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French and Germans, Anecdotal History of the War of 1870-1871, 1888 (engraving)
French and Germans, Anecdotal History of the War of 1870-1871, 1888 (engraving)

JLJ4635922: French and Germans, Anecdotal History of the War of 1870-1871, 1888 (engraving), Lonlay, Dick de (Hardouin Georges pseud.) (1846-1893) / Bridgeman Images

University of Law on Chicago University Campus, between Blackstone and Cottage Grove Avenues and East 55th and East 60th Streets in Chicago, USA. Construction 1960, architect Eero Saarinen. Photography 12/04/90.
University of Law on Chicago University Campus, between Blackstone and Cottage Grove Avenues and East 55th and East 60th Streets in Chicago, USA. Construction 1960, architect Eero Saarinen. Photography 12/04/90.

TEC4635980: University of Law on Chicago University Campus, between Blackstone and Cottage Grove Avenues and East 55th and East 60th Streets in Chicago, USA. Construction 1960, architect Eero Saarinen. Photography 12/04/90. / Bridgeman Images

The French writer Honore de Balzac (1799-1850) and his friends disguises as peasants in the town of Avray in 1840 (watercolour)
The French writer Honore de Balzac (1799-1850) and his friends disguises as peasants in the town of Avray in 1840 (watercolour)

JLJ4645484: The French writer Honore de Balzac (1799-1850) and his friends disguises as peasants in the town of Avray in 1840 (watercolour), Chardin, Paul (b.1833) / Bridgeman Images

Achille Raucourt as Maitre d'Ecole in Les Mysteres de Paris by Eugene Sue, Theatre de la Porte St. Martin, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
Achille Raucourt as Maitre d'Ecole in Les Mysteres de Paris by Eugene Sue, Theatre de la Porte St. Martin, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4632445: Achille Raucourt as Maitre d'Ecole in Les Mysteres de Paris by Eugene Sue, Theatre de la Porte St. Martin, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

Queen Ravanalo interviewed by English journalist in 1895, in presence of her prime minister, 1885-95 (engraving)
Queen Ravanalo interviewed by English journalist in 1895, in presence of her prime minister, 1885-95 (engraving)

JLJ4632556: Queen Ravanalo interviewed by English journalist in 1895, in presence of her prime minister, 1885-95 (engraving), Bombled, Louis Charles (1862-1927) / Bridgeman Images

Northern ghost bat or white box-tailed bat, Diclidurus albus, and spectral bat or false vampire bat, Vampyrus spectrum. Handcoloured steel engraving by Lizars after an illustration by Charles Hamilton Smith from William Jardine's Naturalist's Library, Edinburgh, 1843.
Northern ghost bat or white box-tailed bat, Diclidurus albus, and spectral bat or false vampire bat, Vampyrus spectrum. Handcoloured steel engraving by Lizars after an illustration by Charles Hamilton Smith from William Jardine's Naturalist's Library, Edinburgh, 1843.

FLO4650538: Northern ghost bat or white box-tailed bat, Diclidurus albus, and spectral bat or false vampire bat, Vampyrus spectrum. Handcoloured steel engraving by Lizars after an illustration by Charles Hamilton Smith from William Jardine's Naturalist's Library, Edinburgh, 1843. / Bridgeman Images

The war in Madagascar - In Diego-Suarez, the French army demands oxen, 1885-1895 (engraving)
The war in Madagascar - In Diego-Suarez, the French army demands oxen, 1885-1895 (engraving)

JLJ4632560: The war in Madagascar - In Diego-Suarez, the French army demands oxen, 1885-1895 (engraving), Bombled, Louis Charles (1862-1927) / Bridgeman Images

Capybara, Hydrochoerus hydrochaeris (Hydrochaerus cabiai). Handcoloured steel engraving by Lizars after an illustration by Charles Hamilton Smith from William Jardine's Naturalist's Library, Edinburgh, 1843.
Capybara, Hydrochoerus hydrochaeris (Hydrochaerus cabiai). Handcoloured steel engraving by Lizars after an illustration by Charles Hamilton Smith from William Jardine's Naturalist's Library, Edinburgh, 1843.

FLO4650596: Capybara, Hydrochoerus hydrochaeris (Hydrochaerus cabiai). Handcoloured steel engraving by Lizars after an illustration by Charles Hamilton Smith from William Jardine's Naturalist's Library, Edinburgh, 1843. / Bridgeman Images

Miss Judith or Judith Julie Bernat as Isabelle in La Grisette de Qualite, Theatre des Folies Dramatiques, 1844. Handcoloured lithograph after an illustration by Louis Lasalle from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844.
Miss Judith or Judith Julie Bernat as Isabelle in La Grisette de Qualite, Theatre des Folies Dramatiques, 1844. Handcoloured lithograph after an illustration by Louis Lasalle from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844.

FLO4632738: Miss Judith or Judith Julie Bernat as Isabelle in La Grisette de Qualite, Theatre des Folies Dramatiques, 1844. Handcoloured lithograph after an illustration by Louis Lasalle from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844. / Bridgeman Images

The war in Madagascar - Convoy of cars Lefebvre uses for the supply of troops, 1885-1895 (engraving)
The war in Madagascar - Convoy of cars Lefebvre uses for the supply of troops, 1885-1895 (engraving)

JLJ4632803: The war in Madagascar - Convoy of cars Lefebvre uses for the supply of troops, 1885-1895 (engraving), Bombled, Louis Charles (1862-1927) / Bridgeman Images

Robin flycatcher, Muscicapa rubecola. Known only from a specimen in the Paris Museum. Handcoloured steel engraving by William Lizars after an illustration by William Swainson from Sir William Jardine's Naturalist's Library: Ornithology: Flycatchers, Edinburgh, W.H. Lizars, 1836.
Robin flycatcher, Muscicapa rubecola. Known only from a specimen in the Paris Museum. Handcoloured steel engraving by William Lizars after an illustration by William Swainson from Sir William Jardine's Naturalist's Library: Ornithology: Flycatchers, Edinburgh, W.H. Lizars, 1836.

FLO4650855: Robin flycatcher, Muscicapa rubecola. Known only from a specimen in the Paris Museum. Handcoloured steel engraving by William Lizars after an illustration by William Swainson from Sir William Jardine's Naturalist's Library: Ornithology: Flycatchers, Edinburgh, W.H. Lizars, 1836. / Bridgeman Images

The war in Madagascar - Implementation of the campaign telegraph, 1885-1895 (engraving)
The war in Madagascar - Implementation of the campaign telegraph, 1885-1895 (engraving)

JLJ4632882: The war in Madagascar - Implementation of the campaign telegraph, 1885-1895 (engraving), Bombled, Louis Charles (1862-1927) / Bridgeman Images

Jean-Baptiste Firmin as the Marquis in Eve by Leon Gozlan, Theatre Français, 1843. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
Jean-Baptiste Firmin as the Marquis in Eve by Leon Gozlan, Theatre Français, 1843. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4632912: Jean-Baptiste Firmin as the Marquis in Eve by Leon Gozlan, Theatre Français, 1843. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

Northern carmine bee-eater, Merops nubicus (Blue-headed bee-eater, Merops caeruleocephalus). Handcoloured steel engraving by William Lizars after William Swainson from Sir William Jardine's Naturalist's Library: Ornithology: Birds of Western Africa, Edinburgh, W.H. Lizars, 1837.
Northern carmine bee-eater, Merops nubicus (Blue-headed bee-eater, Merops caeruleocephalus). Handcoloured steel engraving by William Lizars after William Swainson from Sir William Jardine's Naturalist's Library: Ornithology: Birds of Western Africa, Edinburgh, W.H. Lizars, 1837.

FLO4650948: Northern carmine bee-eater, Merops nubicus (Blue-headed bee-eater, Merops caeruleocephalus). Handcoloured steel engraving by William Lizars after William Swainson from Sir William Jardine's Naturalist's Library: Ornithology: Birds of Western Africa, Edinburgh, W.H. Lizars, 1837. / Bridgeman Images

Flint amygdaloid biface.
Flint amygdaloid biface.

LRI4632991: Flint amygdaloid biface., Prehistoric / Bridgeman Images

Miss Duverger in the title role of Fiorina, by Melesville and Carmouche, Theatre du Palais-Royal, 1844. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844.
Miss Duverger in the title role of Fiorina, by Melesville and Carmouche, Theatre du Palais-Royal, 1844. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844.

FLO4633025: Miss Duverger in the title role of Fiorina, by Melesville and Carmouche, Theatre du Palais-Royal, 1844. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844. / Bridgeman Images

The building of the Banque Renauld (BNP), 9 rue Chanzy in Nancy (Meurthe and Moselle). Architects Emile Andre (1871-1933) and Paul Charbonnier (1855-1963), 1910. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.
The building of the Banque Renauld (BNP), 9 rue Chanzy in Nancy (Meurthe and Moselle). Architects Emile Andre (1871-1933) and Paul Charbonnier (1855-1963), 1910. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.

LBY4641171: The building of the Banque Renauld (BNP), 9 rue Chanzy in Nancy (Meurthe and Moselle). Architects Emile Andre (1871-1933) and Paul Charbonnier (1855-1963), 1910. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today., André, Emile (1871-1933) / Bridgeman Images

La Maison Houot, 92 bis Quai le Lorrain in Nancy (Meurthe and Moselle). Architect Emile Andre (1871-1933), 1903.
La Maison Houot, 92 bis Quai le Lorrain in Nancy (Meurthe and Moselle). Architect Emile Andre (1871-1933), 1903.

LBY4641257: La Maison Houot, 92 bis Quai le Lorrain in Nancy (Meurthe and Moselle). Architect Emile Andre (1871-1933), 1903., André, Emile (1871-1933) / Bridgeman Images

Vanves in the Hauts de Seine.
Vanves in the Hauts de Seine.

TEC4651151: Vanves in the Hauts de Seine. / Bridgeman Images

Ocelot or dwarf leopard, Leopardus pardalis. Illustration copied from Count of Buffon. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1800.
Ocelot or dwarf leopard, Leopardus pardalis. Illustration copied from Count of Buffon. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1800.

FLO4641329: Ocelot or dwarf leopard, Leopardus pardalis. Illustration copied from Count of Buffon. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1800. / Bridgeman Images

Villeneuve la Garenne in the Hauts de Seine.
Villeneuve la Garenne in the Hauts de Seine.

TEC4651180: Villeneuve la Garenne in the Hauts de Seine. / Bridgeman Images

Le Zouzou (Zouave en expedition dans la desert) (litho)
Le Zouzou (Zouave en expedition dans la desert) (litho)

JLJ4641370: Le Zouzou (Zouave en expedition dans la desert) (litho), Job, pseudonym for Onfray de Breville, Jacques (1858-1931) / Bridgeman Images

Charge of the battleships at the Battle of Reichshoffen (or Fréeschwiller Woerth) in 1870 (litho)
Charge of the battleships at the Battle of Reichshoffen (or Fréeschwiller Woerth) in 1870 (litho)

JLJ4641409: Charge of the battleships at the Battle of Reichshoffen (or Fréeschwiller Woerth) in 1870 (litho), Job, pseudonym for Onfray de Breville, Jacques (1858-1931) / Bridgeman Images

German Slice with the Wood of Grury (Argonne), First World War (stereoscopic glass plate)
German Slice with the Wood of Grury (Argonne), First World War (stereoscopic glass plate)

JLJ4633270: German Slice with the Wood of Grury (Argonne), First World War (stereoscopic glass plate), Anonymous / Bridgeman Images

Sooty mangabey, Cercocebus atys. Vulnerable. (Mangabey, Cercopithecus aethiops) Illustration copied from George Shaw. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1800.
Sooty mangabey, Cercocebus atys. Vulnerable. (Mangabey, Cercopithecus aethiops) Illustration copied from George Shaw. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1800.

FLO4641448: Sooty mangabey, Cercocebus atys. Vulnerable. (Mangabey, Cercopithecus aethiops) Illustration copied from George Shaw. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1800. / Bridgeman Images

Gare d'Austerlitz in Paris 75013. Architect Louis Renaud, 1865-1869.
Gare d'Austerlitz in Paris 75013. Architect Louis Renaud, 1865-1869.

TEC4641457: Gare d'Austerlitz in Paris 75013. Architect Louis Renaud, 1865-1869. / Bridgeman Images

Roman Art: head of Roman Emperor Marc Aurele (120-180 AD) - Marble sculpture, 180 AD - Paris, musee du Louvre - Head of emperor Marcus Aurelius (120-180 AD) - Marble sculpture, Roman civilization, 180 AD - Louvre Museum, Paris
Roman Art: head of Roman Emperor Marc Aurele (120-180 AD) - Marble sculpture, 180 AD - Paris, musee du Louvre - Head of emperor Marcus Aurelius (120-180 AD) - Marble sculpture, Roman civilization, 180 AD - Louvre Museum, Paris

LRI4633404: Roman Art: head of Roman Emperor Marc Aurele (120-180 AD) - Marble sculpture, 180 AD - Paris, musee du Louvre - Head of emperor Marcus Aurelius (120-180 AD) - Marble sculpture, Roman civilization, 180 AD - Louvre Museum, Paris, Roman, (2nd century) / Bridgeman Images

Raccoon et coati roux ou commun - Eau forte by Jean Gabriel Pretre (1780-1845), engraved by Carnonkel, for the dictionary of natural sciences: mammals by Frederic Cuvier, edited by Pierre Jean Francois Turpin (1775-1840), published by F.G.Levrault, in Paris, 1816
Raccoon et coati roux ou commun - Eau forte by Jean Gabriel Pretre (1780-1845), engraved by Carnonkel, for the dictionary of natural sciences: mammals by Frederic Cuvier, edited by Pierre Jean Francois Turpin (1775-1840), published by F.G.Levrault, in Paris, 1816

FLO4651461: Raccoon et coati roux ou commun - Eau forte by Jean Gabriel Pretre (1780-1845), engraved by Carnonkel, for the dictionary of natural sciences: mammals by Frederic Cuvier, edited by Pierre Jean Francois Turpin (1775-1840), published by F.G.Levrault, in Paris, 1816 / Bridgeman Images

Vases in blue, white, and gold: vase with painted cupid panel, vase with horizontal clock dial, and vase with panel of painted exotic birds. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.
Vases in blue, white, and gold: vase with painted cupid panel, vase with horizontal clock dial, and vase with panel of painted exotic birds. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.

FLO4633431: Vases in blue, white, and gold: vase with painted cupid panel, vase with horizontal clock dial, and vase with panel of painted exotic birds. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891. / Bridgeman Images

Frost's bolete, Exsudoporus frostii (Boletus alveolatus) and bitter bolete, Tylopilus felleus (Boletus felleus). Chromolithograph after a botanical illustration by William Hamilton Gibson from his book Our Edible Toadstools and Mushrooms.
Frost's bolete, Exsudoporus frostii (Boletus alveolatus) and bitter bolete, Tylopilus felleus (Boletus felleus). Chromolithograph after a botanical illustration by William Hamilton Gibson from his book Our Edible Toadstools and Mushrooms.

FLO4633593: Frost's bolete, Exsudoporus frostii (Boletus alveolatus) and bitter bolete, Tylopilus felleus (Boletus felleus). Chromolithograph after a botanical illustration by William Hamilton Gibson from his book Our Edible Toadstools and Mushrooms. / Bridgeman Images

Seals in the Hauts de Seine. Photography 01/10/95.
Seals in the Hauts de Seine. Photography 01/10/95.

TEC4651576: Seals in the Hauts de Seine. Photography 01/10/95. / Bridgeman Images

Great garden white butterfly, Pieris brassicae. Upper and under side of the male. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1800.
Great garden white butterfly, Pieris brassicae. Upper and under side of the male. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1800.

FLO4641439: Great garden white butterfly, Pieris brassicae. Upper and under side of the male. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1800. / Bridgeman Images

Egagre ou chevre sauvage et mouflon de Corse - Eau forte by Jean Gabriel Pretre (1780-1845), engraved by Carnonkel, for the dictionary of natural sciences: mammals by Frederic Cuvier, edited by Pierre Jean Francois Turpin (1775-1840), published by F.G.Levrault, a Paris, 1816
Egagre ou chevre sauvage et mouflon de Corse - Eau forte by Jean Gabriel Pretre (1780-1845), engraved by Carnonkel, for the dictionary of natural sciences: mammals by Frederic Cuvier, edited by Pierre Jean Francois Turpin (1775-1840), published by F.G.Levrault, a Paris, 1816

FLO4651378: Egagre ou chevre sauvage et mouflon de Corse - Eau forte by Jean Gabriel Pretre (1780-1845), engraved by Carnonkel, for the dictionary of natural sciences: mammals by Frederic Cuvier, edited by Pierre Jean Francois Turpin (1775-1840), published by F.G.Levrault, a Paris, 1816 / Bridgeman Images

Greek Art: “” Cavalier Rampin”” marble head of the archaic period, From the acropolis of Athenes, 620-480 BC - Paris, musee du Louvre - The Rampin rider or Rampin horseman (detail) - Marble sculpture from the Acropolis of Athens, Archaic period, 620-480 BC - Louvre Museum, Paris
Greek Art: “” Cavalier Rampin”” marble head of the archaic period, From the acropolis of Athenes, 620-480 BC - Paris, musee du Louvre - The Rampin rider or Rampin horseman (detail) - Marble sculpture from the Acropolis of Athens, Archaic period, 620-480 BC - Louvre Museum, Paris

LRI4633340: Greek Art: “” Cavalier Rampin”” marble head of the archaic period, From the acropolis of Athenes, 620-480 BC - Paris, musee du Louvre - The Rampin rider or Rampin horseman (detail) - Marble sculpture from the Acropolis of Athens, Archaic period, 620-480 BC - Louvre Museum, Paris, Greek school, (7th century BC) / Bridgeman Images

Vallee aux loups in Chatenay Malabry in the Hauts de Seine.
Vallee aux loups in Chatenay Malabry in the Hauts de Seine.

TEC4651486: Vallee aux loups in Chatenay Malabry in the Hauts de Seine. / Bridgeman Images

Civilization of the Phenicians: head of man carved on a Phenician sarcophagus. 4th century BC. Marble relief stockings. Dim. 80 cm Paris, Louvre Museum
Civilization of the Phenicians: head of man carved on a Phenician sarcophagus. 4th century BC. Marble relief stockings. Dim. 80 cm Paris, Louvre Museum

LRI4633479: Civilization of the Phenicians: head of man carved on a Phenician sarcophagus. 4th century BC. Marble relief stockings. Dim. 80 cm Paris, Louvre Museum, Phoenician / Bridgeman Images


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