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Men's costume at the time of Elisabeth I (1533-1603), wearing a tunic and padded panties and a collar (strawberry) with a cape. From a period engraving. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.
Men's costume at the time of Elisabeth I (1533-1603), wearing a tunic and padded panties and a collar (strawberry) with a cape. From a period engraving. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

FLO4672265: Men's costume at the time of Elisabeth I (1533-1603), wearing a tunic and padded panties and a collar (strawberry) with a cape. From a period engraving. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London. / Bridgeman Images

ID: FLO4672265

Men's costume at the time of Elisabeth I (1533-1603), wearing a tunic and padded panties and a collar (strawberry) with a cape. From a period engraving. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

William Villiers (1614-1643), Viscount Grandion, wearing a shirt with a wide lace collar under a blue jacket, with trousers of the boots, a feather hat and a cape. From a portrait of Antonie Van Dyck (1599-1641). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.
William Villiers (1614-1643), Viscount Grandion, wearing a shirt with a wide lace collar under a blue jacket, with trousers of the boots, a feather hat and a cape. From a portrait of Antonie Van Dyck (1599-1641). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

FLO4672284: William Villiers (1614-1643), Viscount Grandion, wearing a shirt with a wide lace collar under a blue jacket, with trousers of the boots, a feather hat and a cape. From a portrait of Antonie Van Dyck (1599-1641). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London. / Bridgeman Images

ID: FLO4672284

William Villiers (1614-1643), Viscount Grandion, wearing a shirt with a wide lace collar under a blue jacket, with trousers of the boots, a feather hat and a cape. From a portrait of Antonie Van Dyck (1599-1641). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

Barbara Palmer (1640-1709), Duchess of Cleveland, mistress of Charles II (1630-1685), in a blue dress with lace and a red cape. By Peter Lely (1618-1680). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.
Barbara Palmer (1640-1709), Duchess of Cleveland, mistress of Charles II (1630-1685), in a blue dress with lace and a red cape. By Peter Lely (1618-1680). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

FLO4672337: Barbara Palmer (1640-1709), Duchess of Cleveland, mistress of Charles II (1630-1685), in a blue dress with lace and a red cape. By Peter Lely (1618-1680). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London. / Bridgeman Images

ID: FLO4672337

Barbara Palmer (1640-1709), Duchess of Cleveland, mistress of Charles II (1630-1685), in a blue dress with lace and a red cape. By Peter Lely (1618-1680). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

Women's costumes from 1719 to 1755, regne of George I (1660-1727) and George II (1683-1760), Long dresses with cuffs, fan and bridle hat. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.
Women's costumes from 1719 to 1755, regne of George I (1660-1727) and George II (1683-1760), Long dresses with cuffs, fan and bridle hat. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

FLO4672397: Women's costumes from 1719 to 1755, regne of George I (1660-1727) and George II (1683-1760), Long dresses with cuffs, fan and bridle hat. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London. / Bridgeman Images

ID: FLO4672397

Women's costumes from 1719 to 1755, regne of George I (1660-1727) and George II (1683-1760), Long dresses with cuffs, fan and bridle hat. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

Shoulder and elbow joints. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Shoulder and elbow joints. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672545: Shoulder and elbow joints. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4672545

Shoulder and elbow joints. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

Outfit of King Edward VI (1537-1553), representing age 13 in 1550, wearing a velvet cape with short sleeves, on an embroidered tunic, velvet trousers and stockings. From a portrait of Hans Holbein (1497-1543). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.
Outfit of King Edward VI (1537-1553), representing age 13 in 1550, wearing a velvet cape with short sleeves, on an embroidered tunic, velvet trousers and stockings. From a portrait of Hans Holbein (1497-1543). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

FLO4672243: Outfit of King Edward VI (1537-1553), representing age 13 in 1550, wearing a velvet cape with short sleeves, on an embroidered tunic, velvet trousers and stockings. From a portrait of Hans Holbein (1497-1543). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London. / Bridgeman Images

ID: FLO4672243

Outfit of King Edward VI (1537-1553), representing age 13 in 1550, wearing a velvet cape with short sleeves, on an embroidered tunic, velvet trousers and stockings. From a portrait of Hans Holbein (1497-1543). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

Saphene vein and medial plantar nerves. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Saphene vein and medial plantar nerves. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672470: Saphene vein and medial plantar nerves. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4672470

Saphene vein and medial plantar nerves. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

Shoulder and arm muscles. Lithograph of Anneshower, based on a drawing by Leveille, in Petiure Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Shoulder and arm muscles. Lithograph of Anneshower, based on a drawing by Leveille, in Petiure Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672670: Shoulder and arm muscles. Lithograph of Anneshower, based on a drawing by Leveille, in Petiure Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4672670

Shoulder and arm muscles. Lithograph of Anneshower, based on a drawing by Leveille, in Petiure Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

Aponevrosis of the neck, shoulder and eye. Lithograph of Corbie, based on a drawing by Leveille, in Petiure Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Aponevrosis of the neck, shoulder and eye. Lithograph of Corbie, based on a drawing by Leveille, in Petiure Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672728: Aponevrosis of the neck, shoulder and eye. Lithograph of Corbie, based on a drawing by Leveille, in Petiure Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4672728

Aponevrosis of the neck, shoulder and eye. Lithograph of Corbie, based on a drawing by Leveille, in Petiure Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

Sections of the pharynx and larynx. Lithograph of Anneshower, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Sections of the pharynx and larynx. Lithograph of Anneshower, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672792: Sections of the pharynx and larynx. Lithograph of Anneshower, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4672792

Sections of the pharynx and larynx. Lithograph of Anneshower, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

The circulatory system of the intestines. Lithograph of Anneshower, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
The circulatory system of the intestines. Lithograph of Anneshower, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672926: The circulatory system of the intestines. Lithograph of Anneshower, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4672926

The circulatory system of the intestines. Lithograph of Anneshower, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

Internal muscles of the back. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Internal muscles of the back. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672652: Internal muscles of the back. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4672652

Internal muscles of the back. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

Cardinal butterfly, Argynnis pandora, dorsal and ventral views. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864.
Cardinal butterfly, Argynnis pandora, dorsal and ventral views. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864.

FLO4670958: Cardinal butterfly, Argynnis pandora, dorsal and ventral views. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864. / Bridgeman Images

ID: FLO4670958

Cardinal butterfly, Argynnis pandora, dorsal and ventral views. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864.

Scarlet tiger moth, Callimorpha dominula, clouded buff, Diacrisia sannio, wood tiger, Parasemia plantaginis, and purple tiger, Rhyparia purpurata. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864.
Scarlet tiger moth, Callimorpha dominula, clouded buff, Diacrisia sannio, wood tiger, Parasemia plantaginis, and purple tiger, Rhyparia purpurata. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864.

FLO4671081: Scarlet tiger moth, Callimorpha dominula, clouded buff, Diacrisia sannio, wood tiger, Parasemia plantaginis, and purple tiger, Rhyparia purpurata. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864. / Bridgeman Images

ID: FLO4671081

Scarlet tiger moth, Callimorpha dominula, clouded buff, Diacrisia sannio, wood tiger, Parasemia plantaginis, and purple tiger, Rhyparia purpurata. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864.

Carolingian art: holy women at the sepulcher - (Holy women at the sepulcher) Ivory relief, 11th century Florence, Museo Nazionale del Bargello
Carolingian art: holy women at the sepulcher - (Holy women at the sepulcher) Ivory relief, 11th century Florence, Museo Nazionale del Bargello

LRI4671243: Carolingian art: holy women at the sepulcher - (Holy women at the sepulcher) Ivory relief, 11th century Florence, Museo Nazionale del Bargello, Carolingian School / Bridgeman Images

ID: LRI4671243

Carolingian art: holy women at the sepulcher - (Holy women at the sepulcher) Ivory relief, 11th century Florence, Museo Nazionale del Bargello

Carolingian School

Crimson red hibiscus variete, rosa sinensis miniatus semi plenus type. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).
Crimson red hibiscus variete, rosa sinensis miniatus semi plenus type. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).

FLO4671338: Crimson red hibiscus variete, rosa sinensis miniatus semi plenus type. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905). / Bridgeman Images

ID: FLO4671338

Crimson red hibiscus variete, rosa sinensis miniatus semi plenus type. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).

Crimson pink and purple. Hybrid variety of the tea, grown in greenhouse, type Rose of China. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).
Crimson pink and purple. Hybrid variety of the tea, grown in greenhouse, type Rose of China. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).

FLO4671382: Crimson pink and purple. Hybrid variety of the tea, grown in greenhouse, type Rose of China. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905). / Bridgeman Images

ID: FLO4671382

Crimson pink and purple. Hybrid variety of the tea, grown in greenhouse, type Rose of China. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).

Coliole (Coleus) variete tryoni by M.Guildford (gardener in Leicester, United Kingdom), variete whose particularity is its foliage the tip up to half of the leaf is golden yellow the other half is crimson red ring yellow. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).
Coliole (Coleus) variete tryoni by M.Guildford (gardener in Leicester, United Kingdom), variete whose particularity is its foliage the tip up to half of the leaf is golden yellow the other half is crimson red ring yellow. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).

FLO4671324: Coliole (Coleus) variete tryoni by M.Guildford (gardener in Leicester, United Kingdom), variete whose particularity is its foliage the tip up to half of the leaf is golden yellow the other half is crimson red ring yellow. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905). / Bridgeman Images

ID: FLO4671324

Coliole (Coleus) variete tryoni by M.Guildford (gardener in Leicester, United Kingdom), variete whose particularity is its foliage the tip up to half of the leaf is golden yellow the other half is crimson red ring yellow. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).

Glaieul Jupiter with crimson red flowers. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).
Glaieul Jupiter with crimson red flowers. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).

FLO4671389: Glaieul Jupiter with crimson red flowers. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905). / Bridgeman Images

ID: FLO4671389

Glaieul Jupiter with crimson red flowers. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).

Hibiscus (rosa sinensis albo variegatus) has white pink flowers and variegated leaves. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).
Hibiscus (rosa sinensis albo variegatus) has white pink flowers and variegated leaves. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).

FLO4671407: Hibiscus (rosa sinensis albo variegatus) has white pink flowers and variegated leaves. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905). / Bridgeman Images

ID: FLO4671407

Hibiscus (rosa sinensis albo variegatus) has white pink flowers and variegated leaves. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).

Opium poppy, Papaver somniferum. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.
Opium poppy, Papaver somniferum. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.

FLO4671565: Opium poppy, Papaver somniferum. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer. / Bridgeman Images

ID: FLO4671565

Opium poppy, Papaver somniferum. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.

Woman in sky-blue caraco wearing a huge straw hat lined with pink satin and decorated with ribbons, and woman in pink caraco with large hat in taffeta and gauze, decorated with artificial flowers. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.
Woman in sky-blue caraco wearing a huge straw hat lined with pink satin and decorated with ribbons, and woman in pink caraco with large hat in taffeta and gauze, decorated with artificial flowers. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

FLO4671769: Woman in sky-blue caraco wearing a huge straw hat lined with pink satin and decorated with ribbons, and woman in pink caraco with large hat in taffeta and gauze, decorated with artificial flowers. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court. / Bridgeman Images

ID: FLO4671769

Woman in sky-blue caraco wearing a huge straw hat lined with pink satin and decorated with ribbons, and woman in pink caraco with large hat in taffeta and gauze, decorated with artificial flowers. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

Lemon, Citrus medica. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.
Lemon, Citrus medica. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.

FLO4671601: Lemon, Citrus medica. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer. / Bridgeman Images

ID: FLO4671601

Lemon, Citrus medica. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.

Imperial Dalmatic Knowed as Charlemagne Dalmatic, 11th Century, Salle de la cattedra, Museo del Tesoro della Basilica di San Pietro in Vaticano, Rome Italy
Imperial Dalmatic Knowed as Charlemagne Dalmatic, 11th Century, Salle de la cattedra, Museo del Tesoro della Basilica di San Pietro in Vaticano, Rome Italy

LRI4671824: Imperial Dalmatic Knowed as Charlemagne Dalmatic, 11th Century, Salle de la cattedra, Museo del Tesoro della Basilica di San Pietro in Vaticano, Rome Italy, Unknown Artist, (11th century) / Bridgeman Images

ID: LRI4671824

Imperial Dalmatic Knowed as Charlemagne Dalmatic, 11th Century, Salle de la cattedra, Museo del Tesoro della Basilica di San Pietro in Vaticano, Rome Italy

Unknown Artist, (11th century)

Striped satin hood hat with ribbons and plumes, bonnet a la captif in satin nacarat, headband bonnet in Italian gauze, and huge morning bonnet in Italian gauze with violet ribbon. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.
Striped satin hood hat with ribbons and plumes, bonnet a la captif in satin nacarat, headband bonnet in Italian gauze, and huge morning bonnet in Italian gauze with violet ribbon. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

FLO4671786: Striped satin hood hat with ribbons and plumes, bonnet a la captif in satin nacarat, headband bonnet in Italian gauze, and huge morning bonnet in Italian gauze with violet ribbon. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court. / Bridgeman Images

ID: FLO4671786

Striped satin hood hat with ribbons and plumes, bonnet a la captif in satin nacarat, headband bonnet in Italian gauze, and huge morning bonnet in Italian gauze with violet ribbon. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

King Henry II (1133-1189), wearing a crown, a velvet coat on a scarlet tunic, with green golden spur shoes and white gloves. Inspired by Charles Alfred Stothard (1786-1821), after an effigy of the Abbey of Fontevraud (France). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.
King Henry II (1133-1189), wearing a crown, a velvet coat on a scarlet tunic, with green golden spur shoes and white gloves. Inspired by Charles Alfred Stothard (1786-1821), after an effigy of the Abbey of Fontevraud (France). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

FLO4672045: King Henry II (1133-1189), wearing a crown, a velvet coat on a scarlet tunic, with green golden spur shoes and white gloves. Inspired by Charles Alfred Stothard (1786-1821), after an effigy of the Abbey of Fontevraud (France). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London. / Bridgeman Images

ID: FLO4672045

King Henry II (1133-1189), wearing a crown, a velvet coat on a scarlet tunic, with green golden spur shoes and white gloves. Inspired by Charles Alfred Stothard (1786-1821), after an effigy of the Abbey of Fontevraud (France). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

11th century costume: woman wearing a dress with long sleeves, with coat and veil. Period of William I the Conquerant (1027-1087), inspired by a manuscript from the Cotton library. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.
11th century costume: woman wearing a dress with long sleeves, with coat and veil. Period of William I the Conquerant (1027-1087), inspired by a manuscript from the Cotton library. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

FLO4672039: 11th century costume: woman wearing a dress with long sleeves, with coat and veil. Period of William I the Conquerant (1027-1087), inspired by a manuscript from the Cotton library. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London. / Bridgeman Images

ID: FLO4672039

11th century costume: woman wearing a dress with long sleeves, with coat and veil. Period of William I the Conquerant (1027-1087), inspired by a manuscript from the Cotton library. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

Typical male costume during the time of King Henry IV and Henry V, illustration from 'Costumes Civils d'Angleterre depuis la Conquete à nos Jours', 1842 (colour litho)
Typical male costume during the time of King Henry IV and Henry V, illustration from 'Costumes Civils d'Angleterre depuis la Conquete à nos Jours', 1842 (colour litho)

FLO4672155: Typical male costume during the time of King Henry IV and Henry V, illustration from 'Costumes Civils d'Angleterre depuis la Conquete à nos Jours', 1842 (colour litho), Martin, Charles (1884-1934) / Bridgeman Images

ID: FLO4672155

Typical male costume during the time of King Henry IV and Henry V, illustration from 'Costumes Civils d'Angleterre depuis la Conquete à nos Jours', 1842 (colour litho)

Martin, Charles (1884-1934)

Man's costume in the time of King Henry VIII (1491-1547), wearing a short jacket, a cape, a collar (strawberry), trousers and shoes with square toe. From a portrait of Sir Thomas Gresham (circa 1519-1579) by Hans Holbein (1497-1543). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.
Man's costume in the time of King Henry VIII (1491-1547), wearing a short jacket, a cape, a collar (strawberry), trousers and shoes with square toe. From a portrait of Sir Thomas Gresham (circa 1519-1579) by Hans Holbein (1497-1543). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

FLO4672222: Man's costume in the time of King Henry VIII (1491-1547), wearing a short jacket, a cape, a collar (strawberry), trousers and shoes with square toe. From a portrait of Sir Thomas Gresham (circa 1519-1579) by Hans Holbein (1497-1543). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London. / Bridgeman Images

ID: FLO4672222

Man's costume in the time of King Henry VIII (1491-1547), wearing a short jacket, a cape, a collar (strawberry), trousers and shoes with square toe. From a portrait of Sir Thomas Gresham (circa 1519-1579) by Hans Holbein (1497-1543). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

Shoulder and arm bone: scapula, humerus, cubitus and radius. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Shoulder and arm bone: scapula, humerus, cubitus and radius. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672433: Shoulder and arm bone: scapula, humerus, cubitus and radius. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4672433

Shoulder and arm bone: scapula, humerus, cubitus and radius. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

Sympathic nervous system in the thoracic, lumbar and sacral plexus. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Sympathic nervous system in the thoracic, lumbar and sacral plexus. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672529: Sympathic nervous system in the thoracic, lumbar and sacral plexus. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4672529

Sympathic nervous system in the thoracic, lumbar and sacral plexus. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

Bone of the forearm, wrist and hand. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Bone of the forearm, wrist and hand. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672575: Bone of the forearm, wrist and hand. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4672575

Bone of the forearm, wrist and hand. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

Circulatory system of the leg and foot. Lithograph of Choubard, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Circulatory system of the leg and foot. Lithograph of Choubard, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672981: Circulatory system of the leg and foot. Lithograph of Choubard, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4672981

Circulatory system of the leg and foot. Lithograph of Choubard, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

Section through the brain. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Section through the brain. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4673112: Section through the brain. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4673112

Section through the brain. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

Thigh muscles and tendons. Lithograph of Lebrun, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Thigh muscles and tendons. Lithograph of Lebrun, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672702: Thigh muscles and tendons. Lithograph of Lebrun, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4672702

Thigh muscles and tendons. Lithograph of Lebrun, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

Breast, tongue, skin and finger sections. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Breast, tongue, skin and finger sections. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672795: Breast, tongue, skin and finger sections. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4672795

Breast, tongue, skin and finger sections. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.


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