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Louis Maximilian Muhammad, Turkish servant to King George I, died 1726. Engraving by W. Maddocks from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.
Louis Maximilian Muhammad, Turkish servant to King George I, died 1726. Engraving by W. Maddocks from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.

FLO4602350: Louis Maximilian Muhammad, Turkish servant to King George I, died 1726. Engraving by W. Maddocks from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819. / Bridgeman Images

ID: FLO4602350

Louis Maximilian Muhammad, Turkish servant to King George I, died 1726. Engraving by W. Maddocks from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.

Henry Rogers, pewterer of Cornwall who killed five men and soldiers who came to arrest him. Hanged in Skewis in 1735. Copperplate engraving by R. Grave from John Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, Young, London, 1819.
Henry Rogers, pewterer of Cornwall who killed five men and soldiers who came to arrest him. Hanged in Skewis in 1735. Copperplate engraving by R. Grave from John Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, Young, London, 1819.

FLO4602895: Henry Rogers, pewterer of Cornwall who killed five men and soldiers who came to arrest him. Hanged in Skewis in 1735. Copperplate engraving by R. Grave from John Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, Young, London, 1819. / Bridgeman Images

ID: FLO4602895

Henry Rogers, pewterer of Cornwall who killed five men and soldiers who came to arrest him. Hanged in Skewis in 1735. Copperplate engraving by R. Grave from John Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, Young, London, 1819.

Pieta. Detail of St Barnaba altarpiece, 1487 (tempera on wood)
Pieta. Detail of St Barnaba altarpiece, 1487 (tempera on wood)

LRI4602949: Pieta. Detail of St Barnaba altarpiece, 1487 (tempera on wood), Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510) / Bridgeman Images

ID: LRI4602949

Pieta. Detail of St Barnaba altarpiece, 1487 (tempera on wood)

Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510)

Jack Haugh a.k.a. Mill Cushin, Dublin beggar with shilelagh and begging cap. Copperplate engraving by R. Grave from John Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, Young, London, 1819.
Jack Haugh a.k.a. Mill Cushin, Dublin beggar with shilelagh and begging cap. Copperplate engraving by R. Grave from John Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, Young, London, 1819.

FLO4602678: Jack Haugh a.k.a. Mill Cushin, Dublin beggar with shilelagh and begging cap. Copperplate engraving by R. Grave from John Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, Young, London, 1819. / Bridgeman Images

ID: FLO4602678

Jack Haugh a.k.a. Mill Cushin, Dublin beggar with shilelagh and begging cap. Copperplate engraving by R. Grave from John Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, Young, London, 1819.

Vision of St Augustine, detail of St Barnaba altarpiece, 1487 (tempera on wood)
Vision of St Augustine, detail of St Barnaba altarpiece, 1487 (tempera on wood)

LRI4602925: Vision of St Augustine, detail of St Barnaba altarpiece, 1487 (tempera on wood), Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510) / Bridgeman Images

ID: LRI4602925

Vision of St Augustine, detail of St Barnaba altarpiece, 1487 (tempera on wood)

Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510)

Thomas Topham, the Strong Man, performer of feats of strength. Desported lifting three hogsheads of water weighing 1,836 pounds at Cold Bath Fields, May 28, 1741. Copperplate engraving from John Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, Young, London, 1819.
Thomas Topham, the Strong Man, performer of feats of strength. Desported lifting three hogsheads of water weighing 1,836 pounds at Cold Bath Fields, May 28, 1741. Copperplate engraving from John Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, Young, London, 1819.

FLO4602964: Thomas Topham, the Strong Man, performer of feats of strength. Desported lifting three hogsheads of water weighing 1,836 pounds at Cold Bath Fields, May 28, 1741. Copperplate engraving from John Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, Young, London, 1819. / Bridgeman Images

ID: FLO4602964

Thomas Topham, the Strong Man, performer of feats of strength. Desported lifting three hogsheads of water weighing 1,836 pounds at Cold Bath Fields, May 28, 1741. Copperplate engraving from John Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, Young, London, 1819.

James Turner, old beggar who made a shilling an hour and posed for Sir Joshua Reynolds' painting Count Ugolino and Nathaniel Hone's Conjuror. Copperplate engraving by R. Grave from John Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, Young, London, 1819.
James Turner, old beggar who made a shilling an hour and posed for Sir Joshua Reynolds' painting Count Ugolino and Nathaniel Hone's Conjuror. Copperplate engraving by R. Grave from John Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, Young, London, 1819.

FLO4602975: James Turner, old beggar who made a shilling an hour and posed for Sir Joshua Reynolds' painting Count Ugolino and Nathaniel Hone's Conjuror. Copperplate engraving by R. Grave from John Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, Young, London, 1819. / Bridgeman Images

ID: FLO4602975

James Turner, old beggar who made a shilling an hour and posed for Sir Joshua Reynolds' painting Count Ugolino and Nathaniel Hone's Conjuror. Copperplate engraving by R. Grave from John Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, Young, London, 1819.

Woman's shoe design in lilac leather and snakeskin within an art deco abstract border. Chromolithograph from Andre Camy's La Chausage d'Art, The Art Shoe, August-September, Paris, 1930.
Woman's shoe design in lilac leather and snakeskin within an art deco abstract border. Chromolithograph from Andre Camy's La Chausage d'Art, The Art Shoe, August-September, Paris, 1930.

FLO4603072: Woman's shoe design in lilac leather and snakeskin within an art deco abstract border. Chromolithograph from Andre Camy's La Chausage d'Art, The Art Shoe, August-September, Paris, 1930. / Bridgeman Images

ID: FLO4603072

Woman's shoe design in lilac leather and snakeskin within an art deco abstract border. Chromolithograph from Andre Camy's La Chausage d'Art, The Art Shoe, August-September, Paris, 1930.

Woman in the Oriental hairstyle with hat decorated with flowers and feathers, tied with a fur band. Oriental hairstyle. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895.
Woman in the Oriental hairstyle with hat decorated with flowers and feathers, tied with a fur band. Oriental hairstyle. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895.

FLO4606338: Woman in the Oriental hairstyle with hat decorated with flowers and feathers, tied with a fur band. Oriental hairstyle. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895. / Bridgeman Images

ID: FLO4606338

Woman in the Oriental hairstyle with hat decorated with flowers and feathers, tied with a fur band. Oriental hairstyle. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895.

Woman in hairstyle with ringlets called the Jamaican. Coeffure to Jamaica. Handcoloured copperplate engraving by an unknown artist from an Album of Fashionable Hairstyles of 1783, Suite des Coeffures a la Mode en 1783, Enauts et Rapilly, Paris, 1783.
Woman in hairstyle with ringlets called the Jamaican. Coeffure to Jamaica. Handcoloured copperplate engraving by an unknown artist from an Album of Fashionable Hairstyles of 1783, Suite des Coeffures a la Mode en 1783, Enauts et Rapilly, Paris, 1783.

FLO4606604: Woman in hairstyle with ringlets called the Jamaican. Coeffure to Jamaica. Handcoloured copperplate engraving by an unknown artist from an Album of Fashionable Hairstyles of 1783, Suite des Coeffures a la Mode en 1783, Enauts et Rapilly, Paris, 1783. / Bridgeman Images

ID: FLO4606604

Woman in hairstyle with ringlets called the Jamaican. Coeffure to Jamaica. Handcoloured copperplate engraving by an unknown artist from an Album of Fashionable Hairstyles of 1783, Suite des Coeffures a la Mode en 1783, Enauts et Rapilly, Paris, 1783.

Woman in the Kiss bonnet, Beanie at Becquot, with tails hanging behind. Becquot was a slang term for a kiss among the gallants. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895.
Woman in the Kiss bonnet, Beanie at Becquot, with tails hanging behind. Becquot was a slang term for a kiss among the gallants. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895.

FLO4606489: Woman in the Kiss bonnet, Beanie at Becquot, with tails hanging behind. Becquot was a slang term for a kiss among the gallants. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895. / Bridgeman Images

ID: FLO4606489

Woman in the Kiss bonnet, Beanie at Becquot, with tails hanging behind. Becquot was a slang term for a kiss among the gallants. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895.

Hairstyle with ringlets and curls surmounted by a Luxembourg pouf. Coeffure in Rolling and Floating Loops topped by a Pouf in Luxembourg. Handcoloured copperplate engraving by an unknown artist from an Album of Fashionable Hairstyles of 1783, Suite des Coeffures a la Mode en 1783, Enauts et Rapilly, Paris, 1783.
Hairstyle with ringlets and curls surmounted by a Luxembourg pouf. Coeffure in Rolling and Floating Loops topped by a Pouf in Luxembourg. Handcoloured copperplate engraving by an unknown artist from an Album of Fashionable Hairstyles of 1783, Suite des Coeffures a la Mode en 1783, Enauts et Rapilly, Paris, 1783.

FLO4606618: Hairstyle with ringlets and curls surmounted by a Luxembourg pouf. Coeffure in Rolling and Floating Loops topped by a Pouf in Luxembourg. Handcoloured copperplate engraving by an unknown artist from an Album of Fashionable Hairstyles of 1783, Suite des Coeffures a la Mode en 1783, Enauts et Rapilly, Paris, 1783. / Bridgeman Images

ID: FLO4606618

Hairstyle with ringlets and curls surmounted by a Luxembourg pouf. Coeffure in Rolling and Floating Loops topped by a Pouf in Luxembourg. Handcoloured copperplate engraving by an unknown artist from an Album of Fashionable Hairstyles of 1783, Suite des Coeffures a la Mode en 1783, Enauts et Rapilly, Paris, 1783.

Woman in hairstyle with large curls under a straw hat. Coeffure has big earrings with a straw hat. Handcoloured copperplate engraving by an unknown artist from an Album of Fashionable Hairstyles of 1783, Suite des Coeffures a la Mode en 1783, Enauts et Rapilly, Paris, 1783.
Woman in hairstyle with large curls under a straw hat. Coeffure has big earrings with a straw hat. Handcoloured copperplate engraving by an unknown artist from an Album of Fashionable Hairstyles of 1783, Suite des Coeffures a la Mode en 1783, Enauts et Rapilly, Paris, 1783.

FLO4606651: Woman in hairstyle with large curls under a straw hat. Coeffure has big earrings with a straw hat. Handcoloured copperplate engraving by an unknown artist from an Album of Fashionable Hairstyles of 1783, Suite des Coeffures a la Mode en 1783, Enauts et Rapilly, Paris, 1783. / Bridgeman Images

ID: FLO4606651

Woman in hairstyle with large curls under a straw hat. Coeffure has big earrings with a straw hat. Handcoloured copperplate engraving by an unknown artist from an Album of Fashionable Hairstyles of 1783, Suite des Coeffures a la Mode en 1783, Enauts et Rapilly, Paris, 1783.

Charlotte Tousez as Baronne de Vieuxbois in La Faume Agnes by Nericault Destouches, Theatre Français, 1823. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.
Charlotte Tousez as Baronne de Vieuxbois in La Faume Agnes by Nericault Destouches, Theatre Français, 1823. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.

FLO4606722: Charlotte Tousez as Baronne de Vieuxbois in La Faume Agnes by Nericault Destouches, Theatre Français, 1823. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825. / Bridgeman Images

ID: FLO4606722

Charlotte Tousez as Baronne de Vieuxbois in La Faume Agnes by Nericault Destouches, Theatre Français, 1823. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.

Soprano opera singer Madame Louise Therese Lemonnier as Elisabeth in Leicester by Daniel Auber, Theatre Royal de l'Opera Comique, 1823. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.
Soprano opera singer Madame Louise Therese Lemonnier as Elisabeth in Leicester by Daniel Auber, Theatre Royal de l'Opera Comique, 1823. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.

FLO4606782: Soprano opera singer Madame Louise Therese Lemonnier as Elisabeth in Leicester by Daniel Auber, Theatre Royal de l'Opera Comique, 1823. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825. / Bridgeman Images

ID: FLO4606782

Soprano opera singer Madame Louise Therese Lemonnier as Elisabeth in Leicester by Daniel Auber, Theatre Royal de l'Opera Comique, 1823. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.

Tenor singer Lecomte as Almaviva in the opera Le Barbier de Seville by Gioachino Rossini, Theatre Royal de l'Odeon, 1823. Handcoloured lithograph by F. Noel after an illustration by Lavigne Marin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.
Tenor singer Lecomte as Almaviva in the opera Le Barbier de Seville by Gioachino Rossini, Theatre Royal de l'Odeon, 1823. Handcoloured lithograph by F. Noel after an illustration by Lavigne Marin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.

FLO4606889: Tenor singer Lecomte as Almaviva in the opera Le Barbier de Seville by Gioachino Rossini, Theatre Royal de l'Odeon, 1823. Handcoloured lithograph by F. Noel after an illustration by Lavigne Marin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825. / Bridgeman Images

ID: FLO4606889

Tenor singer Lecomte as Almaviva in the opera Le Barbier de Seville by Gioachino Rossini, Theatre Royal de l'Odeon, 1823. Handcoloured lithograph by F. Noel after an illustration by Lavigne Marin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.

Baritone opera singer Henri Bernard Dabadie as Telasco in Fernand Cortez by Gaspare Spontini, Royal Academy of Music. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.
Baritone opera singer Henri Bernard Dabadie as Telasco in Fernand Cortez by Gaspare Spontini, Royal Academy of Music. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.

FLO4606973: Baritone opera singer Henri Bernard Dabadie as Telasco in Fernand Cortez by Gaspare Spontini, Royal Academy of Music. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825. / Bridgeman Images

ID: FLO4606973

Baritone opera singer Henri Bernard Dabadie as Telasco in Fernand Cortez by Gaspare Spontini, Royal Academy of Music. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.

A probe explores Europe's underground ocean - Illustration - Europa Submersible Probe - Illustration - Artist's view of a space probe exploring Europe's underground ocean. Ice covers the surface of this Jupiter satellite; it is believed that under the tens of km thick of this ice, water in the liquid state could exist. A remote - controlled submersible probe pokes around beneath the icy mantle of Europa. The probe is designed to fit down a narrow hole, with the lights mounted on deployable rods, and small motorized wheels mounted on the fairings (hard to see here). Antennae trail behind. Power and warmth are provided by a SNAP generator near the rear. Stereo cameras are in front. Water intakes for chemical analysis are behind the front fairing. Attitude control is provided by small thrusters. Main propulsion comes from a small propellor equipped with a Kort nozzle
A probe explores Europe's underground ocean - Illustration - Europa Submersible Probe - Illustration - Artist's view of a space probe exploring Europe's underground ocean. Ice covers the surface of this Jupiter satellite; it is believed that under the tens of km thick of this ice, water in the liquid state could exist. A remote - controlled submersible probe pokes around beneath the icy mantle of Europa. The probe is designed to fit down a narrow hole, with the lights mounted on deployable rods, and small motorized wheels mounted on the fairings (hard to see here). Antennae trail behind. Power and warmth are provided by a SNAP generator near the rear. Stereo cameras are in front. Water intakes for chemical analysis are behind the front fairing. Attitude control is provided by small thrusters. Main propulsion comes from a small propellor equipped with a Kort nozzle

PIX4607452: A probe explores Europe's underground ocean - Illustration - Europa Submersible Probe - Illustration - Artist's view of a space probe exploring Europe's underground ocean. Ice covers the surface of this Jupiter satellite; it is believed that under the tens of km thick of this ice, water in the liquid state could exist. A remote - controlled submersible probe pokes around beneath the icy mantle of Europa. The probe is designed to fit down a narrow hole, with the lights mounted on deployable rods, and small motorized wheels mounted on the fairings (hard to see here). Antennae trail behind. Power and warmth are provided by a SNAP generator near the rear. Stereo cameras are in front. Water intakes for chemical analysis are behind the front fairing. Attitude control is provided by small thrusters. Main propulsion comes from a small propellor equipped with a Kort nozzle, Bergeron, Joe / Bridgeman Images

ID: PIX4607452

A probe explores Europe's underground ocean - Illustration - Europa Submersible Probe - Illustration - Artist's view of a space probe exploring Europe's underground ocean. Ice covers the surface of this Jupiter satellite; it is believed that under the tens of km thick of this ice, water in the liquid state could exist. A remote - controlled submersible probe pokes around beneath the icy mantle of Europa. The probe is designed to fit down a narrow hole, with the lights mounted on deployable rods, and small motorized wheels mounted on the fairings (hard to see here). Antennae trail behind. Power and warmth are provided by a SNAP generator near the rear. Stereo cameras are in front. Water intakes for chemical analysis are behind the front fairing. Attitude control is provided by small thrusters. Main propulsion comes from a small propellor equipped with a Kort nozzle

Bergeron, Joe

Charles Francois Grandin Grandville and Lisimon in Le Glorieux by Nericault Destouches, Theatre Français, 1824. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.
Charles Francois Grandin Grandville and Lisimon in Le Glorieux by Nericault Destouches, Theatre Français, 1824. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.

FLO4606852: Charles Francois Grandin Grandville and Lisimon in Le Glorieux by Nericault Destouches, Theatre Français, 1824. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825. / Bridgeman Images

ID: FLO4606852

Charles Francois Grandin Grandville and Lisimon in Le Glorieux by Nericault Destouches, Theatre Français, 1824. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.

Dancer and actress Miss Emilie Leverd as Celimene in Le Misanthrope by Moliere, Theatre Français, 1808. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.
Dancer and actress Miss Emilie Leverd as Celimene in Le Misanthrope by Moliere, Theatre Français, 1808. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.

FLO4606861: Dancer and actress Miss Emilie Leverd as Celimene in Le Misanthrope by Moliere, Theatre Français, 1808. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825., Colin, Alexandre Marie (1798-1875) / Bridgeman Images

ID: FLO4606861

Dancer and actress Miss Emilie Leverd as Celimene in Le Misanthrope by Moliere, Theatre Français, 1808. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.

Colin, Alexandre Marie (1798-1875)

Tenor singer Lafeuillade as Montfort in La Bergere Chatelaine by Daniel Auber, Theatre Royal de l'Opera Comique, 1820. Handcoloured lithograph by F. Noel after an illustration by Lavigne Marin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.
Tenor singer Lafeuillade as Montfort in La Bergere Chatelaine by Daniel Auber, Theatre Royal de l'Opera Comique, 1820. Handcoloured lithograph by F. Noel after an illustration by Lavigne Marin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.

FLO4607050: Tenor singer Lafeuillade as Montfort in La Bergere Chatelaine by Daniel Auber, Theatre Royal de l'Opera Comique, 1820. Handcoloured lithograph by F. Noel after an illustration by Lavigne Marin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825. / Bridgeman Images

ID: FLO4607050

Tenor singer Lafeuillade as Montfort in La Bergere Chatelaine by Daniel Auber, Theatre Royal de l'Opera Comique, 1820. Handcoloured lithograph by F. Noel after an illustration by Lavigne Marin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.

The parable of Lazarus and the rich man, 17th century (oil on wood)
The parable of Lazarus and the rich man, 17th century (oil on wood)

LRI4607304: The parable of Lazarus and the rich man, 17th century (oil on wood), Knüpfer, Nikolaus (1603-55) / Bridgeman Images

ID: LRI4607304

The parable of Lazarus and the rich man, 17th century (oil on wood)

Knüpfer, Nikolaus (1603-55)

Bristly locust tree, Robinia hispida. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.
Bristly locust tree, Robinia hispida. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.

FLO4607383: Bristly locust tree, Robinia hispida. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s. / Bridgeman Images

ID: FLO4607383

Bristly locust tree, Robinia hispida. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.

Lambert's vervain, Verbena lamberti. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.
Lambert's vervain, Verbena lamberti. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.

FLO4607570: Lambert's vervain, Verbena lamberti. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s. / Bridgeman Images

ID: FLO4607570

Lambert's vervain, Verbena lamberti. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.

Allegory of Fortune (oil on wood, end 16th century)
Allegory of Fortune (oil on wood, end 16th century)

LRI4607516: Allegory of Fortune (oil on wood, end 16th century), Ligozzi, Jacopo (1547-1626) / Bridgeman Images

ID: LRI4607516

Allegory of Fortune (oil on wood, end 16th century)

Ligozzi, Jacopo (1547-1626)

Leucothoe seduced by Apollo - Leucothoe, charmed with the beauty of Apollo, yields without resistance. Copperplate engraving by W. Walker after an illustration by C. Monnet from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.
Leucothoe seduced by Apollo - Leucothoe, charmed with the beauty of Apollo, yields without resistance. Copperplate engraving by W. Walker after an illustration by C. Monnet from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

FLO4607679: Leucothoe seduced by Apollo - Leucothoe, charmed with the beauty of Apollo, yields without resistance. Copperplate engraving by W. Walker after an illustration by C. Monnet from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778. / Bridgeman Images

ID: FLO4607679

Leucothoe seduced by Apollo - Leucothoe, charmed with the beauty of Apollo, yields without resistance. Copperplate engraving by W. Walker after an illustration by C. Monnet from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

Portrait of George Buchanan, Scottish historian and humanist scholar, 1505-1582. In an oval decorated with foliage, horn, lyre, books and putto with quill. Copperplate engraving by Thomas Cook from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.
Portrait of George Buchanan, Scottish historian and humanist scholar, 1505-1582. In an oval decorated with foliage, horn, lyre, books and putto with quill. Copperplate engraving by Thomas Cook from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

FLO4607910: Portrait of George Buchanan, Scottish historian and humanist scholar, 1505-1582. In an oval decorated with foliage, horn, lyre, books and putto with quill. Copperplate engraving by Thomas Cook from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778. / Bridgeman Images

ID: FLO4607910

Portrait of George Buchanan, Scottish historian and humanist scholar, 1505-1582. In an oval decorated with foliage, horn, lyre, books and putto with quill. Copperplate engraving by Thomas Cook from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

Indian tree rosebay, Rhododendron arboreum. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.
Indian tree rosebay, Rhododendron arboreum. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.

FLO4607617: Indian tree rosebay, Rhododendron arboreum. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s. / Bridgeman Images

ID: FLO4607617

Indian tree rosebay, Rhododendron arboreum. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.

Evergreen swamp magnolia, Magnolia glauca sempervirens. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.
Evergreen swamp magnolia, Magnolia glauca sempervirens. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.

FLO4607633: Evergreen swamp magnolia, Magnolia glauca sempervirens. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s. / Bridgeman Images

ID: FLO4607633

Evergreen swamp magnolia, Magnolia glauca sempervirens. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.

The bourgeois of Calais take hostage to Edward of England (1312-1377), during the siege of Calais (1346) - Surrender of Calais to King Edward III, 1346. Copperplate engraving by J. Hall after an illustration by Edwards from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.
The bourgeois of Calais take hostage to Edward of England (1312-1377), during the siege of Calais (1346) - Surrender of Calais to King Edward III, 1346. Copperplate engraving by J. Hall after an illustration by Edwards from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

FLO4607638: The bourgeois of Calais take hostage to Edward of England (1312-1377), during the siege of Calais (1346) - Surrender of Calais to King Edward III, 1346. Copperplate engraving by J. Hall after an illustration by Edwards from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778. / Bridgeman Images

ID: FLO4607638

The bourgeois of Calais take hostage to Edward of England (1312-1377), during the siege of Calais (1346) - Surrender of Calais to King Edward III, 1346. Copperplate engraving by J. Hall after an illustration by Edwards from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

The departure of Telemaque from Egypt - The departure of Telemachus from Egypt. Copperplate engraving by W. Walker after an illustration by C. Monnet from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.
The departure of Telemaque from Egypt - The departure of Telemachus from Egypt. Copperplate engraving by W. Walker after an illustration by C. Monnet from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

FLO4607872: The departure of Telemaque from Egypt - The departure of Telemachus from Egypt. Copperplate engraving by W. Walker after an illustration by C. Monnet from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778. / Bridgeman Images

ID: FLO4607872

The departure of Telemaque from Egypt - The departure of Telemachus from Egypt. Copperplate engraving by W. Walker after an illustration by C. Monnet from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

White satyrion orchid, Pseudorchis albida (Satyrium albidum). Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clases and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.
White satyrion orchid, Pseudorchis albida (Satyrium albidum). Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clases and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

FLO4618303: White satyrion orchid, Pseudorchis albida (Satyrium albidum). Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clases and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816. / Bridgeman Images

ID: FLO4618303

White satyrion orchid, Pseudorchis albida (Satyrium albidum). Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clases and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

Ladies slipper orchid, Cypripedium calceolus. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.
Ladies slipper orchid, Cypripedium calceolus. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

FLO4618323: Ladies slipper orchid, Cypripedium calceolus. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816. / Bridgeman Images

ID: FLO4618323

Ladies slipper orchid, Cypripedium calceolus. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

Common birthwort, Aristolochia clematitis. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.
Common birthwort, Aristolochia clematitis. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

FLO4618353: Common birthwort, Aristolochia clematitis. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816. / Bridgeman Images

ID: FLO4618353

Common birthwort, Aristolochia clematitis. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

Mixed technical white, 1954 (painting)
Mixed technical white, 1954 (painting)

LRI4618638: Mixed technical white, 1954 (painting), Burri, Alberto (1915-95) / Bridgeman Images

ID: LRI4618638

Mixed technical white, 1954 (painting)

Burri, Alberto (1915-95)

Sensitive plant, Mimosa pudica (mimosa pudique) Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany.
Sensitive plant, Mimosa pudica (mimosa pudique) Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany.

FLO4618626: Sensitive plant, Mimosa pudica (mimosa pudique) Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany. / Bridgeman Images

ID: FLO4618626

Sensitive plant, Mimosa pudica (mimosa pudique) Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany.


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