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Map of Lisbon, and Cascais, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90), c.1572 (coloured engraving)
Map of Lisbon, and Cascais, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90), c.1572 (coloured engraving)

STC121055: Map of Lisbon, and Cascais, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90), c.1572 (coloured engraving), Hoefnagel, Joris (1542-1600) (after) / Bridgeman Images

ID: STC121055

Map of Lisbon, and Cascais, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90), c.1572 (coloured engraving)

Hoefnagel, Joris (1542-1600) (after)

Equestrian Portrait of Philip III (1578-1621) c.1628-35 (oil on canvas)
Equestrian Portrait of Philip III (1578-1621) c.1628-35 (oil on canvas)

XJL121589: Equestrian Portrait of Philip III (1578-1621) c.1628-35 (oil on canvas), Velazquez, Diego Rodriguez de Silva y (1599-1660) / Bridgeman Images

ID: XJL121589

Equestrian Portrait of Philip III (1578-1621) c.1628-35 (oil on canvas)

Velazquez, Diego Rodriguez de Silva y (1599-1660)

Way of the Genius, 1918 (oil on canvas)
Way of the Genius, 1918 (oil on canvas)

NUM120755: Way of the Genius, 1918 (oil on canvas), Hablik, Wenzel (1881-1934) / Bridgeman Images

ID: NUM120755

Way of the Genius, 1918 (oil on canvas)

Hablik, Wenzel (1881-1934)

The Engagement of St. Ursula and Prince Etherius, detail of the black musicians, c.1520 (oil on panel)
The Engagement of St. Ursula and Prince Etherius, detail of the black musicians, c.1520 (oil on panel)

XIR159390: The Engagement of St. Ursula and Prince Etherius, detail of the black musicians, c.1520 (oil on panel), Master of Saint Auta (fl.1512-29) / Bridgeman Images

ID: XIR159390

The Engagement of St. Ursula and Prince Etherius, detail of the black musicians, c.1520 (oil on panel)

Master of Saint Auta (fl.1512-29)

Lion from the Ishtar gate, from Babylon, 625-539 BC (enamelled bricks)
Lion from the Ishtar gate, from Babylon, 625-539 BC (enamelled bricks)

XIR157966: Lion from the Ishtar gate, from Babylon, 625-539 BC (enamelled bricks), Babylonian / Bridgeman Images

ID: XIR157966

Lion from the Ishtar gate, from Babylon, 625-539 BC (enamelled bricks)

Babylonian

Johann Tetzel (1465-1519) (engraving)
Johann Tetzel (1465-1519) (engraving)

XIR158243: Johann Tetzel (1465-1519) (engraving), German School, (16th century) / Bridgeman Images

ID: XIR158243

Johann Tetzel (1465-1519) (engraving)

German School, (16th century)

The Siege of Tunis or La Goulette by Charles V in 1535 (engraving)
The Siege of Tunis or La Goulette by Charles V in 1535 (engraving)

XIR156711: The Siege of Tunis or La Goulette by Charles V in 1535 (engraving), Hogenberg, Franz (1540-c.1590) / Bridgeman Images

ID: XIR156711

The Siege of Tunis or La Goulette by Charles V in 1535 (engraving)

Hogenberg, Franz (1540-c.1590)

'Cinderella and the glass slipper', illustration from 'Les Contes de Perrault', engraved by Louis Henri Breviere (1797-1869), published by J.Hetzel, 1862 (etching) (b/w photo)
'Cinderella and the glass slipper', illustration from 'Les Contes de Perrault', engraved by Louis Henri Breviere (1797-1869), published by J.Hetzel, 1862 (etching) (b/w photo)

CHT157404: 'Cinderella and the glass slipper', illustration from 'Les Contes de Perrault', engraved by Louis Henri Breviere (1797-1869), published by J.Hetzel, 1862 (etching) (b/w photo), Dore, Gustave (1832-83) (after) / Bridgeman Images

ID: CHT157404

'Cinderella and the glass slipper', illustration from 'Les Contes de Perrault', engraved by Louis Henri Breviere (1797-1869), published by J.Hetzel, 1862 (etching) (b/w photo)

Dore, Gustave (1832-83) (after)

The ghost of a man's wife appears before him, c.1870 (b/w photo)
The ghost of a man's wife appears before him, c.1870 (b/w photo)

CHT157395: The ghost of a man's wife appears before him, c.1870 (b/w photo), French School, (19th century) / Bridgeman Images

ID: CHT157395

The ghost of a man's wife appears before him, c.1870 (b/w photo)

French School, (19th century)

Two pages from 'La Grande Colere de Pere Duchesne', 1792 (woodcut)
Two pages from 'La Grande Colere de Pere Duchesne', 1792 (woodcut)

XIR157780: Two pages from 'La Grande Colere de Pere Duchesne', 1792 (woodcut), French School, (18th century) / Bridgeman Images

ID: XIR157780

Two pages from 'La Grande Colere de Pere Duchesne', 1792 (woodcut)

French School, (18th century)

Architectural capriccio with obelisk, 1768 (oil on canvas)
Architectural capriccio with obelisk, 1768 (oil on canvas)

BWM160865: Architectural capriccio with obelisk, 1768 (oil on canvas), Robert, Hubert (1733-1808) / Bridgeman Images

ID: BWM160865

Architectural capriccio with obelisk, 1768 (oil on canvas)

Robert, Hubert (1733-1808)

No.2139 Supper at Emmaus, c.1648-9 (pen & ink and brown wash)
No.2139 Supper at Emmaus, c.1648-9 (pen & ink and brown wash)

FIT89117: No.2139 Supper at Emmaus, c.1648-9 (pen & ink and brown wash), Rembrandt Harmensz. van Rijn (1606-69) / Bridgeman Images

ID: FIT89117

No.2139 Supper at Emmaus, c.1648-9 (pen & ink and brown wash)

Rembrandt Harmensz. van Rijn (1606-69)

The Turf Bench, 1876 (oil on canvas)
The Turf Bench, 1876 (oil on canvas)

SRM96564: The Turf Bench, 1876 (oil on canvas), Repin, Ilya Efimovich (1844-1930) / Bridgeman Images

ID: SRM96564

The Turf Bench, 1876 (oil on canvas)

Repin, Ilya Efimovich (1844-1930)

Portrait of Francis George Hare, oldest son of Francis Hare Naylor (1753-1815) 1788-9 (oil on canvas)
Portrait of Francis George Hare, oldest son of Francis Hare Naylor (1753-1815) 1788-9 (oil on canvas)

PWI91067: Portrait of Francis George Hare, oldest son of Francis Hare Naylor (1753-1815) 1788-9 (oil on canvas), Reynolds, Joshua (1723-92) / Bridgeman Images

ID: PWI91067

Portrait of Francis George Hare, oldest son of Francis Hare Naylor (1753-1815) 1788-9 (oil on canvas)

Reynolds, Joshua (1723-92)

Paternal Love
Paternal Love

BI88607: Paternal Love, Aubry, Etienne (1745-81) / Bridgeman Images

ID: BI88607

Paternal Love

Aubry, Etienne (1745-81)

AB/315 A Spring Floral Arrangement, 1996
AB/315 A Spring Floral Arrangement, 1996

AW84036: AB/315 A Spring Floral Arrangement, 1996, Williams, Albert (1922-2010) / Bridgeman Images

ID: AW84036

AB/315 A Spring Floral Arrangement, 1996

Williams, Albert (1922-2010)

A dulcian, an oboe, a bassoon, an oboe da caccia and a basset horn, from 'Musical Instruments' (coloured litho)
A dulcian, an oboe, a bassoon, an oboe da caccia and a basset horn, from 'Musical Instruments' (coloured litho)

STC84206: A dulcian, an oboe, a bassoon, an oboe da caccia and a basset horn, from 'Musical Instruments' (coloured litho), Hipkins, Alfred James (1826-1903) / Bridgeman Images

ID: STC84206

A dulcian, an oboe, a bassoon, an oboe da caccia and a basset horn, from 'Musical Instruments' (coloured litho)

Hipkins, Alfred James (1826-1903)

St. Francis of Assisi (c. 1182-1226) with scenes from his life, 1235 (panel)
St. Francis of Assisi (c. 1182-1226) with scenes from his life, 1235 (panel)

BEN85141: St. Francis of Assisi (c. 1182-1226) with scenes from his life, 1235 (panel), Berlinghieri, Bonaventura (fl.1228-74) / Bridgeman Images

ID: BEN85141

St. Francis of Assisi (c. 1182-1226) with scenes from his life, 1235 (panel)

Berlinghieri, Bonaventura (fl.1228-74)

The Creation of Eve, 1791-93 (oil on canvas)
The Creation of Eve, 1791-93 (oil on canvas)

XKH146779: The Creation of Eve, 1791-93 (oil on canvas), Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825) / Bridgeman Images

ID: XKH146779

The Creation of Eve, 1791-93 (oil on canvas)

Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825)

The Creation of the Animals, detail from the Grabow Altarpiece, 1379-83 (tempera on panel)
The Creation of the Animals, detail from the Grabow Altarpiece, 1379-83 (tempera on panel)

XKH145268: The Creation of the Animals, detail from the Grabow Altarpiece, 1379-83 (tempera on panel), Master Bertram of Minden (c.1345-c.1415) / Bridgeman Images

ID: XKH145268

The Creation of the Animals, detail from the Grabow Altarpiece, 1379-83 (tempera on panel)

Master Bertram of Minden (c.1345-c.1415)

The three eldest daughters of George III: Princesses Charlotte, Augusta and Elizabeth in 1784 probably by Gainsborough Dupont (c.1755-97) (oil on canvas)
The three eldest daughters of George III: Princesses Charlotte, Augusta and Elizabeth in 1784 probably by Gainsborough Dupont (c.1755-97) (oil on canvas)

STC152580: The three eldest daughters of George III: Princesses Charlotte, Augusta and Elizabeth in 1784 probably by Gainsborough Dupont (c.1755-97) (oil on canvas), Gainsborough, Thomas (1727-88) (after) / Bridgeman Images

ID: STC152580

The three eldest daughters of George III: Princesses Charlotte, Augusta and Elizabeth in 1784 probably by Gainsborough Dupont (c.1755-97) (oil on canvas)

Gainsborough, Thomas (1727-88) (after)

Weighing Gold, 17th century (oil on canvas)
Weighing Gold, 17th century (oil on canvas)

XIR154622: Weighing Gold, 17th century (oil on canvas), Dou, Gerrit or Gerard (1613-75) / Bridgeman Images

ID: XIR154622

Weighing Gold, 17th century (oil on canvas)

Dou, Gerrit or Gerard (1613-75)

The Vegetable Market (fresco) (detail)
The Vegetable Market (fresco) (detail)

XIR155318: The Vegetable Market (fresco) (detail), Italian School, (15th century) / Bridgeman Images

ID: XIR155318

The Vegetable Market (fresco) (detail)

Italian School, (15th century)

Self Portrait Aged 42 (oil on panel)
Self Portrait Aged 42 (oil on panel)

BAC155174: Self Portrait Aged 42 (oil on panel), Bacon, Nathaniel (1585-1627) / Bridgeman Images

ID: BAC155174

Self Portrait Aged 42 (oil on panel)

Bacon, Nathaniel (1585-1627)

Charles d'Albert (1578-1621) Duke of Luynes, High Constable and Falconer, 1834 (oil on canvas)
Charles d'Albert (1578-1621) Duke of Luynes, High Constable and Falconer, 1834 (oil on canvas)

XIR153754: Charles d'Albert (1578-1621) Duke of Luynes, High Constable and Falconer, 1834 (oil on canvas), Robert-Fleury, Joseph-Nicolas (1797-1890) / Bridgeman Images

ID: XIR153754

Charles d'Albert (1578-1621) Duke of Luynes, High Constable and Falconer, 1834 (oil on canvas)

Robert-Fleury, Joseph-Nicolas (1797-1890)

Elisa Bonaparte (1777-1820) Grand Duchess of Tuscany and her Daughter Napoleone-Elisa (oil on canvas)
Elisa Bonaparte (1777-1820) Grand Duchess of Tuscany and her Daughter Napoleone-Elisa (oil on canvas)

XIR153781: Elisa Bonaparte (1777-1820) Grand Duchess of Tuscany and her Daughter Napoleone-Elisa (oil on canvas), Benvenuti, Pietro (1769-1844) / Bridgeman Images

ID: XIR153781

Elisa Bonaparte (1777-1820) Grand Duchess of Tuscany and her Daughter Napoleone-Elisa (oil on canvas)

Benvenuti, Pietro (1769-1844)

Fight of Achilles with the River Scamander (brown and white wash over pencil on paper)
Fight of Achilles with the River Scamander (brown and white wash over pencil on paper)

XKH141622: Fight of Achilles with the River Scamander (brown and white wash over pencil on paper), Runge, Philipp Otto (1777-1810) / Bridgeman Images

ID: XKH141622

Fight of Achilles with the River Scamander (brown and white wash over pencil on paper)

Runge, Philipp Otto (1777-1810)

Rose (collage on paper)
Rose (collage on paper)

XKH141656: Rose (collage on paper), Runge, Philipp Otto (1777-1810) / Bridgeman Images

ID: XKH141656

Rose (collage on paper)

Runge, Philipp Otto (1777-1810)

Portrait of King Robert I of Scotland (1274-1329) engraved by E.Harding, 1 November 1797 (engraving)
Portrait of King Robert I of Scotland (1274-1329) engraved by E.Harding, 1 November 1797 (engraving)

XJF140210: Portrait of King Robert I of Scotland (1274-1329) engraved by E.Harding, 1 November 1797 (engraving), Herbert, I (18th century) (after) / Bridgeman Images

ID: XJF140210

Portrait of King Robert I of Scotland (1274-1329) engraved by E.Harding, 1 November 1797 (engraving)

Herbert, I (18th century) (after)

Ms 324 f.62 v. Arachne challenges Pallas and becomes a spider, from 'Metamorphoses 6' by Ovid, 1479 (vellum)
Ms 324 f.62 v. Arachne challenges Pallas and becomes a spider, from 'Metamorphoses 6' by Ovid, 1479 (vellum)

HLK151279: Ms 324 f.62 v. Arachne challenges Pallas and becomes a spider, from 'Metamorphoses 6' by Ovid, 1479 (vellum), Netherlandish School, (15th century) / Bridgeman Images

ID: HLK151279

Ms 324 f.62 v. Arachne challenges Pallas and becomes a spider, from 'Metamorphoses 6' by Ovid, 1479 (vellum)

Netherlandish School, (15th century)

Trellis wallpaper design with a bottle green background, 1864
Trellis wallpaper design with a bottle green background, 1864

WMA152642: Trellis wallpaper design with a bottle green background, 1864, Morris, William (1834-96) / Bridgeman Images

ID: WMA152642

Trellis wallpaper design with a bottle green background, 1864

Morris, William (1834-96)

Self portrait with his wife and a sekt glass, 1902 (oil on canvas)
Self portrait with his wife and a sekt glass, 1902 (oil on canvas)

FFA151964: Self portrait with his wife and a sekt glass, 1902 (oil on canvas), Corinth, Lovis (Franz Heinrich Louis) (1858-1925) / Bridgeman Images

ID: FFA151964

Self portrait with his wife and a sekt glass, 1902 (oil on canvas)

Corinth, Lovis (Franz Heinrich Louis) (1858-1925)

Pictorial Construction, 1916 (gouache on paper)
Pictorial Construction, 1916 (gouache on paper)

XAB152050: Pictorial Construction, 1916 (gouache on paper), Rozanova, Olga Vladimirovna (1886-1918) / Bridgeman Images

ID: XAB152050

Pictorial Construction, 1916 (gouache on paper)

Rozanova, Olga Vladimirovna (1886-1918)

Interior of the San Samuele Theatre, Venice (oil on canvas)
Interior of the San Samuele Theatre, Venice (oil on canvas)

XZL148165: Interior of the San Samuele Theatre, Venice (oil on canvas), Bella, Gabriele (1730-1799) / Bridgeman Images

ID: XZL148165

Interior of the San Samuele Theatre, Venice (oil on canvas)

Bella, Gabriele (1730-1799)

The Hameau of Marie-Antoinette (1755-93), built in 1783-86 (photo)
The Hameau of Marie-Antoinette (1755-93), built in 1783-86 (photo)

XIR149587: The Hameau of Marie-Antoinette (1755-93), built in 1783-86 (photo), Mique, Richard (1728-94) / Bridgeman Images

ID: XIR149587

The Hameau of Marie-Antoinette (1755-93), built in 1783-86 (photo)

Mique, Richard (1728-94)

Rock Ravine, 1884-85 (oil on canvas)
Rock Ravine, 1884-85 (oil on canvas)

XKH147968: Rock Ravine, 1884-85 (oil on canvas), Klinger, Max (1857-1920) / Bridgeman Images

ID: XKH147968

Rock Ravine, 1884-85 (oil on canvas)

Klinger, Max (1857-1920)


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