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Mimosa modica - Sensitive plant, Mimosa pudica. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).
Mimosa modica - Sensitive plant, Mimosa pudica. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).

FLO4600401: Mimosa modica - Sensitive plant, Mimosa pudica. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835). / Bridgeman Images

Prairie fires driving deer 127 and wild fires forcing Native Americans to flee 128. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.
Prairie fires driving deer 127 and wild fires forcing Native Americans to flee 128. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

FLO4600503: Prairie fires driving deer 127 and wild fires forcing Native Americans to flee 128. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841. / Bridgeman Images

Medicine man of the Blackfoot nation, in yellow bear skin adorned with snake and frog skins, bird beaks, deer hoofs, etc. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.
Medicine man of the Blackfoot nation, in yellow bear skin adorned with snake and frog skins, bird beaks, deer hoofs, etc. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

FLO4600538: Medicine man of the Blackfoot nation, in yellow bear skin adorned with snake and frog skins, bird beaks, deer hoofs, etc. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841., Catlin, George (1796-1872) / Bridgeman Images

Seneca chief Red Jacket standing on the Table Rock at Niagara Falls. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.
Seneca chief Red Jacket standing on the Table Rock at Niagara Falls. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

FLO4600764: Seneca chief Red Jacket standing on the Table Rock at Niagara Falls. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841. / Bridgeman Images

Choctaw men performing the ball-play dance around the goal before a game, while the women and medicine men dance separately. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.
Choctaw men performing the ball-play dance around the goal before a game, while the women and medicine men dance separately. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

FLO4600838: Choctaw men performing the ball-play dance around the goal before a game, while the women and medicine men dance separately. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841. / Bridgeman Images

Chippewa encampment with round lodges of birch bark over frames, and Chippewa carrying canoes and belongings overland to pass the rapids and falls in a river. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.
Chippewa encampment with round lodges of birch bark over frames, and Chippewa carrying canoes and belongings overland to pass the rapids and falls in a river. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

FLO4600910: Chippewa encampment with round lodges of birch bark over frames, and Chippewa carrying canoes and belongings overland to pass the rapids and falls in a river. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841. / Bridgeman Images

Sioux or Dakota braves dancing the Dog Dance, taking bites of raw dog's livers suspended on poles (left). Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.
Sioux or Dakota braves dancing the Dog Dance, taking bites of raw dog's livers suspended on poles (left). Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

FLO4600923: Sioux or Dakota braves dancing the Dog Dance, taking bites of raw dog's livers suspended on poles (left). Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841. / Bridgeman Images

Delaware chief Ni-co-man, the Answer 197, with bow and arrow, and another chief non-on-da-gon 198, with silver ring in his nose. Mohican chief EE-TOW-O-Kaum, Both Sides of the River 199, with psalm book, and Waun-Naw-con, the Dish or John W. Quinney, Baptist missionary 200. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.
Delaware chief Ni-co-man, the Answer 197, with bow and arrow, and another chief non-on-da-gon 198, with silver ring in his nose. Mohican chief EE-TOW-O-Kaum, Both Sides of the River 199, with psalm book, and Waun-Naw-con, the Dish or John W. Quinney, Baptist missionary 200. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

FLO4600807: Delaware chief Ni-co-man, the Answer 197, with bow and arrow, and another chief non-on-da-gon 198, with silver ring in his nose. Mohican chief EE-TOW-O-Kaum, Both Sides of the River 199, with psalm book, and Waun-Naw-con, the Dish or John W. Quinney, Baptist missionary 200. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841. / Bridgeman Images

Sioux or Dakota women playing the ball-game with sticks (similar to lacrosse or hockey), while the men watch and laugh. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.
Sioux or Dakota women playing the ball-game with sticks (similar to lacrosse or hockey), while the men watch and laugh. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

FLO4600958: Sioux or Dakota women playing the ball-game with sticks (similar to lacrosse or hockey), while the men watch and laugh. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841. / Bridgeman Images

Gui - Mistletoe, Visum album, hemi-parasitic shrub. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).
Gui - Mistletoe, Visum album, hemi-parasitic shrub. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).

FLO4600440: Gui - Mistletoe, Visum album, hemi-parasitic shrub. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835). / Bridgeman Images

Native American spears, arrows, arrowheads, bows, quiver and medicine bags made of snakeskin, bird skin, otter skin, etc. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.
Native American spears, arrows, arrowheads, bows, quiver and medicine bags made of snakeskin, bird skin, otter skin, etc. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

FLO4600493: Native American spears, arrows, arrowheads, bows, quiver and medicine bags made of snakeskin, bird skin, otter skin, etc. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841. / Bridgeman Images

Chinook cradleboard to flatten a child's head a, flattened skulls b, natural skull c, Chinook canoe d, Niskah war canoe e e, canoe ladles f, medicine man's Stikeen mask g, Niskah woman with mouth plug h, mouth plug i, wapito diggers k, war clubs l, and carved pipes n. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.
Chinook cradleboard to flatten a child's head a, flattened skulls b, natural skull c, Chinook canoe d, Niskah war canoe e e, canoe ladles f, medicine man's Stikeen mask g, Niskah woman with mouth plug h, mouth plug i, wapito diggers k, war clubs l, and carved pipes n. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

FLO4600808: Chinook cradleboard to flatten a child's head a, flattened skulls b, natural skull c, Chinook canoe d, Niskah war canoe e e, canoe ladles f, medicine man's Stikeen mask g, Niskah woman with mouth plug h, mouth plug i, wapito diggers k, war clubs l, and carved pipes n. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841., Catlin, George (1796-1872) / Bridgeman Images

Sioux (Dakota) ball-game players Ah-no-I-nahge, He Who Stands on Both Sides 235 and We-chush-ta-doo-ta, Red Man 236, in bodypaint, loincloth, feather tail and carrying sticks or racquets. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.
Sioux (Dakota) ball-game players Ah-no-I-nahge, He Who Stands on Both Sides 235 and We-chush-ta-doo-ta, Red Man 236, in bodypaint, loincloth, feather tail and carrying sticks or racquets. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

FLO4600896: Sioux (Dakota) ball-game players Ah-no-I-nahge, He Who Stands on Both Sides 235 and We-chush-ta-doo-ta, Red Man 236, in bodypaint, loincloth, feather tail and carrying sticks or racquets. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841. / Bridgeman Images

Polyptych of Apocalypse: inner left panel. The harvest. 1360-1390 (Detrempe on panel)
Polyptych of Apocalypse: inner left panel. The harvest. 1360-1390 (Detrempe on panel)

LRI4600990: Polyptych of Apocalypse: inner left panel. The harvest. 1360-1390 (Detrempe on panel), Alberegno, Jacopo (d. 1397) / Bridgeman Images

Meskwaki chief Kee-o-kuk, Running Fox, on horseback with shield, staff, bear teeth necklace, moccasins. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.
Meskwaki chief Kee-o-kuk, Running Fox, on horseback with shield, staff, bear teeth necklace, moccasins. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

FLO4601060: Meskwaki chief Kee-o-kuk, Running Fox, on horseback with shield, staff, bear teeth necklace, moccasins. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841. / Bridgeman Images

Right panel of the Polyptych of Revelation: representation of the seven Kings who will then be incarnated by the Bete with seven heads. Detrempe on wood by Jacobello Alberegno (1367-1397 approx.) 1360-1390. Gallerie dell'Accademia, Venice
Right panel of the Polyptych of Revelation: representation of the seven Kings who will then be incarnated by the Bete with seven heads. Detrempe on wood by Jacobello Alberegno (1367-1397 approx.) 1360-1390. Gallerie dell'Accademia, Venice

LRI4601047: Right panel of the Polyptych of Revelation: representation of the seven Kings who will then be incarnated by the Bete with seven heads. Detrempe on wood by Jacobello Alberegno (1367-1397 approx.) 1360-1390. Gallerie dell'Accademia, Venice, Alberegno, Jacopo (d. 1397) / Bridgeman Images

Fontaine Stravinski (Stravinsky) and Centre Pompidou, Paris. (photo)
Fontaine Stravinski (Stravinsky) and Centre Pompidou, Paris. (photo)

TEC4601125: Fontaine Stravinski (Stravinsky) and Centre Pompidou, Paris. (photo), Tinguely, Jean (1925-1991) & Saint-Phalle, Niki de (1930-2002) / Bridgeman Images

American bison fighting a pack of white wolves. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.
American bison fighting a pack of white wolves. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

FLO4601247: American bison fighting a pack of white wolves. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841. / Bridgeman Images

William Atkins, eccentric quack doctor known as the Gout Doctor, 18th century. Engraving from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.
William Atkins, eccentric quack doctor known as the Gout Doctor, 18th century. Engraving from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.

FLO4601796: William Atkins, eccentric quack doctor known as the Gout Doctor, 18th century. Engraving from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819. / Bridgeman Images

Thomas Brown, ribald writer and satirist, friend of Aphra Behn, died 1704. Woodblock engraving from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.
Thomas Brown, ribald writer and satirist, friend of Aphra Behn, died 1704. Woodblock engraving from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.

FLO4601808: Thomas Brown, ribald writer and satirist, friend of Aphra Behn, died 1704. Woodblock engraving from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819. / Bridgeman Images

Thomas Bambridge, Deputy Warden of the Debtor's gaol of Fleet Prison, noted for his cruel and murderous reign. Copperplate engraving by R. Grave from John Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, Young, London, 1819.
Thomas Bambridge, Deputy Warden of the Debtor's gaol of Fleet Prison, noted for his cruel and murderous reign. Copperplate engraving by R. Grave from John Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, Young, London, 1819.

FLO4601721: Thomas Bambridge, Deputy Warden of the Debtor's gaol of Fleet Prison, noted for his cruel and murderous reign. Copperplate engraving by R. Grave from John Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, Young, London, 1819. / Bridgeman Images

Virgin with child with st Catherine and st Mary Magdalene (tempera on panel, 1490)
Virgin with child with st Catherine and st Mary Magdalene (tempera on panel, 1490)

LRI4601984: Virgin with child with st Catherine and st Mary Magdalene (tempera on panel, 1490), Bellini, Giovanni (c.1430-1516) / Bridgeman Images

Ler rathania (Krameria lappacea) - Strong Water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831
Ler rathania (Krameria lappacea) - Strong Water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831

FLO4606080: Ler rathania (Krameria lappacea) - Strong Water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831 / Bridgeman Images

Water Trefle or Menyanthe Water Trefle (Menyanthes trifoliata) - Strong Water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831
Water Trefle or Menyanthe Water Trefle (Menyanthes trifoliata) - Strong Water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831

FLO4606146: Water Trefle or Menyanthe Water Trefle (Menyanthes trifoliata) - Strong Water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831 / Bridgeman Images

La grande chelidonium majus (Chelidonium majus) - eau forte de William Clarke to illustrate “” Botanique medicale, description des plantes medicinales de London, Edinburgh, and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831
La grande chelidonium majus (Chelidonium majus) - eau forte de William Clarke to illustrate “” Botanique medicale, description des plantes medicinales de London, Edinburgh, and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831

FLO4606156: La grande chelidonium majus (Chelidonium majus) - eau forte de William Clarke to illustrate “” Botanique medicale, description des plantes medicinales de London, Edinburgh, and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831 / Bridgeman Images

Woman in hedgehog hairstyle tied with a ribbon. Hairstyle Herisson. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895.
Woman in hedgehog hairstyle tied with a ribbon. Hairstyle Herisson. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895.

FLO4606327: Woman in hedgehog hairstyle tied with a ribbon. Hairstyle Herisson. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895. / Bridgeman Images

Acacia a cachou or cachoutier (Acacia catechu) - Water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831
Acacia a cachou or cachoutier (Acacia catechu) - Water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831

FLO4606104: Acacia a cachou or cachoutier (Acacia catechu) - Water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831 / Bridgeman Images

Perennial mercuriale or perennial or dog cabbage (Mercurialis perennis) - Strong water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831
Perennial mercuriale or perennial or dog cabbage (Mercurialis perennis) - Strong water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831

FLO4606116: Perennial mercuriale or perennial or dog cabbage (Mercurialis perennis) - Strong water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831 / Bridgeman Images

Woman in a bath's bonnet with frills and ribbons. Beanie has the Bather. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895.
Woman in a bath's bonnet with frills and ribbons. Beanie has the Bather. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895.

FLO4606478: Woman in a bath's bonnet with frills and ribbons. Beanie has the Bather. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895. / Bridgeman Images

Woman in the Kiss bonnet, Beanie at Becquot, with tails hanging behind. Becquot was a slang term for a kiss among the gallants. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895.
Woman in the Kiss bonnet, Beanie at Becquot, with tails hanging behind. Becquot was a slang term for a kiss among the gallants. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895.

FLO4606489: Woman in the Kiss bonnet, Beanie at Becquot, with tails hanging behind. Becquot was a slang term for a kiss among the gallants. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895. / Bridgeman Images

Woman in hairstyle with ringlets, plumes and miniature hat called Feelings Returned. Hairstyle with feelings replies. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895.
Woman in hairstyle with ringlets, plumes and miniature hat called Feelings Returned. Hairstyle with feelings replies. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895.

FLO4606502: Woman in hairstyle with ringlets, plumes and miniature hat called Feelings Returned. Hairstyle with feelings replies. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895. / Bridgeman Images

Charles Francois Grandin Grandville and Lisimon in Le Glorieux by Nericault Destouches, Theatre Français, 1824. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.
Charles Francois Grandin Grandville and Lisimon in Le Glorieux by Nericault Destouches, Theatre Français, 1824. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.

FLO4606852: Charles Francois Grandin Grandville and Lisimon in Le Glorieux by Nericault Destouches, Theatre Français, 1824. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825. / Bridgeman Images

Woman in hairstyle with large curls under a straw hat. Coeffure has big earrings with a straw hat. Handcoloured copperplate engraving by an unknown artist from an Album of Fashionable Hairstyles of 1783, Suite des Coeffures a la Mode en 1783, Enauts et Rapilly, Paris, 1783.
Woman in hairstyle with large curls under a straw hat. Coeffure has big earrings with a straw hat. Handcoloured copperplate engraving by an unknown artist from an Album of Fashionable Hairstyles of 1783, Suite des Coeffures a la Mode en 1783, Enauts et Rapilly, Paris, 1783.

FLO4606651: Woman in hairstyle with large curls under a straw hat. Coeffure has big earrings with a straw hat. Handcoloured copperplate engraving by an unknown artist from an Album of Fashionable Hairstyles of 1783, Suite des Coeffures a la Mode en 1783, Enauts et Rapilly, Paris, 1783. / Bridgeman Images

Charlotte Tousez as Baronne de Vieuxbois in La Faume Agnes by Nericault Destouches, Theatre Français, 1823. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.
Charlotte Tousez as Baronne de Vieuxbois in La Faume Agnes by Nericault Destouches, Theatre Français, 1823. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.

FLO4606722: Charlotte Tousez as Baronne de Vieuxbois in La Faume Agnes by Nericault Destouches, Theatre Français, 1823. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825. / Bridgeman Images

Soprano opera singer Madame Louise Therese Lemonnier as Elisabeth in Leicester by Daniel Auber, Theatre Royal de l'Opera Comique, 1823. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.
Soprano opera singer Madame Louise Therese Lemonnier as Elisabeth in Leicester by Daniel Auber, Theatre Royal de l'Opera Comique, 1823. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.

FLO4606782: Soprano opera singer Madame Louise Therese Lemonnier as Elisabeth in Leicester by Daniel Auber, Theatre Royal de l'Opera Comique, 1823. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825. / Bridgeman Images

Miss Henrietta Charton as Leonore in Fiesque by Francois Ancelot, Theatre Royal de l'Odeon, 1824. Handcoloured lithograph by F. Noel after an illustration by Lavigne Marin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.
Miss Henrietta Charton as Leonore in Fiesque by Francois Ancelot, Theatre Royal de l'Odeon, 1824. Handcoloured lithograph by F. Noel after an illustration by Lavigne Marin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.

FLO4606962: Miss Henrietta Charton as Leonore in Fiesque by Francois Ancelot, Theatre Royal de l'Odeon, 1824. Handcoloured lithograph by F. Noel after an illustration by Lavigne Marin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825. / Bridgeman Images


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