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The skeleton of Death burns down a house with torches as a family tries to save its treasures and put out the fire with buckets of water from the pond. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death burns down a house with torches as a family tries to save its treasures and put out the fire with buckets of water from the pond. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690316: The skeleton of Death burns down a house with torches as a family tries to save its treasures and put out the fire with buckets of water from the pond. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690316

The skeleton of Death burns down a house with torches as a family tries to save its treasures and put out the fire with buckets of water from the pond. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

Saint Luke the Evangelist (Fresco, 16th century )
Saint Luke the Evangelist (Fresco, 16th century )

LRI4690166: Saint Luke the Evangelist (Fresco, 16th century ), Perugino, Pietro (c.1445-1523) / Bridgeman Images

ID: LRI4690166

Saint Luke the Evangelist (Fresco, 16th century )

Perugino, Pietro (c.1445-1523)

The Redeemer, Jesus holding the globe and raising his hand as a sign of blessing (Fresco, 16th century)
The Redeemer, Jesus holding the globe and raising his hand as a sign of blessing (Fresco, 16th century)

LRI4690172: The Redeemer, Jesus holding the globe and raising his hand as a sign of blessing (Fresco, 16th century), Perugino, Pietro (c.1445-1523) / Bridgeman Images

ID: LRI4690172

The Redeemer, Jesus holding the globe and raising his hand as a sign of blessing (Fresco, 16th century)

Perugino, Pietro (c.1445-1523)

Virgin and Child and Crucifixion (after restoration). 14th century (Fresco)
Virgin and Child and Crucifixion (after restoration). 14th century (Fresco)

LRI4690231: Virgin and Child and Crucifixion (after restoration). 14th century (Fresco), Sienese School, (14th century) / Bridgeman Images

ID: LRI4690231

Virgin and Child and Crucifixion (after restoration). 14th century (Fresco)

Sienese School, (14th century)

The skeleton of Death appears before the telescope of the old astronomer, causing him to fall out of his chair. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death appears before the telescope of the old astronomer, causing him to fall out of his chair. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690251: The skeleton of Death appears before the telescope of the old astronomer, causing him to fall out of his chair. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690251

The skeleton of Death appears before the telescope of the old astronomer, causing him to fall out of his chair. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

The Nativity. 14th century (fresco)
The Nativity. 14th century (fresco)

LRI4690255: The Nativity. 14th century (fresco), Sienese School, (14th century) / Bridgeman Images

ID: LRI4690255

The Nativity. 14th century (fresco)

Sienese School, (14th century)

The nativity and Adoration of the Magi, 14th century (fresco)
The nativity and Adoration of the Magi, 14th century (fresco)

LRI4690266: The nativity and Adoration of the Magi, 14th century (fresco), Sienese School, (14th century) / Bridgeman Images

ID: LRI4690266

The nativity and Adoration of the Magi, 14th century (fresco)

Sienese School, (14th century)

The skeleton of Death takes the mother as she witnesses her son's lifeless body pulled from a lake. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death takes the mother as she witnesses her son's lifeless body pulled from a lake. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690333: The skeleton of Death takes the mother as she witnesses her son's lifeless body pulled from a lake. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690333

The skeleton of Death takes the mother as she witnesses her son's lifeless body pulled from a lake. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

The skeleton of Death joins an irate father as he tries to stop his only daughter eloping with a soldier in a stagecoach to Gretna Green. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death joins an irate father as he tries to stop his only daughter eloping with a soldier in a stagecoach to Gretna Green. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690345: The skeleton of Death joins an irate father as he tries to stop his only daughter eloping with a soldier in a stagecoach to Gretna Green. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690345

The skeleton of Death joins an irate father as he tries to stop his only daughter eloping with a soldier in a stagecoach to Gretna Green. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

Variete of primevere, with caterpillar - Lithography attributed to Paul Theodor van Brussel (1754-1795), author of the cover bouquet, or A.Bres., influenced by Nicolas Robert (1614-1685), published in “Nederlandsch Bloemwerk” (Dutch Floral Compositions), Amsterdam, J.B. Elwe, 1794
Variete of primevere, with caterpillar - Lithography attributed to Paul Theodor van Brussel (1754-1795), author of the cover bouquet, or A.Bres., influenced by Nicolas Robert (1614-1685), published in “Nederlandsch Bloemwerk” (Dutch Floral Compositions), Amsterdam, J.B. Elwe, 1794

FLO4682617: Variete of primevere, with caterpillar - Lithography attributed to Paul Theodor van Brussel (1754-1795), author of the cover bouquet, or A.Bres., influenced by Nicolas Robert (1614-1685), published in “Nederlandsch Bloemwerk” (Dutch Floral Compositions), Amsterdam, J.B. Elwe, 1794 / Bridgeman Images

ID: FLO4682617

Variete of primevere, with caterpillar - Lithography attributed to Paul Theodor van Brussel (1754-1795), author of the cover bouquet, or A.Bres., influenced by Nicolas Robert (1614-1685), published in “Nederlandsch Bloemwerk” (Dutch Floral Compositions), Amsterdam, J.B. Elwe, 1794

Battus philenor - Lithography by Richard Polydore Nodder (1774-1823) published in The Naturalist Miscellany, 1812
Battus philenor - Lithography by Richard Polydore Nodder (1774-1823) published in The Naturalist Miscellany, 1812

FLO4682759: Battus philenor - Lithography by Richard Polydore Nodder (1774-1823) published in The Naturalist Miscellany, 1812 / Bridgeman Images

ID: FLO4682759

Battus philenor - Lithography by Richard Polydore Nodder (1774-1823) published in The Naturalist Miscellany, 1812

Variete d'starile de mer, Asterias scolopendroides - Lithography by Richard Polydore Nodder (1774-1823) published in The Naturalist Miscellany, 1812
Variete d'starile de mer, Asterias scolopendroides - Lithography by Richard Polydore Nodder (1774-1823) published in The Naturalist Miscellany, 1812

FLO4682882: Variete d'starile de mer, Asterias scolopendroides - Lithography by Richard Polydore Nodder (1774-1823) published in The Naturalist Miscellany, 1812 / Bridgeman Images

ID: FLO4682882

Variete d'starile de mer, Asterias scolopendroides - Lithography by Richard Polydore Nodder (1774-1823) published in The Naturalist Miscellany, 1812

Lepidoptere, Large fox or elm turtle, caterpillar, nymph and adult, Polychlorinated nymphalis - Lithography by Richard Polydore Nodder (1774-1823) published in The Naturalist Miscellany, 1812
Lepidoptere, Large fox or elm turtle, caterpillar, nymph and adult, Polychlorinated nymphalis - Lithography by Richard Polydore Nodder (1774-1823) published in The Naturalist Miscellany, 1812

FLO4682895: Lepidoptere, Large fox or elm turtle, caterpillar, nymph and adult, Polychlorinated nymphalis - Lithography by Richard Polydore Nodder (1774-1823) published in The Naturalist Miscellany, 1812 / Bridgeman Images

ID: FLO4682895

Lepidoptere, Large fox or elm turtle, caterpillar, nymph and adult, Polychlorinated nymphalis - Lithography by Richard Polydore Nodder (1774-1823) published in The Naturalist Miscellany, 1812

Spindle tibia shell, Tibia fusus (spindle strombus, Strombus fusus). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1801.
Spindle tibia shell, Tibia fusus (spindle strombus, Strombus fusus). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1801.

FLO4683054: Spindle tibia shell, Tibia fusus (spindle strombus, Strombus fusus). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1801. / Bridgeman Images

ID: FLO4683054

Spindle tibia shell, Tibia fusus (spindle strombus, Strombus fusus). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1801.

Admiral cone varieties, high admiral and cedo nulli, Conus ammiralis, Conus cedonulli (Conus ammiralis var. summus, Cedo nulli). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1801.
Admiral cone varieties, high admiral and cedo nulli, Conus ammiralis, Conus cedonulli (Conus ammiralis var. summus, Cedo nulli). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1801.

FLO4683031: Admiral cone varieties, high admiral and cedo nulli, Conus ammiralis, Conus cedonulli (Conus ammiralis var. summus, Cedo nulli). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1801. / Bridgeman Images

ID: FLO4683031

Admiral cone varieties, high admiral and cedo nulli, Conus ammiralis, Conus cedonulli (Conus ammiralis var. summus, Cedo nulli). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1801.

Royal antelope. Copper engraving by Frederick Polydor Nodder (1751-1801) for the naturalist collection, published in 1790 by George Shaw. Pygmy musk deer or royal antelope. Moschus pygmaeus, Neotragus pygmaeus, Capra pygmea. Handcolored copperplate engraving, illustration signed N (Frederick Polydor Nodder (1751-1801), artist and engraver) from George Shaw's “” Naturalist's Miscellany”” (1790).
Royal antelope. Copper engraving by Frederick Polydor Nodder (1751-1801) for the naturalist collection, published in 1790 by George Shaw. Pygmy musk deer or royal antelope. Moschus pygmaeus, Neotragus pygmaeus, Capra pygmea. Handcolored copperplate engraving, illustration signed N (Frederick Polydor Nodder (1751-1801), artist and engraver) from George Shaw's “” Naturalist's Miscellany”” (1790).

FLO4684205: Royal antelope. Copper engraving by Frederick Polydor Nodder (1751-1801) for the naturalist collection, published in 1790 by George Shaw. Pygmy musk deer or royal antelope. Moschus pygmaeus, Neotragus pygmaeus, Capra pygmea. Handcolored copperplate engraving, illustration signed N (Frederick Polydor Nodder (1751-1801), artist and engraver) from George Shaw's “” Naturalist's Miscellany”” (1790). / Bridgeman Images

ID: FLO4684205

Royal antelope. Copper engraving by Frederick Polydor Nodder (1751-1801) for the naturalist collection, published in 1790 by George Shaw. Pygmy musk deer or royal antelope. Moschus pygmaeus, Neotragus pygmaeus, Capra pygmea. Handcolored copperplate engraving, illustration signed N (Frederick Polydor Nodder (1751-1801), artist and engraver) from George Shaw's “” Naturalist's Miscellany”” (1790).

Cycle of the life of Saint Ursula: the return of the Ambassadors to the King of England. Detail of the king. 1490 (painting)
Cycle of the life of Saint Ursula: the return of the Ambassadors to the King of England. Detail of the king. 1490 (painting)

LRI4684514: Cycle of the life of Saint Ursula: the return of the Ambassadors to the King of England. Detail of the king. 1490 (painting), Carpaccio, Vittore (c.1460/5-1523/6) / Bridgeman Images

ID: LRI4684514

Cycle of the life of Saint Ursula: the return of the Ambassadors to the King of England. Detail of the king. 1490 (painting)

Carpaccio, Vittore (c.1460/5-1523/6)

Lippu bear or lazy bear or long-lipped bear. Details of the head, jaw and teething. Copper engraving by Frederick Polydor Nodder (1751-1801), drawing by M.Catton, for the naturalist collection, published in 1790 by George Shaw.Ursiform sloth, ursine bradypus or sloth bear. Melursus ursinus (Bradypus ursinus). Drawing by Mr. Catton, showing the bear's head, jaw and teeth. Handcolored copperplate engraving, by Frederick Polydor Nodder (1751-1801), artist and engraver, from George Shaw's “” Naturalist's Miscellany”” (1790).
Lippu bear or lazy bear or long-lipped bear. Details of the head, jaw and teething. Copper engraving by Frederick Polydor Nodder (1751-1801), drawing by M.Catton, for the naturalist collection, published in 1790 by George Shaw.Ursiform sloth, ursine bradypus or sloth bear. Melursus ursinus (Bradypus ursinus). Drawing by Mr. Catton, showing the bear's head, jaw and teeth. Handcolored copperplate engraving, by Frederick Polydor Nodder (1751-1801), artist and engraver, from George Shaw's “” Naturalist's Miscellany”” (1790).

FLO4684326: Lippu bear or lazy bear or long-lipped bear. Details of the head, jaw and teething. Copper engraving by Frederick Polydor Nodder (1751-1801), drawing by M.Catton, for the naturalist collection, published in 1790 by George Shaw.Ursiform sloth, ursine bradypus or sloth bear. Melursus ursinus (Bradypus ursinus). Drawing by Mr. Catton, showing the bear's head, jaw and teeth. Handcolored copperplate engraving, by Frederick Polydor Nodder (1751-1801), artist and engraver, from George Shaw's “” Naturalist's Miscellany”” (1790). / Bridgeman Images

ID: FLO4684326

Lippu bear or lazy bear or long-lipped bear. Details of the head, jaw and teething. Copper engraving by Frederick Polydor Nodder (1751-1801), drawing by M.Catton, for the naturalist collection, published in 1790 by George Shaw.Ursiform sloth, ursine bradypus or sloth bear. Melursus ursinus (Bradypus ursinus). Drawing by Mr. Catton, showing the bear's head, jaw and teeth. Handcolored copperplate engraving, by Frederick Polydor Nodder (1751-1801), artist and engraver, from George Shaw's “” Naturalist's Miscellany”” (1790).

Woman in fancy dress costume as an apothecary's recipe, with tall black hat, high ruff collar, black and gold dress, and handbag in the shape of a syringe. Lithograph by unknown artist with stencil handcolouring from “” Nos Travestis”” (Our Fancy Dress Costumes), Paris, 1928.
Woman in fancy dress costume as an apothecary's recipe, with tall black hat, high ruff collar, black and gold dress, and handbag in the shape of a syringe. Lithograph by unknown artist with stencil handcolouring from “” Nos Travestis”” (Our Fancy Dress Costumes), Paris, 1928.

FLO4684533: Woman in fancy dress costume as an apothecary's recipe, with tall black hat, high ruff collar, black and gold dress, and handbag in the shape of a syringe. Lithograph by unknown artist with stencil handcolouring from “” Nos Travestis”” (Our Fancy Dress Costumes), Paris, 1928. / Bridgeman Images

ID: FLO4684533

Woman in fancy dress costume as an apothecary's recipe, with tall black hat, high ruff collar, black and gold dress, and handbag in the shape of a syringe. Lithograph by unknown artist with stencil handcolouring from “” Nos Travestis”” (Our Fancy Dress Costumes), Paris, 1928.

Woman in fancy dress costume as lilac flowers, Au temps des lilas, in lilac dress with bodice and hat decorated with flowers. Inspired by a poem by Maurice Bouchor. Lithograph by unknown artist with stencil handcolouring from “” Nos Travestis”” (Our Fancy Dress Costumes), Paris, 1928.
Woman in fancy dress costume as lilac flowers, Au temps des lilas, in lilac dress with bodice and hat decorated with flowers. Inspired by a poem by Maurice Bouchor. Lithograph by unknown artist with stencil handcolouring from “” Nos Travestis”” (Our Fancy Dress Costumes), Paris, 1928.

FLO4684561: Woman in fancy dress costume as lilac flowers, Au temps des lilas, in lilac dress with bodice and hat decorated with flowers. Inspired by a poem by Maurice Bouchor. Lithograph by unknown artist with stencil handcolouring from “” Nos Travestis”” (Our Fancy Dress Costumes), Paris, 1928. / Bridgeman Images

ID: FLO4684561

Woman in fancy dress costume as lilac flowers, Au temps des lilas, in lilac dress with bodice and hat decorated with flowers. Inspired by a poem by Maurice Bouchor. Lithograph by unknown artist with stencil handcolouring from “” Nos Travestis”” (Our Fancy Dress Costumes), Paris, 1928.

Woman in fancy dress costume as a fetish doll, la poupee fetiche, in huge afro wig with large blue ribbon, and simple blue dress. Lithograph by unknown artist with stencil handcolouring from “” Nos Travestis”” (Our Fancy Dress Costumes), Paris, 1928.
Woman in fancy dress costume as a fetish doll, la poupee fetiche, in huge afro wig with large blue ribbon, and simple blue dress. Lithograph by unknown artist with stencil handcolouring from “” Nos Travestis”” (Our Fancy Dress Costumes), Paris, 1928.

FLO4684625: Woman in fancy dress costume as a fetish doll, la poupee fetiche, in huge afro wig with large blue ribbon, and simple blue dress. Lithograph by unknown artist with stencil handcolouring from “” Nos Travestis”” (Our Fancy Dress Costumes), Paris, 1928. / Bridgeman Images

ID: FLO4684625

Woman in fancy dress costume as a fetish doll, la poupee fetiche, in huge afro wig with large blue ribbon, and simple blue dress. Lithograph by unknown artist with stencil handcolouring from “” Nos Travestis”” (Our Fancy Dress Costumes), Paris, 1928.

Woman in fancy dress costume as rooster, le coq, in crested hat, feathered mini dress, and plumed tail. Lithograph by unknown artist with stencil handcolouring from “” Nos Travestis”” (Our Fancy Dress Costumes), Paris, 1928.
Woman in fancy dress costume as rooster, le coq, in crested hat, feathered mini dress, and plumed tail. Lithograph by unknown artist with stencil handcolouring from “” Nos Travestis”” (Our Fancy Dress Costumes), Paris, 1928.

FLO4684619: Woman in fancy dress costume as rooster, le coq, in crested hat, feathered mini dress, and plumed tail. Lithograph by unknown artist with stencil handcolouring from “” Nos Travestis”” (Our Fancy Dress Costumes), Paris, 1928. / Bridgeman Images

ID: FLO4684619

Woman in fancy dress costume as rooster, le coq, in crested hat, feathered mini dress, and plumed tail. Lithograph by unknown artist with stencil handcolouring from “” Nos Travestis”” (Our Fancy Dress Costumes), Paris, 1928.

Woman in fancy dress costume as La fleur d'orange, with silver dress, glass hat and ballet shoes. La fleur d'orange was a short ballet by Andre Messager first performed in 1878 at the Folies Bergere. Lithograph by unknown artist with stencil handcolouring from “” Nos Travestis”” (Our Fancy Dress Costumes), Paris, 1928.
Woman in fancy dress costume as La fleur d'orange, with silver dress, glass hat and ballet shoes. La fleur d'orange was a short ballet by Andre Messager first performed in 1878 at the Folies Bergere. Lithograph by unknown artist with stencil handcolouring from “” Nos Travestis”” (Our Fancy Dress Costumes), Paris, 1928.

FLO4684530: Woman in fancy dress costume as La fleur d'orange, with silver dress, glass hat and ballet shoes. La fleur d'orange was a short ballet by Andre Messager first performed in 1878 at the Folies Bergere. Lithograph by unknown artist with stencil handcolouring from “” Nos Travestis”” (Our Fancy Dress Costumes), Paris, 1928. / Bridgeman Images

ID: FLO4684530

Woman in fancy dress costume as La fleur d'orange, with silver dress, glass hat and ballet shoes. La fleur d'orange was a short ballet by Andre Messager first performed in 1878 at the Folies Bergere. Lithograph by unknown artist with stencil handcolouring from “” Nos Travestis”” (Our Fancy Dress Costumes), Paris, 1928.

King Henry VII of England and a billman, 1490. Henry VII's engraved suit of armour in the Tower of London, with convex breastplate, puckered plate skirt of lamboys, square sollerets and plumed capquetel helmet. Horse in barding, chamfron, manefaire, poitral and croupiere. Billman in jazerine jacket and salad helmet. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
King Henry VII of England and a billman, 1490. Henry VII's engraved suit of armour in the Tower of London, with convex breastplate, puckered plate skirt of lamboys, square sollerets and plumed capquetel helmet. Horse in barding, chamfron, manefaire, poitral and croupiere. Billman in jazerine jacket and salad helmet. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678481: King Henry VII of England and a billman, 1490. Henry VII's engraved suit of armour in the Tower of London, with convex breastplate, puckered plate skirt of lamboys, square sollerets and plumed capquetel helmet. Horse in barding, chamfron, manefaire, poitral and croupiere. Billman in jazerine jacket and salad helmet. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

ID: FLO4678481

King Henry VII of England and a billman, 1490. Henry VII's engraved suit of armour in the Tower of London, with convex breastplate, puckered plate skirt of lamboys, square sollerets and plumed capquetel helmet. Horse in barding, chamfron, manefaire, poitral and croupiere. Billman in jazerine jacket and salad helmet. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

Boisduvalia variete, dense-flowered epilobe - Engraved board by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Denseflower willowherb, Boisduvalia densiflora (Close-flowered evening primrose, Oenothera densiflora) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833
Boisduvalia variete, dense-flowered epilobe - Engraved board by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Denseflower willowherb, Boisduvalia densiflora (Close-flowered evening primrose, Oenothera densiflora) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833

FLO4678763: Boisduvalia variete, dense-flowered epilobe - Engraved board by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Denseflower willowherb, Boisduvalia densiflora (Close-flowered evening primrose, Oenothera densiflora) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

ID: FLO4678763

Boisduvalia variete, dense-flowered epilobe - Engraved board by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Denseflower willowherb, Boisduvalia densiflora (Close-flowered evening primrose, Oenothera densiflora) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833

Edwards, Sydenham Teast (c.1768-1819)

Grand Duke of America - Illustration - Great Horned Owl - Illustration - A Great Duke of America (Bubo virginianus) perch in a tree turns his back on the Moon. A Great Horned Owl (Bubo virginianus) in a tree with moonlight
Grand Duke of America - Illustration - Great Horned Owl - Illustration - A Great Duke of America (Bubo virginianus) perch in a tree turns his back on the Moon. A Great Horned Owl (Bubo virginianus) in a tree with moonlight

PIX4678845: Grand Duke of America - Illustration - Great Horned Owl - Illustration - A Great Duke of America (Bubo virginianus) perch in a tree turns his back on the Moon. A Great Horned Owl (Bubo virginianus) in a tree with moonlight, Bergeron, Joe / Bridgeman Images

ID: PIX4678845

Grand Duke of America - Illustration - Great Horned Owl - Illustration - A Great Duke of America (Bubo virginianus) perch in a tree turns his back on the Moon. A Great Horned Owl (Bubo virginianus) in a tree with moonlight

Bergeron, Joe

Passion Variete - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Crimson winged-stem passionflower, Passiflora alata (Passiflora phoenicia) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwardam Edwards 'The' Botanical Register,” London, Ridgway, 1833
Passion Variete - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Crimson winged-stem passionflower, Passiflora alata (Passiflora phoenicia) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwardam Edwards 'The' Botanical Register,” London, Ridgway, 1833

FLO4678860: Passion Variete - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Crimson winged-stem passionflower, Passiflora alata (Passiflora phoenicia) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwardam Edwards 'The' Botanical Register,” London, Ridgway, 1833, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

ID: FLO4678860

Passion Variete - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Crimson winged-stem passionflower, Passiflora alata (Passiflora phoenicia) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwardam Edwards 'The' Botanical Register,” London, Ridgway, 1833

Edwards, Sydenham Teast (c.1768-1819)

Evening primrose with large flowers - Engraved board by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Redsepal evening primrose, Oenothera glazioviana (Large-flowered biennial evening primrose, Oenothera biennis var. grandiflora) - Engraving) - by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833
Evening primrose with large flowers - Engraved board by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Redsepal evening primrose, Oenothera glazioviana (Large-flowered biennial evening primrose, Oenothera biennis var. grandiflora) - Engraving) - by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833

FLO4678885: Evening primrose with large flowers - Engraved board by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Redsepal evening primrose, Oenothera glazioviana (Large-flowered biennial evening primrose, Oenothera biennis var. grandiflora) - Engraving) - by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

ID: FLO4678885

Evening primrose with large flowers - Engraved board by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Redsepal evening primrose, Oenothera glazioviana (Large-flowered biennial evening primrose, Oenothera biennis var. grandiflora) - Engraving) - by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833

Edwards, Sydenham Teast (c.1768-1819)

Belle sauroglossum - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Lizard's tongue orchid, Sauroglossum nitidum (Tall lizard's tongue, Sauroglossum elatum - Engraving by S. Watts after an illustration by S. Watts after an illustration by Miss Drake from Sydenham Edwards' The Botanical Register,” London, Ridgway, 1833
Belle sauroglossum - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Lizard's tongue orchid, Sauroglossum nitidum (Tall lizard's tongue, Sauroglossum elatum - Engraving by S. Watts after an illustration by S. Watts after an illustration by Miss Drake from Sydenham Edwards' The Botanical Register,” London, Ridgway, 1833

FLO4678966: Belle sauroglossum - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Lizard's tongue orchid, Sauroglossum nitidum (Tall lizard's tongue, Sauroglossum elatum - Engraving by S. Watts after an illustration by S. Watts after an illustration by Miss Drake from Sydenham Edwards' The Botanical Register,” London, Ridgway, 1833, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

ID: FLO4678966

Belle sauroglossum - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Lizard's tongue orchid, Sauroglossum nitidum (Tall lizard's tongue, Sauroglossum elatum - Engraving by S. Watts after an illustration by S. Watts after an illustration by Miss Drake from Sydenham Edwards' The Botanical Register,” London, Ridgway, 1833

Edwards, Sydenham Teast (c.1768-1819)

Sir John Crosbie or Crosby, London alderman and Yorkist, and a serjeant at arms, 1475. Crosby wears a breastplate with three cupboards, elbow pieces and tiles, ornamented knee pads. Serjeant at arms in skullcap under a plumed hat, cuirasset and knee pads. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
Sir John Crosbie or Crosby, London alderman and Yorkist, and a serjeant at arms, 1475. Crosby wears a breastplate with three cupboards, elbow pieces and tiles, ornamented knee pads. Serjeant at arms in skullcap under a plumed hat, cuirasset and knee pads. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678487: Sir John Crosbie or Crosby, London alderman and Yorkist, and a serjeant at arms, 1475. Crosby wears a breastplate with three cupboards, elbow pieces and tiles, ornamented knee pads. Serjeant at arms in skullcap under a plumed hat, cuirasset and knee pads. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

ID: FLO4678487

Sir John Crosbie or Crosby, London alderman and Yorkist, and a serjeant at arms, 1475. Crosby wears a breastplate with three cupboards, elbow pieces and tiles, ornamented knee pads. Serjeant at arms in skullcap under a plumed hat, cuirasset and knee pads. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

Section through the Tomb of Caius Cestius, Rome. Copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814.
Section through the Tomb of Caius Cestius, Rome. Copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814.

FLO4679389: Section through the Tomb of Caius Cestius, Rome. Copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814. / Bridgeman Images

ID: FLO4679389

Section through the Tomb of Caius Cestius, Rome. Copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814.

Lava lizard, Tropidurus torquatus, desert horned lizard, Phrynosoma platyrhinos, stellion, Stellagama stellio, Sudan plated lizard, Gerrhosaurus major, giant ameiva, Ameiva ameiva, Mexican beaded lizard, Heloderma horridum, and Amboina sailfin lizard, Hydrosaurus amboinensis. Lithograph from Lorenz Oken's Universal Natural History, Allgemeine Naturgeschichte fur alle Stande, Stuttgart, 1841.
Lava lizard, Tropidurus torquatus, desert horned lizard, Phrynosoma platyrhinos, stellion, Stellagama stellio, Sudan plated lizard, Gerrhosaurus major, giant ameiva, Ameiva ameiva, Mexican beaded lizard, Heloderma horridum, and Amboina sailfin lizard, Hydrosaurus amboinensis. Lithograph from Lorenz Oken's Universal Natural History, Allgemeine Naturgeschichte fur alle Stande, Stuttgart, 1841.

FLO4684692: Lava lizard, Tropidurus torquatus, desert horned lizard, Phrynosoma platyrhinos, stellion, Stellagama stellio, Sudan plated lizard, Gerrhosaurus major, giant ameiva, Ameiva ameiva, Mexican beaded lizard, Heloderma horridum, and Amboina sailfin lizard, Hydrosaurus amboinensis. Lithograph from Lorenz Oken's Universal Natural History, Allgemeine Naturgeschichte fur alle Stande, Stuttgart, 1841. / Bridgeman Images

ID: FLO4684692

Lava lizard, Tropidurus torquatus, desert horned lizard, Phrynosoma platyrhinos, stellion, Stellagama stellio, Sudan plated lizard, Gerrhosaurus major, giant ameiva, Ameiva ameiva, Mexican beaded lizard, Heloderma horridum, and Amboina sailfin lizard, Hydrosaurus amboinensis. Lithograph from Lorenz Oken's Universal Natural History, Allgemeine Naturgeschichte fur alle Stande, Stuttgart, 1841.

Varieties of jellyfish, siphonophores and medusae. Including English man o'war, Physalia physalis, Physophora hydrostatica, sea raft jellyfish, Velella velella, and blue button, Porpita porpita. Lithograph from Lorenz Oken's Universal Natural History, Allgemeine Naturgeschichte fur alle Stande, Stuttgart, 1841.
Varieties of jellyfish, siphonophores and medusae. Including English man o'war, Physalia physalis, Physophora hydrostatica, sea raft jellyfish, Velella velella, and blue button, Porpita porpita. Lithograph from Lorenz Oken's Universal Natural History, Allgemeine Naturgeschichte fur alle Stande, Stuttgart, 1841.

FLO4684857: Varieties of jellyfish, siphonophores and medusae. Including English man o'war, Physalia physalis, Physophora hydrostatica, sea raft jellyfish, Velella velella, and blue button, Porpita porpita. Lithograph from Lorenz Oken's Universal Natural History, Allgemeine Naturgeschichte fur alle Stande, Stuttgart, 1841. / Bridgeman Images

ID: FLO4684857

Varieties of jellyfish, siphonophores and medusae. Including English man o'war, Physalia physalis, Physophora hydrostatica, sea raft jellyfish, Velella velella, and blue button, Porpita porpita. Lithograph from Lorenz Oken's Universal Natural History, Allgemeine Naturgeschichte fur alle Stande, Stuttgart, 1841.

Anatomy of human venous return system of venal valves in the upper torso. Lithograph from Lorenz Oken's Universal Natural History, Allgemeine Naturgeschichte fur alle Stande, Stuttgart, 1839.
Anatomy of human venous return system of venal valves in the upper torso. Lithograph from Lorenz Oken's Universal Natural History, Allgemeine Naturgeschichte fur alle Stande, Stuttgart, 1839.

FLO4684841: Anatomy of human venous return system of venal valves in the upper torso. Lithograph from Lorenz Oken's Universal Natural History, Allgemeine Naturgeschichte fur alle Stande, Stuttgart, 1839. / Bridgeman Images

ID: FLO4684841

Anatomy of human venous return system of venal valves in the upper torso. Lithograph from Lorenz Oken's Universal Natural History, Allgemeine Naturgeschichte fur alle Stande, Stuttgart, 1839.

Frankfurt Rosier - Eau forte de Bessin, based on an illustration by Pierre Joseph Redoute (1759-1840), from Les Roses, 1817 - Frankfort rose or Empress Josephine rose, Rosa francofurtana (Rosa turbinata) - Handcoloured stipple copperplate engraving by Bessin after an illustration by Pierre-Joseph Redoute from “” Les Roses,” Firmin Dimot, Paris, 1817
Frankfurt Rosier - Eau forte de Bessin, based on an illustration by Pierre Joseph Redoute (1759-1840), from Les Roses, 1817 - Frankfort rose or Empress Josephine rose, Rosa francofurtana (Rosa turbinata) - Handcoloured stipple copperplate engraving by Bessin after an illustration by Pierre-Joseph Redoute from “” Les Roses,” Firmin Dimot, Paris, 1817

FLO4689398: Frankfurt Rosier - Eau forte de Bessin, based on an illustration by Pierre Joseph Redoute (1759-1840), from Les Roses, 1817 - Frankfort rose or Empress Josephine rose, Rosa francofurtana (Rosa turbinata) - Handcoloured stipple copperplate engraving by Bessin after an illustration by Pierre-Joseph Redoute from “” Les Roses,” Firmin Dimot, Paris, 1817, Redouté, Pierre Joseph (1759-1840) / Bridgeman Images

ID: FLO4689398

Frankfurt Rosier - Eau forte de Bessin, based on an illustration by Pierre Joseph Redoute (1759-1840), from Les Roses, 1817 - Frankfort rose or Empress Josephine rose, Rosa francofurtana (Rosa turbinata) - Handcoloured stipple copperplate engraving by Bessin after an illustration by Pierre-Joseph Redoute from “” Les Roses,” Firmin Dimot, Paris, 1817

Redouté, Pierre Joseph (1759-1840)

Sea cow (Trichechus manati), a herbivorous mammal of shallow coastal waters of the Atlantic Tropical Zone. Illustration by Thomas Pennant (1726-1798), based on the specimen of the Leverian Museum. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.
Sea cow (Trichechus manati), a herbivorous mammal of shallow coastal waters of the Atlantic Tropical Zone. Illustration by Thomas Pennant (1726-1798), based on the specimen of the Leverian Museum. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.

FLO4687728: Sea cow (Trichechus manati), a herbivorous mammal of shallow coastal waters of the Atlantic Tropical Zone. Illustration by Thomas Pennant (1726-1798), based on the specimen of the Leverian Museum. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England. / Bridgeman Images

ID: FLO4687728

Sea cow (Trichechus manati), a herbivorous mammal of shallow coastal waters of the Atlantic Tropical Zone. Illustration by Thomas Pennant (1726-1798), based on the specimen of the Leverian Museum. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.


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