XRH1716388:
Pin up taking cards in a top hat, from Esquire Girl calendar 1950 (August), Al Moore (1912-1991) / Bridgeman Images
ID: XRH1716388
Pin up taking cards in a top hat, from Esquire Girl calendar 1950 (August)
Al Moore (1912-1991)
CCI2069718:
Hungarian Revolution of 1848, c.1900 (chromo) / Bridgeman Images
ID: CCI2069718
Hungarian Revolution of 1848, c.1900 (chromo)
NBY2597989:
'The Mortar of Assimilation - And the One Element that Won't Mix', illustration from 'Puck Magazine', 26th June, 1889 (colour litho), Taylor, C.J. (fl.1889) / Bridgeman Images
ID: NBY2597989
'The Mortar of Assimilation - And the One Element that Won't Mix', illustration from 'Puck Magazine', 26th June, 1889 (colour litho)
Taylor, C.J. (fl.1889)
XOS1765759:
Adoration of the Magi, 1510-5 (oil on canvas), Gossaert, Jan (Mabuse) (c.1472-c.1533) / Bridgeman Images
ID: XOS1765759
Adoration of the Magi, 1510-5 (oil on canvas)
Gossaert, Jan (Mabuse) (c.1472-c.1533)
XOS1765867:
Portrait of Leonilla, Princess of Sayn-Wittgentein-Sayn, 1843 (oil on canvas), Winterhalter, Franz Xaver (1805-73) / Bridgeman Images
ID: XOS1765867
Portrait of Leonilla, Princess of Sayn-Wittgentein-Sayn, 1843 (oil on canvas)
Winterhalter, Franz Xaver (1805-73)
XOS1765933:
Beach Scene at Trouville, 1863 (oil on wood), Boudin, Eugene Louis (1824-98) / Bridgeman Images
ID: XOS1765933
Beach Scene at Trouville, 1863 (oil on wood)
Boudin, Eugene Louis (1824-98)
TAD1745482:
Harbour of Nantes View from the dock in 1776, engraving by Nicolas Marie Ozanne / Bridgeman Images
ID: TAD1745482
Harbour of Nantes View from the dock in 1776, engraving by Nicolas Marie Ozanne
TAD1744923:
Seizure of the printing press of newspaper National july 27, 1830 at the time of the Rulings restoration of censorship July Monarchy, engraving / Bridgeman Images
ID: TAD1744923
Seizure of the printing press of newspaper National july 27, 1830 at the time of the Rulings restoration of censorship July Monarchy, engraving
XRH1724426:
Alleged sapphic relationships between French Queen Marie Antoinette and Marie-Therese of Savoy-Carrignan late 18th century (engraving) / Bridgeman Images
ID: XRH1724426
Alleged sapphic relationships between French Queen Marie Antoinette and Marie-Therese of Savoy-Carrignan late 18th century (engraving)
TAD1758813:
Defeat of French troops by Prussians during franco-prussian war at Sedan Battle 1870 / Bridgeman Images
ID: TAD1758813
Defeat of French troops by Prussians during franco-prussian war at Sedan Battle 1870
TAD1755812:
The Socialist Congress in Tours, France december 25-30, 1920. Front, in the c : Leon Blum / Bridgeman Images
ID: TAD1755812
The Socialist Congress in Tours, France december 25-30, 1920. Front, in the c : Leon Blum
XRH1729037:
Anne de Bretagne giving the 'Ordre de la Cordeliere' to a Lady-in-Waiting (coloured engraving), French School / Bridgeman Images
ID: XRH1729037
Anne de Bretagne giving the 'Ordre de la Cordeliere' to a Lady-in-Waiting (coloured engraving)
French School
PHL1274515:
The Bucintoro at the Molo on Ascension Day, c.1745 (oil on canvas), Canaletto, (Giovanni Antonio Canal) (1697-1768) / Bridgeman Images
ID: PHL1274515
The Bucintoro at the Molo on Ascension Day, c.1745 (oil on canvas)
Canaletto, (Giovanni Antonio Canal) (1697-1768)
XRH1699641:
Malcolm X speech at a rally of Nation of Islam, Washington, 1963 (b/w photo), Saunders, Richard (1922–1987) / Bridgeman Images
ID: XRH1699641
Malcolm X speech at a rally of Nation of Islam, Washington, 1963 (b/w photo)
Saunders, Richard (1922–1987)
DPG440923:
The Seven Corporal Works of Mercy (oil on panel), Teniers, David the Younger (1610-90) (studio of) / Bridgeman Images
ID: DPG440923
The Seven Corporal Works of Mercy (oil on panel)
Teniers, David the Younger (1610-90) (studio of)
XMN418414:
The Cradle (oil on canvas), Fragonard, Jean-Honore (1732-1806) / Bridgeman Images
ID: XMN418414
The Cradle (oil on canvas)
Fragonard, Jean-Honore (1732-1806)
CIN402955:
Mother and Child, c.1889 (oil on canvas), Cassatt, Mary Stevenson (1844-1926) / Bridgeman Images
ID: CIN402955
Mother and Child, c.1889 (oil on canvas)
Cassatt, Mary Stevenson (1844-1926)
LLM454752:
Pheasant, Morris, Beverley R. (fl.1891) / Bridgeman Images
ID: LLM454752
Pheasant
Morris, Beverley R. (fl.1891)
XAB480001:
The Prophet Elijah and the Fiery Chariot, c.1570 (tempera on panel), Russian School, (16th century) / Bridgeman Images
ID: XAB480001
The Prophet Elijah and the Fiery Chariot, c.1570 (tempera on panel)
Russian School, (16th century)
XIR465237:
Homage to the Girondins, 1793 (oil on canvas), Blanchard, Laurent (1767-1819) / Bridgeman Images
ID: XIR465237
Homage to the Girondins, 1793 (oil on canvas)
Blanchard, Laurent (1767-1819)
LLM460247:
'Now off you go,' said the fairy, 'I hope you will enjoy yourself; but remember!', Margetson, William Henry (1861-1940) (after) / Bridgeman Images
ID: LLM460247
'Now off you go,' said the fairy, 'I hope you will enjoy yourself; but remember!'
Margetson, William Henry (1861-1940) (after)
XOS445484:
The Dance Class, c.1873 (oil on canvas), Degas, Edgar (1834-1917) / Bridgeman Images
ID: XOS445484
The Dance Class, c.1873 (oil on canvas)
Degas, Edgar (1834-1917)
PHL434439:
Millstone in the Park of the Chateau Noir, 1898-1900 (oil on canvas), Cezanne, Paul (1839-1906) / Bridgeman Images
ID: PHL434439
Millstone in the Park of the Chateau Noir, 1898-1900 (oil on canvas)
Cezanne, Paul (1839-1906)
XJF425312:
Front Elevation of the Great Temple of Aboo Simbel, Nubia, from 'Egypt and Nubia', lithograph by Louis Haghe, 1849 (litho), Roberts, David (1796-1864) (after) / Bridgeman Images
ID: XJF425312
Front Elevation of the Great Temple of Aboo Simbel, Nubia, from 'Egypt and Nubia', lithograph by Louis Haghe, 1849 (litho)
Roberts, David (1796-1864) (after)
XAB351677:
Napoleon on a hunt in the Compiegne Forest, 1811 (oil on canvas), Vernet, Carle (1758-1836) / Bridgeman Images
ID: XAB351677
Napoleon on a hunt in the Compiegne Forest, 1811 (oil on canvas)
Vernet, Carle (1758-1836)
XJF404247:
Artist being comforted at the 1859 Paris Salon over the position of his work in the exhibition, cartoon from 'Le Charivari' magazine, 20 April, 1859 (litho), Daumier, Honore (1808-79) / Bridgeman Images
ID: XJF404247
Artist being comforted at the 1859 Paris Salon over the position of his work in the exhibition, cartoon from 'Le Charivari' magazine, 20 April, 1859 (litho)
Daumier, Honore (1808-79)
TW427320:
The Penitent, 1876 (oil on canvas), Bouguereau, William-Adolphe (1825-1905) / Bridgeman Images
ID: TW427320
The Penitent, 1876 (oil on canvas)
Bouguereau, William-Adolphe (1825-1905)
CTS407291:
Portrait of Philip II, King of Spain, when Prince, c.1628-29 (oil on canvas), Rubens, Peter Paul (1577-1640) / Bridgeman Images
ID: CTS407291
Portrait of Philip II, King of Spain, when Prince, c.1628-29 (oil on canvas)
XJF451347:
Billericay, Essex, engraved by Henry Wallis, 1833 (engraving), Bartlett, William Henry (1809-54) (after) / Bridgeman Images
ID: XJF451347
Billericay, Essex, engraved by Henry Wallis, 1833 (engraving)
Bartlett, William Henry (1809-54) (after)
PNH452516:
This to comfort you (pencil & coloured chalk on paper), Burne-Jones, Edward Coley (1833-98) / Bridgeman Images
ID: PNH452516
This to comfort you (pencil & coloured chalk on paper)
Burne-Jones, Edward Coley (1833-98)
XIR178331:
View of the Bassin d'Apollon in the gardens of Versailles, 1713 (oil on canvas), Martin, Pierre-Denis (1663-1742) / Bridgeman Images
ID: XIR178331
View of the Bassin d'Apollon in the gardens of Versailles, 1713 (oil on canvas)
Martin, Pierre-Denis (1663-1742)
XIR177285:
Portrait of Nicolas de Malebranche (1628-1715) early 19th century (oil on canvas), Santerre, Jean Baptiste (1651-1717) (after) / Bridgeman Images
ID: XIR177285
Portrait of Nicolas de Malebranche (1628-1715) early 19th century (oil on canvas)
Santerre, Jean Baptiste (1651-1717) (after)
XIR192325:
A Spaniard and his Mexican Indian Wife, illustration of mixed race marriages in Mexico (oil on canvas), Mexican School, (18th century) / Bridgeman Images
ID: XIR192325
A Spaniard and his Mexican Indian Wife, illustration of mixed race marriages in Mexico (oil on canvas)
Mexican School, (18th century)
XIR192888:
The Coffee, 1892 (oil on canvas), Luce, Maximilien (1858-1941) / Bridgeman Images
ID: XIR192888
The Coffee, 1892 (oil on canvas)
Luce, Maximilien (1858-1941)
STC193265:
The Return, 1897, from 'L'Estampe Moderne', published Paris 1897-99 (colour litho), Feure, Georges de (1868-1943) / Bridgeman Images
ID: STC193265
The Return, 1897, from 'L'Estampe Moderne', published Paris 1897-99 (colour litho)