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The city of Lataku (Kuruman), South Africa. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
The city of Lataku (Kuruman), South Africa. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620241: The city of Lataku (Kuruman), South Africa. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

ID: FLO4620241

The city of Lataku (Kuruman), South Africa. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

Costumes and vestments of the Egyptian priests. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.
Costumes and vestments of the Egyptian priests. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

FLO4620476: Costumes and vestments of the Egyptian priests. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843. / Bridgeman Images

ID: FLO4620476

Costumes and vestments of the Egyptian priests. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

Bedouin arab sheiks of Egypt, 1820s, one on horseback. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.
Bedouin arab sheiks of Egypt, 1820s, one on horseback. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

FLO4620704: Bedouin arab sheiks of Egypt, 1820s, one on horseback. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843. / Bridgeman Images

ID: FLO4620704

Bedouin arab sheiks of Egypt, 1820s, one on horseback. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

The Reading of the Office Painting by Giuseppe De Nittis (1846-1884) 19th century Florence, Galleria d'Arte Moderna
The Reading of the Office Painting by Giuseppe De Nittis (1846-1884) 19th century Florence, Galleria d'Arte Moderna

LRI4620902: The Reading of the Office Painting by Giuseppe De Nittis (1846-1884) 19th century Florence, Galleria d'Arte Moderna, Nittis, Giuseppe or Joseph de (1846-84) / Bridgeman Images

ID: LRI4620902

The Reading of the Office Painting by Giuseppe De Nittis (1846-1884) 19th century Florence, Galleria d'Arte Moderna

Nittis, Giuseppe or Joseph de (1846-84)

Portraits of Xhosa (Kaffir) people of South Africa in headdresses, fur capes and earrings. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Portraits of Xhosa (Kaffir) people of South Africa in headdresses, fur capes and earrings. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620435: Portraits of Xhosa (Kaffir) people of South Africa in headdresses, fur capes and earrings. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

ID: FLO4620435

Portraits of Xhosa (Kaffir) people of South Africa in headdresses, fur capes and earrings. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

Portrait of Alade Banti in white, 1866 (painting)
Portrait of Alade Banti in white, 1866 (painting)

LRI4620450: Portrait of Alade Banti in white, 1866 (painting), Boldini, Giovanni (1842-1931) / Bridgeman Images

ID: LRI4620450

Portrait of Alade Banti in white, 1866 (painting)

Boldini, Giovanni (1842-1931)

Force Allegory, c.1470 (tempera on wood)
Force Allegory, c.1470 (tempera on wood)

LRI4620503: Force Allegory, c.1470 (tempera on wood), Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510) / Bridgeman Images

ID: LRI4620503

Force Allegory, c.1470 (tempera on wood)

Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510)

Elevation and plan of the Temple of Hathor at Dendera (Tentyra) Temple complex. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.
Elevation and plan of the Temple of Hathor at Dendera (Tentyra) Temple complex. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

FLO4620585: Elevation and plan of the Temple of Hathor at Dendera (Tentyra) Temple complex. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843. / Bridgeman Images

ID: FLO4620585

Elevation and plan of the Temple of Hathor at Dendera (Tentyra) Temple complex. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

Naked Nubian people (Coubli or Barabra) from beyond the Nile falls (Southern Egypt and Sudan). Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Naked Nubian people (Coubli or Barabra) from beyond the Nile falls (Southern Egypt and Sudan). Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620749: Naked Nubian people (Coubli or Barabra) from beyond the Nile falls (Southern Egypt and Sudan). Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

ID: FLO4620749

Naked Nubian people (Coubli or Barabra) from beyond the Nile falls (Southern Egypt and Sudan). Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

Medals and illustrations of Numidian and Mauritanian horse riders. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Medals and illustrations of Numidian and Mauritanian horse riders. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620803: Medals and illustrations of Numidian and Mauritanian horse riders. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

ID: FLO4620803

Medals and illustrations of Numidian and Mauritanian horse riders. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

View of the Tequendama Falls, Bogota River, Colombia. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
View of the Tequendama Falls, Bogota River, Colombia. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4621021: View of the Tequendama Falls, Bogota River, Colombia. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

ID: FLO4621021

View of the Tequendama Falls, Bogota River, Colombia. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

Indigenous Mapuche of Chile playing the game of llighetun with beans (porotos) and a ring, and kechukawe (queciucague) with a five-sided dice. Handcoloured copperplate engraving by Luigi Giarre from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Indigenous Mapuche of Chile playing the game of llighetun with beans (porotos) and a ring, and kechukawe (queciucague) with a five-sided dice. Handcoloured copperplate engraving by Luigi Giarre from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4621247: Indigenous Mapuche of Chile playing the game of llighetun with beans (porotos) and a ring, and kechukawe (queciucague) with a five-sided dice. Handcoloured copperplate engraving by Luigi Giarre from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

ID: FLO4621247

Indigenous Mapuche of Chile playing the game of llighetun with beans (porotos) and a ring, and kechukawe (queciucague) with a five-sided dice. Handcoloured copperplate engraving by Luigi Giarre from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

Golden lion tamarin, Leontopithecus rosalia (endangered), Andean condor, Vultur gryphus, and cacao tree, Theobroma cacao. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Golden lion tamarin, Leontopithecus rosalia (endangered), Andean condor, Vultur gryphus, and cacao tree, Theobroma cacao. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4621067: Golden lion tamarin, Leontopithecus rosalia (endangered), Andean condor, Vultur gryphus, and cacao tree, Theobroma cacao. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

ID: FLO4621067

Golden lion tamarin, Leontopithecus rosalia (endangered), Andean condor, Vultur gryphus, and cacao tree, Theobroma cacao. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

Arms and utensils of the extinct Puri and Coroados people, of Paraiba, Brazil, including bow, arrow, necklace and bag made of vines and branches. Handcoloured copperplate engraving from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli), Florence, 1842.
Arms and utensils of the extinct Puri and Coroados people, of Paraiba, Brazil, including bow, arrow, necklace and bag made of vines and branches. Handcoloured copperplate engraving from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli), Florence, 1842.

FLO4621350: Arms and utensils of the extinct Puri and Coroados people, of Paraiba, Brazil, including bow, arrow, necklace and bag made of vines and branches. Handcoloured copperplate engraving from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli), Florence, 1842. / Bridgeman Images

ID: FLO4621350

Arms and utensils of the extinct Puri and Coroados people, of Paraiba, Brazil, including bow, arrow, necklace and bag made of vines and branches. Handcoloured copperplate engraving from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli), Florence, 1842.

Patachos man opening a coconut with an axe, and naked hunters with bow and long arrows, Rio Prado, Brazil. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Patachos man opening a coconut with an axe, and naked hunters with bow and long arrows, Rio Prado, Brazil. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4621399: Patachos man opening a coconut with an axe, and naked hunters with bow and long arrows, Rio Prado, Brazil. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

ID: FLO4621399

Patachos man opening a coconut with an axe, and naked hunters with bow and long arrows, Rio Prado, Brazil. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

Monkeys of the river Orinoco, Guiana, South America, by Humboldt. Three-striped night monkey, Aotus trivirgatus 1, red-backed saki, Pithecia chiropotes 2, black-headed uakari, Cacajao melanocephalus 3, and ursine howler monkey, Alouatta arctoidea 4. Handcoloured copperplate engraving by Nasi from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Monkeys of the river Orinoco, Guiana, South America, by Humboldt. Three-striped night monkey, Aotus trivirgatus 1, red-backed saki, Pithecia chiropotes 2, black-headed uakari, Cacajao melanocephalus 3, and ursine howler monkey, Alouatta arctoidea 4. Handcoloured copperplate engraving by Nasi from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4621007: Monkeys of the river Orinoco, Guiana, South America, by Humboldt. Three-striped night monkey, Aotus trivirgatus 1, red-backed saki, Pithecia chiropotes 2, black-headed uakari, Cacajao melanocephalus 3, and ursine howler monkey, Alouatta arctoidea 4. Handcoloured copperplate engraving by Nasi from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

ID: FLO4621007

Monkeys of the river Orinoco, Guiana, South America, by Humboldt. Three-striped night monkey, Aotus trivirgatus 1, red-backed saki, Pithecia chiropotes 2, black-headed uakari, Cacajao melanocephalus 3, and ursine howler monkey, Alouatta arctoidea 4. Handcoloured copperplate engraving by Nasi from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

Elevation and plan of the ruins of an Incan fort-palace with temple of the Sun at Ingapirca, near Canar, Ecuador. Handcoloured copperplate engraving by Nasi from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Elevation and plan of the ruins of an Incan fort-palace with temple of the Sun at Ingapirca, near Canar, Ecuador. Handcoloured copperplate engraving by Nasi from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4621188: Elevation and plan of the ruins of an Incan fort-palace with temple of the Sun at Ingapirca, near Canar, Ecuador. Handcoloured copperplate engraving by Nasi from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

ID: FLO4621188

Elevation and plan of the ruins of an Incan fort-palace with temple of the Sun at Ingapirca, near Canar, Ecuador. Handcoloured copperplate engraving by Nasi from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

The visit to the nurse (oil on canvas, 1873)
The visit to the nurse (oil on canvas, 1873)

LRI4621281: The visit to the nurse (oil on canvas, 1873), Lega, Silvestro (1826-95) / Bridgeman Images

ID: LRI4621281

The visit to the nurse (oil on canvas, 1873)

Lega, Silvestro (1826-95)

Araucanian Mapuche or Moluche leader with tunic and axe, women in woven dresses, and cavalry with spear and pennant. Handcoloured copperplate engraving by Verico from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Araucanian Mapuche or Moluche leader with tunic and axe, women in woven dresses, and cavalry with spear and pennant. Handcoloured copperplate engraving by Verico from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4621297: Araucanian Mapuche or Moluche leader with tunic and axe, women in woven dresses, and cavalry with spear and pennant. Handcoloured copperplate engraving by Verico from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

ID: FLO4621297

Araucanian Mapuche or Moluche leader with tunic and axe, women in woven dresses, and cavalry with spear and pennant. Handcoloured copperplate engraving by Verico from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

Tools and utensils of the Botocudo people, Brazil. Kindle stick 2, bag 3, codpiece 4, necklace 5, knife 6, bone dagger to pierce coconuts 7, wooden water container 8. Handcoloured copperplate engraving from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli), Florence, 1842.
Tools and utensils of the Botocudo people, Brazil. Kindle stick 2, bag 3, codpiece 4, necklace 5, knife 6, bone dagger to pierce coconuts 7, wooden water container 8. Handcoloured copperplate engraving from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli), Florence, 1842.

FLO4621375: Tools and utensils of the Botocudo people, Brazil. Kindle stick 2, bag 3, codpiece 4, necklace 5, knife 6, bone dagger to pierce coconuts 7, wooden water container 8. Handcoloured copperplate engraving from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli), Florence, 1842. / Bridgeman Images

ID: FLO4621375

Tools and utensils of the Botocudo people, Brazil. Kindle stick 2, bag 3, codpiece 4, necklace 5, knife 6, bone dagger to pierce coconuts 7, wooden water container 8. Handcoloured copperplate engraving from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli), Florence, 1842.

Woven hammock used by the Island Carib or Kalinago people. Handcoloured copperplate engraving from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli), Florence, 1842.
Woven hammock used by the Island Carib or Kalinago people. Handcoloured copperplate engraving from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli), Florence, 1842.

FLO4621561: Woven hammock used by the Island Carib or Kalinago people. Handcoloured copperplate engraving from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli), Florence, 1842. / Bridgeman Images

ID: FLO4621561

Woven hammock used by the Island Carib or Kalinago people. Handcoloured copperplate engraving from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli), Florence, 1842.

Idols, amulets and ceremonial greenstone axe of the Island Carib or Kalinago people, West Indies. Handcoloured copperplate engraving from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli), Florence, 1842.
Idols, amulets and ceremonial greenstone axe of the Island Carib or Kalinago people, West Indies. Handcoloured copperplate engraving from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli), Florence, 1842.

FLO4621619: Idols, amulets and ceremonial greenstone axe of the Island Carib or Kalinago people, West Indies. Handcoloured copperplate engraving from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli), Florence, 1842. / Bridgeman Images

ID: FLO4621619

Idols, amulets and ceremonial greenstone axe of the Island Carib or Kalinago people, West Indies. Handcoloured copperplate engraving from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli), Florence, 1842.

Costumes of the Inuit (Eskimo) wearing sealskin clothes with hoods and long boots. Handcoloured copperplate engraving by Francesco Lavagnoli Veronese from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.
Costumes of the Inuit (Eskimo) wearing sealskin clothes with hoods and long boots. Handcoloured copperplate engraving by Francesco Lavagnoli Veronese from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.

FLO4621731: Costumes of the Inuit (Eskimo) wearing sealskin clothes with hoods and long boots. Handcoloured copperplate engraving by Francesco Lavagnoli Veronese from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837. / Bridgeman Images

ID: FLO4621731

Costumes of the Inuit (Eskimo) wearing sealskin clothes with hoods and long boots. Handcoloured copperplate engraving by Francesco Lavagnoli Veronese from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.

View of Niagara falls, 19th century. Handcoloured copperplate engraving by Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.
View of Niagara falls, 19th century. Handcoloured copperplate engraving by Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.

FLO4621764: View of Niagara falls, 19th century. Handcoloured copperplate engraving by Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837. / Bridgeman Images

ID: FLO4621764

View of Niagara falls, 19th century. Handcoloured copperplate engraving by Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.

View of the Pennsylvania State House in Philadelphia from the Columbian Magazine, 1787. Handcoloured copperplate engraving by Bernardeni from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.
View of the Pennsylvania State House in Philadelphia from the Columbian Magazine, 1787. Handcoloured copperplate engraving by Bernardeni from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.

FLO4621869: View of the Pennsylvania State House in Philadelphia from the Columbian Magazine, 1787. Handcoloured copperplate engraving by Bernardeni from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837. / Bridgeman Images

ID: FLO4621869

View of the Pennsylvania State House in Philadelphia from the Columbian Magazine, 1787. Handcoloured copperplate engraving by Bernardeni from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.

Giant grasshopper, Tropidacris dux. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837.
Giant grasshopper, Tropidacris dux. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837.

FLO4616010: Giant grasshopper, Tropidacris dux. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837. / Bridgeman Images

ID: FLO4616010

Giant grasshopper, Tropidacris dux. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837.

Helicopter damselfly, Mecistogaster lucretia 1, tropical carpenter bee, Xylocopa latipes 2, and potter wasp, Synagris cornuta, male 3. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837.
Helicopter damselfly, Mecistogaster lucretia 1, tropical carpenter bee, Xylocopa latipes 2, and potter wasp, Synagris cornuta, male 3. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837.

FLO4616038: Helicopter damselfly, Mecistogaster lucretia 1, tropical carpenter bee, Xylocopa latipes 2, and potter wasp, Synagris cornuta, male 3. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837. / Bridgeman Images

ID: FLO4616038

Helicopter damselfly, Mecistogaster lucretia 1, tropical carpenter bee, Xylocopa latipes 2, and potter wasp, Synagris cornuta, male 3. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837.

Description of mushrooms: Hairhead (edible), Group and Micace Coprin. Chromolithography in Atlas of edible and venenous mushrooms, 1891, by Leon Marie Dufour (1862-1942), French mycologist.
Description of mushrooms: Hairhead (edible), Group and Micace Coprin. Chromolithography in Atlas of edible and venenous mushrooms, 1891, by Leon Marie Dufour (1862-1942), French mycologist.

FLO4616105: Description of mushrooms: Hairhead (edible), Group and Micace Coprin. Chromolithography in Atlas of edible and venenous mushrooms, 1891, by Leon Marie Dufour (1862-1942), French mycologist. / Bridgeman Images

ID: FLO4616105

Description of mushrooms: Hairhead (edible), Group and Micace Coprin. Chromolithography in Atlas of edible and venenous mushrooms, 1891, by Leon Marie Dufour (1862-1942), French mycologist.

Ellipse within a rectangle (Acrylic on Canvas, 20th century)
Ellipse within a rectangle (Acrylic on Canvas, 20th century)

LRI4616463: Ellipse within a rectangle (Acrylic on Canvas, 20th century), Mangold, Robert (b.1937) / Bridgeman Images

ID: LRI4616463

Ellipse within a rectangle (Acrylic on Canvas, 20th century)

Mangold, Robert (b.1937)

March - Illustration - Mars - Artist's view
March - Illustration - Mars - Artist's view

PIX4616729: March - Illustration - Mars - Artist's view / Bridgeman Images

ID: PIX4616729

March - Illustration - Mars - Artist's view

Charles Rosalie de Rohan Chabot (1740-1813), Count of Jarnac, after a painting from 1777 by Olivier - Lithography from an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16e, 17th et 18th centuries” by Georges Duplessis (1834-1899), edition 1867
Charles Rosalie de Rohan Chabot (1740-1813), Count of Jarnac, after a painting from 1777 by Olivier - Lithography from an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16e, 17th et 18th centuries” by Georges Duplessis (1834-1899), edition 1867

FLO4616852: Charles Rosalie de Rohan Chabot (1740-1813), Count of Jarnac, after a painting from 1777 by Olivier - Lithography from an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16e, 17th et 18th centuries” by Georges Duplessis (1834-1899), edition 1867, Lechevallier-Chevignard, Edmond (1825-1902) / Bridgeman Images

ID: FLO4616852

Charles Rosalie de Rohan Chabot (1740-1813), Count of Jarnac, after a painting from 1777 by Olivier - Lithography from an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16e, 17th et 18th centuries” by Georges Duplessis (1834-1899), edition 1867

Lechevallier-Chevignard, Edmond (1825-1902)

Mars versus Earth - Illustration - Mars versus Earth - Illustratio
Mars versus Earth - Illustration - Mars versus Earth - Illustratio

PIX4616749: Mars versus Earth - Illustration - Mars versus Earth - Illustratio / Bridgeman Images

ID: PIX4616749

Mars versus Earth - Illustration - Mars versus Earth - Illustratio

Un valet equestre ou ecuyer, France 18th century, based on a painting by Charles Andre or Carle Van Loo (1705-1765) - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), extracted from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867
Un valet equestre ou ecuyer, France 18th century, based on a painting by Charles Andre or Carle Van Loo (1705-1765) - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), extracted from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867

FLO4616794: Un valet equestre ou ecuyer, France 18th century, based on a painting by Charles Andre or Carle Van Loo (1705-1765) - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), extracted from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867, Lechevallier-Chevignard, Edmond (1825-1902) / Bridgeman Images

ID: FLO4616794

Un valet equestre ou ecuyer, France 18th century, based on a painting by Charles Andre or Carle Van Loo (1705-1765) - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), extracted from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867

Lechevallier-Chevignard, Edmond (1825-1902)

Balm of Gilead, Commiphora gileadensis (Balsam of Gilead tree, Amyris gileadensis) (Mecca balm or Galaad balm). Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Claus and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816
Balm of Gilead, Commiphora gileadensis (Balsam of Gilead tree, Amyris gileadensis) (Mecca balm or Galaad balm). Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Claus and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816

FLO4617107: Balm of Gilead, Commiphora gileadensis (Balsam of Gilead tree, Amyris gileadensis) (Mecca balm or Galaad balm). Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Claus and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816 / Bridgeman Images

ID: FLO4617107

Balm of Gilead, Commiphora gileadensis (Balsam of Gilead tree, Amyris gileadensis) (Mecca balm or Galaad balm). Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Claus and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816

Common elm, Ulmus glabra (Ulmus campestris). Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.
Common elm, Ulmus glabra (Ulmus campestris). Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

FLO4617235: Common elm, Ulmus glabra (Ulmus campestris). Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816. / Bridgeman Images

ID: FLO4617235

Common elm, Ulmus glabra (Ulmus campestris). Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

Carrion flower or fetid stapelia, Stapelia hirsuta. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Claves and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.
Carrion flower or fetid stapelia, Stapelia hirsuta. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Claves and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

FLO4617303: Carrion flower or fetid stapelia, Stapelia hirsuta. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Claves and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816. / Bridgeman Images

ID: FLO4617303

Carrion flower or fetid stapelia, Stapelia hirsuta. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Claves and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.


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