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Through repentance and faith in Christ we allow Him to draw us into the heart of the Holy Trinity, 2001 (oil on board)
Through repentance and faith in Christ we allow Him to draw us into the heart of the Holy Trinity, 2001 (oil on board)

WNG6335584: Through repentance and faith in Christ we allow Him to draw us into the heart of the Holy Trinity, 2001 (oil on board), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG6335584

Through repentance and faith in Christ we allow Him to draw us into the heart of the Holy Trinity, 2001 (oil on board)

Wang, Elizabeth (1942-2016)

He showed me how one simple prayer of ours can unite Him to others. He touches them by His grace, and so helps all their loved ones., 2001 (w/c on paper)
He showed me how one simple prayer of ours can unite Him to others. He touches them by His grace, and so helps all their loved ones., 2001 (w/c on paper)

WNG6335605: He showed me how one simple prayer of ours can unite Him to others. He touches them by His grace, and so helps all their loved ones., 2001 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG6335605

He showed me how one simple prayer of ours can unite Him to others. He touches them by His grace, and so helps all their loved ones., 2001 (w/c on paper)

Wang, Elizabeth (1942-2016)

Christ 'rejoins' His friends, each time that Holy Church calls Him at Mass, through the solemn recital of His own words., 2001 (w/c on paper)
Christ 'rejoins' His friends, each time that Holy Church calls Him at Mass, through the solemn recital of His own words., 2001 (w/c on paper)

WNG6335608: Christ 'rejoins' His friends, each time that Holy Church calls Him at Mass, through the solemn recital of His own words., 2001 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG6335608

Christ 'rejoins' His friends, each time that Holy Church calls Him at Mass, through the solemn recital of His own words., 2001 (w/c on paper)

Wang, Elizabeth (1942-2016)

I saw a vain soul as a little peasant woman who was full of self-importance, waiting for a royal visitor. But his pierced feet were bare., 2001 (w/c on paper)
I saw a vain soul as a little peasant woman who was full of self-importance, waiting for a royal visitor. But his pierced feet were bare., 2001 (w/c on paper)

WNG6335611: I saw a vain soul as a little peasant woman who was full of self-importance, waiting for a royal visitor. But his pierced feet were bare., 2001 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG6335611

I saw a vain soul as a little peasant woman who was full of self-importance, waiting for a royal visitor. But his pierced feet were bare., 2001 (w/c on paper)

Wang, Elizabeth (1942-2016)

The praise offered to the Father through Christ, in the Holy Mass, is as glorious as the praise offered eternally in Heaven, 2001 (w/c on paper)
The praise offered to the Father through Christ, in the Holy Mass, is as glorious as the praise offered eternally in Heaven, 2001 (w/c on paper)

WNG6335614: The praise offered to the Father through Christ, in the Holy Mass, is as glorious as the praise offered eternally in Heaven, 2001 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG6335614

The praise offered to the Father through Christ, in the Holy Mass, is as glorious as the praise offered eternally in Heaven, 2001 (w/c on paper)

Wang, Elizabeth (1942-2016)

Christ wishes to see laid down before Him every fault or preoccupation or fear that prevents the soul seeing His will., 2001 (w/c on paper)
Christ wishes to see laid down before Him every fault or preoccupation or fear that prevents the soul seeing His will., 2001 (w/c on paper)

WNG6335617: Christ wishes to see laid down before Him every fault or preoccupation or fear that prevents the soul seeing His will., 2001 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG6335617

Christ wishes to see laid down before Him every fault or preoccupation or fear that prevents the soul seeing His will., 2001 (w/c on paper)

Wang, Elizabeth (1942-2016)

Every frank confession of real weakness causes more grace to flow through us, like water from a pool when obstacles are removed., 2001 (w/c on paper)
Every frank confession of real weakness causes more grace to flow through us, like water from a pool when obstacles are removed., 2001 (w/c on paper)

WNG6335620: Every frank confession of real weakness causes more grace to flow through us, like water from a pool when obstacles are removed., 2001 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG6335620

Every frank confession of real weakness causes more grace to flow through us, like water from a pool when obstacles are removed., 2001 (w/c on paper)

Wang, Elizabeth (1942-2016)

Purified souls now walk on a flower-carpet, in joy and simplicity, freed from all cynicism and hard-heartedness., 2001 (w/c on paper)
Purified souls now walk on a flower-carpet, in joy and simplicity, freed from all cynicism and hard-heartedness., 2001 (w/c on paper)

WNG6335623: Purified souls now walk on a flower-carpet, in joy and simplicity, freed from all cynicism and hard-heartedness., 2001 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG6335623

Purified souls now walk on a flower-carpet, in joy and simplicity, freed from all cynicism and hard-heartedness., 2001 (w/c on paper)

Wang, Elizabeth (1942-2016)

In this sacrificial offering at Mass, Christ's eternal glory is so great that we who hide in Him, repentant, share in His splendour, purified., 2001 (w/c on paper)
In this sacrificial offering at Mass, Christ's eternal glory is so great that we who hide in Him, repentant, share in His splendour, purified., 2001 (w/c on paper)

WNG6335626: In this sacrificial offering at Mass, Christ's eternal glory is so great that we who hide in Him, repentant, share in His splendour, purified., 2001 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG6335626

In this sacrificial offering at Mass, Christ's eternal glory is so great that we who hide in Him, repentant, share in His splendour, purified., 2001 (w/c on paper)

Wang, Elizabeth (1942-2016)

At the Mass we offer in thanksgiving a holy and living Sacrifice, 2001 (w/c on paper)
At the Mass we offer in thanksgiving a holy and living Sacrifice, 2001 (w/c on paper)

WNG6335629: At the Mass we offer in thanksgiving a holy and living Sacrifice, 2001 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG6335629

At the Mass we offer in thanksgiving a holy and living Sacrifice, 2001 (w/c on paper)

Wang, Elizabeth (1942-2016)

Christ leaps lovingly into the dread dark depths of our hearts., 2001 (w/c on paper)
Christ leaps lovingly into the dread dark depths of our hearts., 2001 (w/c on paper)

WNG6335687: Christ leaps lovingly into the dread dark depths of our hearts., 2001 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG6335687

Christ leaps lovingly into the dread dark depths of our hearts., 2001 (w/c on paper)

Wang, Elizabeth (1942-2016)

I saw, revealed, the One Sacrifice made for all generations, 2001 (w/c on paper)
I saw, revealed, the One Sacrifice made for all generations, 2001 (w/c on paper)

WNG6335694: I saw, revealed, the One Sacrifice made for all generations, 2001 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG6335694

I saw, revealed, the One Sacrifice made for all generations, 2001 (w/c on paper)

Wang, Elizabeth (1942-2016)

We should stay close to Mary who is our Heavenly Mother and who delights in helping those who believe in her son, 2001 (oil on board)
We should stay close to Mary who is our Heavenly Mother and who delights in helping those who believe in her son, 2001 (oil on board)

WNG6335706: We should stay close to Mary who is our Heavenly Mother and who delights in helping those who believe in her son, 2001 (oil on board), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG6335706

We should stay close to Mary who is our Heavenly Mother and who delights in helping those who believe in her son, 2001 (oil on board)

Wang, Elizabeth (1942-2016)

We can only find God in the present moment, and not by losing ourselves in the past or future , 2001 (oil on board)
We can only find God in the present moment, and not by losing ourselves in the past or future , 2001 (oil on board)

WNG6335731: We can only find God in the present moment, and not by losing ourselves in the past or future , 2001 (oil on board), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG6335731

We can only find God in the present moment, and not by losing ourselves in the past or future , 2001 (oil on board)

Wang, Elizabeth (1942-2016)

The work of a person who is wholly given to Christ can bring God's grace to others, bridging the gap between grace and one who rejects it., 2001 (w/c on paper)
The work of a person who is wholly given to Christ can bring God's grace to others, bridging the gap between grace and one who rejects it., 2001 (w/c on paper)

WNG6335737: The work of a person who is wholly given to Christ can bring God's grace to others, bridging the gap between grace and one who rejects it., 2001 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG6335737

The work of a person who is wholly given to Christ can bring God's grace to others, bridging the gap between grace and one who rejects it., 2001 (w/c on paper)

Wang, Elizabeth (1942-2016)

Christ's glory is like a fire which lights up our sanctuary: with real faith, who could be distracted from such a sight?, 2001 (w/c on paper)
Christ's glory is like a fire which lights up our sanctuary: with real faith, who could be distracted from such a sight?, 2001 (w/c on paper)

WNG6335746: Christ's glory is like a fire which lights up our sanctuary: with real faith, who could be distracted from such a sight?, 2001 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG6335746

Christ's glory is like a fire which lights up our sanctuary: with real faith, who could be distracted from such a sight?, 2001 (w/c on paper)

Wang, Elizabeth (1942-2016)

The one who, after death, rejects God, 'falls' like a stone into the infinite abyss., 2001 (w/c on paper)
The one who, after death, rejects God, 'falls' like a stone into the infinite abyss., 2001 (w/c on paper)

WNG6335808: The one who, after death, rejects God, 'falls' like a stone into the infinite abyss., 2001 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG6335808

The one who, after death, rejects God, 'falls' like a stone into the infinite abyss., 2001 (w/c on paper)

Wang, Elizabeth (1942-2016)

1930s, Maguey Culture In Mexico
1930s, Maguey Culture In Mexico

AVE6335823: 1930s, Maguey Culture In Mexico / Bridgeman Images

ID: AVE6335823

1930s, Maguey Culture In Mexico

Tree frog, 2020 (pastel)
Tree frog, 2020 (pastel)

MSY6335838: Tree frog, 2020 (pastel), Starkey, Margo / Bridgeman Images

ID: MSY6335838

Tree frog, 2020 (pastel)

Starkey, Margo

By the power of Christ's Sacrifice, during the Holy Mass, Christ pierces Heaven and brings us all closer to the Father - just as when a great ship enters an estuary to bring her precious cargo home., 2001 (w/c on paper)
By the power of Christ's Sacrifice, during the Holy Mass, Christ pierces Heaven and brings us all closer to the Father - just as when a great ship enters an estuary to bring her precious cargo home., 2001 (w/c on paper)

WNG6335812: By the power of Christ's Sacrifice, during the Holy Mass, Christ pierces Heaven and brings us all closer to the Father - just as when a great ship enters an estuary to bring her precious cargo home., 2001 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG6335812

By the power of Christ's Sacrifice, during the Holy Mass, Christ pierces Heaven and brings us all closer to the Father - just as when a great ship enters an estuary to bring her precious cargo home., 2001 (w/c on paper)

Wang, Elizabeth (1942-2016)

Devonshire coastal scene, 2020 (pastel)
Devonshire coastal scene, 2020 (pastel)

MSY6335833: Devonshire coastal scene, 2020 (pastel), Starkey, Margo / Bridgeman Images

ID: MSY6335833

Devonshire coastal scene, 2020 (pastel)

Starkey, Margo

When God Forgives our sins, He is as tender as a mother who approaches her beloved child and says:
When God Forgives our sins, He is as tender as a mother who approaches her beloved child and says:

WNG6335794: When God Forgives our sins, He is as tender as a mother who approaches her beloved child and says: "Never mind, I shall soon wash those marks off your hands"., 2000 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG6335794

When God Forgives our sins, He is as tender as a mother who approaches her beloved child and says: "Never mind, I shall soon wash those marks off your hands"., 2000 (w/c on paper)

Wang, Elizabeth (1942-2016)

Through the Eucharist, which was instituted at the Last Supper, the Sacrifice of Calvary is re-presented in every generation, 2001 (w/c on paper)
Through the Eucharist, which was instituted at the Last Supper, the Sacrifice of Calvary is re-presented in every generation, 2001 (w/c on paper)

WNG6335797: Through the Eucharist, which was instituted at the Last Supper, the Sacrifice of Calvary is re-presented in every generation, 2001 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG6335797

Through the Eucharist, which was instituted at the Last Supper, the Sacrifice of Calvary is re-presented in every generation, 2001 (w/c on paper)

Wang, Elizabeth (1942-2016)

Through the Mass we are united with the whole Church around the Cross of Calvary, 2001 (oil on board)
Through the Mass we are united with the whole Church around the Cross of Calvary, 2001 (oil on board)

WNG6335800: Through the Mass we are united with the whole Church around the Cross of Calvary, 2001 (oil on board), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG6335800

Through the Mass we are united with the whole Church around the Cross of Calvary, 2001 (oil on board)

Wang, Elizabeth (1942-2016)

Just as a hand dipped into warm water scarcely feels the change, a soul full of divine life receives Christ in peaceful, perpetual glory., 2001 (w/c on paper)
Just as a hand dipped into warm water scarcely feels the change, a soul full of divine life receives Christ in peaceful, perpetual glory., 2001 (w/c on paper)

WNG6335816: Just as a hand dipped into warm water scarcely feels the change, a soul full of divine life receives Christ in peaceful, perpetual glory., 2001 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG6335816

Just as a hand dipped into warm water scarcely feels the change, a soul full of divine life receives Christ in peaceful, perpetual glory., 2001 (w/c on paper)

Wang, Elizabeth (1942-2016)

Turbulant seas .S Ireland, 2020 (pastel)
Turbulant seas .S Ireland, 2020 (pastel)

MSY6335837: Turbulant seas .S Ireland, 2020 (pastel), Starkey, Margo / Bridgeman Images

ID: MSY6335837

Turbulant seas .S Ireland, 2020 (pastel)

Starkey, Margo

Durdle Door. Dorset, 2020 (pastel)
Durdle Door. Dorset, 2020 (pastel)

MSY6335852: Durdle Door. Dorset, 2020 (pastel), Starkey, Margo / Bridgeman Images

ID: MSY6335852

Durdle Door. Dorset, 2020 (pastel)

Starkey, Margo

Angola, 1974, 2018 (inkjet print on Hahnemühle paper)
Angola, 1974, 2018 (inkjet print on Hahnemühle paper)

MBY6336670: Angola, 1974, 2018 (inkjet print on Hahnemühle paper), Brodsky, Marcelo (b.1954) / Bridgeman Images

ID: MBY6336670

Angola, 1974, 2018 (inkjet print on Hahnemühle paper)

Brodsky, Marcelo (b.1954)

Belgrado, 1968, 2014-18 (ink pigment print on Hahnemühle paper)
Belgrado, 1968, 2014-18 (ink pigment print on Hahnemühle paper)

MBY6336673: Belgrado, 1968, 2014-18 (ink pigment print on Hahnemühle paper), Brodsky, Marcelo (b.1954) / Bridgeman Images

ID: MBY6336673

Belgrado, 1968, 2014-18 (ink pigment print on Hahnemühle paper)

Brodsky, Marcelo (b.1954)

Santiago de Chile, 1968, 2014-18 (ink pigment print on Hahnemühle paper)
Santiago de Chile, 1968, 2014-18 (ink pigment print on Hahnemühle paper)

MBY6336688: Santiago de Chile, 1968, 2014-18 (ink pigment print on Hahnemühle paper), Brodsky, Marcelo (b.1954) / Bridgeman Images

ID: MBY6336688

Santiago de Chile, 1968, 2014-18 (ink pigment print on Hahnemühle paper)

Brodsky, Marcelo (b.1954)

Toronto, 1968, 2014-18 (ink pigment print on Hahnemühle paper)
Toronto, 1968, 2014-18 (ink pigment print on Hahnemühle paper)

MBY6336691: Toronto, 1968, 2014-18 (ink pigment print on Hahnemühle paper), Brodsky, Marcelo (b.1954) / Bridgeman Images

ID: MBY6336691

Toronto, 1968, 2014-18 (ink pigment print on Hahnemühle paper)

Brodsky, Marcelo (b.1954)

Study for the portrait of Pope Julius II, 1500-12 (charcoal on paper)
Study for the portrait of Pope Julius II, 1500-12 (charcoal on paper)

FAF6336720: Study for the portrait of Pope Julius II, 1500-12 (charcoal on paper), Raphael (Raffaello Sanzio of Urbino) (1483-1520) / Bridgeman Images

ID: FAF6336720

Study for the portrait of Pope Julius II, 1500-12 (charcoal on paper)

Raphael (Raffaello Sanzio of Urbino) (1483-1520)

Wild daffodil, Narcissus pseudonarcissus, and snowdrops, Galanthus nivalis
Wild daffodil, Narcissus pseudonarcissus, and snowdrops, Galanthus nivalis

FLO6336961: Wild daffodil, Narcissus pseudonarcissus, and snowdrops, Galanthus nivalis, Rabel, Daniel (1578-1637) / Bridgeman Images

ID: FLO6336961

Wild daffodil, Narcissus pseudonarcissus, and snowdrops, Galanthus nivalis

Rabel, Daniel (1578-1637)

Different varieties of carnation, Dianthus caryophyllus
Different varieties of carnation, Dianthus caryophyllus

FLO6336967: Different varieties of carnation, Dianthus caryophyllus, Sweert, Emanuel (1552-1612) / Bridgeman Images

ID: FLO6336967

Different varieties of carnation, Dianthus caryophyllus

Sweert, Emanuel (1552-1612)

Opium poppy varieties, Papaver somniferum, and Anemone mexicana
Opium poppy varieties, Papaver somniferum, and Anemone mexicana

FLO6336970: Opium poppy varieties, Papaver somniferum, and Anemone mexicana, Ehret, Georg Dionysius (1710-70) (after) / Bridgeman Images

ID: FLO6336970

Opium poppy varieties, Papaver somniferum, and Anemone mexicana

Ehret, Georg Dionysius (1710-70) (after)

Camellia japonica variety, Camellia delicatissima
Camellia japonica variety, Camellia delicatissima

FLO6336973: Camellia japonica variety, Camellia delicatissima, Jung, Jakob (1819-44) (after) / Bridgeman Images

ID: FLO6336973

Camellia japonica variety, Camellia delicatissima

Jung, Jakob (1819-44) (after)


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