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Rosicrucian Allegory, copy of an engraving by Johann Theodore de Bry (c.1598), used in a 'History of Magic', published late 19th century (engraving)
Rosicrucian Allegory, copy of an engraving by Johann Theodore de Bry (c.1598), used in a 'History of Magic', published late 19th century (engraving)

STC202580: Rosicrucian Allegory, copy of an engraving by Johann Theodore de Bry (c.1598), used in a 'History of Magic', published late 19th century (engraving), French School, (16th century) (after) / Bridgeman Images

Louis XIV (1638-1715) (oil on canvas)
Louis XIV (1638-1715) (oil on canvas)

XIR207079: Louis XIV (1638-1715) (oil on canvas), French School, (17th century) / Bridgeman Images

The Siege of Belgrade in 1521, illustration from 'The Military Campaigns of Suleyman I (1494-1566) the Magnificent' (The Hunername) by Lokman, published 1588 (vellum) (detail of 181211)
The Siege of Belgrade in 1521, illustration from 'The Military Campaigns of Suleyman I (1494-1566) the Magnificent' (The Hunername) by Lokman, published 1588 (vellum) (detail of 181211)

XIR207294: The Siege of Belgrade in 1521, illustration from 'The Military Campaigns of Suleyman I (1494-1566) the Magnificent' (The Hunername) by Lokman, published 1588 (vellum) (detail of 181211), Islamic School, (16th century) / Bridgeman Images

Hunting Buffalo, 1837 (w/c on paper)
Hunting Buffalo, 1837 (w/c on paper)

XWM206794: Hunting Buffalo, 1837 (w/c on paper), Miller, Alfred Jacob (1810-74) / Bridgeman Images

Chilon Accusing the Christians of Starting the Fire in Rome, illustration from 'Quo Vadis' by Henryk Sienkiewicz (1846-1916) c.1910 (colour litho)
Chilon Accusing the Christians of Starting the Fire in Rome, illustration from 'Quo Vadis' by Henryk Sienkiewicz (1846-1916) c.1910 (colour litho)

CHT221520: Chilon Accusing the Christians of Starting the Fire in Rome, illustration from 'Quo Vadis' by Henryk Sienkiewicz (1846-1916) c.1910 (colour litho), Checa y Sanz, Ulpiano (1860-1916) / Bridgeman Images

Portrait of William Cecil, Lord High Treasurer (oil on panel)
Portrait of William Cecil, Lord High Treasurer (oil on panel)

BAL106907: Portrait of William Cecil, Lord High Treasurer (oil on panel), Brounckhorst, Arnold von (c. 1560-70) (by or after) / Bridgeman Images

Riding Off, 1925 (w/c and gouache on paper)
Riding Off, 1925 (w/c and gouache on paper)

WSG89489: Riding Off, 1925 (w/c and gouache on paper), Koch, Ludwig (1866-1934) / Bridgeman Images

The 'Emerald Coast', St. Malo, 1931 (w/c)
The 'Emerald Coast', St. Malo, 1931 (w/c)

BAL87335: The 'Emerald Coast', St. Malo, 1931 (w/c), Signac, Paul (1863-1935) / Bridgeman Images

Portrait of Sarah Bernhardt (1844-1923) 1879, taken from 'Illustration' magazine, 13th May 1922 (colour litho)
Portrait of Sarah Bernhardt (1844-1923) 1879, taken from 'Illustration' magazine, 13th May 1922 (colour litho)

XIR89477: Portrait of Sarah Bernhardt (1844-1923) 1879, taken from 'Illustration' magazine, 13th May 1922 (colour litho), Bastien-Lepage, Jules (1848-84) / Bridgeman Images

A Scheherazade Salon
A Scheherazade Salon

XND76043: A Scheherazade Salon, Bakst, Leon (1866-1924) / Bridgeman Images

f.14v Childeric II (c.653-73), Merovingian King of Austrasia, from the Grandes Chroniques de France, 1375-79 (vellum)
f.14v Childeric II (c.653-73), Merovingian King of Austrasia, from the Grandes Chroniques de France, 1375-79 (vellum)

XIR83888: f.14v Childeric II (c.653-73), Merovingian King of Austrasia, from the Grandes Chroniques de France, 1375-79 (vellum), French School, (14th century) / Bridgeman Images

Equestrian portrait of the Duke of Wellington with British Hussars on a battlefield, 1814
Equestrian portrait of the Duke of Wellington with British Hussars on a battlefield, 1814

BON76863: Equestrian portrait of the Duke of Wellington with British Hussars on a battlefield, 1814, Delerive, Nicolas Louis Albert (1775-1818) / Bridgeman Images

Portrait of Alexander Scriabin (b/w photo)
Portrait of Alexander Scriabin (b/w photo)

BAL80139: Portrait of Alexander Scriabin (b/w photo), Russian Photographer / Bridgeman Images

Nightfall in Scarborough Harbour, 1884 (oil on canvas)
Nightfall in Scarborough Harbour, 1884 (oil on canvas)

LMG100028: Nightfall in Scarborough Harbour, 1884 (oil on canvas), Grimshaw, John Atkinson (1836-93) / Bridgeman Images

The Beekeepers, 'If You Know Where the Treasure is, You Can Rob it', c.1567-68 (pen and brown ink on paper) (b/w photo)
The Beekeepers, 'If You Know Where the Treasure is, You Can Rob it', c.1567-68 (pen and brown ink on paper) (b/w photo)

JKL104852: The Beekeepers, 'If You Know Where the Treasure is, You Can Rob it', c.1567-68 (pen and brown ink on paper) (b/w photo), Bruegel, Pieter the Elder (c.1525-69) (workshop of) / Bridgeman Images

Statuettes of Actors and Actresses, Hellenistic, c.325-50 BC (terracotta)
Statuettes of Actors and Actresses, Hellenistic, c.325-50 BC (terracotta)

PWI107996: Statuettes of Actors and Actresses, Hellenistic, c.325-50 BC (terracotta) / Bridgeman Images

The Garden of Wang Chuan's Residence, after the Painting Style and Poetry of Wang Wei (701-761) (ink and colour on silk) (see also 105926)
The Garden of Wang Chuan's Residence, after the Painting Style and Poetry of Wang Wei (701-761) (ink and colour on silk) (see also 105926)

CH105927: The Garden of Wang Chuan's Residence, after the Painting Style and Poetry of Wang Wei (701-761) (ink and colour on silk) (see also 105926), Qiu Ying (c.1495-1552) / Bridgeman Images

The Cliff at Penarth, Evening, Low Tide, 1897 (oil on canvas)
The Cliff at Penarth, Evening, Low Tide, 1897 (oil on canvas)

NGW184272: The Cliff at Penarth, Evening, Low Tide, 1897 (oil on canvas), Sisley, Alfred (1839-99) / Bridgeman Images

The Six Winged Seraph, from 'The Prophet', by Alexander Pushkin (1799-1837), 1905 (charcoal and gouache on paper)
The Six Winged Seraph, from 'The Prophet', by Alexander Pushkin (1799-1837), 1905 (charcoal and gouache on paper)

XAB174066: The Six Winged Seraph, from 'The Prophet', by Alexander Pushkin (1799-1837), 1905 (charcoal and gouache on paper), Vrubel, Mikhail Aleksandrovich (1856-1910) / Bridgeman Images

Map of Virginia, discovered and described by Captain John Smith, 1606, engraved by William Hole (fl. 1607-24), published 1612 (engraving) (see also 174212)
Map of Virginia, discovered and described by Captain John Smith, 1606, engraved by William Hole (fl. 1607-24), published 1612 (engraving) (see also 174212)

STC174211: Map of Virginia, discovered and described by Captain John Smith, 1606, engraved by William Hole (fl. 1607-24), published 1612 (engraving) (see also 174212), Smith, John (1580-1631) (after) / Bridgeman Images

Cross of Sbeitla, from the Basilica of Henchir Ali Ben Rzal, Tunisia, 5th-6th century (mosaic)
Cross of Sbeitla, from the Basilica of Henchir Ali Ben Rzal, Tunisia, 5th-6th century (mosaic)

XIR175952: Cross of Sbeitla, from the Basilica of Henchir Ali Ben Rzal, Tunisia, 5th-6th century (mosaic), Byzantine / Bridgeman Images

Angel Weighing a Soul, 1348-54 (oil on panel)
Angel Weighing a Soul, 1348-54 (oil on panel)

XAL176194: Angel Weighing a Soul, 1348-54 (oil on panel), Guariento, Ridolfo di Arpo (c.1310-c.1370) / Bridgeman Images

Constellation of Gemini with Canis Minor, plate 13 from 'Atlas Coelestis', by John Flamsteed (1646-1710), published 1729 (hand coloured engraving)
Constellation of Gemini with Canis Minor, plate 13 from 'Atlas Coelestis', by John Flamsteed (1646-1710), published 1729 (hand coloured engraving)

STC182242: Constellation of Gemini with Canis Minor, plate 13 from 'Atlas Coelestis', by John Flamsteed (1646-1710), published 1729 (hand coloured engraving), Thornhill, James (1675-1734) (after) / Bridgeman Images

Rosa Gallica Pontiana, from 'Les Roses' by Claude Antoine Thory (1757-1827) engraved by Eustache Hyacinthe Langlois (1777-1837) (coloured engraving)
Rosa Gallica Pontiana, from 'Les Roses' by Claude Antoine Thory (1757-1827) engraved by Eustache Hyacinthe Langlois (1777-1837) (coloured engraving)

XIR180117: Rosa Gallica Pontiana, from 'Les Roses' by Claude Antoine Thory (1757-1827) engraved by Eustache Hyacinthe Langlois (1777-1837) (coloured engraving), Redoute, Pierre Joseph (1759-1840) (after) / Bridgeman Images

Madonna and Child, c.1475 (tempera on panel)
Madonna and Child, c.1475 (tempera on panel)

XIR162605: Madonna and Child, c.1475 (tempera on panel), Bellini, Giovanni (c.1430-1516) / Bridgeman Images

Tom Thumb removing Ogre's Seven League Boots, illustration for Charles Perrault tale, from a colouring book, c.1910 (colour engraving)
Tom Thumb removing Ogre's Seven League Boots, illustration for Charles Perrault tale, from a colouring book, c.1910 (colour engraving)

CHT163123: Tom Thumb removing Ogre's Seven League Boots, illustration for Charles Perrault tale, from a colouring book, c.1910 (colour engraving), French School, (20th century) / Bridgeman Images

Demonstration at Pere-Lachaise for the commemoration of the Paris Commune, by Socialist party, French Section of the International Workingmen's Association, group of La Villette, 1st May 1908 (coloured photo)
Demonstration at Pere-Lachaise for the commemoration of the Paris Commune, by Socialist party, French Section of the International Workingmen's Association, group of La Villette, 1st May 1908 (coloured photo)

MTL164543: Demonstration at Pere-Lachaise for the commemoration of the Paris Commune, by Socialist party, French Section of the International Workingmen's Association, group of La Villette, 1st May 1908 (coloured photo), Gondry, (19th-early 20th century) / Bridgeman Images

The Nativity, side panel from an altarpiece, Catalan (oil on wood panel)
The Nativity, side panel from an altarpiece, Catalan (oil on wood panel)

XIR168111: The Nativity, side panel from an altarpiece, Catalan (oil on wood panel), Spanish School, (12th century) / Bridgeman Images

Leeches, engraved by Delpech, 1827 (colour litho)
Leeches, engraved by Delpech, 1827 (colour litho)

CHT168633: Leeches, engraved by Delpech, 1827 (colour litho), Boilly, Julien Leopold (1796-1874) (after) / Bridgeman Images

Leadenhall Market - the Crossroads (oil on canvas)
Leadenhall Market - the Crossroads (oil on canvas)

JBA181131: Leadenhall Market - the Crossroads (oil on canvas), Barrow, Julian (1939-2013) / Bridgeman Images

Spatial Force Construction, 1921 (oil on veneer with bronze powder)
Spatial Force Construction, 1921 (oil on veneer with bronze powder)

BAL77196: Spatial Force Construction, 1921 (oil on veneer with bronze powder), Popova, Lyubov Sergeevna (1889-1924) / Bridgeman Images

Portrait of a man in a turban, c.1630 (panel)
Portrait of a man in a turban, c.1630 (panel)

XNR74654: Portrait of a man in a turban, c.1630 (panel), Rembrandt Harmensz. van Rijn (1606-69) / Bridgeman Images

The Madness of the Day, engraved by H. Reidel for the Friends of the Journal des Dames et des Modes, 1913 (litho)
The Madness of the Day, engraved by H. Reidel for the Friends of the Journal des Dames et des Modes, 1913 (litho)

STC82084: The Madness of the Day, engraved by H. Reidel for the Friends of the Journal des Dames et des Modes, 1913 (litho), Barbier, Georges (1882-1932) (after) / Bridgeman Images

Bajazet (Bayezid) II (c.1447-1512) called 'Adli', the Just, Sultan 1481-1512, from 'A Series of Portraits of the Emperors of Turkey', 1808 (w/c)
Bajazet (Bayezid) II (c.1447-1512) called 'Adli', the Just, Sultan 1481-1512, from 'A Series of Portraits of the Emperors of Turkey', 1808 (w/c)

STC87558: Bajazet (Bayezid) II (c.1447-1512) called 'Adli', the Just, Sultan 1481-1512, from 'A Series of Portraits of the Emperors of Turkey', 1808 (w/c), Young, John (1755-1825) / Bridgeman Images

No.2759 Bruna Brunelleschi, 1878 (gouache)
No.2759 Bruna Brunelleschi, 1878 (gouache)

FIT71383: No.2759 Bruna Brunelleschi, 1878 (gouache), Rossetti, Dante Gabriel Charles (1828-82) / Bridgeman Images

Portrait of Monsieur and Madame Auguste Manet, 1860 (oil on canvas)
Portrait of Monsieur and Madame Auguste Manet, 1860 (oil on canvas)

XIR74953: Portrait of Monsieur and Madame Auguste Manet, 1860 (oil on canvas), Manet, Edouard (1832-83) / Bridgeman Images


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