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Terracotta pyxis with scene of palaestra with athletes, 550-500 BC
Terracotta pyxis with scene of palaestra with athletes, 550-500 BC

LRI4593437: Terracotta pyxis with scene of palaestra with athletes, 550-500 BC, Etruscan, (6th century BC) / Bridgeman Images

ID: LRI4593437

Terracotta pyxis with scene of palaestra with athletes, 550-500 BC

Etruscan, (6th century BC)

Bust of young lady Marble sculpture by Desiderio da Settignano (ca. 1430-1464) Dim. 146 cm Florence, Museo Nazionale del Bargello
Bust of young lady Marble sculpture by Desiderio da Settignano (ca. 1430-1464) Dim. 146 cm Florence, Museo Nazionale del Bargello

LRI4594308: Bust of young lady Marble sculpture by Desiderio da Settignano (ca. 1430-1464) Dim. 146 cm Florence, Museo Nazionale del Bargello, Desiderio da Settignano (1428-64) / Bridgeman Images

ID: LRI4594308

Bust of young lady Marble sculpture by Desiderio da Settignano (ca. 1430-1464) Dim. 146 cm Florence, Museo Nazionale del Bargello

Desiderio da Settignano (1428-64)

Virgin and Child and Angel. 15th century (Terracotta low relief)
Virgin and Child and Angel. 15th century (Terracotta low relief)

LRI4594271: Virgin and Child and Angel. 15th century (Terracotta low relief), Della Robbia, Luca (1400-82) / Bridgeman Images

ID: LRI4594271

Virgin and Child and Angel. 15th century (Terracotta low relief)

Della Robbia, Luca (1400-82)

Terracotta stamnos representing boxing scene, 500-490 BC
Terracotta stamnos representing boxing scene, 500-490 BC

LRI4590332: Terracotta stamnos representing boxing scene, 500-490 BC, Etruscan, (5th century BC) / Bridgeman Images

ID: LRI4590332

Terracotta stamnos representing boxing scene, 500-490 BC

Etruscan, (5th century BC)

Terracotta amphora representing two sphinx, a Painter of two sphinxes, a painter bock, 610-600 BC
Terracotta amphora representing two sphinx, a Painter of two sphinxes, a painter bock, 610-600 BC

LRI4590658: Terracotta amphora representing two sphinx, a Painter of two sphinxes, a painter bock, 610-600 BC, Etruscan, (7th century BC) / Bridgeman Images

ID: LRI4590658

Terracotta amphora representing two sphinx, a Painter of two sphinxes, a painter bock, 610-600 BC

Etruscan, (7th century BC)

Francis I of Medicis (Francesco I de Medici, 1541-1587) Grand Duke of Tuscany listening to the reading of a decree Wax sculpture of Giambologna (Giovanni da Bologna or Jean de Bologna or Boulogne, 1529-1608) Museo Nazionale del Bargello Florence
Francis I of Medicis (Francesco I de Medici, 1541-1587) Grand Duke of Tuscany listening to the reading of a decree Wax sculpture of Giambologna (Giovanni da Bologna or Jean de Bologna or Boulogne, 1529-1608) Museo Nazionale del Bargello Florence

LRI4594649: Francis I of Medicis (Francesco I de Medici, 1541-1587) Grand Duke of Tuscany listening to the reading of a decree Wax sculpture of Giambologna (Giovanni da Bologna or Jean de Bologna or Boulogne, 1529-1608) Museo Nazionale del Bargello Florence, Giambologna (Giovanni da Bologna), (1529-1608) / Bridgeman Images

ID: LRI4594649

Francis I of Medicis (Francesco I de Medici, 1541-1587) Grand Duke of Tuscany listening to the reading of a decree Wax sculpture of Giambologna (Giovanni da Bologna or Jean de Bologna or Boulogne, 1529-1608) Museo Nazionale del Bargello Florence

Giambologna (Giovanni da Bologna), (1529-1608)

Kylix decorated with a winged naked male figure, holding a young woman in his arms. 350-325 BC (terracotta)
Kylix decorated with a winged naked male figure, holding a young woman in his arms. 350-325 BC (terracotta)

LRI4590307: Kylix decorated with a winged naked male figure, holding a young woman in his arms. 350-325 BC (terracotta), Etruscan, (4th century BC) / Bridgeman Images

ID: LRI4590307

Kylix decorated with a winged naked male figure, holding a young woman in his arms. 350-325 BC (terracotta)

Etruscan, (4th century BC)

Terracotta krater, 590-570 BC,
Terracotta krater, 590-570 BC,

LRI4590381: Terracotta krater, 590-570 BC,, Etruscan, (6th century BC) / Bridgeman Images

ID: LRI4590381

Terracotta krater, 590-570 BC,

Etruscan, (6th century BC)

Avenida de Los Presidentes, Vedado Quarter in Havana (Cuba).
Avenida de Los Presidentes, Vedado Quarter in Havana (Cuba).

TEC4592437: Avenida de Los Presidentes, Vedado Quarter in Havana (Cuba). / Bridgeman Images

ID: TEC4592437

Avenida de Los Presidentes, Vedado Quarter in Havana (Cuba).

L'Eglise de La Madeleine, Place de la Madeleine, Paris 8th arrondissement. Its construction lasted nearly a century. Subject to political aleas, it was finally Napoleon (1769-1821) who entrusted Pierre Vignon (1763-1828) with the task of building an ancient temple dedicated to his military glory. Only the Restoration restored its religious vocation to the Church of Sainte Marie Madeleine in 1842, architect Charles Girault (1851-1932). Photography 1999.
L'Eglise de La Madeleine, Place de la Madeleine, Paris 8th arrondissement. Its construction lasted nearly a century. Subject to political aleas, it was finally Napoleon (1769-1821) who entrusted Pierre Vignon (1763-1828) with the task of building an ancient temple dedicated to his military glory. Only the Restoration restored its religious vocation to the Church of Sainte Marie Madeleine in 1842, architect Charles Girault (1851-1932). Photography 1999.

TEC4594675: L'Eglise de La Madeleine, Place de la Madeleine, Paris 8th arrondissement. Its construction lasted nearly a century. Subject to political aleas, it was finally Napoleon (1769-1821) who entrusted Pierre Vignon (1763-1828) with the task of building an ancient temple dedicated to his military glory. Only the Restoration restored its religious vocation to the Church of Sainte Marie Madeleine in 1842, architect Charles Girault (1851-1932). Photography 1999. / Bridgeman Images

ID: TEC4594675

L'Eglise de La Madeleine, Place de la Madeleine, Paris 8th arrondissement. Its construction lasted nearly a century. Subject to political aleas, it was finally Napoleon (1769-1821) who entrusted Pierre Vignon (1763-1828) with the task of building an ancient temple dedicated to his military glory. Only the Restoration restored its religious vocation to the Church of Sainte Marie Madeleine in 1842, architect Charles Girault (1851-1932). Photography 1999.

Vedado district in Havana, Cuba.
Vedado district in Havana, Cuba.

TEC4592274: Vedado district in Havana, Cuba. / Bridgeman Images

ID: TEC4592274

Vedado district in Havana, Cuba.

Batobus on the Seine in Paris.
Batobus on the Seine in Paris.

TEC4593619: Batobus on the Seine in Paris. / Bridgeman Images

ID: TEC4593619

Batobus on the Seine in Paris.

Vedado district in Havana, Cuba.
Vedado district in Havana, Cuba.

TEC4592545: Vedado district in Havana, Cuba. / Bridgeman Images

ID: TEC4592545

Vedado district in Havana, Cuba.

Propaganda poster located in the outskirts of Havana, Cuba.
Propaganda poster located in the outskirts of Havana, Cuba.

TEC4592941: Propaganda poster located in the outskirts of Havana, Cuba. / Bridgeman Images

ID: TEC4592941

Propaganda poster located in the outskirts of Havana, Cuba.

A Parisian kiosk, rue Rambuteau, Paris 3rd arrondissement.
A Parisian kiosk, rue Rambuteau, Paris 3rd arrondissement.

TEC4594161: A Parisian kiosk, rue Rambuteau, Paris 3rd arrondissement. / Bridgeman Images

ID: TEC4594161

A Parisian kiosk, rue Rambuteau, Paris 3rd arrondissement.

Courtyard in the neighborhood of Habana Vieja in Havana (Cuba).
Courtyard in the neighborhood of Habana Vieja in Havana (Cuba).

TEC4593096: Courtyard in the neighborhood of Habana Vieja in Havana (Cuba). / Bridgeman Images

ID: TEC4593096

Courtyard in the neighborhood of Habana Vieja in Havana (Cuba).

Urban furniture on the Champs Elysees, Paris 8th arrondissement. As part of the redesign of the Champs Elysees entrusted to Bernard Huet, a new line of urban furniture has been specially designed by Jean-Michel Wilmotte to give a unit by eliminating bulky and unnecessary elements: new benches, candelabres, lights, kiosks. Photography 1998.
Urban furniture on the Champs Elysees, Paris 8th arrondissement. As part of the redesign of the Champs Elysees entrusted to Bernard Huet, a new line of urban furniture has been specially designed by Jean-Michel Wilmotte to give a unit by eliminating bulky and unnecessary elements: new benches, candelabres, lights, kiosks. Photography 1998.

TEC4594909: Urban furniture on the Champs Elysees, Paris 8th arrondissement. As part of the redesign of the Champs Elysees entrusted to Bernard Huet, a new line of urban furniture has been specially designed by Jean-Michel Wilmotte to give a unit by eliminating bulky and unnecessary elements: new benches, candelabres, lights, kiosks. Photography 1998. / Bridgeman Images

ID: TEC4594909

Urban furniture on the Champs Elysees, Paris 8th arrondissement. As part of the redesign of the Champs Elysees entrusted to Bernard Huet, a new line of urban furniture has been specially designed by Jean-Michel Wilmotte to give a unit by eliminating bulky and unnecessary elements: new benches, candelabres, lights, kiosks. Photography 1998.

L'Eglise de La Madeleine, Place de la Madeleine, Paris 8th arrondissement. Its construction lasted nearly a century. Subject to political aleas, it was finally Napoleon (1769-1821) who entrusted Pierre Vignon (1763-1828) with the task of building an ancient temple dedicated to his military glory. Only the Restoration restored its religious vocation to the Church of Sainte Marie Madeleine in 1842, architect Charles Girault (1851-1932).
L'Eglise de La Madeleine, Place de la Madeleine, Paris 8th arrondissement. Its construction lasted nearly a century. Subject to political aleas, it was finally Napoleon (1769-1821) who entrusted Pierre Vignon (1763-1828) with the task of building an ancient temple dedicated to his military glory. Only the Restoration restored its religious vocation to the Church of Sainte Marie Madeleine in 1842, architect Charles Girault (1851-1932).

TEC4594697: L'Eglise de La Madeleine, Place de la Madeleine, Paris 8th arrondissement. Its construction lasted nearly a century. Subject to political aleas, it was finally Napoleon (1769-1821) who entrusted Pierre Vignon (1763-1828) with the task of building an ancient temple dedicated to his military glory. Only the Restoration restored its religious vocation to the Church of Sainte Marie Madeleine in 1842, architect Charles Girault (1851-1932). / Bridgeman Images

ID: TEC4594697

L'Eglise de La Madeleine, Place de la Madeleine, Paris 8th arrondissement. Its construction lasted nearly a century. Subject to political aleas, it was finally Napoleon (1769-1821) who entrusted Pierre Vignon (1763-1828) with the task of building an ancient temple dedicated to his military glory. Only the Restoration restored its religious vocation to the Church of Sainte Marie Madeleine in 1842, architect Charles Girault (1851-1932).

Electrometers, 18th century. Copperplate engraving by Wilson Lowry after John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1815.
Electrometers, 18th century. Copperplate engraving by Wilson Lowry after John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1815.

FLO4592300: Electrometers, 18th century. Copperplate engraving by Wilson Lowry after John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1815. / Bridgeman Images

ID: FLO4592300

Electrometers, 18th century. Copperplate engraving by Wilson Lowry after John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1815.

Clockwork mechanism showing the striking part with one wheel and pinion, Huygheus' endless cord, forcing spring, bolt and shutter. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Clockwork mechanism showing the striking part with one wheel and pinion, Huygheus' endless cord, forcing spring, bolt and shutter. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4593719: Clockwork mechanism showing the striking part with one wheel and pinion, Huygheus' endless cord, forcing spring, bolt and shutter. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4593719

Clockwork mechanism showing the striking part with one wheel and pinion, Huygheus' endless cord, forcing spring, bolt and shutter. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

English tinker with portable forge, bellows and tools, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
English tinker with portable forge, bellows and tools, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590367: English tinker with portable forge, bellows and tools, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

ID: FLO4590367

English tinker with portable forge, bellows and tools, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

Chinese wrestler and automaton and a tom-tom player, Qing Dynasty. Street performer wrestling with a human-size pasteboard puppet. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Chinese wrestler and automaton and a tom-tom player, Qing Dynasty. Street performer wrestling with a human-size pasteboard puppet. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590466: Chinese wrestler and automaton and a tom-tom player, Qing Dynasty. Street performer wrestling with a human-size pasteboard puppet. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

ID: FLO4590466

Chinese wrestler and automaton and a tom-tom player, Qing Dynasty. Street performer wrestling with a human-size pasteboard puppet. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

Chinese Mahometan woman showing a toy to her son. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Chinese Mahometan woman showing a toy to her son. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590164: Chinese Mahometan woman showing a toy to her son. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

ID: FLO4590164

Chinese Mahometan woman showing a toy to her son. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

Plan of a coal mine and mode of ventilation, 19th century. Geological sections of metallic veins, chalk, basalt, and limestone. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1818.
Plan of a coal mine and mode of ventilation, 19th century. Geological sections of metallic veins, chalk, basalt, and limestone. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1818.

FLO4591504: Plan of a coal mine and mode of ventilation, 19th century. Geological sections of metallic veins, chalk, basalt, and limestone. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1818. / Bridgeman Images

ID: FLO4591504

Plan of a coal mine and mode of ventilation, 19th century. Geological sections of metallic veins, chalk, basalt, and limestone. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1818.

Dodo, Raphus cucullatus, extinct flightless bird (formerly Didus ineptus). Handcoloured woodblock print by an unknown artist from Brightly and Child's The Natural History of Birds, 1815. This illustration looks like a mirror image of the one in George Edwards' A Natural History of Uncommon Birds, 1743, which was copied from the painting in the British Museum said to have been executed from the living bird.
Dodo, Raphus cucullatus, extinct flightless bird (formerly Didus ineptus). Handcoloured woodblock print by an unknown artist from Brightly and Child's The Natural History of Birds, 1815. This illustration looks like a mirror image of the one in George Edwards' A Natural History of Uncommon Birds, 1743, which was copied from the painting in the British Museum said to have been executed from the living bird.

FLO4590670: Dodo, Raphus cucullatus, extinct flightless bird (formerly Didus ineptus). Handcoloured woodblock print by an unknown artist from Brightly and Child's The Natural History of Birds, 1815. This illustration looks like a mirror image of the one in George Edwards' A Natural History of Uncommon Birds, 1743, which was copied from the painting in the British Museum said to have been executed from the living bird. / Bridgeman Images

ID: FLO4590670

Dodo, Raphus cucullatus, extinct flightless bird (formerly Didus ineptus). Handcoloured woodblock print by an unknown artist from Brightly and Child's The Natural History of Birds, 1815. This illustration looks like a mirror image of the one in George Edwards' A Natural History of Uncommon Birds, 1743, which was copied from the painting in the British Museum said to have been executed from the living bird.

Ancient bronzes of warriors in armour from the collection of Peter Knight. (A, D) and in the British Museum (B, C). Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Ancient bronzes of warriors in armour from the collection of Peter Knight. (A, D) and in the British Museum (B, C). Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4594028: Ancient bronzes of warriors in armour from the collection of Peter Knight. (A, D) and in the British Museum (B, C). Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4594028

Ancient bronzes of warriors in armour from the collection of Peter Knight. (A, D) and in the British Museum (B, C). Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

Compound microscope mechanisms and parts including Adams' and Martin's Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Compound microscope mechanisms and parts including Adams' and Martin's Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4593789: Compound microscope mechanisms and parts including Adams' and Martin's Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4593789

Compound microscope mechanisms and parts including Adams' and Martin's Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

Metal casting equipment: open sand casting 1, trowel 2, ramming tool 4, lifting screw 5, sand casting between flasks 6, cog wheel casting 7-10, and moulds for loam casting 11-13. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1809.
Metal casting equipment: open sand casting 1, trowel 2, ramming tool 4, lifting screw 5, sand casting between flasks 6, cog wheel casting 7-10, and moulds for loam casting 11-13. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1809.

FLO4591842: Metal casting equipment: open sand casting 1, trowel 2, ramming tool 4, lifting screw 5, sand casting between flasks 6, cog wheel casting 7-10, and moulds for loam casting 11-13. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1809. / Bridgeman Images

ID: FLO4591842

Metal casting equipment: open sand casting 1, trowel 2, ramming tool 4, lifting screw 5, sand casting between flasks 6, cog wheel casting 7-10, and moulds for loam casting 11-13. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1809.

Chinese pottery making: potter firing a porcelain plate in a furnace to fix the glaze on it, and a potter firing porcelain plates over an open oven. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Chinese pottery making: potter firing a porcelain plate in a furnace to fix the glaze on it, and a potter firing porcelain plates over an open oven. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590209: Chinese pottery making: potter firing a porcelain plate in a furnace to fix the glaze on it, and a potter firing porcelain plates over an open oven. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

ID: FLO4590209

Chinese pottery making: potter firing a porcelain plate in a furnace to fix the glaze on it, and a potter firing porcelain plates over an open oven. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

Ancient Roman armour, helmet, breastplate, shield and weapons from the British Museum, Bartoli's Triumphal Arches and Sir William Hamilton's vases. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Ancient Roman armour, helmet, breastplate, shield and weapons from the British Museum, Bartoli's Triumphal Arches and Sir William Hamilton's vases. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4594049: Ancient Roman armour, helmet, breastplate, shield and weapons from the British Museum, Bartoli's Triumphal Arches and Sir William Hamilton's vases. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4594049

Ancient Roman armour, helmet, breastplate, shield and weapons from the British Museum, Bartoli's Triumphal Arches and Sir William Hamilton's vases. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

Single Welsh harp, ancient triple Welsh harp and modern triple Welsh harp. Copperplate engraving by John Lee from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Single Welsh harp, ancient triple Welsh harp and modern triple Welsh harp. Copperplate engraving by John Lee from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4593941: Single Welsh harp, ancient triple Welsh harp and modern triple Welsh harp. Copperplate engraving by John Lee from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4593941

Single Welsh harp, ancient triple Welsh harp and modern triple Welsh harp. Copperplate engraving by John Lee from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

John Smeaton's design for a water gin (winding engine) for drawing coals from the pits, 19th century. Copperplate engraving by W. Lowry after an Illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1817.
John Smeaton's design for a water gin (winding engine) for drawing coals from the pits, 19th century. Copperplate engraving by W. Lowry after an Illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1817.

FLO4593147: John Smeaton's design for a water gin (winding engine) for drawing coals from the pits, 19th century. Copperplate engraving by W. Lowry after an Illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1817. / Bridgeman Images

ID: FLO4593147

John Smeaton's design for a water gin (winding engine) for drawing coals from the pits, 19th century. Copperplate engraving by W. Lowry after an Illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1817.

Front elevation of the Double Speeder roving frame used in cotton manufacture, 18th century. Cans contain slivers of yarn brought from the drawing frame. Copperplate engraving by Wilson Lowry after an illustration by James Burton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1811.
Front elevation of the Double Speeder roving frame used in cotton manufacture, 18th century. Cans contain slivers of yarn brought from the drawing frame. Copperplate engraving by Wilson Lowry after an illustration by James Burton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1811.

FLO4591995: Front elevation of the Double Speeder roving frame used in cotton manufacture, 18th century. Cans contain slivers of yarn brought from the drawing frame. Copperplate engraving by Wilson Lowry after an illustration by James Burton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1811. / Bridgeman Images

ID: FLO4591995

Front elevation of the Double Speeder roving frame used in cotton manufacture, 18th century. Cans contain slivers of yarn brought from the drawing frame. Copperplate engraving by Wilson Lowry after an illustration by James Burton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1811.

Dress (Robe) of the reign of King George II, 1727-1760. She wear a pink hat with plumes and ribbons, a tight bodice with lace cuffs, and a full crinoline petticoat. Based on Thomas Jeffery's Collection of Dresses, Gray's Inn Journal, Spectator, Rose Bradwardine's dress in Sir Walter Scott's Waverley. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.
Dress (Robe) of the reign of King George II, 1727-1760. She wear a pink hat with plumes and ribbons, a tight bodice with lace cuffs, and a full crinoline petticoat. Based on Thomas Jeffery's Collection of Dresses, Gray's Inn Journal, Spectator, Rose Bradwardine's dress in Sir Walter Scott's Waverley. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.

FLO4594765: Dress (Robe) of the reign of King George II, 1727-1760. She wear a pink hat with plumes and ribbons, a tight bodice with lace cuffs, and a full crinoline petticoat. Based on Thomas Jeffery's Collection of Dresses, Gray's Inn Journal, Spectator, Rose Bradwardine's dress in Sir Walter Scott's Waverley. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840. / Bridgeman Images

ID: FLO4594765

Dress (Robe) of the reign of King George II, 1727-1760. She wear a pink hat with plumes and ribbons, a tight bodice with lace cuffs, and a full crinoline petticoat. Based on Thomas Jeffery's Collection of Dresses, Gray's Inn Journal, Spectator, Rose Bradwardine's dress in Sir Walter Scott's Waverley. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.

Cepe de Bordeaux (Boletus edulis) - Chromolithography based on a drawing by Mordecai Cubitt Cooke (1825-1914), published in “A Plain and Easy Account of British Fungi””, edition Robert Hardwicke, London, 1862
Cepe de Bordeaux (Boletus edulis) - Chromolithography based on a drawing by Mordecai Cubitt Cooke (1825-1914), published in “A Plain and Easy Account of British Fungi””, edition Robert Hardwicke, London, 1862

FLO4594434: Cepe de Bordeaux (Boletus edulis) - Chromolithography based on a drawing by Mordecai Cubitt Cooke (1825-1914), published in “A Plain and Easy Account of British Fungi””, edition Robert Hardwicke, London, 1862 / Bridgeman Images

ID: FLO4594434

Cepe de Bordeaux (Boletus edulis) - Chromolithography based on a drawing by Mordecai Cubitt Cooke (1825-1914), published in “A Plain and Easy Account of British Fungi””, edition Robert Hardwicke, London, 1862

Water cart for the Imperial Family, Qing Dynasty China. The wagon is loaded with cubical tin vessels filled with river water. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Water cart for the Imperial Family, Qing Dynasty China. The wagon is loaded with cubical tin vessels filled with river water. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590654: Water cart for the Imperial Family, Qing Dynasty China. The wagon is loaded with cubical tin vessels filled with river water. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

ID: FLO4590654

Water cart for the Imperial Family, Qing Dynasty China. The wagon is loaded with cubical tin vessels filled with river water. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.


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