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Cups and saucers of the Carree style: with flowers by Huny, gilt by Chauveau; with flowers by Niquet, gilt by Vincent 1781; and with flowers by Catrice? 1766. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.
Cups and saucers of the Carree style: with flowers by Huny, gilt by Chauveau; with flowers by Niquet, gilt by Vincent 1781; and with flowers by Catrice? 1766. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.

FLO4633156: Cups and saucers of the Carree style: with flowers by Huny, gilt by Chauveau; with flowers by Niquet, gilt by Vincent 1781; and with flowers by Catrice? 1766. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891. / Bridgeman Images

Vase jardiniere (flowerpot) with botanical panels, vase with garlands and festons, and vase jardiniere with dolphins and panels with birds and flowers. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.
Vase jardiniere (flowerpot) with botanical panels, vase with garlands and festons, and vase jardiniere with dolphins and panels with birds and flowers. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.

FLO4633351: Vase jardiniere (flowerpot) with botanical panels, vase with garlands and festons, and vase jardiniere with dolphins and panels with birds and flowers. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891. / Bridgeman Images

Vase with garlands and floral panel, vase with pearls and painted panel of birds, and greek vase with garlands and floral panel. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.
Vase with garlands and floral panel, vase with pearls and painted panel of birds, and greek vase with garlands and floral panel. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.

FLO4633411: Vase with garlands and floral panel, vase with pearls and painted panel of birds, and greek vase with garlands and floral panel. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891. / Bridgeman Images

Vases in blue, white, and gold: vase with painted cupid panel, vase with horizontal clock dial, and vase with panel of painted exotic birds. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.
Vases in blue, white, and gold: vase with painted cupid panel, vase with horizontal clock dial, and vase with panel of painted exotic birds. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.

FLO4633431: Vases in blue, white, and gold: vase with painted cupid panel, vase with horizontal clock dial, and vase with panel of painted exotic birds. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891. / Bridgeman Images

Bassbaritone Edouard Gassier in the role of the Comte in Auber's La Barcarolle, Opera Comique, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
Bassbaritone Edouard Gassier in the role of the Comte in Auber's La Barcarolle, Opera Comique, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4631251: Bassbaritone Edouard Gassier in the role of the Comte in Auber's La Barcarolle, Opera Comique, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

Miss Elisa Clarisse Lemenil as Pushette in Sylvandire, Act V, by Leuven/Vanderburch, Theatre du Palais-Royal, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
Miss Elisa Clarisse Lemenil as Pushette in Sylvandire, Act V, by Leuven/Vanderburch, Theatre du Palais-Royal, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4631306: Miss Elisa Clarisse Lemenil as Pushette in Sylvandire, Act V, by Leuven/Vanderburch, Theatre du Palais-Royal, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

Eugene Grailly in the role of Kernoc in Les Naufrageurs de Kerougal, by Boule, Chabot de Bouin and Saint-Yves, Theatre de la Porte St. Martin, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844.
Eugene Grailly in the role of Kernoc in Les Naufrageurs de Kerougal, by Boule, Chabot de Bouin and Saint-Yves, Theatre de la Porte St. Martin, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844.

FLO4631448: Eugene Grailly in the role of Kernoc in Les Naufrageurs de Kerougal, by Boule, Chabot de Bouin and Saint-Yves, Theatre de la Porte St. Martin, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844. / Bridgeman Images

English actress Pauline Virginie Dejazet as Gentil Bernard, ou L'Art d'aimer, by Philippe-Francois Dumanoir and Clairville, Theatre des Varietes, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.
English actress Pauline Virginie Dejazet as Gentil Bernard, ou L'Art d'aimer, by Philippe-Francois Dumanoir and Clairville, Theatre des Varietes, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

FLO4631679: English actress Pauline Virginie Dejazet as Gentil Bernard, ou L'Art d'aimer, by Philippe-Francois Dumanoir and Clairville, Theatre des Varietes, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846. / Bridgeman Images

English actress Madame Paul Ernest as the Marquise in Gentil Bernard, ou L'Art d'aimer, by Philippe-Francois Dumanoir and Clairville, Theatre des Varietes, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.
English actress Madame Paul Ernest as the Marquise in Gentil Bernard, ou L'Art d'aimer, by Philippe-Francois Dumanoir and Clairville, Theatre des Varietes, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

FLO4631761: English actress Madame Paul Ernest as the Marquise in Gentil Bernard, ou L'Art d'aimer, by Philippe-Francois Dumanoir and Clairville, Theatre des Varietes, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846. / Bridgeman Images

English actor Desbirons as Esparville in Le Roman Comique by Dennery, Cormon and Romain, Theatre du Vaudeville, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.
English actor Desbirons as Esparville in Le Roman Comique by Dennery, Cormon and Romain, Theatre du Vaudeville, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

FLO4631810: English actor Desbirons as Esparville in Le Roman Comique by Dennery, Cormon and Romain, Theatre du Vaudeville, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846. / Bridgeman Images

Miss Emma as Felina in L'Etoile du Berger by Anicet Bourgeois and Adolphe d'Ennery, Theatre de l'Ambigu Comique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.
Miss Emma as Felina in L'Etoile du Berger by Anicet Bourgeois and Adolphe d'Ennery, Theatre de l'Ambigu Comique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

FLO4631864: Miss Emma as Felina in L'Etoile du Berger by Anicet Bourgeois and Adolphe d'Ennery, Theatre de l'Ambigu Comique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846. / Bridgeman Images

Tenor singer Gustave-Hippolyte Roger in the comic opera Gibby la Cornemuse by Clapisson, Theatre de l'Opera Comique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.
Tenor singer Gustave-Hippolyte Roger in the comic opera Gibby la Cornemuse by Clapisson, Theatre de l'Opera Comique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

FLO4632174: Tenor singer Gustave-Hippolyte Roger in the comic opera Gibby la Cornemuse by Clapisson, Theatre de l'Opera Comique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846. / Bridgeman Images

Italian tenor Geremia Bettini as Arthur in the pastiche opera Robert Bruce by Gioachino Rossini, Royal Academy of Music, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.
Italian tenor Geremia Bettini as Arthur in the pastiche opera Robert Bruce by Gioachino Rossini, Royal Academy of Music, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

FLO4632283: Italian tenor Geremia Bettini as Arthur in the pastiche opera Robert Bruce by Gioachino Rossini, Royal Academy of Music, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846. / Bridgeman Images

English soprano singer Leocadie Lemercier as Estrella in Ne Touchez pas a la Reine by Xavier Boisselot, Theatre Royal de l'Opera Comique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.
English soprano singer Leocadie Lemercier as Estrella in Ne Touchez pas a la Reine by Xavier Boisselot, Theatre Royal de l'Opera Comique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

FLO4632346: English soprano singer Leocadie Lemercier as Estrella in Ne Touchez pas a la Reine by Xavier Boisselot, Theatre Royal de l'Opera Comique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846. / Bridgeman Images

Charles Hoster or Phileas Salvator Levilly as Le Rosier in La Revolution Francaise, Cirque Olympique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.
Charles Hoster or Phileas Salvator Levilly as Le Rosier in La Revolution Francaise, Cirque Olympique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

FLO4632358: Charles Hoster or Phileas Salvator Levilly as Le Rosier in La Revolution Francaise, Cirque Olympique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846. / Bridgeman Images

English actor Julien Deschamps as the Chevalier de Montaran in Irene or Le Magnetisme by Eugene Scribe and Lockroy, Theatre du Gymnasium Dramatique, 1847. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1847.
English actor Julien Deschamps as the Chevalier de Montaran in Irene or Le Magnetisme by Eugene Scribe and Lockroy, Theatre du Gymnasium Dramatique, 1847. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1847.

FLO4632366: English actor Julien Deschamps as the Chevalier de Montaran in Irene or Le Magnetisme by Eugene Scribe and Lockroy, Theatre du Gymnasium Dramatique, 1847. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1847. / Bridgeman Images

Shaggy ink cap, lawyer's wig or shaggy mane, Coprinus comatus. Chromolithograph after a botanical illustration by William Hamilton Gibson from his book Our Edible Toadstools and Mushrooms.
Shaggy ink cap, lawyer's wig or shaggy mane, Coprinus comatus. Chromolithograph after a botanical illustration by William Hamilton Gibson from his book Our Edible Toadstools and Mushrooms.

FLO4633535: Shaggy ink cap, lawyer's wig or shaggy mane, Coprinus comatus. Chromolithograph after a botanical illustration by William Hamilton Gibson from his book Our Edible Toadstools and Mushrooms. / Bridgeman Images

Frost's bolete, Exsudoporus frostii (Boletus alveolatus) and bitter bolete, Tylopilus felleus (Boletus felleus). Chromolithograph after a botanical illustration by William Hamilton Gibson from his book Our Edible Toadstools and Mushrooms.
Frost's bolete, Exsudoporus frostii (Boletus alveolatus) and bitter bolete, Tylopilus felleus (Boletus felleus). Chromolithograph after a botanical illustration by William Hamilton Gibson from his book Our Edible Toadstools and Mushrooms.

FLO4633593: Frost's bolete, Exsudoporus frostii (Boletus alveolatus) and bitter bolete, Tylopilus felleus (Boletus felleus). Chromolithograph after a botanical illustration by William Hamilton Gibson from his book Our Edible Toadstools and Mushrooms. / Bridgeman Images

Rosemary, Pansies, Fennel, Columbines, Rue, Daisy and Violets (Hamlet). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845.
Rosemary, Pansies, Fennel, Columbines, Rue, Daisy and Violets (Hamlet). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845.

FLO4633701: Rosemary, Pansies, Fennel, Columbines, Rue, Daisy and Violets (Hamlet). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845. / Bridgeman Images

Primrose, Hare-Bell, Eglantine and Moss (Cymbeline). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845.
Primrose, Hare-Bell, Eglantine and Moss (Cymbeline). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845.

FLO4633712: Primrose, Hare-Bell, Eglantine and Moss (Cymbeline). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845. / Bridgeman Images

Strawberry, Nettle and Summer-grass (King Henry V). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845.
Strawberry, Nettle and Summer-grass (King Henry V). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845.

FLO4633748: Strawberry, Nettle and Summer-grass (King Henry V). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845. / Bridgeman Images

Red Roses (King Richard III). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845.
Red Roses (King Richard III). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845.

FLO4633775: Red Roses (King Richard III). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845. / Bridgeman Images

Hawthorns and Brambles (As You Like It). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845.
Hawthorns and Brambles (As You Like It). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845.

FLO4633805: Hawthorns and Brambles (As You Like It). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845. / Bridgeman Images

Lavender, Mines, Savory, Marjoram and Marigold (Winter's Tale). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845.
Lavender, Mines, Savory, Marjoram and Marigold (Winter's Tale). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845.

FLO4633811: Lavender, Mines, Savory, Marjoram and Marigold (Winter's Tale). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845. / Bridgeman Images

Persian artillery costumes, the guns mounted on the saddle of the camels. With the flag and Persian gold coins. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Persian camel artillery showing bomdiers firing cannons mounted on saddles. Persian flag and gold coins. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Persian artillery costumes, the guns mounted on the saddle of the camels. With the flag and Persian gold coins. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Persian camel artillery showing bomdiers firing cannons mounted on saddles. Persian flag and gold coins. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4633999: Persian artillery costumes, the guns mounted on the saddle of the camels. With the flag and Persian gold coins. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Persian camel artillery showing bomdiers firing cannons mounted on saddles. Persian flag and gold coins. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

Butterfly limnephillus and plant of water aloe or false aloe or water pineapple. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839. Limnephilus elegans, Elegant Grannom or Caddis-fly, with fresh-water soldier, Stratiotes aloides. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839.
Butterfly limnephillus and plant of water aloe or false aloe or water pineapple. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839. Limnephilus elegans, Elegant Grannom or Caddis-fly, with fresh-water soldier, Stratiotes aloides. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839.

FLO4610125: Butterfly limnephillus and plant of water aloe or false aloe or water pineapple. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839. Limnephilus elegans, Elegant Grannom or Caddis-fly, with fresh-water soldier, Stratiotes aloides. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839. / Bridgeman Images

Adoration of the Magi (oil on wood, 1519-1520)
Adoration of the Magi (oil on wood, 1519-1520)

LRI4610155: Adoration of the Magi (oil on wood, 1519-1520), Pontormo, Jacopo (1494-1557) / Bridgeman Images

Insect: small homopter with a marsh peasant plant. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839.
Insect: small homopter with a marsh peasant plant. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839.

FLO4610154: Insect: small homopter with a marsh peasant plant. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839. / Bridgeman Images

Saint Margarita of Antioch, detail of Immaculee conception surrounded by 6 Saints. (Oil on canvas, c. 1505)
Saint Margarita of Antioch, detail of Immaculee conception surrounded by 6 Saints. (Oil on canvas, c. 1505)

LRI4609966: Saint Margarita of Antioch, detail of Immaculee conception surrounded by 6 Saints. (Oil on canvas, c. 1505), Cosimo, Piero di (c.1462-1521) / Bridgeman Images

Corolla: field edge (flower has a single petal), lily (hexapetal) and lily (polypetal). Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Corolla examples: monopetalous bindweed Convolvulus arvensis, hexapetala lily Lilium and polypetala waterlily Nymphaea. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””
Corolla: field edge (flower has a single petal), lily (hexapetal) and lily (polypetal). Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Corolla examples: monopetalous bindweed Convolvulus arvensis, hexapetala lily Lilium and polypetala waterlily Nymphaea. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””

FLO4610428: Corolla: field edge (flower has a single petal), lily (hexapetal) and lily (polypetal). Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Corolla examples: monopetalous bindweed Convolvulus arvensis, hexapetala lily Lilium and polypetala waterlily Nymphaea. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

St. John's wort, Hypericum perforatum, Polyadelphia, 1,2, and blue bottle or cornflower, Centaurea cyanus, Syngenesia, 3-5. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805.
St. John's wort, Hypericum perforatum, Polyadelphia, 1,2, and blue bottle or cornflower, Centaurea cyanus, Syngenesia, 3-5. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805.

FLO4610516: St. John's wort, Hypericum perforatum, Polyadelphia, 1,2, and blue bottle or cornflower, Centaurea cyanus, Syngenesia, 3-5. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805., Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Germination of radish seeds, common wheat and common barley. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Germinating seed of the radish Raphanus sativus (1-7), wheat Triticumum aestivum (8) and barley Hordeum vulgare (9). Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””
Germination of radish seeds, common wheat and common barley. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Germinating seed of the radish Raphanus sativus (1-7), wheat Triticumum aestivum (8) and barley Hordeum vulgare (9). Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””

FLO4610535: Germination of radish seeds, common wheat and common barley. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Germinating seed of the radish Raphanus sativus (1-7), wheat Triticumum aestivum (8) and barley Hordeum vulgare (9). Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Yellow toad flax or snapdragon, Antirrhinum majus, Angiospermia. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805.
Yellow toad flax or snapdragon, Antirrhinum majus, Angiospermia. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805.

FLO4610592: Yellow toad flax or snapdragon, Antirrhinum majus, Angiospermia. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805., Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Saint Jerome Painting of Jusepe (Jose) de Ribera called lo Spagnoletto (ca. 1591-1652) 17th century Naples, Museo Nazionale Di Capodimonte
Saint Jerome Painting of Jusepe (Jose) de Ribera called lo Spagnoletto (ca. 1591-1652) 17th century Naples, Museo Nazionale Di Capodimonte

LRI4610650: Saint Jerome Painting of Jusepe (Jose) de Ribera called lo Spagnoletto (ca. 1591-1652) 17th century Naples, Museo Nazionale Di Capodimonte, Ribera, Jusepe de (c.1590-1652) / Bridgeman Images

The Holy Family with Saint Bruno of Cologne and other saints - The Holy Family with Saint Bruno of Cologne and other saints. Painting by Jose (Jusepe) of Ribera, dit lo Spagnoletto (1591-1652), 1629-1630, oil on canvas, 393* 262 cm. Napoli, Museo di Capodimonte
The Holy Family with Saint Bruno of Cologne and other saints - The Holy Family with Saint Bruno of Cologne and other saints. Painting by Jose (Jusepe) of Ribera, dit lo Spagnoletto (1591-1652), 1629-1630, oil on canvas, 393* 262 cm. Napoli, Museo di Capodimonte

LRI4610658: The Holy Family with Saint Bruno of Cologne and other saints - The Holy Family with Saint Bruno of Cologne and other saints. Painting by Jose (Jusepe) of Ribera, dit lo Spagnoletto (1591-1652), 1629-1630, oil on canvas, 393* 262 cm. Napoli, Museo di Capodimonte, Ribera, Jusepe de (c.1590-1652) / Bridgeman Images

Diana and Actaeon (fresco, 1707-1708)
Diana and Actaeon (fresco, 1707-1708)

LRI4610781: Diana and Actaeon (fresco, 1707-1708), Ricci, Sebastiano (1658-1734) / Bridgeman Images


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