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View of the lower church with frescoes representing life and miracles of St. Benedict (13th century). (photography)
View of the lower church with frescoes representing life and miracles of St. Benedict (13th century). (photography)

LRI4690668: View of the lower church with frescoes representing life and miracles of St. Benedict (13th century). (photography), Consolo (Magister Conxolus) (13th century) / Bridgeman Images

ID: LRI4690668

View of the lower church with frescoes representing life and miracles of St. Benedict (13th century). (photography)

Consolo (Magister Conxolus) (13th century)

Kamehameha I, King of Hawaii (as Tammeamea I, King of the Sandwich Islands), and Naba Leba, Queen of Solor, Indonesia. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.
Kamehameha I, King of Hawaii (as Tammeamea I, King of the Sandwich Islands), and Naba Leba, Queen of Solor, Indonesia. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.

FLO4690734: Kamehameha I, King of Hawaii (as Tammeamea I, King of the Sandwich Islands), and Naba Leba, Queen of Solor, Indonesia. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836., Brodtmann, Karl Joseph (1787-1862) / Bridgeman Images

ID: FLO4690734

Kamehameha I, King of Hawaii (as Tammeamea I, King of the Sandwich Islands), and Naba Leba, Queen of Solor, Indonesia. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.

Brodtmann, Karl Joseph (1787-1862)

Kalaimanokahoowaha or Kanaina, chief with helmet and cloak made of feathers, and Poeta, his wife, in a feather lei necklace and beads in her hair. (Both after John Webber.) Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.
Kalaimanokahoowaha or Kanaina, chief with helmet and cloak made of feathers, and Poeta, his wife, in a feather lei necklace and beads in her hair. (Both after John Webber.) Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.

FLO4690774: Kalaimanokahoowaha or Kanaina, chief with helmet and cloak made of feathers, and Poeta, his wife, in a feather lei necklace and beads in her hair. (Both after John Webber.) Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836., Brodtmann, Karl Joseph (1787-1862) / Bridgeman Images

ID: FLO4690774

Kalaimanokahoowaha or Kanaina, chief with helmet and cloak made of feathers, and Poeta, his wife, in a feather lei necklace and beads in her hair. (Both after John Webber.) Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.

Brodtmann, Karl Joseph (1787-1862)

Quagga, Equus quagga (extinct) and onager, Equus hemionus (endangered). Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.
Quagga, Equus quagga (extinct) and onager, Equus hemionus (endangered). Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.

FLO4691069: Quagga, Equus quagga (extinct) and onager, Equus hemionus (endangered). Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836., Brodtmann, Karl Joseph (1787-1862) / Bridgeman Images

ID: FLO4691069

Quagga, Equus quagga (extinct) and onager, Equus hemionus (endangered). Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.

Brodtmann, Karl Joseph (1787-1862)

Woman of the Mariana Islands in top, skirt, necklace with cross. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
Woman of the Mariana Islands in top, skirt, necklace with cross. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688435: Woman of the Mariana Islands in top, skirt, necklace with cross. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images

ID: FLO4688435

Woman of the Mariana Islands in top, skirt, necklace with cross. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

The Soup, Nah-Pope, a Sauk warrior (Bags and Fox Nation). Soup was second in command to Black Hawk during the war and brother of The Prophet. Handcoloured lithograph by J. Harris after a painting by George Catlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
The Soup, Nah-Pope, a Sauk warrior (Bags and Fox Nation). Soup was second in command to Black Hawk during the war and brother of The Prophet. Handcoloured lithograph by J. Harris after a painting by George Catlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688550: The Soup, Nah-Pope, a Sauk warrior (Bags and Fox Nation). Soup was second in command to Black Hawk during the war and brother of The Prophet. Handcoloured lithograph by J. Harris after a painting by George Catlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images

ID: FLO4688550

The Soup, Nah-Pope, a Sauk warrior (Bags and Fox Nation). Soup was second in command to Black Hawk during the war and brother of The Prophet. Handcoloured lithograph by J. Harris after a painting by George Catlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

The Mint, Sha-ko-ka, a Mandan or Numakiki girl. A very pretty and modest girl, 12 years of age, with grey hair peculiar to the Mandan nation. Handcoloured lithograph after a painting by George Catlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
The Mint, Sha-ko-ka, a Mandan or Numakiki girl. A very pretty and modest girl, 12 years of age, with grey hair peculiar to the Mandan nation. Handcoloured lithograph after a painting by George Catlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688582: The Mint, Sha-ko-ka, a Mandan or Numakiki girl. A very pretty and modest girl, 12 years of age, with grey hair peculiar to the Mandan nation. Handcoloured lithograph after a painting by George Catlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images

ID: FLO4688582

The Mint, Sha-ko-ka, a Mandan or Numakiki girl. A very pretty and modest girl, 12 years of age, with grey hair peculiar to the Mandan nation. Handcoloured lithograph after a painting by George Catlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

Hunters of San Francisco Bay, 19th century. Both wear topknots and earrings, one in a loincloth preparing to fire an arrow, the other with arrows in a quiver made from an animal skin. After Louis Choris' “” Cholovonis a la chasse”” from “” Picturesque Journey Around the World,”” 1822. Handcoloured lithograph from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
Hunters of San Francisco Bay, 19th century. Both wear topknots and earrings, one in a loincloth preparing to fire an arrow, the other with arrows in a quiver made from an animal skin. After Louis Choris' “” Cholovonis a la chasse”” from “” Picturesque Journey Around the World,”” 1822. Handcoloured lithograph from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688590: Hunters of San Francisco Bay, 19th century. Both wear topknots and earrings, one in a loincloth preparing to fire an arrow, the other with arrows in a quiver made from an animal skin. After Louis Choris' “” Cholovonis a la chasse”” from “” Picturesque Journey Around the World,”” 1822. Handcoloured lithograph from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images

ID: FLO4688590

Hunters of San Francisco Bay, 19th century. Both wear topknots and earrings, one in a loincloth preparing to fire an arrow, the other with arrows in a quiver made from an animal skin. After Louis Choris' “” Cholovonis a la chasse”” from “” Picturesque Journey Around the World,”” 1822. Handcoloured lithograph from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

H'co-a-h'co-a-h'cotes-min, Rabbit Skin Leggings, Flathead warrior of the Nez Perce. Handcoloured lithograph by J. Harris after a painting by George Catlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
H'co-a-h'co-a-h'cotes-min, Rabbit Skin Leggings, Flathead warrior of the Nez Perce. Handcoloured lithograph by J. Harris after a painting by George Catlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688628: H'co-a-h'co-a-h'cotes-min, Rabbit Skin Leggings, Flathead warrior of the Nez Perce. Handcoloured lithograph by J. Harris after a painting by George Catlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images

ID: FLO4688628

H'co-a-h'co-a-h'cotes-min, Rabbit Skin Leggings, Flathead warrior of the Nez Perce. Handcoloured lithograph by J. Harris after a painting by George Catlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

Huntsman in hunting pink (scarlet) jacket, breeches and boots holding a brassy hunting horn. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827.
Huntsman in hunting pink (scarlet) jacket, breeches and boots holding a brassy hunting horn. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827.

FLO4688645: Huntsman in hunting pink (scarlet) jacket, breeches and boots holding a brassy hunting horn. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827. / Bridgeman Images

ID: FLO4688645

Huntsman in hunting pink (scarlet) jacket, breeches and boots holding a brassy hunting horn. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827.

Chelsea Pensioner and Greenwich Pensioner. Army veteran in the redcoat uniform of the Chelsea Hospital holding a pipe, and Navy veteran in the blue uniform of Greenwich Hospital with pegleg holding a tankard. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827.
Chelsea Pensioner and Greenwich Pensioner. Army veteran in the redcoat uniform of the Chelsea Hospital holding a pipe, and Navy veteran in the blue uniform of Greenwich Hospital with pegleg holding a tankard. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827.

FLO4688662: Chelsea Pensioner and Greenwich Pensioner. Army veteran in the redcoat uniform of the Chelsea Hospital holding a pipe, and Navy veteran in the blue uniform of Greenwich Hospital with pegleg holding a tankard. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827. / Bridgeman Images

ID: FLO4688662

Chelsea Pensioner and Greenwich Pensioner. Army veteran in the redcoat uniform of the Chelsea Hospital holding a pipe, and Navy veteran in the blue uniform of Greenwich Hospital with pegleg holding a tankard. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827.

Isabelle d'Angouleme - Isabella of Angouleme, queen consort of King John of England. Steel engraving by B. Eyles after a portrait by A. Bouvier from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.
Isabelle d'Angouleme - Isabella of Angouleme, queen consort of King John of England. Steel engraving by B. Eyles after a portrait by A. Bouvier from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.

FLO4688729: Isabelle d'Angouleme - Isabella of Angouleme, queen consort of King John of England. Steel engraving by B. Eyles after a portrait by A. Bouvier from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868. / Bridgeman Images

ID: FLO4688729

Isabelle d'Angouleme - Isabella of Angouleme, queen consort of King John of England. Steel engraving by B. Eyles after a portrait by A. Bouvier from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.

Joanna of Navarre, Queen of King Henry IV of England. Steel engraving from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.
Joanna of Navarre, Queen of King Henry IV of England. Steel engraving from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.

FLO4688809: Joanna of Navarre, Queen of King Henry IV of England. Steel engraving from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868. / Bridgeman Images

ID: FLO4688809

Joanna of Navarre, Queen of King Henry IV of England. Steel engraving from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.

Anne Neville - Anne of Warwick, Queen of King Richard III of England. Steel engraving from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.
Anne Neville - Anne of Warwick, Queen of King Richard III of England. Steel engraving from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.

FLO4688831: Anne Neville - Anne of Warwick, Queen of King Richard III of England. Steel engraving from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868. / Bridgeman Images

ID: FLO4688831

Anne Neville - Anne of Warwick, Queen of King Richard III of England. Steel engraving from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.

Elizabeth of York - Elizabeth of York, Queen of King Henry VII of England. Steel engraving by W.H. Egleton after a portrait by Edward Corbould from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.
Elizabeth of York - Elizabeth of York, Queen of King Henry VII of England. Steel engraving by W.H. Egleton after a portrait by Edward Corbould from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.

FLO4688838: Elizabeth of York - Elizabeth of York, Queen of King Henry VII of England. Steel engraving by W.H. Egleton after a portrait by Edward Corbould from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868. / Bridgeman Images

ID: FLO4688838

Elizabeth of York - Elizabeth of York, Queen of King Henry VII of England. Steel engraving by W.H. Egleton after a portrait by Edward Corbould from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.

Piece of crater from Gravisca, 550-525 BC
Piece of crater from Gravisca, 550-525 BC

LRI4688858: Piece of crater from Gravisca, 550-525 BC, Etruscan, (6th century BC) / Bridgeman Images

ID: LRI4688858

Piece of crater from Gravisca, 550-525 BC

Etruscan, (6th century BC)

Yellow bramble rose, Rosa lutea, from Robert Tyas' “Queen of Flowers, or Memoirs of the Rose,” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853).
Yellow bramble rose, Rosa lutea, from Robert Tyas' “Queen of Flowers, or Memoirs of the Rose,” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853).

FLO4688892: Yellow bramble rose, Rosa lutea, from Robert Tyas' “Queen of Flowers, or Memoirs of the Rose,” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853). / Bridgeman Images

ID: FLO4688892

Yellow bramble rose, Rosa lutea, from Robert Tyas' “Queen of Flowers, or Memoirs of the Rose,” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853).

Double white rose, Rosa alba, from Robert Tyas' “” Queen of Flowers, or Memoirs of the Rose,”” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853).
Double white rose, Rosa alba, from Robert Tyas' “” Queen of Flowers, or Memoirs of the Rose,”” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853).

FLO4688896: Double white rose, Rosa alba, from Robert Tyas' “” Queen of Flowers, or Memoirs of the Rose,”” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853). / Bridgeman Images

ID: FLO4688896

Double white rose, Rosa alba, from Robert Tyas' “” Queen of Flowers, or Memoirs of the Rose,”” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853).

The Portland Vase or Barberini Vase. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
The Portland Vase or Barberini Vase. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4688915: The Portland Vase or Barberini Vase. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

ID: FLO4688915

The Portland Vase or Barberini Vase. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

Aboriginals of King George Sound (Albany, South West Australia). Men in cloak and loincloth. Copied from d'Urville. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
Aboriginals of King George Sound (Albany, South West Australia). Men in cloak and loincloth. Copied from d'Urville. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688518: Aboriginals of King George Sound (Albany, South West Australia). Men in cloak and loincloth. Copied from d'Urville. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images

ID: FLO4688518

Aboriginals of King George Sound (Albany, South West Australia). Men in cloak and loincloth. Copied from d'Urville. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

Ram Ruttun, companion and secretary to Ram-Mohun-Roy, a Brahman of India. Handcoloured lithograph by J. Bull after an illustration by Branwhite from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
Ram Ruttun, companion and secretary to Ram-Mohun-Roy, a Brahman of India. Handcoloured lithograph by J. Bull after an illustration by Branwhite from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688568: Ram Ruttun, companion and secretary to Ram-Mohun-Roy, a Brahman of India. Handcoloured lithograph by J. Bull after an illustration by Branwhite from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images

ID: FLO4688568

Ram Ruttun, companion and secretary to Ram-Mohun-Roy, a Brahman of India. Handcoloured lithograph by J. Bull after an illustration by Branwhite from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

Stool used during rituals. 850-800 BC (bronze)
Stool used during rituals. 850-800 BC (bronze)

LRI4688717: Stool used during rituals. 850-800 BC (bronze), Etruscan / Bridgeman Images

ID: LRI4688717

Stool used during rituals. 850-800 BC (bronze)

Etruscan

Eleanor of Castile, queen consort of King Edward I of England. Steel engraving by W.H. Egleton after a portrait by J.W. Wright from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.
Eleanor of Castile, queen consort of King Edward I of England. Steel engraving by W.H. Egleton after a portrait by J.W. Wright from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.

FLO4688743: Eleanor of Castile, queen consort of King Edward I of England. Steel engraving by W.H. Egleton after a portrait by J.W. Wright from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868. / Bridgeman Images

ID: FLO4688743

Eleanor of Castile, queen consort of King Edward I of England. Steel engraving by W.H. Egleton after a portrait by J.W. Wright from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.

Caroline, queen consort of King George II of England. Steel engraving by J. Brown after a portrait by J.W. Wright from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.
Caroline, queen consort of King George II of England. Steel engraving by J. Brown after a portrait by J.W. Wright from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.

FLO4688890: Caroline, queen consort of King George II of England. Steel engraving by J. Brown after a portrait by J.W. Wright from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868. / Bridgeman Images

ID: FLO4688890

Caroline, queen consort of King George II of England. Steel engraving by J. Brown after a portrait by J.W. Wright from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.

Medallion portrait of astronomer Sir William Herschel. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Medallion portrait of astronomer Sir William Herschel. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4688973: Medallion portrait of astronomer Sir William Herschel. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

ID: FLO4688973

Medallion portrait of astronomer Sir William Herschel. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

Basalt portrait of Rousseau. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Basalt portrait of Rousseau. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4688983: Basalt portrait of Rousseau. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

ID: FLO4688983

Basalt portrait of Rousseau. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

Broad-tailed sheep, Ovis aries laticaudata, and merino sheep, Ovis aries hispanica. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.
Broad-tailed sheep, Ovis aries laticaudata, and merino sheep, Ovis aries hispanica. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.

FLO4691183: Broad-tailed sheep, Ovis aries laticaudata, and merino sheep, Ovis aries hispanica. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836., Brodtmann, Karl Joseph (1787-1862) / Bridgeman Images

ID: FLO4691183

Broad-tailed sheep, Ovis aries laticaudata, and merino sheep, Ovis aries hispanica. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.

Brodtmann, Karl Joseph (1787-1862)

Lady playing the piano in a parlour to guests. Another lady says, She's very talented. She thinks, Now we have to swallow a concerto. Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist Jean Gabriel Scheffer from Petites Scenes du Monde, Ce que que on dit et ce que que on think, Gihaut Freres, Paris, 1829.
Lady playing the piano in a parlour to guests. Another lady says, She's very talented. She thinks, Now we have to swallow a concerto. Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist Jean Gabriel Scheffer from Petites Scenes du Monde, Ce que que on dit et ce que que on think, Gihaut Freres, Paris, 1829.

FLO4691327: Lady playing the piano in a parlour to guests. Another lady says, She's very talented. She thinks, Now we have to swallow a concerto. Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist Jean Gabriel Scheffer from Petites Scenes du Monde, Ce que que on dit et ce que que on think, Gihaut Freres, Paris, 1829. / Bridgeman Images

ID: FLO4691327

Lady playing the piano in a parlour to guests. Another lady says, She's very talented. She thinks, Now we have to swallow a concerto. Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist Jean Gabriel Scheffer from Petites Scenes du Monde, Ce que que on dit et ce que que on think, Gihaut Freres, Paris, 1829.

Etruscan civilization: silver dragon fibule from the necropolis of Banditella, Marsigliana d'Albegna, Italy, 675-650 BC (Etruscan art: silver fibula, 675-650 BC) Dim 15.5 cm Florence museo archeologico inv 20982
Etruscan civilization: silver dragon fibule from the necropolis of Banditella, Marsigliana d'Albegna, Italy, 675-650 BC (Etruscan art: silver fibula, 675-650 BC) Dim 15.5 cm Florence museo archeologico inv 20982

LRI4688995: Etruscan civilization: silver dragon fibule from the necropolis of Banditella, Marsigliana d'Albegna, Italy, 675-650 BC (Etruscan art: silver fibula, 675-650 BC) Dim 15.5 cm Florence museo archeologico inv 20982, Etruscan, (7th century BC) / Bridgeman Images

ID: LRI4688995

Etruscan civilization: silver dragon fibule from the necropolis of Banditella, Marsigliana d'Albegna, Italy, 675-650 BC (Etruscan art: silver fibula, 675-650 BC) Dim 15.5 cm Florence museo archeologico inv 20982

Etruscan, (7th century BC)

Little silver vase with snakes, 675-650 BC
Little silver vase with snakes, 675-650 BC

LRI4689046: Little silver vase with snakes, 675-650 BC, Etruscan, (7th century BC) / Bridgeman Images

ID: LRI4689046

Little silver vase with snakes, 675-650 BC

Etruscan, (7th century BC)

Golden brooch, 480 BC
Golden brooch, 480 BC

LRI4689053: Golden brooch, 480 BC, Etruscan, (5th century BC) / Bridgeman Images

ID: LRI4689053

Golden brooch, 480 BC

Etruscan, (5th century BC)

Etruscan civilization: terracotta fusaioli from Tomb 1 of San Cerbone, Populonia - 7th century BC (Etruscan art: spindle whorls, 7th century BC) Florence, Museo Archeologico, inv 163016-163028, 163044-163046
Etruscan civilization: terracotta fusaioli from Tomb 1 of San Cerbone, Populonia - 7th century BC (Etruscan art: spindle whorls, 7th century BC) Florence, Museo Archeologico, inv 163016-163028, 163044-163046

LRI4689063: Etruscan civilization: terracotta fusaioli from Tomb 1 of San Cerbone, Populonia - 7th century BC (Etruscan art: spindle whorls, 7th century BC) Florence, Museo Archeologico, inv 163016-163028, 163044-163046, Etruscan, (7th century BC) / Bridgeman Images

ID: LRI4689063

Etruscan civilization: terracotta fusaioli from Tomb 1 of San Cerbone, Populonia - 7th century BC (Etruscan art: spindle whorls, 7th century BC) Florence, Museo Archeologico, inv 163016-163028, 163044-163046

Etruscan, (7th century BC)

Medallions mounted in gold and steel. Subjects include nymphs sacrificing to Peace, Apollo with lyre, Cupid on a swan, Cancer Zodiac sign, Bourbonnais shepherd, etc. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Medallions mounted in gold and steel. Subjects include nymphs sacrificing to Peace, Apollo with lyre, Cupid on a swan, Cancer Zodiac sign, Bourbonnais shepherd, etc. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4689241: Medallions mounted in gold and steel. Subjects include nymphs sacrificing to Peace, Apollo with lyre, Cupid on a swan, Cancer Zodiac sign, Bourbonnais shepherd, etc. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

ID: FLO4689241

Medallions mounted in gold and steel. Subjects include nymphs sacrificing to Peace, Apollo with lyre, Cupid on a swan, Cancer Zodiac sign, Bourbonnais shepherd, etc. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

Etruscan civilization: “” the deity of war Laran”” Bronze sculpture, 450-440 BC Dim 33 cm (the etruscan god of war Laran, bronze sculpture) 450-440 BC Florence, Museo Archeologico, inv 586 - Etruscan civilization: Bronze statuette of Laran, god of war, 450-440 BC. 33 cm. Museum of Archaeology, inv 586, Florence, Italy
Etruscan civilization: “” the deity of war Laran”” Bronze sculpture, 450-440 BC Dim 33 cm (the etruscan god of war Laran, bronze sculpture) 450-440 BC Florence, Museo Archeologico, inv 586 - Etruscan civilization: Bronze statuette of Laran, god of war, 450-440 BC. 33 cm. Museum of Archaeology, inv 586, Florence, Italy

LRI4689267: Etruscan civilization: “” the deity of war Laran”” Bronze sculpture, 450-440 BC Dim 33 cm (the etruscan god of war Laran, bronze sculpture) 450-440 BC Florence, Museo Archeologico, inv 586 - Etruscan civilization: Bronze statuette of Laran, god of war, 450-440 BC. 33 cm. Museum of Archaeology, inv 586, Florence, Italy, Etruscan, (5th century BC) / Bridgeman Images

ID: LRI4689267

Etruscan civilization: “” the deity of war Laran”” Bronze sculpture, 450-440 BC Dim 33 cm (the etruscan god of war Laran, bronze sculpture) 450-440 BC Florence, Museo Archeologico, inv 586 - Etruscan civilization: Bronze statuette of Laran, god of war, 450-440 BC. 33 cm. Museum of Archaeology, inv 586, Florence, Italy

Etruscan, (5th century BC)

Frankfurt Rosier - Eau forte de Bessin, based on an illustration by Pierre Joseph Redoute (1759-1840), from Les Roses, 1817 - Frankfort rose or Empress Josephine rose, Rosa francofurtana (Rosa turbinata) - Handcoloured stipple copperplate engraving by Bessin after an illustration by Pierre-Joseph Redoute from “” Les Roses,” Firmin Dimot, Paris, 1817
Frankfurt Rosier - Eau forte de Bessin, based on an illustration by Pierre Joseph Redoute (1759-1840), from Les Roses, 1817 - Frankfort rose or Empress Josephine rose, Rosa francofurtana (Rosa turbinata) - Handcoloured stipple copperplate engraving by Bessin after an illustration by Pierre-Joseph Redoute from “” Les Roses,” Firmin Dimot, Paris, 1817

FLO4689398: Frankfurt Rosier - Eau forte de Bessin, based on an illustration by Pierre Joseph Redoute (1759-1840), from Les Roses, 1817 - Frankfort rose or Empress Josephine rose, Rosa francofurtana (Rosa turbinata) - Handcoloured stipple copperplate engraving by Bessin after an illustration by Pierre-Joseph Redoute from “” Les Roses,” Firmin Dimot, Paris, 1817, Redouté, Pierre Joseph (1759-1840) / Bridgeman Images

ID: FLO4689398

Frankfurt Rosier - Eau forte de Bessin, based on an illustration by Pierre Joseph Redoute (1759-1840), from Les Roses, 1817 - Frankfort rose or Empress Josephine rose, Rosa francofurtana (Rosa turbinata) - Handcoloured stipple copperplate engraving by Bessin after an illustration by Pierre-Joseph Redoute from “” Les Roses,” Firmin Dimot, Paris, 1817

Redouté, Pierre Joseph (1759-1840)

Etruscan civilization: carved terracotta pediment - From the tomb Montagnola a Quinto Fiorentino, Italy - 470-460 BC (Etruscan art: terracotta pediment, 470-460 BC) Arezzo, Museo Archeologico G Clinio Mecenate
Etruscan civilization: carved terracotta pediment - From the tomb Montagnola a Quinto Fiorentino, Italy - 470-460 BC (Etruscan art: terracotta pediment, 470-460 BC) Arezzo, Museo Archeologico G Clinio Mecenate

LRI4689403: Etruscan civilization: carved terracotta pediment - From the tomb Montagnola a Quinto Fiorentino, Italy - 470-460 BC (Etruscan art: terracotta pediment, 470-460 BC) Arezzo, Museo Archeologico G Clinio Mecenate, Etruscan, (5th century BC) / Bridgeman Images

ID: LRI4689403

Etruscan civilization: carved terracotta pediment - From the tomb Montagnola a Quinto Fiorentino, Italy - 470-460 BC (Etruscan art: terracotta pediment, 470-460 BC) Arezzo, Museo Archeologico G Clinio Mecenate

Etruscan, (5th century BC)


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