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Etienne Melingue and Louis de Thuringe in Le Miracle des Roses by Antony Beraud and Hippolyte Hostein, Amigue-Comique, 1844. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
Etienne Melingue and Louis de Thuringe in Le Miracle des Roses by Antony Beraud and Hippolyte Hostein, Amigue-Comique, 1844. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4632887: Etienne Melingue and Louis de Thuringe in Le Miracle des Roses by Antony Beraud and Hippolyte Hostein, Amigue-Comique, 1844. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

ID: FLO4632887

Etienne Melingue and Louis de Thuringe in Le Miracle des Roses by Antony Beraud and Hippolyte Hostein, Amigue-Comique, 1844. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

City of the future and astroport - Artist's view - City of the future and astroport - Viewed artist
City of the future and astroport - Artist's view - City of the future and astroport - Viewed artist

PIX4633003: City of the future and astroport - Artist's view - City of the future and astroport - Viewed artist / Bridgeman Images

ID: PIX4633003

City of the future and astroport - Artist's view - City of the future and astroport - Viewed artist

Miss Duverger in the title role of Fiorina, by Melesville and Carmouche, Theatre du Palais-Royal, 1844. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844.
Miss Duverger in the title role of Fiorina, by Melesville and Carmouche, Theatre du Palais-Royal, 1844. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844.

FLO4633025: Miss Duverger in the title role of Fiorina, by Melesville and Carmouche, Theatre du Palais-Royal, 1844. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844. / Bridgeman Images

ID: FLO4633025

Miss Duverger in the title role of Fiorina, by Melesville and Carmouche, Theatre du Palais-Royal, 1844. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844.

Varieties of Glaieuls: Wellington (crimson red colour), Von Gagern (ecarlate red colour) and Prince Albert (pink colour). Eau forte (zincography) draws and grave by C.T.Rosenberg, in The Garden Companion and Florist's Guide, 1852, by Thomas Moore (1821-1887), curator of the Botanical Garden of Chelsea (United Kingdom), published by Charles Frederick Cheffins.
Varieties of Glaieuls: Wellington (crimson red colour), Von Gagern (ecarlate red colour) and Prince Albert (pink colour). Eau forte (zincography) draws and grave by C.T.Rosenberg, in The Garden Companion and Florist's Guide, 1852, by Thomas Moore (1821-1887), curator of the Botanical Garden of Chelsea (United Kingdom), published by Charles Frederick Cheffins.

FLO4633053: Varieties of Glaieuls: Wellington (crimson red colour), Von Gagern (ecarlate red colour) and Prince Albert (pink colour). Eau forte (zincography) draws and grave by C.T.Rosenberg, in The Garden Companion and Florist's Guide, 1852, by Thomas Moore (1821-1887), curator of the Botanical Garden of Chelsea (United Kingdom), published by Charles Frederick Cheffins. / Bridgeman Images

ID: FLO4633053

Varieties of Glaieuls: Wellington (crimson red colour), Von Gagern (ecarlate red colour) and Prince Albert (pink colour). Eau forte (zincography) draws and grave by C.T.Rosenberg, in The Garden Companion and Florist's Guide, 1852, by Thomas Moore (1821-1887), curator of the Botanical Garden of Chelsea (United Kingdom), published by Charles Frederick Cheffins.

Solitaire tea service 1760 and Solitaire coffee service of pot, sugar bowl, cup, saucer and plate. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.
Solitaire tea service 1760 and Solitaire coffee service of pot, sugar bowl, cup, saucer and plate. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.

FLO4633233: Solitaire tea service 1760 and Solitaire coffee service of pot, sugar bowl, cup, saucer and plate. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891. / Bridgeman Images

ID: FLO4633233

Solitaire tea service 1760 and Solitaire coffee service of pot, sugar bowl, cup, saucer and plate. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.

Shaggy ink cap, lawyer's wig or shaggy mane, Coprinus comatus. Chromolithograph after a botanical illustration by William Hamilton Gibson from his book Our Edible Toadstools and Mushrooms.
Shaggy ink cap, lawyer's wig or shaggy mane, Coprinus comatus. Chromolithograph after a botanical illustration by William Hamilton Gibson from his book Our Edible Toadstools and Mushrooms.

FLO4633535: Shaggy ink cap, lawyer's wig or shaggy mane, Coprinus comatus. Chromolithograph after a botanical illustration by William Hamilton Gibson from his book Our Edible Toadstools and Mushrooms. / Bridgeman Images

ID: FLO4633535

Shaggy ink cap, lawyer's wig or shaggy mane, Coprinus comatus. Chromolithograph after a botanical illustration by William Hamilton Gibson from his book Our Edible Toadstools and Mushrooms.

Frost's bolete, Exsudoporus frostii (Boletus alveolatus) and bitter bolete, Tylopilus felleus (Boletus felleus). Chromolithograph after a botanical illustration by William Hamilton Gibson from his book Our Edible Toadstools and Mushrooms.
Frost's bolete, Exsudoporus frostii (Boletus alveolatus) and bitter bolete, Tylopilus felleus (Boletus felleus). Chromolithograph after a botanical illustration by William Hamilton Gibson from his book Our Edible Toadstools and Mushrooms.

FLO4633593: Frost's bolete, Exsudoporus frostii (Boletus alveolatus) and bitter bolete, Tylopilus felleus (Boletus felleus). Chromolithograph after a botanical illustration by William Hamilton Gibson from his book Our Edible Toadstools and Mushrooms. / Bridgeman Images

ID: FLO4633593

Frost's bolete, Exsudoporus frostii (Boletus alveolatus) and bitter bolete, Tylopilus felleus (Boletus felleus). Chromolithograph after a botanical illustration by William Hamilton Gibson from his book Our Edible Toadstools and Mushrooms.

Primrose, Hare-Bell, Eglantine and Moss (Cymbeline). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845.
Primrose, Hare-Bell, Eglantine and Moss (Cymbeline). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845.

FLO4633712: Primrose, Hare-Bell, Eglantine and Moss (Cymbeline). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845. / Bridgeman Images

ID: FLO4633712

Primrose, Hare-Bell, Eglantine and Moss (Cymbeline). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845.

The dance lesson (oil on canvas, ca. 1741)
The dance lesson (oil on canvas, ca. 1741)

LRI4633929: The dance lesson (oil on canvas, ca. 1741), Longhi, Pietro (c.1701-85) / Bridgeman Images

ID: LRI4633929

The dance lesson (oil on canvas, ca. 1741)

Longhi, Pietro (c.1701-85)

Persian artillery costumes, the guns mounted on the saddle of the camels. With the flag and Persian gold coins. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Persian camel artillery showing bomdiers firing cannons mounted on saddles. Persian flag and gold coins. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Persian artillery costumes, the guns mounted on the saddle of the camels. With the flag and Persian gold coins. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Persian camel artillery showing bomdiers firing cannons mounted on saddles. Persian flag and gold coins. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4633999: Persian artillery costumes, the guns mounted on the saddle of the camels. With the flag and Persian gold coins. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Persian camel artillery showing bomdiers firing cannons mounted on saddles. Persian flag and gold coins. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4633999

Persian artillery costumes, the guns mounted on the saddle of the camels. With the flag and Persian gold coins. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Persian camel artillery showing bomdiers firing cannons mounted on saddles. Persian flag and gold coins. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

Writing case in green, white and gold given to Marie Antoinette by Loius XVI with globe, celestial globe, crown of pearls and fleurs de lys, cameos and painted cupids. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.
Writing case in green, white and gold given to Marie Antoinette by Loius XVI with globe, celestial globe, crown of pearls and fleurs de lys, cameos and painted cupids. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.

FLO4633448: Writing case in green, white and gold given to Marie Antoinette by Loius XVI with globe, celestial globe, crown of pearls and fleurs de lys, cameos and painted cupids. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891. / Bridgeman Images

ID: FLO4633448

Writing case in green, white and gold given to Marie Antoinette by Loius XVI with globe, celestial globe, crown of pearls and fleurs de lys, cameos and painted cupids. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.

The Formation of the Moon - Artist's View - The Formation of the Moon - Artist's View - The Moon would be born from the impact of a big asteroid on Earth. The material ejected during this collision would have combined to form the Earth satellite
The Formation of the Moon - Artist's View - The Formation of the Moon - Artist's View - The Moon would be born from the impact of a big asteroid on Earth. The material ejected during this collision would have combined to form the Earth satellite

PIX4633473: The Formation of the Moon - Artist's View - The Formation of the Moon - Artist's View - The Moon would be born from the impact of a big asteroid on Earth. The material ejected during this collision would have combined to form the Earth satellite, Dixon, Don (b.1951) / Bridgeman Images

ID: PIX4633473

The Formation of the Moon - Artist's View - The Formation of the Moon - Artist's View - The Moon would be born from the impact of a big asteroid on Earth. The material ejected during this collision would have combined to form the Earth satellite

Dixon, Don (b.1951)

Daisies, Violets, Ladiesmocks and Cuckoo-buds, 1845 (lithograph)
Daisies, Violets, Ladiesmocks and Cuckoo-buds, 1845 (lithograph)

FLO4633823: Daisies, Violets, Ladiesmocks and Cuckoo-buds, 1845 (lithograph), Giraud, Jane Elizabeth (1810-68) / Bridgeman Images

ID: FLO4633823

Daisies, Violets, Ladiesmocks and Cuckoo-buds, 1845 (lithograph)

Giraud, Jane Elizabeth (1810-68)

The mausolee of Tipu Sahib (1749-1799), sultan of Mysore (or Maissour, present-day Karnataka state), is known as the “Mysore Tiger”, because of its position to the British settlement in India. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Tomb of Tipu Sultan of Mysore, or the Tiger of Mysore. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
The mausolee of Tipu Sahib (1749-1799), sultan of Mysore (or Maissour, present-day Karnataka state), is known as the “Mysore Tiger”, because of its position to the British settlement in India. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Tomb of Tipu Sultan of Mysore, or the Tiger of Mysore. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4633956: The mausolee of Tipu Sahib (1749-1799), sultan of Mysore (or Maissour, present-day Karnataka state), is known as the “Mysore Tiger”, because of its position to the British settlement in India. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Tomb of Tipu Sultan of Mysore, or the Tiger of Mysore. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4633956

The mausolee of Tipu Sahib (1749-1799), sultan of Mysore (or Maissour, present-day Karnataka state), is known as the “Mysore Tiger”, because of its position to the British settlement in India. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Tomb of Tipu Sultan of Mysore, or the Tiger of Mysore. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

Rosemary, Pansies, Fennel, Columbines, Rue, Daisy and Violets (Hamlet). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845.
Rosemary, Pansies, Fennel, Columbines, Rue, Daisy and Violets (Hamlet). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845.

FLO4633701: Rosemary, Pansies, Fennel, Columbines, Rue, Daisy and Violets (Hamlet). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845. / Bridgeman Images

ID: FLO4633701

Rosemary, Pansies, Fennel, Columbines, Rue, Daisy and Violets (Hamlet). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845.

Strawberry, Nettle and Summer-grass (King Henry V). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845.
Strawberry, Nettle and Summer-grass (King Henry V). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845.

FLO4633748: Strawberry, Nettle and Summer-grass (King Henry V). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845. / Bridgeman Images

ID: FLO4633748

Strawberry, Nettle and Summer-grass (King Henry V). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845.

Red Roses (King Richard III). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845.
Red Roses (King Richard III). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845.

FLO4633775: Red Roses (King Richard III). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845. / Bridgeman Images

ID: FLO4633775

Red Roses (King Richard III). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845.

Hawthorns and Brambles (As You Like It). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845.
Hawthorns and Brambles (As You Like It). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845.

FLO4633805: Hawthorns and Brambles (As You Like It). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845. / Bridgeman Images

ID: FLO4633805

Hawthorns and Brambles (As You Like It). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845.

Lavender, Mines, Savory, Marjoram and Marigold (Winter's Tale). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845.
Lavender, Mines, Savory, Marjoram and Marigold (Winter's Tale). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845.

FLO4633811: Lavender, Mines, Savory, Marjoram and Marigold (Winter's Tale). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845. / Bridgeman Images

ID: FLO4633811

Lavender, Mines, Savory, Marjoram and Marigold (Winter's Tale). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845.

Persian costumes: a couple of courtiers and ordinary traditional costumes. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Costumes of high ranking Persian men and women at top, and commoners below. Physiognomy of a Persian man in turban. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Persian costumes: a couple of courtiers and ordinary traditional costumes. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Costumes of high ranking Persian men and women at top, and commoners below. Physiognomy of a Persian man in turban. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4633973: Persian costumes: a couple of courtiers and ordinary traditional costumes. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Costumes of high ranking Persian men and women at top, and commoners below. Physiognomy of a Persian man in turban. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4633973

Persian costumes: a couple of courtiers and ordinary traditional costumes. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Costumes of high ranking Persian men and women at top, and commoners below. Physiognomy of a Persian man in turban. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

Step to Entropy, 2003 by Richard Artschwager, A Circle in Brittany, 1986 by Richard Long, Sculpture Park. Contemporary art center, Domaine de Kerguehennec, in Bignan in Brittany (Morbihan). Photography 13/08/09
Step to Entropy, 2003 by Richard Artschwager, A Circle in Brittany, 1986 by Richard Long, Sculpture Park. Contemporary art center, Domaine de Kerguehennec, in Bignan in Brittany (Morbihan). Photography 13/08/09

TEC4634190: Step to Entropy, 2003 by Richard Artschwager, A Circle in Brittany, 1986 by Richard Long, Sculpture Park. Contemporary art center, Domaine de Kerguehennec, in Bignan in Brittany (Morbihan). Photography 13/08/09, Artschwager, Richard (b.1923) / Bridgeman Images

ID: TEC4634190

Step to Entropy, 2003 by Richard Artschwager, A Circle in Brittany, 1986 by Richard Long, Sculpture Park. Contemporary art center, Domaine de Kerguehennec, in Bignan in Brittany (Morbihan). Photography 13/08/09

Artschwager, Richard (b.1923)

View of a street along a canal, with couplers, Europeans and natives of Batavia (present-day Jakarta, Indonesia), around 1800, when it was a Dutch colony. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. View of a street with canal, horse-drawn carriages, Europeans and natives in Batavia (Jakarta), on the island of Java, Indonesia, circa 1800, when it was a Dutch colony. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
View of a street along a canal, with couplers, Europeans and natives of Batavia (present-day Jakarta, Indonesia), around 1800, when it was a Dutch colony. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. View of a street with canal, horse-drawn carriages, Europeans and natives in Batavia (Jakarta), on the island of Java, Indonesia, circa 1800, when it was a Dutch colony. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634202: View of a street along a canal, with couplers, Europeans and natives of Batavia (present-day Jakarta, Indonesia), around 1800, when it was a Dutch colony. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. View of a street with canal, horse-drawn carriages, Europeans and natives in Batavia (Jakarta), on the island of Java, Indonesia, circa 1800, when it was a Dutch colony. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4634202

View of a street along a canal, with couplers, Europeans and natives of Batavia (present-day Jakarta, Indonesia), around 1800, when it was a Dutch colony. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. View of a street with canal, horse-drawn carriages, Europeans and natives in Batavia (Jakarta), on the island of Java, Indonesia, circa 1800, when it was a Dutch colony. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

A village on Buru Island, in the Molucca Archipelago (Indonesia). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Landscape scene showing a village, bridge, houses and natives on the island of Buro (Buru) in the Moluccas (Maluku), Indonesia. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
A village on Buru Island, in the Molucca Archipelago (Indonesia). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Landscape scene showing a village, bridge, houses and natives on the island of Buro (Buru) in the Moluccas (Maluku), Indonesia. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634223: A village on Buru Island, in the Molucca Archipelago (Indonesia). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Landscape scene showing a village, bridge, houses and natives on the island of Buro (Buru) in the Moluccas (Maluku), Indonesia. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4634223

A village on Buru Island, in the Molucca Archipelago (Indonesia). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Landscape scene showing a village, bridge, houses and natives on the island of Buro (Buru) in the Moluccas (Maluku), Indonesia. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

The imperial gardens of the summer palace in Pekin (Beijing, China), around 1800, with sampans on the lake at the foot of the hill covered with pavilions, porticoes and temples. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. The imperial gardens of Summer Palace in Peking, circa 1800, with sampans on the lake in front of a hillside of pavilions, halls and temples. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
The imperial gardens of the summer palace in Pekin (Beijing, China), around 1800, with sampans on the lake at the foot of the hill covered with pavilions, porticoes and temples. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. The imperial gardens of Summer Palace in Peking, circa 1800, with sampans on the lake in front of a hillside of pavilions, halls and temples. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634304: The imperial gardens of the summer palace in Pekin (Beijing, China), around 1800, with sampans on the lake at the foot of the hill covered with pavilions, porticoes and temples. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. The imperial gardens of Summer Palace in Peking, circa 1800, with sampans on the lake in front of a hillside of pavilions, halls and temples. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4634304

The imperial gardens of the summer palace in Pekin (Beijing, China), around 1800, with sampans on the lake at the foot of the hill covered with pavilions, porticoes and temples. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. The imperial gardens of Summer Palace in Peking, circa 1800, with sampans on the lake in front of a hillside of pavilions, halls and temples. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

The neighbourhood of our solar system - The neighbourhood of our solar system
The neighbourhood of our solar system - The neighbourhood of our solar system

PIX4634513: The neighbourhood of our solar system - The neighbourhood of our solar system / Bridgeman Images

ID: PIX4634513

The neighbourhood of our solar system - The neighbourhood of our solar system

Step to Entropy, 2003 (sculpture)
Step to Entropy, 2003 (sculpture)

TEC4634200: Step to Entropy, 2003 (sculpture), Artschwager, Richard (b.1923) / Bridgeman Images

ID: TEC4634200

Step to Entropy, 2003 (sculpture)

Artschwager, Richard (b.1923)

Quintessence - Artist's view of Quintessence, a dark form of energy that could accelerate the expansion of the universe
Quintessence - Artist's view of Quintessence, a dark form of energy that could accelerate the expansion of the universe

PIX4634203: Quintessence - Artist's view of Quintessence, a dark form of energy that could accelerate the expansion of the universe, Dixon, Don (b.1951) / Bridgeman Images

ID: PIX4634203

Quintessence - Artist's view of Quintessence, a dark form of energy that could accelerate the expansion of the universe

Dixon, Don (b.1951)

The Sacrifice at Lystra - Life of the apostles Peter and Paul: Saint Paul rejecting divine honours, after having warried an invalid, the inhabitants take him for a god and want to make sacrifices - Tapestry d'after cardboard by Raffaello Sanzio (1483-1520) dit Raphael, 1515-1516 Sun. 495x772 cm Mantuva Palazzo Ducale Italy
The Sacrifice at Lystra - Life of the apostles Peter and Paul: Saint Paul rejecting divine honours, after having warried an invalid, the inhabitants take him for a god and want to make sacrifices - Tapestry d'after cardboard by Raffaello Sanzio (1483-1520) dit Raphael, 1515-1516 Sun. 495x772 cm Mantuva Palazzo Ducale Italy

LRI4634228: The Sacrifice at Lystra - Life of the apostles Peter and Paul: Saint Paul rejecting divine honours, after having warried an invalid, the inhabitants take him for a god and want to make sacrifices - Tapestry d'after cardboard by Raffaello Sanzio (1483-1520) dit Raphael, 1515-1516 Sun. 495x772 cm Mantuva Palazzo Ducale Italy, Raphael (Raffaello Sanzio of Urbino) (1483-1520) (after) / Bridgeman Images

ID: LRI4634228

The Sacrifice at Lystra - Life of the apostles Peter and Paul: Saint Paul rejecting divine honours, after having warried an invalid, the inhabitants take him for a god and want to make sacrifices - Tapestry d'after cardboard by Raffaello Sanzio (1483-1520) dit Raphael, 1515-1516 Sun. 495x772 cm Mantuva Palazzo Ducale Italy

Raphael (Raffaello Sanzio of Urbino) (1483-1520) (after)

The Chinese flag, women's shoes and little feet, a man's shoe, Chinese characters and the porcelain pagoda of the Temple of Gratitude in Nanjing. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Chinese flag, women's shoes and feet, men's shoe, Chinese writing characters and the Porcelain Pagoda at Nanking (Nanjing) built during the Ming dynasty. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
The Chinese flag, women's shoes and little feet, a man's shoe, Chinese characters and the porcelain pagoda of the Temple of Gratitude in Nanjing. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Chinese flag, women's shoes and feet, men's shoe, Chinese writing characters and the Porcelain Pagoda at Nanking (Nanjing) built during the Ming dynasty. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634295: The Chinese flag, women's shoes and little feet, a man's shoe, Chinese characters and the porcelain pagoda of the Temple of Gratitude in Nanjing. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Chinese flag, women's shoes and feet, men's shoe, Chinese writing characters and the Porcelain Pagoda at Nanking (Nanjing) built during the Ming dynasty. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4634295

The Chinese flag, women's shoes and little feet, a man's shoe, Chinese characters and the porcelain pagoda of the Temple of Gratitude in Nanjing. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Chinese flag, women's shoes and feet, men's shoe, Chinese writing characters and the Porcelain Pagoda at Nanking (Nanjing) built during the Ming dynasty. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

Evolution of the universe: from the dark age to galaxies - In this diagram, the upper left represents the cosmic Dark Age, when the universe was so hot that atoms could not form and photons could not travel freely. The red area represents the de-ionization era, when the universe became transparent. The Cosmic Background Radiation comes from this time
Evolution of the universe: from the dark age to galaxies - In this diagram, the upper left represents the cosmic Dark Age, when the universe was so hot that atoms could not form and photons could not travel freely. The red area represents the de-ionization era, when the universe became transparent. The Cosmic Background Radiation comes from this time

PIX4634142: Evolution of the universe: from the dark age to galaxies - In this diagram, the upper left represents the cosmic Dark Age, when the universe was so hot that atoms could not form and photons could not travel freely. The red area represents the de-ionization era, when the universe became transparent. The Cosmic Background Radiation comes from this time, Dixon, Don (b.1951) / Bridgeman Images

ID: PIX4634142

Evolution of the universe: from the dark age to galaxies - In this diagram, the upper left represents the cosmic Dark Age, when the universe was so hot that atoms could not form and photons could not travel freely. The red area represents the de-ionization era, when the universe became transparent. The Cosmic Background Radiation comes from this time

Dixon, Don (b.1951)

Caucasus costumes: a Tungus priest, a Turkestan couple in front of their tent, a Circassian man and a horse prince in armor. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Peoples of the Caucasus mountains: Tungus priest, inhabitants of Turkestan in front of a tent, and Circassian man and prince in chain-mail armour on horseback. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Caucasus costumes: a Tungus priest, a Turkestan couple in front of their tent, a Circassian man and a horse prince in armor. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Peoples of the Caucasus mountains: Tungus priest, inhabitants of Turkestan in front of a tent, and Circassian man and prince in chain-mail armour on horseback. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634380: Caucasus costumes: a Tungus priest, a Turkestan couple in front of their tent, a Circassian man and a horse prince in armor. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Peoples of the Caucasus mountains: Tungus priest, inhabitants of Turkestan in front of a tent, and Circassian man and prince in chain-mail armour on horseback. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4634380

Caucasus costumes: a Tungus priest, a Turkestan couple in front of their tent, a Circassian man and a horse prince in armor. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Peoples of the Caucasus mountains: Tungus priest, inhabitants of Turkestan in front of a tent, and Circassian man and prince in chain-mail armour on horseback. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

Space-time -Artist's view
Space-time -Artist's view

PIX4634384: Space-time -Artist's view / Bridgeman Images

ID: PIX4634384

Space-time -Artist's view

The nap, 1878. (Oil on canvas)
The nap, 1878. (Oil on canvas)

LRI4634497: The nap, 1878. (Oil on canvas), Belimbau, Adolfo (1845-1938) / Bridgeman Images

ID: LRI4634497

The nap, 1878. (Oil on canvas)

Belimbau, Adolfo (1845-1938)

Neighbouring of our solar system - Illustration showing the position of the Sun in our galaxy. Illustration showing our Sun and nearest stars in our galaxy
Neighbouring of our solar system - Illustration showing the position of the Sun in our galaxy. Illustration showing our Sun and nearest stars in our galaxy

PIX4634527: Neighbouring of our solar system - Illustration showing the position of the Sun in our galaxy. Illustration showing our Sun and nearest stars in our galaxy, Dixon, Don (b.1951) / Bridgeman Images

ID: PIX4634527

Neighbouring of our solar system - Illustration showing the position of the Sun in our galaxy. Illustration showing our Sun and nearest stars in our galaxy

Dixon, Don (b.1951)

Costumes of the Buriats of Siberia (Russia): women with their pompoms and a family scene. Below, a hunter, a dignitary and a shaman holding a small ritual round shield. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Costumes of the Burat people of Siberia. Woman in coat with tassels, hunter in reindeer-skin coat with bow and quiver, noble in formal robes. Shamans in long decorated coats carrying round shields and ritual tools. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Costumes of the Buriats of Siberia (Russia): women with their pompoms and a family scene. Below, a hunter, a dignitary and a shaman holding a small ritual round shield. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Costumes of the Burat people of Siberia. Woman in coat with tassels, hunter in reindeer-skin coat with bow and quiver, noble in formal robes. Shamans in long decorated coats carrying round shields and ritual tools. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634596: Costumes of the Buriats of Siberia (Russia): women with their pompoms and a family scene. Below, a hunter, a dignitary and a shaman holding a small ritual round shield. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Costumes of the Burat people of Siberia. Woman in coat with tassels, hunter in reindeer-skin coat with bow and quiver, noble in formal robes. Shamans in long decorated coats carrying round shields and ritual tools. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4634596

Costumes of the Buriats of Siberia (Russia): women with their pompoms and a family scene. Below, a hunter, a dignitary and a shaman holding a small ritual round shield. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Costumes of the Burat people of Siberia. Woman in coat with tassels, hunter in reindeer-skin coat with bow and quiver, noble in formal robes. Shamans in long decorated coats carrying round shields and ritual tools. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

An itelmen man driving a dog sledding in the snowy plains of Kamchatka (Russia). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Itelmen man in furlined clothes riding a dogsled driven by five dogs in Kamchatka. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
An itelmen man driving a dog sledding in the snowy plains of Kamchatka (Russia). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Itelmen man in furlined clothes riding a dogsled driven by five dogs in Kamchatka. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634646: An itelmen man driving a dog sledding in the snowy plains of Kamchatka (Russia). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Itelmen man in furlined clothes riding a dogsled driven by five dogs in Kamchatka. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4634646

An itelmen man driving a dog sledding in the snowy plains of Kamchatka (Russia). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Itelmen man in furlined clothes riding a dogsled driven by five dogs in Kamchatka. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.


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