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Necklace with masks of maenads and Silenus, 5th-4th century BC (gold)
Necklace with masks of maenads and Silenus, 5th-4th century BC (gold)

XIR181041: Necklace with masks of maenads and Silenus, 5th-4th century BC (gold), Etruscan / Bridgeman Images

ID: XIR181041

Necklace with masks of maenads and Silenus, 5th-4th century BC (gold)

Etruscan

The Entrance to the Mine (photo)
The Entrance to the Mine (photo)

USB181412: The Entrance to the Mine (photo) / Bridgeman Images

ID: USB181412

The Entrance to the Mine (photo)

Collection of ceramics on a table in the Library (photo)
Collection of ceramics on a table in the Library (photo)

USB181418: Collection of ceramics on a table in the Library (photo), French School, (18th century) / Bridgeman Images

ID: USB181418

Collection of ceramics on a table in the Library (photo)

French School, (18th century)

View of the Dining Room, Calke Abbey, Derbyshire (photo)
View of the Dining Room, Calke Abbey, Derbyshire (photo)

USB181421: View of the Dining Room, Calke Abbey, Derbyshire (photo) / Bridgeman Images

ID: USB181421

View of the Dining Room, Calke Abbey, Derbyshire (photo)

The Junk Room (photo)
The Junk Room (photo)

USB181473: The Junk Room (photo) / Bridgeman Images

ID: USB181473

The Junk Room (photo)

A Southerly Wind and a Cloudy Sky Proclaim it a Hunting Morning (oil on board) (see 225060-225062)
A Southerly Wind and a Cloudy Sky Proclaim it a Hunting Morning (oil on board) (see 225060-225062)

DAH225062: A Southerly Wind and a Cloudy Sky Proclaim it a Hunting Morning (oil on board) (see 225060-225062), Shayer, William Joseph (1811-92) / Bridgeman Images

ID: DAH225062

A Southerly Wind and a Cloudy Sky Proclaim it a Hunting Morning (oil on board) (see 225060-225062)

Shayer, William Joseph (1811-92)

A Lady of Cairo, from 'Views in Egypt, from the Original Drawings in Possession of Sir Robert Ainslie', published 1802 (colour litho)
A Lady of Cairo, from 'Views in Egypt, from the Original Drawings in Possession of Sir Robert Ainslie', published 1802 (colour litho)

DAH225071: A Lady of Cairo, from 'Views in Egypt, from the Original Drawings in Possession of Sir Robert Ainslie', published 1802 (colour litho), Mayer, Luigi (1755-1803) (after) / Bridgeman Images

ID: DAH225071

A Lady of Cairo, from 'Views in Egypt, from the Original Drawings in Possession of Sir Robert Ainslie', published 1802 (colour litho)

Mayer, Luigi (1755-1803) (after)

Bypass I, 1960 (oil on canvas)
Bypass I, 1960 (oil on canvas)

COU225309: Bypass I, 1960 (oil on canvas), Clough, Prunella (1919-99) / Bridgeman Images

ID: COU225309

Bypass I, 1960 (oil on canvas)

Clough, Prunella (1919-99)

Hip Bath, c.1911-12 (oil on canvas)
Hip Bath, c.1911-12 (oil on canvas)

COU225321: Hip Bath, c.1911-12 (oil on canvas), Etchells, Frederick (1886-1973) / Bridgeman Images

ID: COU225321

Hip Bath, c.1911-12 (oil on canvas)

Etchells, Frederick (1886-1973)

Venice, 1890-99 (oil on canvas)
Venice, 1890-99 (oil on canvas)

COU225333: Venice, 1890-99 (oil on canvas), Fry, Roger Eliot (1866-1934) / Bridgeman Images

ID: COU225333

Venice, 1890-99 (oil on canvas)

Fry, Roger Eliot (1866-1934)

Man at Work, 2003 (ink wash on paper)
Man at Work, 2003 (ink wash on paper)

MAX225704: Man at Work, 2003 (ink wash on paper), Ferguson, Max (b.1959) / Bridgeman Images

ID: MAX225704

Man at Work, 2003 (ink wash on paper)

Ferguson, Max (b.1959)

The Female Slave (oil on canvas)
The Female Slave (oil on canvas)

DAH226224: The Female Slave (oil on canvas), Astonberg-Hoffman, Edmund (19th Century) / Bridgeman Images

ID: DAH226224

The Female Slave (oil on canvas)

Astonberg-Hoffman, Edmund (19th Century)

African Woman, plate 98 from 'Recueil de Cent Estampes representant differentes Nations du Levant tirees sur les Tableaux Peints d'apres Nature...', 1707-08 (coloured engraving)
African Woman, plate 98 from 'Recueil de Cent Estampes representant differentes Nations du Levant tirees sur les Tableaux Peints d'apres Nature...', 1707-08 (coloured engraving)

DAH226239: African Woman, plate 98 from 'Recueil de Cent Estampes representant differentes Nations du Levant tirees sur les Tableaux Peints d'apres Nature...', 1707-08 (coloured engraving), Vanmour, Jean Baptiste (1671-1737) / Bridgeman Images

ID: DAH226239

African Woman, plate 98 from 'Recueil de Cent Estampes representant differentes Nations du Levant tirees sur les Tableaux Peints d'apres Nature...', 1707-08 (coloured engraving)

Vanmour, Jean Baptiste (1671-1737)

Greek Woman in her Apartment, plate 68 from 'Recueil de Cent Estampes representant differentes Nations du Levant tirees sur les Tableaux Peints d'apres Nature...', 1707-08 (coloured engraving)
Greek Woman in her Apartment, plate 68 from 'Recueil de Cent Estampes representant differentes Nations du Levant tirees sur les Tableaux Peints d'apres Nature...', 1707-08 (coloured engraving)

DAH226242: Greek Woman in her Apartment, plate 68 from 'Recueil de Cent Estampes representant differentes Nations du Levant tirees sur les Tableaux Peints d'apres Nature...', 1707-08 (coloured engraving), Vanmour, Jean Baptiste (1671-1737) / Bridgeman Images

ID: DAH226242

Greek Woman in her Apartment, plate 68 from 'Recueil de Cent Estampes representant differentes Nations du Levant tirees sur les Tableaux Peints d'apres Nature...', 1707-08 (coloured engraving)

Vanmour, Jean Baptiste (1671-1737)

Bozzaris, from 'A Collection of the Works of Jean-Leon Gerome in 100 Photogravures', 1881 (photogravure)
Bozzaris, from 'A Collection of the Works of Jean-Leon Gerome in 100 Photogravures', 1881 (photogravure)

DAH226260: Bozzaris, from 'A Collection of the Works of Jean-Leon Gerome in 100 Photogravures', 1881 (photogravure), Gerome, Jean Leon (1824-1904) (after) / Bridgeman Images

ID: DAH226260

Bozzaris, from 'A Collection of the Works of Jean-Leon Gerome in 100 Photogravures', 1881 (photogravure)

Gerome, Jean Leon (1824-1904) (after)

Beulouk-Bachi, plate 11 from 'Recueil de Cent Estampes representant differentes Nations du Levant tirees sur les Tableaux Peints d'apres Nature...', engraved by Scotin, Gerard Jean Baptiste (1671-1716) 1707-08 (coloured engraving)
Beulouk-Bachi, plate 11 from 'Recueil de Cent Estampes representant differentes Nations du Levant tirees sur les Tableaux Peints d'apres Nature...', engraved by Scotin, Gerard Jean Baptiste (1671-1716) 1707-08 (coloured engraving)

DAH226295: Beulouk-Bachi, plate 11 from 'Recueil de Cent Estampes representant differentes Nations du Levant tirees sur les Tableaux Peints d'apres Nature...', engraved by Scotin, Gerard Jean Baptiste (1671-1716) 1707-08 (coloured engraving), Vanmour, Jean Baptiste (1671-1737) (after) / Bridgeman Images

ID: DAH226295

Beulouk-Bachi, plate 11 from 'Recueil de Cent Estampes representant differentes Nations du Levant tirees sur les Tableaux Peints d'apres Nature...', engraved by Scotin, Gerard Jean Baptiste (1671-1716) 1707-08 (coloured engraving)

Vanmour, Jean Baptiste (1671-1737) (after)

Horse Surprised by a Tiger (bronze)
Horse Surprised by a Tiger (bronze)

DAH226319: Horse Surprised by a Tiger (bronze), Barye, Antoine Louis (1796-1875) / Bridgeman Images

ID: DAH226319

Horse Surprised by a Tiger (bronze)

Barye, Antoine Louis (1796-1875)

Otto Klemperer's hands (b/w photo)
Otto Klemperer's hands (b/w photo)

MTN251202: Otto Klemperer's hands (b/w photo), Meitner-Graf, Lotte (1899-1973) / Bridgeman Images

ID: MTN251202

Otto Klemperer's hands (b/w photo)

Meitner-Graf, Lotte (1899-1973)

Lotte Lehmann (1888-1976) (b/w photo)
Lotte Lehmann (1888-1976) (b/w photo)

MTN251205: Lotte Lehmann (1888-1976) (b/w photo), Meitner-Graf, Lotte (1899-1973) / Bridgeman Images

ID: MTN251205

Lotte Lehmann (1888-1976) (b/w photo)

Meitner-Graf, Lotte (1899-1973)

Professor Patrick Maynard Stuart Blackett (1897-1974) (b/w photo)
Professor Patrick Maynard Stuart Blackett (1897-1974) (b/w photo)

MTN251217: Professor Patrick Maynard Stuart Blackett (1897-1974) (b/w photo), Meitner-Graf, Lotte (1899-1973) / Bridgeman Images

ID: MTN251217

Professor Patrick Maynard Stuart Blackett (1897-1974) (b/w photo)

Meitner-Graf, Lotte (1899-1973)

The Coast of New England, 1880 (oil on canvas)
The Coast of New England, 1880 (oil on canvas)

TBM203671: The Coast of New England, 1880 (oil on canvas), Gifford, Robert Swain (1840-1905) / Bridgeman Images

ID: TBM203671

The Coast of New England, 1880 (oil on canvas)

Gifford, Robert Swain (1840-1905)

History (stone) (b/w photo)
History (stone) (b/w photo)

FAF252914: History (stone) (b/w photo), Duccio, Agostino di (1418-c.81) / Bridgeman Images

ID: FAF252914

History (stone) (b/w photo)

Duccio, Agostino di (1418-c.81)

Mother and Child: Ovals, 1979 (bronze) (b/w photo)
Mother and Child: Ovals, 1979 (bronze) (b/w photo)

FFA203921: Mother and Child: Ovals, 1979 (bronze) (b/w photo), Moore, Henry Spencer (1898-1986) / Bridgeman Images

ID: FFA203921

Mother and Child: Ovals, 1979 (bronze) (b/w photo)

Moore, Henry Spencer (1898-1986)

Deckchair and Cat (w/c & bodycolour on paper)
Deckchair and Cat (w/c & bodycolour on paper)

CBE204047: Deckchair and Cat (w/c & bodycolour on paper), Pemberton, Muriel (1909-93) / Bridgeman Images

ID: CBE204047

Deckchair and Cat (w/c & bodycolour on paper)

Pemberton, Muriel (1909-93)

Romsey Night Scene (oil on canvas)
Romsey Night Scene (oil on canvas)

HCR154478: Romsey Night Scene (oil on canvas), Crossley, Harley (1936-2013) / Bridgeman Images

ID: HCR154478

Romsey Night Scene (oil on canvas)

Crossley, Harley (1936-2013)

The Town Mouse and the Country Mouse, preliminary study for 'Aesop's Fables', translated by V.S. Vernon Jones, published 1912 (pen & ink with pencil on paper) (see 201716)
The Town Mouse and the Country Mouse, preliminary study for 'Aesop's Fables', translated by V.S. Vernon Jones, published 1912 (pen & ink with pencil on paper) (see 201716)

CBE204126: The Town Mouse and the Country Mouse, preliminary study for 'Aesop's Fables', translated by V.S. Vernon Jones, published 1912 (pen & ink with pencil on paper) (see 201716), Rackham, Arthur (1867-1939) / Bridgeman Images

ID: CBE204126

The Town Mouse and the Country Mouse, preliminary study for 'Aesop's Fables', translated by V.S. Vernon Jones, published 1912 (pen & ink with pencil on paper) (see 201716)

Rackham, Arthur (1867-1939)

Covent Garden Market, London (oil on canvas)
Covent Garden Market, London (oil on canvas)

HCR154487: Covent Garden Market, London (oil on canvas), Crossley, Harley (1936-2013) / Bridgeman Images

ID: HCR154487

Covent Garden Market, London (oil on canvas)

Crossley, Harley (1936-2013)

Front cover sketch for Hans Andersen's Fairy Tales (w/c on paper)
Front cover sketch for Hans Andersen's Fairy Tales (w/c on paper)

CBE204138: Front cover sketch for Hans Andersen's Fairy Tales (w/c on paper), Rackham, Arthur (1867-1939) / Bridgeman Images

ID: CBE204138

Front cover sketch for Hans Andersen's Fairy Tales (w/c on paper)

Rackham, Arthur (1867-1939)

Exterior of the Duomo, begun in 1131 by King Roger II (d.1154) of Sicily (b/w photo)
Exterior of the Duomo, begun in 1131 by King Roger II (d.1154) of Sicily (b/w photo)

FAF154722: Exterior of the Duomo, begun in 1131 by King Roger II (d.1154) of Sicily (b/w photo), Italian School, (12th century) / Bridgeman Images

ID: FAF154722

Exterior of the Duomo, begun in 1131 by King Roger II (d.1154) of Sicily (b/w photo)

Italian School, (12th century)

'At last she met the bridegroom who was slowly coming back', illustration for 'Fitcher's Bird', from 'Little Brother, Little Sister', by the Brothers Grimm, 1917 (w/c and pen & ink on paper) (see also 28797)
'At last she met the bridegroom who was slowly coming back', illustration for 'Fitcher's Bird', from 'Little Brother, Little Sister', by the Brothers Grimm, 1917 (w/c and pen & ink on paper) (see also 28797)

CBE204165: 'At last she met the bridegroom who was slowly coming back', illustration for 'Fitcher's Bird', from 'Little Brother, Little Sister', by the Brothers Grimm, 1917 (w/c and pen & ink on paper) (see also 28797), Rackham, Arthur (1867-1939) / Bridgeman Images

ID: CBE204165

'At last she met the bridegroom who was slowly coming back', illustration for 'Fitcher's Bird', from 'Little Brother, Little Sister', by the Brothers Grimm, 1917 (w/c and pen & ink on paper) (see also 28797)

Rackham, Arthur (1867-1939)

One of 4 Maps with 172 coloured crayons, gouaches, Indian ink drawings, 1 sketch pad, 1952-62 (pen and Indian ink on paper)
One of 4 Maps with 172 coloured crayons, gouaches, Indian ink drawings, 1 sketch pad, 1952-62 (pen and Indian ink on paper)

XKH154803: One of 4 Maps with 172 coloured crayons, gouaches, Indian ink drawings, 1 sketch pad, 1952-62 (pen and Indian ink on paper), Darboven, Hanne (1941-2009) / Bridgeman Images

ID: XKH154803

One of 4 Maps with 172 coloured crayons, gouaches, Indian ink drawings, 1 sketch pad, 1952-62 (pen and Indian ink on paper)

Darboven, Hanne (1941-2009)

Dedham Vale (w/c on paper)
Dedham Vale (w/c on paper)

KEC155005: Dedham Vale (w/c on paper), Keating, Tom (1917-84) / Bridgeman Images

ID: KEC155005

Dedham Vale (w/c on paper)

Keating, Tom (1917-84)

Pauline, 2000 (oil on canvas)
Pauline, 2000 (oil on canvas)

GDS207659: Pauline, 2000 (oil on canvas), Dupuis, Gilles (b.1941) / Bridgeman Images

ID: GDS207659

Pauline, 2000 (oil on canvas)

Dupuis, Gilles (b.1941)

The Promontory of Posilipio, in the Bay of Naples, with Mount Vesuvius in the Background (oil on canvas)
The Promontory of Posilipio, in the Bay of Naples, with Mount Vesuvius in the Background (oil on canvas)

FAS160728: The Promontory of Posilipio, in the Bay of Naples, with Mount Vesuvius in the Background (oil on canvas), Freebairn, Robert (1764-1808) / Bridgeman Images

ID: FAS160728

The Promontory of Posilipio, in the Bay of Naples, with Mount Vesuvius in the Background (oil on canvas)

Freebairn, Robert (1764-1808)

Bonaparte, First Consul (1769-1821) Visiting the Members of the Academie des Sciences at the Louvre, early 19th century (pencil on paper)
Bonaparte, First Consul (1769-1821) Visiting the Members of the Academie des Sciences at the Louvre, early 19th century (pencil on paper)

ACD207888: Bonaparte, First Consul (1769-1821) Visiting the Members of the Academie des Sciences at the Louvre, early 19th century (pencil on paper), French School, (19th century) / Bridgeman Images

ID: ACD207888

Bonaparte, First Consul (1769-1821) Visiting the Members of the Academie des Sciences at the Louvre, early 19th century (pencil on paper)

French School, (19th century)

The Surprise, c.1800 (oil on canvas)
The Surprise, c.1800 (oil on canvas)

CND208143: The Surprise, c.1800 (oil on canvas), Greuze, Jean Baptiste (1725-1805) / Bridgeman Images

ID: CND208143

The Surprise, c.1800 (oil on canvas)

Greuze, Jean Baptiste (1725-1805)


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