1. Home
  2. Search Results

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

2501809 Search Results

Weighing Gold, 17th century (oil on canvas)
Weighing Gold, 17th century (oil on canvas)

XIR154622: Weighing Gold, 17th century (oil on canvas), Dou, Gerrit or Gerard (1613-75) / Bridgeman Images

ID: XIR154622

Weighing Gold, 17th century (oil on canvas)

Dou, Gerrit or Gerard (1613-75)

Portrait of Cardinal Joseph Fesch (1763-1839) 1806 (oil on canvas)
Portrait of Cardinal Joseph Fesch (1763-1839) 1806 (oil on canvas)

XIR161979: Portrait of Cardinal Joseph Fesch (1763-1839) 1806 (oil on canvas), Meynier, Charles (1768-1832) / Bridgeman Images

ID: XIR161979

Portrait of Cardinal Joseph Fesch (1763-1839) 1806 (oil on canvas)

Meynier, Charles (1768-1832)

Rose (collage on paper)
Rose (collage on paper)

XKH141656: Rose (collage on paper), Runge, Philipp Otto (1777-1810) / Bridgeman Images

ID: XKH141656

Rose (collage on paper)

Runge, Philipp Otto (1777-1810)

Way of the Genius, 1918 (oil on canvas)
Way of the Genius, 1918 (oil on canvas)

NUM120755: Way of the Genius, 1918 (oil on canvas), Hablik, Wenzel (1881-1934) / Bridgeman Images

ID: NUM120755

Way of the Genius, 1918 (oil on canvas)

Hablik, Wenzel (1881-1934)

Interior of the San Samuele Theatre, Venice (oil on canvas)
Interior of the San Samuele Theatre, Venice (oil on canvas)

XZL148165: Interior of the San Samuele Theatre, Venice (oil on canvas), Bella, Gabriele (1730-1799) / Bridgeman Images

ID: XZL148165

Interior of the San Samuele Theatre, Venice (oil on canvas)

Bella, Gabriele (1730-1799)

Diane de Poitiers (1499-1566) as Diana mounted on a Stag (marble and bronze)
Diane de Poitiers (1499-1566) as Diana mounted on a Stag (marble and bronze)

MFI162443: Diane de Poitiers (1499-1566) as Diana mounted on a Stag (marble and bronze), Goujon, Jean (1510-c.67) (attr. to) / Bridgeman Images

ID: MFI162443

Diane de Poitiers (1499-1566) as Diana mounted on a Stag (marble and bronze)

Goujon, Jean (1510-c.67) (attr. to)

Charles d'Albert (1578-1621) Duke of Luynes, High Constable and Falconer, 1834 (oil on canvas)
Charles d'Albert (1578-1621) Duke of Luynes, High Constable and Falconer, 1834 (oil on canvas)

XIR153754: Charles d'Albert (1578-1621) Duke of Luynes, High Constable and Falconer, 1834 (oil on canvas), Robert-Fleury, Joseph-Nicolas (1797-1890) / Bridgeman Images

ID: XIR153754

Charles d'Albert (1578-1621) Duke of Luynes, High Constable and Falconer, 1834 (oil on canvas)

Robert-Fleury, Joseph-Nicolas (1797-1890)

Study for 'A Column on the March', c.1914 (black and yellow chalk on the march)
Study for 'A Column on the March', c.1914 (black and yellow chalk on the march)

CEC131727: Study for 'A Column on the March', c.1914 (black and yellow chalk on the march), Nevinson, Christopher Richard Wynne (1889-1946) / Bridgeman Images

ID: CEC131727

Study for 'A Column on the March', c.1914 (black and yellow chalk on the march)

Nevinson, Christopher Richard Wynne (1889-1946)

The Creation of the Animals, detail from the Grabow Altarpiece, 1379-83 (tempera on panel)
The Creation of the Animals, detail from the Grabow Altarpiece, 1379-83 (tempera on panel)

XKH145268: The Creation of the Animals, detail from the Grabow Altarpiece, 1379-83 (tempera on panel), Master Bertram of Minden (c.1345-c.1415) / Bridgeman Images

ID: XKH145268

The Creation of the Animals, detail from the Grabow Altarpiece, 1379-83 (tempera on panel)

Master Bertram of Minden (c.1345-c.1415)

Portrait of King Robert I of Scotland (1274-1329) engraved by E.Harding, 1 November 1797 (engraving)
Portrait of King Robert I of Scotland (1274-1329) engraved by E.Harding, 1 November 1797 (engraving)

XJF140210: Portrait of King Robert I of Scotland (1274-1329) engraved by E.Harding, 1 November 1797 (engraving), Herbert, I (18th century) (after) / Bridgeman Images

ID: XJF140210

Portrait of King Robert I of Scotland (1274-1329) engraved by E.Harding, 1 November 1797 (engraving)

Herbert, I (18th century) (after)

The Vegetable Market (fresco) (detail)
The Vegetable Market (fresco) (detail)

XIR155318: The Vegetable Market (fresco) (detail), Italian School, (15th century) / Bridgeman Images

ID: XIR155318

The Vegetable Market (fresco) (detail)

Italian School, (15th century)

Rock Ravine, 1884-85 (oil on canvas)
Rock Ravine, 1884-85 (oil on canvas)

XKH147968: Rock Ravine, 1884-85 (oil on canvas), Klinger, Max (1857-1920) / Bridgeman Images

ID: XKH147968

Rock Ravine, 1884-85 (oil on canvas)

Klinger, Max (1857-1920)

Equestrian Portrait of Philip III (1578-1621) c.1628-35 (oil on canvas)
Equestrian Portrait of Philip III (1578-1621) c.1628-35 (oil on canvas)

XJL121589: Equestrian Portrait of Philip III (1578-1621) c.1628-35 (oil on canvas), Velazquez, Diego Rodriguez de Silva y (1599-1660) / Bridgeman Images

ID: XJL121589

Equestrian Portrait of Philip III (1578-1621) c.1628-35 (oil on canvas)

Velazquez, Diego Rodriguez de Silva y (1599-1660)

Pink Roses (oil on canvas)
Pink Roses (oil on canvas)

SIM135585: Pink Roses (oil on canvas), Garnier, Pierre (1847-1937) / Bridgeman Images

ID: SIM135585

Pink Roses (oil on canvas)

Garnier, Pierre (1847-1937)

'Cinderella and the glass slipper', illustration from 'Les Contes de Perrault', engraved by Louis Henri Breviere (1797-1869), published by J.Hetzel, 1862 (etching) (b/w photo)
'Cinderella and the glass slipper', illustration from 'Les Contes de Perrault', engraved by Louis Henri Breviere (1797-1869), published by J.Hetzel, 1862 (etching) (b/w photo)

CHT157404: 'Cinderella and the glass slipper', illustration from 'Les Contes de Perrault', engraved by Louis Henri Breviere (1797-1869), published by J.Hetzel, 1862 (etching) (b/w photo), Dore, Gustave (1832-83) (after) / Bridgeman Images

ID: CHT157404

'Cinderella and the glass slipper', illustration from 'Les Contes de Perrault', engraved by Louis Henri Breviere (1797-1869), published by J.Hetzel, 1862 (etching) (b/w photo)

Dore, Gustave (1832-83) (after)

Fight of Achilles with the River Scamander (brown and white wash over pencil on paper)
Fight of Achilles with the River Scamander (brown and white wash over pencil on paper)

XKH141622: Fight of Achilles with the River Scamander (brown and white wash over pencil on paper), Runge, Philipp Otto (1777-1810) / Bridgeman Images

ID: XKH141622

Fight of Achilles with the River Scamander (brown and white wash over pencil on paper)

Runge, Philipp Otto (1777-1810)

The Engagement of St. Ursula and Prince Etherius, detail of the black musicians, c.1520 (oil on panel)
The Engagement of St. Ursula and Prince Etherius, detail of the black musicians, c.1520 (oil on panel)

XIR159390: The Engagement of St. Ursula and Prince Etherius, detail of the black musicians, c.1520 (oil on panel), Master of Saint Auta (fl.1512-29) / Bridgeman Images

ID: XIR159390

The Engagement of St. Ursula and Prince Etherius, detail of the black musicians, c.1520 (oil on panel)

Master of Saint Auta (fl.1512-29)

Two pages from 'La Grande Colere de Pere Duchesne', 1792 (woodcut)
Two pages from 'La Grande Colere de Pere Duchesne', 1792 (woodcut)

XIR157780: Two pages from 'La Grande Colere de Pere Duchesne', 1792 (woodcut), French School, (18th century) / Bridgeman Images

ID: XIR157780

Two pages from 'La Grande Colere de Pere Duchesne', 1792 (woodcut)

French School, (18th century)

Honore de Balzac (1799-1850) amongst characters from his novels, design for a fan (pen & ink on paper)
Honore de Balzac (1799-1850) amongst characters from his novels, design for a fan (pen & ink on paper)

CHT162745: Honore de Balzac (1799-1850) amongst characters from his novels, design for a fan (pen & ink on paper), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

ID: CHT162745

Honore de Balzac (1799-1850) amongst characters from his novels, design for a fan (pen & ink on paper)

Grandville (Jean Ignace Isidore Gerard) (1803-47)

Self portrait with his wife and a sekt glass, 1902 (oil on canvas)
Self portrait with his wife and a sekt glass, 1902 (oil on canvas)

FFA151964: Self portrait with his wife and a sekt glass, 1902 (oil on canvas), Corinth, Lovis (Franz Heinrich Louis) (1858-1925) / Bridgeman Images

ID: FFA151964

Self portrait with his wife and a sekt glass, 1902 (oil on canvas)

Corinth, Lovis (Franz Heinrich Louis) (1858-1925)

King Louis XIV (1638-1715) Governing Alone in 1661, Ceiling Painting from the Galerie des Glaces
King Louis XIV (1638-1715) Governing Alone in 1661, Ceiling Painting from the Galerie des Glaces

XIR165138: King Louis XIV (1638-1715) Governing Alone in 1661, Ceiling Painting from the Galerie des Glaces, Le Brun, Charles (1619-90) / Bridgeman Images

ID: XIR165138

King Louis XIV (1638-1715) Governing Alone in 1661, Ceiling Painting from the Galerie des Glaces

Le Brun, Charles (1619-90)

Trellis wallpaper design with a bottle green background, 1864
Trellis wallpaper design with a bottle green background, 1864

WMA152642: Trellis wallpaper design with a bottle green background, 1864, Morris, William (1834-96) / Bridgeman Images

ID: WMA152642

Trellis wallpaper design with a bottle green background, 1864

Morris, William (1834-96)

Snow Maiden, 1899 (oil on canvas)
Snow Maiden, 1899 (oil on canvas)

XAB168239: Snow Maiden, 1899 (oil on canvas), Vasnetsov, Victor Mikhailovich (1848-1926) / Bridgeman Images

ID: XAB168239

Snow Maiden, 1899 (oil on canvas)

Vasnetsov, Victor Mikhailovich (1848-1926)

Napoleon Bonaparte (1769-1821) as General-in-Chief of the Italian Army, 1796-97 (oil on canvas)
Napoleon Bonaparte (1769-1821) as General-in-Chief of the Italian Army, 1796-97 (oil on canvas)

XIR165503: Napoleon Bonaparte (1769-1821) as General-in-Chief of the Italian Army, 1796-97 (oil on canvas), Bacler d'Albe, Baron Louis Albert (1761-1824) / Bridgeman Images

ID: XIR165503

Napoleon Bonaparte (1769-1821) as General-in-Chief of the Italian Army, 1796-97 (oil on canvas)

Bacler d'Albe, Baron Louis Albert (1761-1824)

Portrait of Cardinal Mazarin (1602-61) in his Palace, c.1658-60 (engraving)
Portrait of Cardinal Mazarin (1602-61) in his Palace, c.1658-60 (engraving)

XIR165587: Portrait of Cardinal Mazarin (1602-61) in his Palace, c.1658-60 (engraving), Nanteuil, Robert (1623-78) / Bridgeman Images

ID: XIR165587

Portrait of Cardinal Mazarin (1602-61) in his Palace, c.1658-60 (engraving)

Nanteuil, Robert (1623-78)

The Hameau of Marie-Antoinette (1755-93), built in 1783-86 (photo)
The Hameau of Marie-Antoinette (1755-93), built in 1783-86 (photo)

XIR149587: The Hameau of Marie-Antoinette (1755-93), built in 1783-86 (photo), Mique, Richard (1728-94) / Bridgeman Images

ID: XIR149587

The Hameau of Marie-Antoinette (1755-93), built in 1783-86 (photo)

Mique, Richard (1728-94)

Thomas Jefferson (1743-1826) 1789 (plaster)
Thomas Jefferson (1743-1826) 1789 (plaster)

NYH149740: Thomas Jefferson (1743-1826) 1789 (plaster), Houdon, Jean-Antoine (1741-1828) / Bridgeman Images

ID: NYH149740

Thomas Jefferson (1743-1826) 1789 (plaster)

Houdon, Jean-Antoine (1741-1828)

Pictorial Construction, 1916 (gouache on paper)
Pictorial Construction, 1916 (gouache on paper)

XAB152050: Pictorial Construction, 1916 (gouache on paper), Rozanova, Olga Vladimirovna (1886-1918) / Bridgeman Images

ID: XAB152050

Pictorial Construction, 1916 (gouache on paper)

Rozanova, Olga Vladimirovna (1886-1918)

Cartoon about the plebiscite of 8th May 1870, from the Journal 'Le Charivari' (litho)
Cartoon about the plebiscite of 8th May 1870, from the Journal 'Le Charivari' (litho)

XIR164791: Cartoon about the plebiscite of 8th May 1870, from the Journal 'Le Charivari' (litho), Daumier, Honore (1808-79) / Bridgeman Images

ID: XIR164791

Cartoon about the plebiscite of 8th May 1870, from the Journal 'Le Charivari' (litho)

Daumier, Honore (1808-79)

The Through Express (colour litho)
The Through Express (colour litho)

XJL196655: The Through Express (colour litho), Currier, N. (1813-88) and Ives, J.M. (1824-95) / Bridgeman Images

ID: XJL196655

The Through Express (colour litho)

Currier, N. (1813-88) and Ives, J.M. (1824-95)

Louise Labe (c.1524-66) La Belle Cordiere, 1555 (woodcut) (b/w photo)
Louise Labe (c.1524-66) La Belle Cordiere, 1555 (woodcut) (b/w photo)

XIR200365: Louise Labe (c.1524-66) La Belle Cordiere, 1555 (woodcut) (b/w photo), Woeiriot de Bouzey, Pierre (1532-a.1596) / Bridgeman Images

ID: XIR200365

Louise Labe (c.1524-66) La Belle Cordiere, 1555 (woodcut) (b/w photo)

Woeiriot de Bouzey, Pierre (1532-a.1596)

Phantasmagoria, from 'Memoires Recreatifs Scientifiques et Anecdotiques' by Etienne Gaspard Robertson (1763-1837), Paris, 1831 (engraving) (b/w photo)
Phantasmagoria, from 'Memoires Recreatifs Scientifiques et Anecdotiques' by Etienne Gaspard Robertson (1763-1837), Paris, 1831 (engraving) (b/w photo)

CHT200413: Phantasmagoria, from 'Memoires Recreatifs Scientifiques et Anecdotiques' by Etienne Gaspard Robertson (1763-1837), Paris, 1831 (engraving) (b/w photo), French School, (19th century) / Bridgeman Images

ID: CHT200413

Phantasmagoria, from 'Memoires Recreatifs Scientifiques et Anecdotiques' by Etienne Gaspard Robertson (1763-1837), Paris, 1831 (engraving) (b/w photo)

French School, (19th century)

The Infanta Isabella Clara Eugenia (1566-1633) (oil on canvas) (pair of 197174)
The Infanta Isabella Clara Eugenia (1566-1633) (oil on canvas) (pair of 197174)

XIR197173: The Infanta Isabella Clara Eugenia (1566-1633) (oil on canvas) (pair of 197174), Rubens, Peter Paul (1577-1640) / Bridgeman Images

ID: XIR197173

The Infanta Isabella Clara Eugenia (1566-1633) (oil on canvas) (pair of 197174)

Rubens, Peter Paul (1577-1640)

La Manneporte a Etretat, c.1883-85 (oil on canvas)
La Manneporte a Etretat, c.1883-85 (oil on canvas)

MFA197569: La Manneporte a Etretat, c.1883-85 (oil on canvas), Monet, Claude (1840-1926) / Bridgeman Images

ID: MFA197569

La Manneporte a Etretat, c.1883-85 (oil on canvas)

Monet, Claude (1840-1926)

Blindman using a loom, plate 17 from 'Essai sur l'Instruction des Aveugles' by Dr Sebastien Guillie (1780-1865) 1817 (coloured engraving)
Blindman using a loom, plate 17 from 'Essai sur l'Instruction des Aveugles' by Dr Sebastien Guillie (1780-1865) 1817 (coloured engraving)

CHT179952: Blindman using a loom, plate 17 from 'Essai sur l'Instruction des Aveugles' by Dr Sebastien Guillie (1780-1865) 1817 (coloured engraving), Ribault, Julie (b.1789) / Bridgeman Images

ID: CHT179952

Blindman using a loom, plate 17 from 'Essai sur l'Instruction des Aveugles' by Dr Sebastien Guillie (1780-1865) 1817 (coloured engraving)

Ribault, Julie (b.1789)

Water clock with automated figures, from 'Book of Knowledge of Ingenious Mechanical Devices' by Al-Djazari, 1206 (vellum)
Water clock with automated figures, from 'Book of Knowledge of Ingenious Mechanical Devices' by Al-Djazari, 1206 (vellum)

XIR182444: Water clock with automated figures, from 'Book of Knowledge of Ingenious Mechanical Devices' by Al-Djazari, 1206 (vellum), Islamic School, (13th century) / Bridgeman Images

ID: XIR182444

Water clock with automated figures, from 'Book of Knowledge of Ingenious Mechanical Devices' by Al-Djazari, 1206 (vellum)

Islamic School, (13th century)


Back to top