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Portrait of a Man, presumed to be Francois II Couperin (1668-1733) (oil on canvas)
Portrait of a Man, presumed to be Francois II Couperin (1668-1733) (oil on canvas)

XIR154922: Portrait of a Man, presumed to be Francois II Couperin (1668-1733) (oil on canvas), French School, (17th century) / Bridgeman Images

ID: XIR154922

Portrait of a Man, presumed to be Francois II Couperin (1668-1733) (oil on canvas)

French School, (17th century)

The Life of St. Louis (oil on canvas)
The Life of St. Louis (oil on canvas)

XIR156748: The Life of St. Louis (oil on canvas), Cabanel, Alexandre (1823-89) / Bridgeman Images

ID: XIR156748

The Life of St. Louis (oil on canvas)

Cabanel, Alexandre (1823-89)

Leaving for the Sabbath, 1506 (pen & ink and gouache on paper)
Leaving for the Sabbath, 1506 (pen & ink and gouache on paper)

XIR162334: Leaving for the Sabbath, 1506 (pen & ink and gouache on paper), Altdorfer, Albrecht (c.1480-1538) / Bridgeman Images

ID: XIR162334

Leaving for the Sabbath, 1506 (pen & ink and gouache on paper)

Altdorfer, Albrecht (c.1480-1538)

The Payment of the Yearly Dues (oil on panel) (detail of GIR79511)
The Payment of the Yearly Dues (oil on panel) (detail of GIR79511)

XIR155376: The Payment of the Yearly Dues (oil on panel) (detail of GIR79511), Brueghel, Pieter the Younger (c.1564-1638) / Bridgeman Images

ID: XIR155376

The Payment of the Yearly Dues (oil on panel) (detail of GIR79511)

Brueghel, Pieter the Younger (c.1564-1638)

Cherubino, Fanchette and Figaro, scene from 'The Marriage of Figaro' by Pierre Augustin Caron de Beaumarchais (1732-99) 1784 (coloured engraving)
Cherubino, Fanchette and Figaro, scene from 'The Marriage of Figaro' by Pierre Augustin Caron de Beaumarchais (1732-99) 1784 (coloured engraving)

XIR155486: Cherubino, Fanchette and Figaro, scene from 'The Marriage of Figaro' by Pierre Augustin Caron de Beaumarchais (1732-99) 1784 (coloured engraving), French School, (18th century) / Bridgeman Images

ID: XIR155486

Cherubino, Fanchette and Figaro, scene from 'The Marriage of Figaro' by Pierre Augustin Caron de Beaumarchais (1732-99) 1784 (coloured engraving)

French School, (18th century)

Still Life with Begonia, 1911 (oil on cardboard)
Still Life with Begonia, 1911 (oil on cardboard)

XKH148744: Still Life with Begonia, 1911 (oil on cardboard), Jawlensky, Alexej von (1864-1941) / Bridgeman Images

ID: XKH148744

Still Life with Begonia, 1911 (oil on cardboard)

Jawlensky, Alexej von (1864-1941)

Bust of a Roman woman, possibly Poppaea Augusta, AD 55-60 (marble)
Bust of a Roman woman, possibly Poppaea Augusta, AD 55-60 (marble)

XIR156702: Bust of a Roman woman, possibly Poppaea Augusta, AD 55-60 (marble), Roman, (1st century AD) / Bridgeman Images

ID: XIR156702

Bust of a Roman woman, possibly Poppaea Augusta, AD 55-60 (marble)

Roman, (1st century AD)

The Golden Valley (oil on canvas)
The Golden Valley (oil on canvas)

LMG151909: The Golden Valley (oil on canvas), East, Alfred (1844-1913) / Bridgeman Images

ID: LMG151909

The Golden Valley (oil on canvas)

East, Alfred (1844-1913)

Apres le Bal, 1735 (oil on canvas)
Apres le Bal, 1735 (oil on canvas)

BNH146359: Apres le Bal, 1735 (oil on canvas), Troy, Jean Francois de (1679-1752) / Bridgeman Images

ID: BNH146359

Apres le Bal, 1735 (oil on canvas)

Troy, Jean Francois de (1679-1752)

Frontispiece from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown ink with watercolour on paper)
Frontispiece from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown ink with watercolour on paper)

XYC151689: Frontispiece from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown ink with watercolour on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC151689

Frontispiece from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown ink with watercolour on paper)

Blake, William (1757-1827)

View of the Sea, Port and Amphitheatre of Pola (oil on canvas)
View of the Sea, Port and Amphitheatre of Pola (oil on canvas)

HLK151710: View of the Sea, Port and Amphitheatre of Pola (oil on canvas), Claude Lorrain (Claude Gellee) (1600-82) / Bridgeman Images

ID: HLK151710

View of the Sea, Port and Amphitheatre of Pola (oil on canvas)

Claude Lorrain (Claude Gellee) (1600-82)

The Watering Can, 1880 (oil on canvas)
The Watering Can, 1880 (oil on canvas)

PNY156304: The Watering Can, 1880 (oil on canvas), Manet, Edouard (1832-83) / Bridgeman Images

ID: PNY156304

The Watering Can, 1880 (oil on canvas)

Manet, Edouard (1832-83)

Page from 'The Register of the Council of the Parliament of Paris' depicting Joan of Arc (c.1412-31), 10th May 1429 (pen & ink on paper)
Page from 'The Register of the Council of the Parliament of Paris' depicting Joan of Arc (c.1412-31), 10th May 1429 (pen & ink on paper)

XIR154932: Page from 'The Register of the Council of the Parliament of Paris' depicting Joan of Arc (c.1412-31), 10th May 1429 (pen & ink on paper), French School, (15th century) / Bridgeman Images

ID: XIR154932

Page from 'The Register of the Council of the Parliament of Paris' depicting Joan of Arc (c.1412-31), 10th May 1429 (pen & ink on paper)

French School, (15th century)

Leeds (w/c on wove paper)
Leeds (w/c on wove paper)

XYC147963: Leeds (w/c on wove paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

ID: XYC147963

Leeds (w/c on wove paper)

Turner, Joseph Mallord William (1775-1851)

Study for Sunday Afternoon on the Island of La Grande Jatte, c.1884 (conte crayon on paper)
Study for Sunday Afternoon on the Island of La Grande Jatte, c.1884 (conte crayon on paper)

XCF274351: Study for Sunday Afternoon on the Island of La Grande Jatte, c.1884 (conte crayon on paper), Seurat, Georges Pierre (1859-91) / Bridgeman Images

ID: XCF274351

Study for Sunday Afternoon on the Island of La Grande Jatte, c.1884 (conte crayon on paper)

Seurat, Georges Pierre (1859-91)

Sorrow, 1882 (litho)
Sorrow, 1882 (litho)

XIR287746: Sorrow, 1882 (litho), Gogh, Vincent van (1853-90) / Bridgeman Images

ID: XIR287746

Sorrow, 1882 (litho)

Gogh, Vincent van (1853-90)

Kongo nkisi nkondi in the form of a two-headed dog, Kozo, from Cabinda (wood and iron)
Kongo nkisi nkondi in the form of a two-headed dog, Kozo, from Cabinda (wood and iron)

HSC94480: Kongo nkisi nkondi in the form of a two-headed dog, Kozo, from Cabinda (wood and iron), African, (19th century) / Bridgeman Images

ID: HSC94480

Kongo nkisi nkondi in the form of a two-headed dog, Kozo, from Cabinda (wood and iron)

African, (19th century)

Spring, 1872 (oil on canvas)
Spring, 1872 (oil on canvas)

CH97804: Spring, 1872 (oil on canvas), Pissarro, Camille (1830-1903) / Bridgeman Images

ID: CH97804

Spring, 1872 (oil on canvas)

Pissarro, Camille (1830-1903)

Cliffs at Pourville, 1896 (oil on canvas)
Cliffs at Pourville, 1896 (oil on canvas)

CH99148: Cliffs at Pourville, 1896 (oil on canvas), Monet, Claude (1840-1926) / Bridgeman Images

ID: CH99148

Cliffs at Pourville, 1896 (oil on canvas)

Monet, Claude (1840-1926)

Charles II (1630-85) as Patron of the Royal Society, engraved by Wenceslaus Hollar (1607-77) 1667 (engraving)
Charles II (1630-85) as Patron of the Royal Society, engraved by Wenceslaus Hollar (1607-77) 1667 (engraving)

STC99282: Charles II (1630-85) as Patron of the Royal Society, engraved by Wenceslaus Hollar (1607-77) 1667 (engraving), Evelyn, John (1620-1706) (after) / Bridgeman Images

ID: STC99282

Charles II (1630-85) as Patron of the Royal Society, engraved by Wenceslaus Hollar (1607-77) 1667 (engraving)

Evelyn, John (1620-1706) (after)

Blackburn Market Place, 1832 (oil on canvas)
Blackburn Market Place, 1832 (oil on canvas)

BKB100443: Blackburn Market Place, 1832 (oil on canvas), English School, (19th century) / Bridgeman Images

ID: BKB100443

Blackburn Market Place, 1832 (oil on canvas)

English School, (19th century)

A Blackfoot Indian on Horseback, plate 19 from Volume 1 of 'Travels in the Interior of North America', engraved by Leopold Beyer (1784-c.1870) 1843 (aquatint)
A Blackfoot Indian on Horseback, plate 19 from Volume 1 of 'Travels in the Interior of North America', engraved by Leopold Beyer (1784-c.1870) 1843 (aquatint)

STC101377: A Blackfoot Indian on Horseback, plate 19 from Volume 1 of 'Travels in the Interior of North America', engraved by Leopold Beyer (1784-c.1870) 1843 (aquatint), Bodmer, Karl (1809-93) (after) / Bridgeman Images

ID: STC101377

A Blackfoot Indian on Horseback, plate 19 from Volume 1 of 'Travels in the Interior of North America', engraved by Leopold Beyer (1784-c.1870) 1843 (aquatint)

Bodmer, Karl (1809-93) (after)

Maudsley Hospital Inmates, 1974 (oil on canvas)
Maudsley Hospital Inmates, 1974 (oil on canvas)

CJW123658: Maudsley Hospital Inmates, 1974 (oil on canvas), Johnson Wahl, Charlotte (1942-2021) / Bridgeman Images

ID: CJW123658

Maudsley Hospital Inmates, 1974 (oil on canvas)

Johnson Wahl, Charlotte (1942-2021)

The Battle of Waterloo (oil on canvas)
The Battle of Waterloo (oil on canvas)

ARM123907: The Battle of Waterloo (oil on canvas), Hillingford, Robert Alexander (1825-1904) / Bridgeman Images

ID: ARM123907

The Battle of Waterloo (oil on canvas)

Hillingford, Robert Alexander (1825-1904)

Portrait of Emperor Paul I (1754-1801), 1800 (oil on canvas)
Portrait of Emperor Paul I (1754-1801), 1800 (oil on canvas)

XAB126064: Portrait of Emperor Paul I (1754-1801), 1800 (oil on canvas), Borovikovsky, Vladimir Lukich (1757-1825) / Bridgeman Images

ID: XAB126064

Portrait of Emperor Paul I (1754-1801), 1800 (oil on canvas)

Borovikovsky, Vladimir Lukich (1757-1825)

Allegory of Vice and Virtue (oil on panel)
Allegory of Vice and Virtue (oil on panel)

BAL128341: Allegory of Vice and Virtue (oil on panel), Claeissins or Claeissens, Anthuenis (Antoon) (1536-1613) / Bridgeman Images

ID: BAL128341

Allegory of Vice and Virtue (oil on panel)

Claeissins or Claeissens, Anthuenis (Antoon) (1536-1613)

Resting Acrobats (oil on canvas)
Resting Acrobats (oil on canvas)

LMG123033: Resting Acrobats (oil on canvas), Philpot, Glyn Warren (1884-1937) / Bridgeman Images

ID: LMG123033

Resting Acrobats (oil on canvas)

Philpot, Glyn Warren (1884-1937)

Sharke, engraved by George Townley Stubbs (1756-1815) pub. 1794 (etching)
Sharke, engraved by George Townley Stubbs (1756-1815) pub. 1794 (etching)

XYC124384: Sharke, engraved by George Townley Stubbs (1756-1815) pub. 1794 (etching), Stubbs, George (1724-1806) (after) / Bridgeman Images

ID: XYC124384

Sharke, engraved by George Townley Stubbs (1756-1815) pub. 1794 (etching)

Stubbs, George (1724-1806) (after)

Still Life with Oysters and Nuts, 1637 (oil on panel)
Still Life with Oysters and Nuts, 1637 (oil on panel)

BAL121429: Still Life with Oysters and Nuts, 1637 (oil on panel), Heda, Willem Claesz. (1594-1680) / Bridgeman Images

ID: BAL121429

Still Life with Oysters and Nuts, 1637 (oil on panel)

Heda, Willem Claesz. (1594-1680)

The Birth of the Virgin, from the cycle of the Lives of the Virgin and St. Stephen, from the Cappella dell'Assunta (Chapel of the Assumption) 1433-34 (fresco)
The Birth of the Virgin, from the cycle of the Lives of the Virgin and St. Stephen, from the Cappella dell'Assunta (Chapel of the Assumption) 1433-34 (fresco)

BEN120251: The Birth of the Virgin, from the cycle of the Lives of the Virgin and St. Stephen, from the Cappella dell'Assunta (Chapel of the Assumption) 1433-34 (fresco), Uccello, Paolo (1397-1475) / Bridgeman Images

ID: BEN120251

The Birth of the Virgin, from the cycle of the Lives of the Virgin and St. Stephen, from the Cappella dell'Assunta (Chapel of the Assumption) 1433-34 (fresco)

Uccello, Paolo (1397-1475)

The Prussian Army Camp, Drawn from Life on the Fields in Pomerania, engraved by Vale, c.1750 (hand coloured engraving)
The Prussian Army Camp, Drawn from Life on the Fields in Pomerania, engraved by Vale, c.1750 (hand coloured engraving)

STC120772: The Prussian Army Camp, Drawn from Life on the Fields in Pomerania, engraved by Vale, c.1750 (hand coloured engraving), French School, (18th century) / Bridgeman Images

ID: STC120772

The Prussian Army Camp, Drawn from Life on the Fields in Pomerania, engraved by Vale, c.1750 (hand coloured engraving)

French School, (18th century)

Caucasian Leader Shamil (c.1798-1871) surrendering to Count Baryatinsky in 1859, 1880 (w/c on paper)
Caucasian Leader Shamil (c.1798-1871) surrendering to Count Baryatinsky in 1859, 1880 (w/c on paper)

BAL209453: Caucasian Leader Shamil (c.1798-1871) surrendering to Count Baryatinsky in 1859, 1880 (w/c on paper), Kivshenko, Aleksei Danilovich (1851-95) / Bridgeman Images

ID: BAL209453

Caucasian Leader Shamil (c.1798-1871) surrendering to Count Baryatinsky in 1859, 1880 (w/c on paper)

Kivshenko, Aleksei Danilovich (1851-95)

Coast Scene (w/c on paper)
Coast Scene (w/c on paper)

MFA211182: Coast Scene (w/c on paper), Renoir, Pierre Auguste (1841-1919) / Bridgeman Images

ID: MFA211182

Coast Scene (w/c on paper)

Renoir, Pierre Auguste (1841-1919)

The Slipper Merchant, 1872 (oil on canvas)
The Slipper Merchant, 1872 (oil on canvas)

XWM206783: The Slipper Merchant, 1872 (oil on canvas), Villegas y Cordero, Jose (1844-1921) / Bridgeman Images

ID: XWM206783

The Slipper Merchant, 1872 (oil on canvas)

Villegas y Cordero, Jose (1844-1921)

The Grand Turk Giving a Concert for his Mistress (oil on canvas)
The Grand Turk Giving a Concert for his Mistress (oil on canvas)

XIR206935: The Grand Turk Giving a Concert for his Mistress (oil on canvas), Loo, Carle van (1705-65) (after) / Bridgeman Images

ID: XIR206935

The Grand Turk Giving a Concert for his Mistress (oil on canvas)

Loo, Carle van (1705-65) (after)

Dogon Kanaga Mask, Mali
Dogon Kanaga Mask, Mali

HSC199814: Dogon Kanaga Mask, Mali, African School / Bridgeman Images

ID: HSC199814

Dogon Kanaga Mask, Mali

African School


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