Parrish, Maxfield Frederick (1870-1966) Assets (312 in total)

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Father Time, 1904 (pen & ink on paper with gold leaf)
Father Time, 1904 (pen & ink on paper with gold leaf)

AIG433626: Father Time, 1904 (pen & ink on paper with gold leaf), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Study for Dream Garden, 1914 (oil on panel)
Study for Dream Garden, 1914 (oil on panel)

AIG433650: Study for Dream Garden, 1914 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Stage Set Model for Woodland Scene, c.1915-16 (oil on panel)
Stage Set Model for Woodland Scene, c.1915-16 (oil on panel)

AIG433651: Stage Set Model for Woodland Scene, c.1915-16 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Deep Woods, Moonlight, 1916 (oil on masonite)
Deep Woods, Moonlight, 1916 (oil on masonite)

AIG433652: Deep Woods, Moonlight, 1916 (oil on masonite), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Aquamarine, 1917 (oil on panel)
Aquamarine, 1917 (oil on panel)

AIG433655: Aquamarine, 1917 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Interlude - Lute Players, 1922 (oil on canvas)
Interlude - Lute Players, 1922 (oil on canvas)

AIG433663: Interlude - Lute Players, 1922 (oil on canvas), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Riverbank, Autumn, 1938 (oil on panel)
Riverbank, Autumn, 1938 (oil on panel)

AIG433674: Riverbank, Autumn, 1938 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

The Artist, 1909 (oil on paper)
The Artist, 1909 (oil on paper)

BRR5896079: The Artist, 1909 (oil on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)
Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)

LLM5992265: Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

L'Allegro, 1901 (oil on paper)
L'Allegro, 1901 (oil on paper)

CH89282: L'Allegro, 1901 (oil on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

The Knave of Hearts, endpiece to 'The Knave of Hearts' by Louise Saunders, 1923 (oil on paper)
The Knave of Hearts, endpiece to 'The Knave of Hearts' by Louise Saunders, 1923 (oil on paper)

CH92972: The Knave of Hearts, endpiece to 'The Knave of Hearts' by Louise Saunders, 1923 (oil on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Knave of Hearts, 1924 (oi on canvas)
Knave of Hearts, 1924 (oi on canvas)

CH823278: Knave of Hearts, 1924 (oi on canvas), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Hot Springs, Yavapai, 1902 (oil on illustration board)
Hot Springs, Yavapai, 1902 (oil on illustration board)

AIG433619: Hot Springs, Yavapai, 1902 (oil on illustration board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

The Egyptian Sculpture,1903 (oil on paper)
The Egyptian Sculpture,1903 (oil on paper)

CH985012: The Egyptian Sculpture,1903 (oil on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Sheltering Oaks, 1956 (oil on board)
Sheltering Oaks, 1956 (oil on board)

CH1767589: Sheltering Oaks, 1956 (oil on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

The Reading of the Declaration of Independence, 1905 (oil on paper laid down on board)
The Reading of the Declaration of Independence, 1905 (oil on paper laid down on board)

CH1767591: The Reading of the Declaration of Independence, 1905 (oil on paper laid down on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Mr. Pickle, 1911 (pencil on cut paper affixed to cardboard)
Mr. Pickle, 1911 (pencil on cut paper affixed to cardboard)

CH1767592: Mr. Pickle, 1911 (pencil on cut paper affixed to cardboard), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Spring, Cutout Study, 1936 (ink, pencil & w/c on paper)
Spring, Cutout Study, 1936 (ink, pencil & w/c on paper)

AIG433501: Spring, Cutout Study, 1936 (ink, pencil & w/c on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

New Hampshire Winter Paradise, 1939 (colour litho)
New Hampshire Winter Paradise, 1939 (colour litho)

AIG433503: New Hampshire Winter Paradise, 1939 (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Mutabile Semper, Chocolate, 1900 (pen & ink on board)
Mutabile Semper, Chocolate, 1900 (pen & ink on board)

AIG433509: Mutabile Semper, Chocolate, 1900 (pen & ink on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

The Walls Were As Of Jasper, 1900 (oil on board)
The Walls Were As Of Jasper, 1900 (oil on board)

AIG433512: The Walls Were As Of Jasper, 1900 (oil on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

The Twenty-First of October, 1902 (oil on board)
The Twenty-First of October, 1902 (oil on board)

AIG433520: The Twenty-First of October, 1902 (oil on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

A Dark Futurist, 1923 (oil on panel)
A Dark Futurist, 1923 (oil on panel)

AIG433610: A Dark Futurist, 1923 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Evening, or Winterscape, 1953 (oil on artist board)
Evening, or Winterscape, 1953 (oil on artist board)

AIG433615: Evening, or Winterscape, 1953 (oil on artist board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Bill Sachs: The Flying Dutchman, 1902 (oil on canvas mounted on paper & board)
Bill Sachs: The Flying Dutchman, 1902 (oil on canvas mounted on paper & board)

AIG433618: Bill Sachs: The Flying Dutchman, 1902 (oil on canvas mounted on paper & board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)
Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)

LLM5992245: Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (lithograph)
Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (lithograph)

LLM5992256: Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (lithograph), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)
Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)

LLM5992262: Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)
Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)

LLM5992264: Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Title-age illustration for The Golden Age by Kenneth Grahame (litho)
Title-age illustration for The Golden Age by Kenneth Grahame (litho)

LLM5992246: Title-age illustration for The Golden Age by Kenneth Grahame (litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)
Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho)

LLM5992267: Maxfield Parrish illustration for The Golden Age by Kenneth Grahame (litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Illustration for The Knave Of Hearts (colour litho)
Illustration for The Knave Of Hearts (colour litho)

LLL5236200: Illustration for The Knave Of Hearts (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Prince Agib by Maxfield Parrish, 1909 (screen print)
Prince Agib by Maxfield Parrish, 1909 (screen print)

GRC3035749: Prince Agib by Maxfield Parrish, 1909 (screen print), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Acoma Pueblo by Maxfield Parrish, 1907 (screen print)
Acoma Pueblo by Maxfield Parrish, 1907 (screen print)

GRC3035835: Acoma Pueblo by Maxfield Parrish, 1907 (screen print), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

And when the boat came to me I found in it a man of brass, with a tablet of lead on his breast, engraven with names and talismans, from 'The Arabian Nights, their best known tales', edited by Kate Douglas Wiggin and Nora A. Smith, 1909 (colour litho)
And when the boat came to me I found in it a man of brass, with a tablet of lead on his breast, engraven with names and talismans, from 'The Arabian Nights, their best known tales', edited by Kate Douglas Wiggin and Nora A. Smith, 1909 (colour litho)

STC3506772: And when the boat came to me I found in it a man of brass, with a tablet of lead on his breast, engraven with names and talismans, from 'The Arabian Nights, their best known tales', edited by Kate Douglas Wiggin and Nora A. Smith, 1909 (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Cover illustration for 'Book News' Magazine, published by John Wanamaker, Philadelphia, October 1895 (litho)
Cover illustration for 'Book News' Magazine, published by John Wanamaker, Philadelphia, October 1895 (litho)

DAM184640: Cover illustration for 'Book News' Magazine, published by John Wanamaker, Philadelphia, October 1895 (litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images


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