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Shopfront of Monsieur Theroulde's haberdashery store, 10 rue St. Denis, Paris, circa 1800. Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris: Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau.
Shopfront of Monsieur Theroulde's haberdashery store, 10 rue St. Denis, Paris, circa 1800. Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris: Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau.

FLO4590001: Shopfront of Monsieur Theroulde's haberdashery store, 10 rue St. Denis, Paris, circa 1800. Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris: Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau. / Bridgeman Images

Grand Lama and Tao-Tse. Tartar Buddhist monk in yellow satin robe, and Taoist monk in yellow and blue robes. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Grand Lama and Tao-Tse. Tartar Buddhist monk in yellow satin robe, and Taoist monk in yellow and blue robes. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590103: Grand Lama and Tao-Tse. Tartar Buddhist monk in yellow satin robe, and Taoist monk in yellow and blue robes. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Tartar Woman making a Tsi, sacrificing the spirit of the door to prevent misfortune entering. Buddhist or Fo sect, Lao-Kiun. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Tartar Woman making a Tsi, sacrificing the spirit of the door to prevent misfortune entering. Buddhist or Fo sect, Lao-Kiun. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590114: Tartar Woman making a Tsi, sacrificing the spirit of the door to prevent misfortune entering. Buddhist or Fo sect, Lao-Kiun. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Bonze or Buddhist monk performing a vow to crawl on all fours with a saddle on his back. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Bonze or Buddhist monk performing a vow to crawl on all fours with a saddle on his back. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590120: Bonze or Buddhist monk performing a vow to crawl on all fours with a saddle on his back. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Young Licentiate or doctor riding a horse celebrating his graduation and proceeded by youths with banners showing his new rank. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Young Licentiate or doctor riding a horse celebrating his graduation and proceeded by youths with banners showing his new rank. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590131: Young Licentiate or doctor riding a horse celebrating his graduation and proceeded by youths with banners showing his new rank. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

An itinerant bookseller selling tales and song-books for the lower orders from a stall. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
An itinerant bookseller selling tales and song-books for the lower orders from a stall. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590181: An itinerant bookseller selling tales and song-books for the lower orders from a stall. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Chinese pottery making: potter firing a porcelain plate in a furnace to fix the glaze on it, and a potter firing porcelain plates over an open oven. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Chinese pottery making: potter firing a porcelain plate in a furnace to fix the glaze on it, and a potter firing porcelain plates over an open oven. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590209: Chinese pottery making: potter firing a porcelain plate in a furnace to fix the glaze on it, and a potter firing porcelain plates over an open oven. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Variete of gooseberry - Canyon or Menzies' gooseberry, Ribes menziesii. Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1847.
Variete of gooseberry - Canyon or Menzies' gooseberry, Ribes menziesii. Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1847.

FLO4589800: Variete of gooseberry - Canyon or Menzies' gooseberry, Ribes menziesii. Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1847. / Bridgeman Images

Hyacinth orchid - Hyacinth orchid, Bletilla striata (Japanese bletia, Bletia gebina). Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1847.
Hyacinth orchid - Hyacinth orchid, Bletilla striata (Japanese bletia, Bletia gebina). Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1847.

FLO4589836: Hyacinth orchid - Hyacinth orchid, Bletilla striata (Japanese bletia, Bletia gebina). Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1847. / Bridgeman Images

Shopfront of Monsieur Phelippon's tobacco store, 57 rue de Grenelle St. Honore, Paris, circa 1800. Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris: Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau.
Shopfront of Monsieur Phelippon's tobacco store, 57 rue de Grenelle St. Honore, Paris, circa 1800. Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris: Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau.

FLO4590024: Shopfront of Monsieur Phelippon's tobacco store, 57 rue de Grenelle St. Honore, Paris, circa 1800. Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris: Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau. / Bridgeman Images

Grand Lama and Lama of the eight Tartar Banners. Tartar Buddhist monks in yellow satin robes and hats. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Grand Lama and Lama of the eight Tartar Banners. Tartar Buddhist monks in yellow satin robes and hats. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590100: Grand Lama and Lama of the eight Tartar Banners. Tartar Buddhist monks in yellow satin robes and hats. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Terracotta oinochoe (oenochoe) representing a man talking with two other men, 360-340 BC
Terracotta oinochoe (oenochoe) representing a man talking with two other men, 360-340 BC

LRI4590127: Terracotta oinochoe (oenochoe) representing a man talking with two other men, 360-340 BC, Etruscan, (4th century BC) / Bridgeman Images

Head of Arnth Paipnas, limestone sculpture, 3rd century BC
Head of Arnth Paipnas, limestone sculpture, 3rd century BC

LRI4590224: Head of Arnth Paipnas, limestone sculpture, 3rd century BC, Etruscan (3rd century BC) / Bridgeman Images

Mirror seller, Qing Dynasty. The mirrors are made of highly polished copper. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Mirror seller, Qing Dynasty. The mirrors are made of highly polished copper. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590242: Mirror seller, Qing Dynasty. The mirrors are made of highly polished copper. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Chinese silk-cord or silk-twist makers, Qing Dynasty. Women twisting silk thread on an uprtight cone. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Chinese silk-cord or silk-twist makers, Qing Dynasty. Women twisting silk thread on an uprtight cone. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590262: Chinese silk-cord or silk-twist makers, Qing Dynasty. Women twisting silk thread on an uprtight cone. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Shopfront of Monsieur Boieldieu's music store, 76 rue de la Loi, Paris, circa 1800. Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris: Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau.
Shopfront of Monsieur Boieldieu's music store, 76 rue de la Loi, Paris, circa 1800. Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris: Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau.

FLO4589882: Shopfront of Monsieur Boieldieu's music store, 76 rue de la Loi, Paris, circa 1800. Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris: Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau. / Bridgeman Images

Shopfront of Monsieur Malezieux's wallpaper shop, 17 rue St. Avoye, Paris, circa 1800. Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris: Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau.
Shopfront of Monsieur Malezieux's wallpaper shop, 17 rue St. Avoye, Paris, circa 1800. Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris: Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau.

FLO4589970: Shopfront of Monsieur Malezieux's wallpaper shop, 17 rue St. Avoye, Paris, circa 1800. Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris: Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau. / Bridgeman Images

Etruscan civilization: detail of olla on foot in terracotta decorated with geometric motifs, early 7th century BC from tomb 3 of necropolis delle Buccacce, Italy (Etruscan art: terracotta olla, beginning of the 7th century BC, from necropolis delle Buccacce) Dim 34x31,5 diam cm Florence, Museo Archeologico, inv 85629
Etruscan civilization: detail of olla on foot in terracotta decorated with geometric motifs, early 7th century BC from tomb 3 of necropolis delle Buccacce, Italy (Etruscan art: terracotta olla, beginning of the 7th century BC, from necropolis delle Buccacce) Dim 34x31,5 diam cm Florence, Museo Archeologico, inv 85629

LRI4590074: Etruscan civilization: detail of olla on foot in terracotta decorated with geometric motifs, early 7th century BC from tomb 3 of necropolis delle Buccacce, Italy (Etruscan art: terracotta olla, beginning of the 7th century BC, from necropolis delle Buccacce) Dim 34x31,5 diam cm Florence, Museo Archeologico, inv 85629, Etruscan, (7th century BC) / Bridgeman Images

Chinese Mahometan woman showing a toy to her son. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Chinese Mahometan woman showing a toy to her son. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590164: Chinese Mahometan woman showing a toy to her son. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Monkeys gathering leaves from tea bushes high on a mountain and delivering them to their master. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Monkeys gathering leaves from tea bushes high on a mountain and delivering them to their master. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590221: Monkeys gathering leaves from tea bushes high on a mountain and delivering them to their master. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Chinese printing, Qing Dynasty. Printer's workshop with engraved boards, paper sheets, printing ink, etc. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Chinese printing, Qing Dynasty. Printer's workshop with engraved boards, paper sheets, printing ink, etc. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590229: Chinese printing, Qing Dynasty. Printer's workshop with engraved boards, paper sheets, printing ink, etc. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Oenochoe (oinochoe), 300 BC
Oenochoe (oinochoe), 300 BC

LRI4590239: Oenochoe (oinochoe), 300 BC, Etruscan, (4th century BC) / Bridgeman Images

Sedan chair of the Prime Minister, Grand Colao, Qing Dynasty China, late 18th century. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Sedan chair of the Prime Minister, Grand Colao, Qing Dynasty China, late 18th century. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590298: Sedan chair of the Prime Minister, Grand Colao, Qing Dynasty China, late 18th century. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

English tinker with portable forge, bellows and tools, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
English tinker with portable forge, bellows and tools, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590367: English tinker with portable forge, bellows and tools, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Carriage of the Kong Tchou, the Qing Emperor's eldest daughter. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Carriage of the Kong Tchou, the Qing Emperor's eldest daughter. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590372: Carriage of the Kong Tchou, the Qing Emperor's eldest daughter. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Chinese itinerant toy seller and boys playing Jianzi by kicking a shuttlecock, Qing Dynasty. The toy man holds a bamboo stick with three small puppets. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Chinese itinerant toy seller and boys playing Jianzi by kicking a shuttlecock, Qing Dynasty. The toy man holds a bamboo stick with three small puppets. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590451: Chinese itinerant toy seller and boys playing Jianzi by kicking a shuttlecock, Qing Dynasty. The toy man holds a bamboo stick with three small puppets. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Chinese plow with bamboo-and-paper umbrella and peasant in rice-straw cape, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Chinese plow with bamboo-and-paper umbrella and peasant in rice-straw cape, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590508: Chinese plow with bamboo-and-paper umbrella and peasant in rice-straw cape, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Chinese men hunting wild ducks with decoy gourd hats in the river, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Chinese men hunting wild ducks with decoy gourd hats in the river, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590527: Chinese men hunting wild ducks with decoy gourd hats in the river, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Oriental style pot decorated with herons. 700-675 BC (terracotta)
Oriental style pot decorated with herons. 700-675 BC (terracotta)

LRI4590585: Oriental style pot decorated with herons. 700-675 BC (terracotta), Etruscan, (8th century BC) / Bridgeman Images

Water cart for the Imperial Family, Qing Dynasty China. The wagon is loaded with cubical tin vessels filled with river water. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Water cart for the Imperial Family, Qing Dynasty China. The wagon is loaded with cubical tin vessels filled with river water. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590654: Water cart for the Imperial Family, Qing Dynasty China. The wagon is loaded with cubical tin vessels filled with river water. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Terracotta krater, 590-570 BC,
Terracotta krater, 590-570 BC,

LRI4590381: Terracotta krater, 590-570 BC,, Etruscan, (6th century BC) / Bridgeman Images

Chinese juggler keeping a 100-foot long ribbon floating in the air, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Chinese juggler keeping a 100-foot long ribbon floating in the air, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590457: Chinese juggler keeping a 100-foot long ribbon floating in the air, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Chinese wrestler and automaton and a tom-tom player, Qing Dynasty. Street performer wrestling with a human-size pasteboard puppet. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Chinese wrestler and automaton and a tom-tom player, Qing Dynasty. Street performer wrestling with a human-size pasteboard puppet. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590466: Chinese wrestler and automaton and a tom-tom player, Qing Dynasty. Street performer wrestling with a human-size pasteboard puppet. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Chinese woman reeling silk thread from wild silkworms, Bombyx mori, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Chinese woman reeling silk thread from wild silkworms, Bombyx mori, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590547: Chinese woman reeling silk thread from wild silkworms, Bombyx mori, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Terracotta plate representing animals, 600-590 BC
Terracotta plate representing animals, 600-590 BC

LRI4590653: Terracotta plate representing animals, 600-590 BC, Etruscan, (6th century BC) / Bridgeman Images

Dodo, Raphus cucullatus, extinct flightless bird (formerly Didus ineptus). Handcoloured woodblock print by an unknown artist from Brightly and Child's The Natural History of Birds, 1815. This illustration looks like a mirror image of the one in George Edwards' A Natural History of Uncommon Birds, 1743, which was copied from the painting in the British Museum said to have been executed from the living bird.
Dodo, Raphus cucullatus, extinct flightless bird (formerly Didus ineptus). Handcoloured woodblock print by an unknown artist from Brightly and Child's The Natural History of Birds, 1815. This illustration looks like a mirror image of the one in George Edwards' A Natural History of Uncommon Birds, 1743, which was copied from the painting in the British Museum said to have been executed from the living bird.

FLO4590670: Dodo, Raphus cucullatus, extinct flightless bird (formerly Didus ineptus). Handcoloured woodblock print by an unknown artist from Brightly and Child's The Natural History of Birds, 1815. This illustration looks like a mirror image of the one in George Edwards' A Natural History of Uncommon Birds, 1743, which was copied from the painting in the British Museum said to have been executed from the living bird. / Bridgeman Images


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