tablet of lead on his breast, engraven with names and talismans, from 'The Arabian Nights, their best known tales', edited by Kate Douglas Wiggin and Nora A. Smith, 1909 (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images
LLL5236200: Illustration for The Knave Of Hearts (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images
LLM5992245: Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images
LLM5992246: Title-age illustration for The Golden Age by Kenneth Grahame (litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images
LLM5992256: Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (lithograph), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images
LLM5992262: Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images
LLM5992264: Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images
LLM5992267: Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images
CH96175: Sugar Hill: Late Afternoon, 1930 (oil on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images
CH1767338: Autumn Brook, 1948 (oil on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images
CH822962: Her Window, 1922 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images
CH823306: The Rocks and Rills, 1942 (oil on canvas), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images
CH985038: Deep Valley, 1946 (oil on masonite), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images
CH985115: Mask and Pierrot, 1908 (oil on paper laid down on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images
CH985167: Old King Cole, 1895 (oil on canvas), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images
STC321097: The spot where she left me was encompassed on all sides by mountains that seemed to reach above the clouds, and so steep that there was no possibility of getting out of the valley, an illustration from 'The Arabian Nights, their best known tales', edited by Kate Douglas Wiggin and Nora A. Smith, 1909 (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images