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Primevere officinale ou brerelle, cuckoo, Herb a la paralysis, Herb de Saint Paul, primerolle - Cowslip, Primula veris, showing flower, leaf and roots. Handcoloured stipple copperplate engraving by Lambert Junior from a drawing by Pierre Jean-Francois Turpin from Chaumeton, Poiret and Chamberet's “” La Flore Medicale,”” Paris, Panckoucke, 1830.
Primevere officinale ou brerelle, cuckoo, Herb a la paralysis, Herb de Saint Paul, primerolle - Cowslip, Primula veris, showing flower, leaf and roots. Handcoloured stipple copperplate engraving by Lambert Junior from a drawing by Pierre Jean-Francois Turpin from Chaumeton, Poiret and Chamberet's “” La Flore Medicale,”” Paris, Panckoucke, 1830.

FLO4604160: Primevere officinale ou brerelle, cuckoo, Herb a la paralysis, Herb de Saint Paul, primerolle - Cowslip, Primula veris, showing flower, leaf and roots. Handcoloured stipple copperplate engraving by Lambert Junior from a drawing by Pierre Jean-Francois Turpin from Chaumeton, Poiret and Chamberet's “” La Flore Medicale,”” Paris, Panckoucke, 1830., Turpin, Pierre Jean Francois (1775-1840) / Bridgeman Images

ID: FLO4604160

Primevere officinale ou brerelle, cuckoo, Herb a la paralysis, Herb de Saint Paul, primerolle - Cowslip, Primula veris, showing flower, leaf and roots. Handcoloured stipple copperplate engraving by Lambert Junior from a drawing by Pierre Jean-Francois Turpin from Chaumeton, Poiret and Chamberet's “” La Flore Medicale,”” Paris, Panckoucke, 1830.

Turpin, Pierre Jean Francois (1775-1840)

Common Epicea (Pinus abies) - Strong Water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831
Common Epicea (Pinus abies) - Strong Water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831

FLO4606097: Common Epicea (Pinus abies) - Strong Water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831 / Bridgeman Images

ID: FLO4606097

Common Epicea (Pinus abies) - Strong Water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831

Woman in the Oriental hairstyle with hat decorated with flowers and feathers, tied with a fur band. Oriental hairstyle. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895.
Woman in the Oriental hairstyle with hat decorated with flowers and feathers, tied with a fur band. Oriental hairstyle. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895.

FLO4606338: Woman in the Oriental hairstyle with hat decorated with flowers and feathers, tied with a fur band. Oriental hairstyle. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895. / Bridgeman Images

ID: FLO4606338

Woman in the Oriental hairstyle with hat decorated with flowers and feathers, tied with a fur band. Oriental hairstyle. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895.

Woman in elaborate upswept hairstyle with curls, feathers and ribbons called Desire to Please. Hairstyle with curls, feathers and ribbons. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style ou la Parure Eccentric: Epoque Louis XVI, Rouveyre, Paris, 1895.
Woman in elaborate upswept hairstyle with curls, feathers and ribbons called Desire to Please. Hairstyle with curls, feathers and ribbons. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style ou la Parure Eccentric: Epoque Louis XVI, Rouveyre, Paris, 1895.

FLO4606366: Woman in elaborate upswept hairstyle with curls, feathers and ribbons called Desire to Please. Hairstyle with curls, feathers and ribbons. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style ou la Parure Eccentric: Epoque Louis XVI, Rouveyre, Paris, 1895. / Bridgeman Images

ID: FLO4606366

Woman in elaborate upswept hairstyle with curls, feathers and ribbons called Desire to Please. Hairstyle with curls, feathers and ribbons. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style ou la Parure Eccentric: Epoque Louis XVI, Rouveyre, Paris, 1895.

Viking probe en route to Mars - Artist's view - Viking probe en route to Mars - Artist's view
Viking probe en route to Mars - Artist's view - Viking probe en route to Mars - Artist's view

PIX4606335: Viking probe en route to Mars - Artist's view - Viking probe en route to Mars - Artist's view, Dixon, Don (b.1951) / Bridgeman Images

ID: PIX4606335

Viking probe en route to Mars - Artist's view - Viking probe en route to Mars - Artist's view

Dixon, Don (b.1951)

Bas reliefs of the Vendome column, representing the 1806 campaign, work by Etienne Bergeret, Paris. Today's Place Vendome dates back to 1699 and was designed by Jules Hardouin Mansart (1646-1708). And it was only with the piercing of the Rue de la Paix that the Vendome Column was erected in 1806 by Napoleon Bonaparte (1769-1821) to the glory of the victors of Austerlitz (1805). An admirer of Roman Antiquity, the Emperor took as model the Trajane column raised in Rome and had his statue erected as an imperator by Antoine Chaudet (1763-1810). After the regime changes, Napoleon III (1808-1873) installed a copy of the statue of the Emperor by Augustine Dumont (1801-1884).
Bas reliefs of the Vendome column, representing the 1806 campaign, work by Etienne Bergeret, Paris. Today's Place Vendome dates back to 1699 and was designed by Jules Hardouin Mansart (1646-1708). And it was only with the piercing of the Rue de la Paix that the Vendome Column was erected in 1806 by Napoleon Bonaparte (1769-1821) to the glory of the victors of Austerlitz (1805). An admirer of Roman Antiquity, the Emperor took as model the Trajane column raised in Rome and had his statue erected as an imperator by Antoine Chaudet (1763-1810). After the regime changes, Napoleon III (1808-1873) installed a copy of the statue of the Emperor by Augustine Dumont (1801-1884).

OMG4606448: Bas reliefs of the Vendome column, representing the 1806 campaign, work by Etienne Bergeret, Paris. Today's Place Vendome dates back to 1699 and was designed by Jules Hardouin Mansart (1646-1708). And it was only with the piercing of the Rue de la Paix that the Vendome Column was erected in 1806 by Napoleon Bonaparte (1769-1821) to the glory of the victors of Austerlitz (1805). An admirer of Roman Antiquity, the Emperor took as model the Trajane column raised in Rome and had his statue erected as an imperator by Antoine Chaudet (1763-1810). After the regime changes, Napoleon III (1808-1873) installed a copy of the statue of the Emperor by Augustine Dumont (1801-1884). / Bridgeman Images

ID: OMG4606448

Bas reliefs of the Vendome column, representing the 1806 campaign, work by Etienne Bergeret, Paris. Today's Place Vendome dates back to 1699 and was designed by Jules Hardouin Mansart (1646-1708). And it was only with the piercing of the Rue de la Paix that the Vendome Column was erected in 1806 by Napoleon Bonaparte (1769-1821) to the glory of the victors of Austerlitz (1805). An admirer of Roman Antiquity, the Emperor took as model the Trajane column raised in Rome and had his statue erected as an imperator by Antoine Chaudet (1763-1810). After the regime changes, Napoleon III (1808-1873) installed a copy of the statue of the Emperor by Augustine Dumont (1801-1884).

Woman in a drapery bonnet, Bonnet a la Draperie, with two strings of large pearls and roses. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895.
Woman in a drapery bonnet, Bonnet a la Draperie, with two strings of large pearls and roses. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895.

FLO4606462: Woman in a drapery bonnet, Bonnet a la Draperie, with two strings of large pearls and roses. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895. / Bridgeman Images

ID: FLO4606462

Woman in a drapery bonnet, Bonnet a la Draperie, with two strings of large pearls and roses. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895.

Woman in hairstyle with ringlets called the Jamaican. Coeffure to Jamaica. Handcoloured copperplate engraving by an unknown artist from an Album of Fashionable Hairstyles of 1783, Suite des Coeffures a la Mode en 1783, Enauts et Rapilly, Paris, 1783.
Woman in hairstyle with ringlets called the Jamaican. Coeffure to Jamaica. Handcoloured copperplate engraving by an unknown artist from an Album of Fashionable Hairstyles of 1783, Suite des Coeffures a la Mode en 1783, Enauts et Rapilly, Paris, 1783.

FLO4606604: Woman in hairstyle with ringlets called the Jamaican. Coeffure to Jamaica. Handcoloured copperplate engraving by an unknown artist from an Album of Fashionable Hairstyles of 1783, Suite des Coeffures a la Mode en 1783, Enauts et Rapilly, Paris, 1783. / Bridgeman Images

ID: FLO4606604

Woman in hairstyle with ringlets called the Jamaican. Coeffure to Jamaica. Handcoloured copperplate engraving by an unknown artist from an Album of Fashionable Hairstyles of 1783, Suite des Coeffures a la Mode en 1783, Enauts et Rapilly, Paris, 1783.

Claude Cartigny and Capitaine Coop in La Jeunesse de Henri V by Alexandre Duval, Theatre Francais, 1823. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.
Claude Cartigny and Capitaine Coop in La Jeunesse de Henri V by Alexandre Duval, Theatre Francais, 1823. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.

FLO4606732: Claude Cartigny and Capitaine Coop in La Jeunesse de Henri V by Alexandre Duval, Theatre Francais, 1823. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825. / Bridgeman Images

ID: FLO4606732

Claude Cartigny and Capitaine Coop in La Jeunesse de Henri V by Alexandre Duval, Theatre Francais, 1823. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.

Armand or Armand Benoit Roussel as Henri V in La Jeunesse de Henri V by Alexandre Duval, Theatre Français, Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.
Armand or Armand Benoit Roussel as Henri V in La Jeunesse de Henri V by Alexandre Duval, Theatre Français, Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.

FLO4606796: Armand or Armand Benoit Roussel as Henri V in La Jeunesse de Henri V by Alexandre Duval, Theatre Français, Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825. / Bridgeman Images

ID: FLO4606796

Armand or Armand Benoit Roussel as Henri V in La Jeunesse de Henri V by Alexandre Duval, Theatre Français, Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.

Tenor singer Lecomte as Almaviva in the opera Le Barbier de Seville by Gioachino Rossini, Theatre Royal de l'Odeon, 1823. Handcoloured lithograph by F. Noel after an illustration by Lavigne Marin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.
Tenor singer Lecomte as Almaviva in the opera Le Barbier de Seville by Gioachino Rossini, Theatre Royal de l'Odeon, 1823. Handcoloured lithograph by F. Noel after an illustration by Lavigne Marin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.

FLO4606889: Tenor singer Lecomte as Almaviva in the opera Le Barbier de Seville by Gioachino Rossini, Theatre Royal de l'Odeon, 1823. Handcoloured lithograph by F. Noel after an illustration by Lavigne Marin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825. / Bridgeman Images

ID: FLO4606889

Tenor singer Lecomte as Almaviva in the opera Le Barbier de Seville by Gioachino Rossini, Theatre Royal de l'Odeon, 1823. Handcoloured lithograph by F. Noel after an illustration by Lavigne Marin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.

Baritone opera singer Henri Bernard Dabadie as Telasco in Fernand Cortez by Gaspare Spontini, Royal Academy of Music. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.
Baritone opera singer Henri Bernard Dabadie as Telasco in Fernand Cortez by Gaspare Spontini, Royal Academy of Music. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.

FLO4606973: Baritone opera singer Henri Bernard Dabadie as Telasco in Fernand Cortez by Gaspare Spontini, Royal Academy of Music. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825. / Bridgeman Images

ID: FLO4606973

Baritone opera singer Henri Bernard Dabadie as Telasco in Fernand Cortez by Gaspare Spontini, Royal Academy of Music. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.

Tribute to Arman (Armand Pierre Fernandez, 1928-2005) in the Jardins du Palais Royal in Paris in 2006. Series “” the day after””, 1984-1985. Photography 14/05/06-
Tribute to Arman (Armand Pierre Fernandez, 1928-2005) in the Jardins du Palais Royal in Paris in 2006. Series “” the day after””, 1984-1985. Photography 14/05/06-

RCT4606554: Tribute to Arman (Armand Pierre Fernandez, 1928-2005) in the Jardins du Palais Royal in Paris in 2006. Series “” the day after””, 1984-1985. Photography 14/05/06-, Arman (Pierre Fernandez Armand) (1928-2005) / Bridgeman Images

ID: RCT4606554

Tribute to Arman (Armand Pierre Fernandez, 1928-2005) in the Jardins du Palais Royal in Paris in 2006. Series “” the day after””, 1984-1985. Photography 14/05/06-

Arman (Pierre Fernandez Armand) (1928-2005)

Hairstyle with ringlets and curls surmounted by a Luxembourg pouf. Coeffure in Rolling and Floating Loops topped by a Pouf in Luxembourg. Handcoloured copperplate engraving by an unknown artist from an Album of Fashionable Hairstyles of 1783, Suite des Coeffures a la Mode en 1783, Enauts et Rapilly, Paris, 1783.
Hairstyle with ringlets and curls surmounted by a Luxembourg pouf. Coeffure in Rolling and Floating Loops topped by a Pouf in Luxembourg. Handcoloured copperplate engraving by an unknown artist from an Album of Fashionable Hairstyles of 1783, Suite des Coeffures a la Mode en 1783, Enauts et Rapilly, Paris, 1783.

FLO4606618: Hairstyle with ringlets and curls surmounted by a Luxembourg pouf. Coeffure in Rolling and Floating Loops topped by a Pouf in Luxembourg. Handcoloured copperplate engraving by an unknown artist from an Album of Fashionable Hairstyles of 1783, Suite des Coeffures a la Mode en 1783, Enauts et Rapilly, Paris, 1783. / Bridgeman Images

ID: FLO4606618

Hairstyle with ringlets and curls surmounted by a Luxembourg pouf. Coeffure in Rolling and Floating Loops topped by a Pouf in Luxembourg. Handcoloured copperplate engraving by an unknown artist from an Album of Fashionable Hairstyles of 1783, Suite des Coeffures a la Mode en 1783, Enauts et Rapilly, Paris, 1783.

Dancer and actress Miss Emilie Leverd as Celimene in Le Misanthrope by Moliere, Theatre Français, 1808. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.
Dancer and actress Miss Emilie Leverd as Celimene in Le Misanthrope by Moliere, Theatre Français, 1808. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.

FLO4606861: Dancer and actress Miss Emilie Leverd as Celimene in Le Misanthrope by Moliere, Theatre Français, 1808. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825., Colin, Alexandre Marie (1798-1875) / Bridgeman Images

ID: FLO4606861

Dancer and actress Miss Emilie Leverd as Celimene in Le Misanthrope by Moliere, Theatre Français, 1808. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.

Colin, Alexandre Marie (1798-1875)

A probe explores Europe's underground ocean - Illustration - Europa Submersible Probe - Illustration - Artist's view of a space probe exploring Europe's underground ocean. Ice covers the surface of this Jupiter satellite; it is believed that under the tens of km thick of this ice, water in the liquid state could exist. A remote - controlled submersible probe pokes around beneath the icy mantle of Europa. The probe is designed to fit down a narrow hole, with the lights mounted on deployable rods, and small motorized wheels mounted on the fairings (hard to see here). Antennae trail behind. Power and warmth are provided by a SNAP generator near the rear. Stereo cameras are in front. Water intakes for chemical analysis are behind the front fairing. Attitude control is provided by small thrusters. Main propulsion comes from a small propellor equipped with a Kort nozzle
A probe explores Europe's underground ocean - Illustration - Europa Submersible Probe - Illustration - Artist's view of a space probe exploring Europe's underground ocean. Ice covers the surface of this Jupiter satellite; it is believed that under the tens of km thick of this ice, water in the liquid state could exist. A remote - controlled submersible probe pokes around beneath the icy mantle of Europa. The probe is designed to fit down a narrow hole, with the lights mounted on deployable rods, and small motorized wheels mounted on the fairings (hard to see here). Antennae trail behind. Power and warmth are provided by a SNAP generator near the rear. Stereo cameras are in front. Water intakes for chemical analysis are behind the front fairing. Attitude control is provided by small thrusters. Main propulsion comes from a small propellor equipped with a Kort nozzle

PIX4607452: A probe explores Europe's underground ocean - Illustration - Europa Submersible Probe - Illustration - Artist's view of a space probe exploring Europe's underground ocean. Ice covers the surface of this Jupiter satellite; it is believed that under the tens of km thick of this ice, water in the liquid state could exist. A remote - controlled submersible probe pokes around beneath the icy mantle of Europa. The probe is designed to fit down a narrow hole, with the lights mounted on deployable rods, and small motorized wheels mounted on the fairings (hard to see here). Antennae trail behind. Power and warmth are provided by a SNAP generator near the rear. Stereo cameras are in front. Water intakes for chemical analysis are behind the front fairing. Attitude control is provided by small thrusters. Main propulsion comes from a small propellor equipped with a Kort nozzle, Bergeron, Joe / Bridgeman Images

ID: PIX4607452

A probe explores Europe's underground ocean - Illustration - Europa Submersible Probe - Illustration - Artist's view of a space probe exploring Europe's underground ocean. Ice covers the surface of this Jupiter satellite; it is believed that under the tens of km thick of this ice, water in the liquid state could exist. A remote - controlled submersible probe pokes around beneath the icy mantle of Europa. The probe is designed to fit down a narrow hole, with the lights mounted on deployable rods, and small motorized wheels mounted on the fairings (hard to see here). Antennae trail behind. Power and warmth are provided by a SNAP generator near the rear. Stereo cameras are in front. Water intakes for chemical analysis are behind the front fairing. Attitude control is provided by small thrusters. Main propulsion comes from a small propellor equipped with a Kort nozzle

Bergeron, Joe

Actress Mademoiselle Minette or Jeanne-Marie-Francoise Menestrier as Francoise in Nicolas Remi by Sewrin, Theatre du Vaudeville, 1823. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.
Actress Mademoiselle Minette or Jeanne-Marie-Francoise Menestrier as Francoise in Nicolas Remi by Sewrin, Theatre du Vaudeville, 1823. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.

FLO4607094: Actress Mademoiselle Minette or Jeanne-Marie-Francoise Menestrier as Francoise in Nicolas Remi by Sewrin, Theatre du Vaudeville, 1823. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825., Colin, Alexandre Marie (1798-1875) / Bridgeman Images

ID: FLO4607094

Actress Mademoiselle Minette or Jeanne-Marie-Francoise Menestrier as Francoise in Nicolas Remi by Sewrin, Theatre du Vaudeville, 1823. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.

Colin, Alexandre Marie (1798-1875)

Double red peony, Paeonia officinalis rubra plena. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.
Double red peony, Paeonia officinalis rubra plena. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.

FLO4607168: Double red peony, Paeonia officinalis rubra plena. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s. / Bridgeman Images

ID: FLO4607168

Double red peony, Paeonia officinalis rubra plena. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.

Superb corn flag, Gladiolus cardinalis. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.
Superb corn flag, Gladiolus cardinalis. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.

FLO4607196: Superb corn flag, Gladiolus cardinalis. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s. / Bridgeman Images

ID: FLO4607196

Superb corn flag, Gladiolus cardinalis. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.

Yellow azalea, Rhododendron luteum. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.
Yellow azalea, Rhododendron luteum. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.

FLO4607212: Yellow azalea, Rhododendron luteum. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s. / Bridgeman Images

ID: FLO4607212

Yellow azalea, Rhododendron luteum. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.

Morning star lily, Lilium concolor. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.
Morning star lily, Lilium concolor. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.

FLO4607267: Morning star lily, Lilium concolor. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s. / Bridgeman Images

ID: FLO4607267

Morning star lily, Lilium concolor. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.

Fringed bleeding heart, Dicentra eximia. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.
Fringed bleeding heart, Dicentra eximia. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.

FLO4607309: Fringed bleeding heart, Dicentra eximia. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s. / Bridgeman Images

ID: FLO4607309

Fringed bleeding heart, Dicentra eximia. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.

Artist's view of the Daedalus project - Artist's view of the Daedalus project - Daedalus was a space probe project designed in the 1970s. The aim was to make a probe capable of examining the Barnard star system in order to study possible planets.
Artist's view of the Daedalus project - Artist's view of the Daedalus project - Daedalus was a space probe project designed in the 1970s. The aim was to make a probe capable of examining the Barnard star system in order to study possible planets.

PIX4607467: Artist's view of the Daedalus project - Artist's view of the Daedalus project - Daedalus was a space probe project designed in the 1970s. The aim was to make a probe capable of examining the Barnard star system in order to study possible planets., Dixon, Don (b.1951) / Bridgeman Images

ID: PIX4607467

Artist's view of the Daedalus project - Artist's view of the Daedalus project - Daedalus was a space probe project designed in the 1970s. The aim was to make a probe capable of examining the Barnard star system in order to study possible planets.

Dixon, Don (b.1951)

Tenor singer Lafeuillade as Montfort in La Bergere Chatelaine by Daniel Auber, Theatre Royal de l'Opera Comique, 1820. Handcoloured lithograph by F. Noel after an illustration by Lavigne Marin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.
Tenor singer Lafeuillade as Montfort in La Bergere Chatelaine by Daniel Auber, Theatre Royal de l'Opera Comique, 1820. Handcoloured lithograph by F. Noel after an illustration by Lavigne Marin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.

FLO4607050: Tenor singer Lafeuillade as Montfort in La Bergere Chatelaine by Daniel Auber, Theatre Royal de l'Opera Comique, 1820. Handcoloured lithograph by F. Noel after an illustration by Lavigne Marin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825. / Bridgeman Images

ID: FLO4607050

Tenor singer Lafeuillade as Montfort in La Bergere Chatelaine by Daniel Auber, Theatre Royal de l'Opera Comique, 1820. Handcoloured lithograph by F. Noel after an illustration by Lavigne Marin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.

Portrait of George Buchanan, Scottish historian and humanist scholar, 1505-1582. In an oval decorated with foliage, horn, lyre, books and putto with quill. Copperplate engraving by Thomas Cook from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.
Portrait of George Buchanan, Scottish historian and humanist scholar, 1505-1582. In an oval decorated with foliage, horn, lyre, books and putto with quill. Copperplate engraving by Thomas Cook from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

FLO4607910: Portrait of George Buchanan, Scottish historian and humanist scholar, 1505-1582. In an oval decorated with foliage, horn, lyre, books and putto with quill. Copperplate engraving by Thomas Cook from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778. / Bridgeman Images

ID: FLO4607910

Portrait of George Buchanan, Scottish historian and humanist scholar, 1505-1582. In an oval decorated with foliage, horn, lyre, books and putto with quill. Copperplate engraving by Thomas Cook from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

Telemaque and Mentor arrive on the island of Calypso after their shipwreck - Telemachus and Mentor arrive on the island of Calypso after their shipwreck. Copperplate engraving by C. Grignion from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.
Telemaque and Mentor arrive on the island of Calypso after their shipwreck - Telemachus and Mentor arrive on the island of Calypso after their shipwreck. Copperplate engraving by C. Grignion from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

FLO4607808: Telemaque and Mentor arrive on the island of Calypso after their shipwreck - Telemachus and Mentor arrive on the island of Calypso after their shipwreck. Copperplate engraving by C. Grignion from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778. / Bridgeman Images

ID: FLO4607808

Telemaque and Mentor arrive on the island of Calypso after their shipwreck - Telemachus and Mentor arrive on the island of Calypso after their shipwreck. Copperplate engraving by C. Grignion from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

Minerve protects Telemaque et le preserve des powers de l'amour - Minerva protecting Telemachus and preserving him from the shafts of love. Copperplate engraving by W. Walker after an illustration by C. Monnet from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.
Minerve protects Telemaque et le preserve des powers de l'amour - Minerva protecting Telemachus and preserving him from the shafts of love. Copperplate engraving by W. Walker after an illustration by C. Monnet from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

FLO4607849: Minerve protects Telemaque et le preserve des powers de l'amour - Minerva protecting Telemachus and preserving him from the shafts of love. Copperplate engraving by W. Walker after an illustration by C. Monnet from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778. / Bridgeman Images

ID: FLO4607849

Minerve protects Telemaque et le preserve des powers de l'amour - Minerva protecting Telemachus and preserving him from the shafts of love. Copperplate engraving by W. Walker after an illustration by C. Monnet from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

Indian tree rosebay, Rhododendron arboreum. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.
Indian tree rosebay, Rhododendron arboreum. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.

FLO4607617: Indian tree rosebay, Rhododendron arboreum. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s. / Bridgeman Images

ID: FLO4607617

Indian tree rosebay, Rhododendron arboreum. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.

Evergreen swamp magnolia, Magnolia glauca sempervirens. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.
Evergreen swamp magnolia, Magnolia glauca sempervirens. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.

FLO4607633: Evergreen swamp magnolia, Magnolia glauca sempervirens. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s. / Bridgeman Images

ID: FLO4607633

Evergreen swamp magnolia, Magnolia glauca sempervirens. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.

The bourgeois of Calais take hostage to Edward of England (1312-1377), during the siege of Calais (1346) - Surrender of Calais to King Edward III, 1346. Copperplate engraving by J. Hall after an illustration by Edwards from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.
The bourgeois of Calais take hostage to Edward of England (1312-1377), during the siege of Calais (1346) - Surrender of Calais to King Edward III, 1346. Copperplate engraving by J. Hall after an illustration by Edwards from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

FLO4607638: The bourgeois of Calais take hostage to Edward of England (1312-1377), during the siege of Calais (1346) - Surrender of Calais to King Edward III, 1346. Copperplate engraving by J. Hall after an illustration by Edwards from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778. / Bridgeman Images

ID: FLO4607638

The bourgeois of Calais take hostage to Edward of England (1312-1377), during the siege of Calais (1346) - Surrender of Calais to King Edward III, 1346. Copperplate engraving by J. Hall after an illustration by Edwards from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

The departure of Telemaque from Egypt - The departure of Telemachus from Egypt. Copperplate engraving by W. Walker after an illustration by C. Monnet from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.
The departure of Telemaque from Egypt - The departure of Telemachus from Egypt. Copperplate engraving by W. Walker after an illustration by C. Monnet from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

FLO4607872: The departure of Telemaque from Egypt - The departure of Telemachus from Egypt. Copperplate engraving by W. Walker after an illustration by C. Monnet from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778. / Bridgeman Images

ID: FLO4607872

The departure of Telemaque from Egypt - The departure of Telemachus from Egypt. Copperplate engraving by W. Walker after an illustration by C. Monnet from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

Jean de la Fontaine, French poet and fabulist, 1621-1695, within oval above a vignette of a fable. Copperplate engraving by Joshua Collyer from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.
Jean de la Fontaine, French poet and fabulist, 1621-1695, within oval above a vignette of a fable. Copperplate engraving by Joshua Collyer from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

FLO4608015: Jean de la Fontaine, French poet and fabulist, 1621-1695, within oval above a vignette of a fable. Copperplate engraving by Joshua Collyer from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778. / Bridgeman Images

ID: FLO4608015

Jean de la Fontaine, French poet and fabulist, 1621-1695, within oval above a vignette of a fable. Copperplate engraving by Joshua Collyer from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

Copalm of America or Liquidambar - Storax or liquid amber, Liquidambar styraciflua. Handcoloured stipple copperplate engraving by Lambert Junior from a drawing by Pierre Jean-Francois Turpin from Chaumeton, Poiret and Chamberet's “” La Flore Medicale,”” Paris, Panckoucke, 1830.
Copalm of America or Liquidambar - Storax or liquid amber, Liquidambar styraciflua. Handcoloured stipple copperplate engraving by Lambert Junior from a drawing by Pierre Jean-Francois Turpin from Chaumeton, Poiret and Chamberet's “” La Flore Medicale,”” Paris, Panckoucke, 1830.

FLO4604532: Copalm of America or Liquidambar - Storax or liquid amber, Liquidambar styraciflua. Handcoloured stipple copperplate engraving by Lambert Junior from a drawing by Pierre Jean-Francois Turpin from Chaumeton, Poiret and Chamberet's “” La Flore Medicale,”” Paris, Panckoucke, 1830., Turpin, Pierre Jean Francois (1775-1840) / Bridgeman Images

ID: FLO4604532

Copalm of America or Liquidambar - Storax or liquid amber, Liquidambar styraciflua. Handcoloured stipple copperplate engraving by Lambert Junior from a drawing by Pierre Jean-Francois Turpin from Chaumeton, Poiret and Chamberet's “” La Flore Medicale,”” Paris, Panckoucke, 1830.

Turpin, Pierre Jean Francois (1775-1840)

Scammonee - Scammony, Convolvulus scammonia, with flower, leaf, stalk and climbing tendril. Handcoloured stipple copperplate engraving by Lambert Junior from a drawing by Pierre Jean-Francois Turpin from Chaumeton, Poiret and Chamberet's “” La Flore Medicale,”” Paris, Panckoucke, 1830.
Scammonee - Scammony, Convolvulus scammonia, with flower, leaf, stalk and climbing tendril. Handcoloured stipple copperplate engraving by Lambert Junior from a drawing by Pierre Jean-Francois Turpin from Chaumeton, Poiret and Chamberet's “” La Flore Medicale,”” Paris, Panckoucke, 1830.

FLO4604435: Scammonee - Scammony, Convolvulus scammonia, with flower, leaf, stalk and climbing tendril. Handcoloured stipple copperplate engraving by Lambert Junior from a drawing by Pierre Jean-Francois Turpin from Chaumeton, Poiret and Chamberet's “” La Flore Medicale,”” Paris, Panckoucke, 1830., Turpin, Pierre Jean Francois (1775-1840) / Bridgeman Images

ID: FLO4604435

Scammonee - Scammony, Convolvulus scammonia, with flower, leaf, stalk and climbing tendril. Handcoloured stipple copperplate engraving by Lambert Junior from a drawing by Pierre Jean-Francois Turpin from Chaumeton, Poiret and Chamberet's “” La Flore Medicale,”” Paris, Panckoucke, 1830.

Turpin, Pierre Jean Francois (1775-1840)

Areca palm tree, Areca cathecu, or areca nut betel palm palm palm - Engraving by Lambert fils from a drawing by P - J - F - Poiret and Chamberet's “” La Flore Medicale,” Paris, Panckoucke, 1830 -
Areca palm tree, Areca cathecu, or areca nut betel palm palm palm - Engraving by Lambert fils from a drawing by P - J - F - Poiret and Chamberet's “” La Flore Medicale,” Paris, Panckoucke, 1830 -

FLO4604518: Areca palm tree, Areca cathecu, or areca nut betel palm palm palm - Engraving by Lambert fils from a drawing by P - J - F - Poiret and Chamberet's “” La Flore Medicale,” Paris, Panckoucke, 1830 - / Bridgeman Images

ID: FLO4604518

Areca palm tree, Areca cathecu, or areca nut betel palm palm palm - Engraving by Lambert fils from a drawing by P - J - F - Poiret and Chamberet's “” La Flore Medicale,” Paris, Panckoucke, 1830 -

Large elderberry or black elderberry - Common elder tree, Sambucus nigra. Handcoloured stipple copperplate engraving by Lambert Junior from a drawing by Pierre Jean-Francois Turpin from Chaumeton, Poiret and Chamberet's “” La Flore Medicale,”” Paris, Panckoucke, 1830.
Large elderberry or black elderberry - Common elder tree, Sambucus nigra. Handcoloured stipple copperplate engraving by Lambert Junior from a drawing by Pierre Jean-Francois Turpin from Chaumeton, Poiret and Chamberet's “” La Flore Medicale,”” Paris, Panckoucke, 1830.

FLO4604572: Large elderberry or black elderberry - Common elder tree, Sambucus nigra. Handcoloured stipple copperplate engraving by Lambert Junior from a drawing by Pierre Jean-Francois Turpin from Chaumeton, Poiret and Chamberet's “” La Flore Medicale,”” Paris, Panckoucke, 1830., Turpin, Pierre Jean Francois (1775-1840) / Bridgeman Images

ID: FLO4604572

Large elderberry or black elderberry - Common elder tree, Sambucus nigra. Handcoloured stipple copperplate engraving by Lambert Junior from a drawing by Pierre Jean-Francois Turpin from Chaumeton, Poiret and Chamberet's “” La Flore Medicale,”” Paris, Panckoucke, 1830.

Turpin, Pierre Jean Francois (1775-1840)


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