Parrish, Maxfield Frederick (1870-1966) Assets (312 in total)

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Parading Soldier with Musket, Cutout, 1912 (oil on paper)
Parading Soldier with Musket, Cutout, 1912 (oil on paper)

AIG433600: Parading Soldier with Musket, Cutout, 1912 (oil on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Humpty Dumpty, Cutout, 1921 (oil on paper)
Humpty Dumpty, Cutout, 1921 (oil on paper)

AIG433606: Humpty Dumpty, Cutout, 1921 (oil on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Shepherd with Purple Robe, 1899 (mixed media)
Shepherd with Purple Robe, 1899 (mixed media)

AIG433613: Shepherd with Purple Robe, 1899 (mixed media), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Milkmaid, 1901 (oil on panel)
Milkmaid, 1901 (oil on panel)

AIG433616: Milkmaid, 1901 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Hot Springs, Yavapai, 1902 (oil on illustration board)
Hot Springs, Yavapai, 1902 (oil on illustration board)

AIG433619: Hot Springs, Yavapai, 1902 (oil on illustration board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Father Time, 1904 (pen & ink on paper with gold leaf)
Father Time, 1904 (pen & ink on paper with gold leaf)

AIG433626: Father Time, 1904 (pen & ink on paper with gold leaf), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Study for Dream Garden, 1914 (oil on panel)
Study for Dream Garden, 1914 (oil on panel)

AIG433650: Study for Dream Garden, 1914 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Stage Set Model for Woodland Scene, c.1915-16 (oil on panel)
Stage Set Model for Woodland Scene, c.1915-16 (oil on panel)

AIG433651: Stage Set Model for Woodland Scene, c.1915-16 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Deep Woods, Moonlight, 1916 (oil on masonite)
Deep Woods, Moonlight, 1916 (oil on masonite)

AIG433652: Deep Woods, Moonlight, 1916 (oil on masonite), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Aquamarine, 1917 (oil on panel)
Aquamarine, 1917 (oil on panel)

AIG433655: Aquamarine, 1917 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Interlude - Lute Players, 1922 (oil on canvas)
Interlude - Lute Players, 1922 (oil on canvas)

AIG433663: Interlude - Lute Players, 1922 (oil on canvas), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Riverbank, Autumn, 1938 (oil on panel)
Riverbank, Autumn, 1938 (oil on panel)

AIG433674: Riverbank, Autumn, 1938 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Christmas Morning, 1949 (oil on panel)
Christmas Morning, 1949 (oil on panel)

AIG433681: Christmas Morning, 1949 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

New Hampshire Summer Landscape, 1958 (oil on panel)
New Hampshire Summer Landscape, 1958 (oil on panel)

AIG433686: New Hampshire Summer Landscape, 1958 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

The Sandman, 1896 (oil on canvas on board)
The Sandman, 1896 (oil on canvas on board)

AIG433691: The Sandman, 1896 (oil on canvas on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Presentation Design for the Bulletin Board at the Mask and Wig Clubhouse, Philadelphia, PA, 1896 (oil on paper)
Presentation Design for the Bulletin Board at the Mask and Wig Clubhouse, Philadelphia, PA, 1896 (oil on paper)

AIG433696: Presentation Design for the Bulletin Board at the Mask and Wig Clubhouse, Philadelphia, PA, 1896 (oil on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Old King Cole Mural, 1906 (oil on canvas)
Old King Cole Mural, 1906 (oil on canvas)

AIG433706: Old King Cole Mural, 1906 (oil on canvas), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Study for Irenee du Pont Mural, 1932 (w/c & pencil on paper)
Study for Irenee du Pont Mural, 1932 (w/c & pencil on paper)

AIG433723: Study for Irenee du Pont Mural, 1932 (w/c & pencil on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Prince Agib by Maxfield Parrish, 1909 (screen print)
Prince Agib by Maxfield Parrish, 1909 (screen print)

GRC3035749: Prince Agib by Maxfield Parrish, 1909 (screen print), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Acoma Pueblo by Maxfield Parrish, 1907 (screen print)
Acoma Pueblo by Maxfield Parrish, 1907 (screen print)

GRC3035835: Acoma Pueblo by Maxfield Parrish, 1907 (screen print), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

And when the boat came to me I found in it a man of brass, with a tablet of lead on his breast, engraven with names and talismans, from 'The Arabian Nights, their best known tales', edited by Kate Douglas Wiggin and Nora A. Smith, 1909 (colour litho)
And when the boat came to me I found in it a man of brass, with a tablet of lead on his breast, engraven with names and talismans, from 'The Arabian Nights, their best known tales', edited by Kate Douglas Wiggin and Nora A. Smith, 1909 (colour litho)

STC3506772: And when the boat came to me I found in it a man of brass, with a tablet of lead on his breast, engraven with names and talismans, from 'The Arabian Nights, their best known tales', edited by Kate Douglas Wiggin and Nora A. Smith, 1909 (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Illustration for The Knave Of Hearts (colour litho)
Illustration for The Knave Of Hearts (colour litho)

LLL5236200: Illustration for The Knave Of Hearts (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)
Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)

LLM5992245: Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Title-age illustration for The Golden Age by Kenneth Grahame (litho)
Title-age illustration for The Golden Age by Kenneth Grahame (litho)

LLM5992246: Title-age illustration for The Golden Age by Kenneth Grahame (litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (lithograph)
Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (lithograph)

LLM5992256: Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (lithograph), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)
Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)

LLM5992262: Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)
Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)

LLM5992264: Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)
Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)

LLM5992267: Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Mask and Pierrot, 1908 (oil on paper laid down on panel)
Mask and Pierrot, 1908 (oil on paper laid down on panel)

CH985115: Mask and Pierrot, 1908 (oil on paper laid down on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

The spot where she left me was encompassed on all sides by mountains that seemed to reach above the clouds, and so steep that there was no possibility of getting out of the valley, an illustration from 'The Arabian Nights, their best known tales', edited by Kate Douglas Wiggin and Nora A. Smith, 1909 (colour litho)
The spot where she left me was encompassed on all sides by mountains that seemed to reach above the clouds, and so steep that there was no possibility of getting out of the valley, an illustration from 'The Arabian Nights, their best known tales', edited by Kate Douglas Wiggin and Nora A. Smith, 1909 (colour litho)

STC321097: The spot where she left me was encompassed on all sides by mountains that seemed to reach above the clouds, and so steep that there was no possibility of getting out of the valley, an illustration from 'The Arabian Nights, their best known tales', edited by Kate Douglas Wiggin and Nora A. Smith, 1909 (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Having finished his repast, he returned to his porch, where he lay and fell asleep, snoring louder than thunder, an illustration from 'The Arabian Nights, their best known tales', edited by Kate Douglas Wiggin and Nora A. Smith, 1909 (colour litho)
Having finished his repast, he returned to his porch, where he lay and fell asleep, snoring louder than thunder, an illustration from 'The Arabian Nights, their best known tales', edited by Kate Douglas Wiggin and Nora A. Smith, 1909 (colour litho)

STC321098: Having finished his repast, he returned to his porch, where he lay and fell asleep, snoring louder than thunder, an illustration from 'The Arabian Nights, their best known tales', edited by Kate Douglas Wiggin and Nora A. Smith, 1909 (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Villa Cicogna at Bisuschio, the Lower Terrace, 1904 (oil on paper)
Villa Cicogna at Bisuschio, the Lower Terrace, 1904 (oil on paper)

CH92921: Villa Cicogna at Bisuschio, the Lower Terrace, 1904 (oil on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Cover illustration for 'Book News' Magazine, published by John Wanamaker, Philadelphia, October 1895 (litho)
Cover illustration for 'Book News' Magazine, published by John Wanamaker, Philadelphia, October 1895 (litho)

DAM184640: Cover illustration for 'Book News' Magazine, published by John Wanamaker, Philadelphia, October 1895 (litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Lamp Seller of Baghdad, 1923 (colour litho)
Lamp Seller of Baghdad, 1923 (colour litho)

AIG150189: Lamp Seller of Baghdad, 1923 (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Djer-Kiss, 1916 (colour litho)
Djer-Kiss, 1916 (colour litho)

AIG150192: Djer-Kiss, 1916 (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Deep Valley, 1946 (oil on masonite)
Deep Valley, 1946 (oil on masonite)

CH985038: Deep Valley, 1946 (oil on masonite), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images


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