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Return of the royal family to Paris after his flight to Varennes in 1791, 1791 (engraving)
Return of the royal family to Paris after his flight to Varennes in 1791, 1791 (engraving)

JLJ4642269: Return of the royal family to Paris after his flight to Varennes in 1791, 1791 (engraving), Anonymous / Bridgeman Images

ID: JLJ4642269

Return of the royal family to Paris after his flight to Varennes in 1791, 1791 (engraving)

Anonymous

Hemp leaf eupatory or hemp eupatory - Lithograph by F. Guimpel, extracted from medical botany by Friedrich Gottlob Haynes (1763-1832), Berlin, 1822 - Hemp agrimony, Eupatorium cannabinum - Handcoloured copperplate by F. Guimpel from Dr. F. G. Hayne's Medical Botany, Berlin, 1822
Hemp leaf eupatory or hemp eupatory - Lithograph by F. Guimpel, extracted from medical botany by Friedrich Gottlob Haynes (1763-1832), Berlin, 1822 - Hemp agrimony, Eupatorium cannabinum - Handcoloured copperplate by F. Guimpel from Dr. F. G. Hayne's Medical Botany, Berlin, 1822

FLO4642302: Hemp leaf eupatory or hemp eupatory - Lithograph by F. Guimpel, extracted from medical botany by Friedrich Gottlob Haynes (1763-1832), Berlin, 1822 - Hemp agrimony, Eupatorium cannabinum - Handcoloured copperplate by F. Guimpel from Dr. F. G. Hayne's Medical Botany, Berlin, 1822 / Bridgeman Images

ID: FLO4642302

Hemp leaf eupatory or hemp eupatory - Lithograph by F. Guimpel, extracted from medical botany by Friedrich Gottlob Haynes (1763-1832), Berlin, 1822 - Hemp agrimony, Eupatorium cannabinum - Handcoloured copperplate by F. Guimpel from Dr. F. G. Hayne's Medical Botany, Berlin, 1822

Portrait of Jean Baptiste Cant Hanet, dit Clery (1759-1809) (engraving)
Portrait of Jean Baptiste Cant Hanet, dit Clery (1759-1809) (engraving)

JLJ4642323: Portrait of Jean Baptiste Cant Hanet, dit Clery (1759-1809) (engraving), Anonymous / Bridgeman Images

ID: JLJ4642323

Portrait of Jean Baptiste Cant Hanet, dit Clery (1759-1809) (engraving)

Anonymous

White Sandalwood - Lithography by F. Guimpel, extracted from medical botany by Friedrich Gottlob Haynes (1763-1832), Berlin, 1822 - Indian sandalwood, Santalum album - Handcoloured copperplate by F. Guimpel from Dr. F. G. Hayne's Medical Botany, Berlin, 1822
White Sandalwood - Lithography by F. Guimpel, extracted from medical botany by Friedrich Gottlob Haynes (1763-1832), Berlin, 1822 - Indian sandalwood, Santalum album - Handcoloured copperplate by F. Guimpel from Dr. F. G. Hayne's Medical Botany, Berlin, 1822

FLO4642368: White Sandalwood - Lithography by F. Guimpel, extracted from medical botany by Friedrich Gottlob Haynes (1763-1832), Berlin, 1822 - Indian sandalwood, Santalum album - Handcoloured copperplate by F. Guimpel from Dr. F. G. Hayne's Medical Botany, Berlin, 1822 / Bridgeman Images

ID: FLO4642368

White Sandalwood - Lithography by F. Guimpel, extracted from medical botany by Friedrich Gottlob Haynes (1763-1832), Berlin, 1822 - Indian sandalwood, Santalum album - Handcoloured copperplate by F. Guimpel from Dr. F. G. Hayne's Medical Botany, Berlin, 1822

Mir station 01/1998 - Mir station seen in january 1998 - Mir space station seen from the shuttle Endeavour. January 1998. A survey of the Mir Space Station, viewed from the Orbiter Endeavour during STS-89. January 1998
Mir station 01/1998 - Mir station seen in january 1998 - Mir space station seen from the shuttle Endeavour. January 1998. A survey of the Mir Space Station, viewed from the Orbiter Endeavour during STS-89. January 1998

PIX4642398: Mir station 01/1998 - Mir station seen in january 1998 - Mir space station seen from the shuttle Endeavour. January 1998. A survey of the Mir Space Station, viewed from the Orbiter Endeavour during STS-89. January 1998 / Bridgeman Images

ID: PIX4642398

Mir station 01/1998 - Mir station seen in january 1998 - Mir space station seen from the shuttle Endeavour. January 1998. A survey of the Mir Space Station, viewed from the Orbiter Endeavour during STS-89. January 1998

N. Budarin in Mir 06/98 - Nikolai Budarin in the Core module of the Mir station. 12/06/1998
N. Budarin in Mir 06/98 - Nikolai Budarin in the Core module of the Mir station. 12/06/1998

PIX4642404: N. Budarin in Mir 06/98 - Nikolai Budarin in the Core module of the Mir station. 12/06/1998 / Bridgeman Images

ID: PIX4642404

N. Budarin in Mir 06/98 - Nikolai Budarin in the Core module of the Mir station. 12/06/1998

Philarmony (Kultur Forum) and Berlin Zoo (Germany). Architects Hans Scharoun, 1960-1963 and Edgar Winieewski, 1987.
Philarmony (Kultur Forum) and Berlin Zoo (Germany). Architects Hans Scharoun, 1960-1963 and Edgar Winieewski, 1987.

TEC4647536: Philarmony (Kultur Forum) and Berlin Zoo (Germany). Architects Hans Scharoun, 1960-1963 and Edgar Winieewski, 1987. / Bridgeman Images

ID: TEC4647536

Philarmony (Kultur Forum) and Berlin Zoo (Germany). Architects Hans Scharoun, 1960-1963 and Edgar Winieewski, 1987.

Egyptian antiquity: fragment of an Egyptian clepsydra carrying a cartridge. Ptolemaic period (stone)
Egyptian antiquity: fragment of an Egyptian clepsydra carrying a cartridge. Ptolemaic period (stone)

JLJ4647602: Egyptian antiquity: fragment of an Egyptian clepsydra carrying a cartridge. Ptolemaic period (stone), Egyptian School / Bridgeman Images

ID: JLJ4647602

Egyptian antiquity: fragment of an Egyptian clepsydra carrying a cartridge. Ptolemaic period (stone)

Egyptian School

Yellow dendrobium orchid (Dendrobium chrysotoxum Lindl.). Specimen found in Thailand and spread throughout the region is Asian, blossoming a scent of honey. Lithograph by L. Stroobant of Ghent, based on a drawing by P. Stroobant, published in 1858 in L'Illustration Horticole by Jean Jules Linden (1817-1898), Belgian botanist and explorer.
Yellow dendrobium orchid (Dendrobium chrysotoxum Lindl.). Specimen found in Thailand and spread throughout the region is Asian, blossoming a scent of honey. Lithograph by L. Stroobant of Ghent, based on a drawing by P. Stroobant, published in 1858 in L'Illustration Horticole by Jean Jules Linden (1817-1898), Belgian botanist and explorer.

FLO4647605: Yellow dendrobium orchid (Dendrobium chrysotoxum Lindl.). Specimen found in Thailand and spread throughout the region is Asian, blossoming a scent of honey. Lithograph by L. Stroobant of Ghent, based on a drawing by P. Stroobant, published in 1858 in L'Illustration Horticole by Jean Jules Linden (1817-1898), Belgian botanist and explorer. / Bridgeman Images

ID: FLO4647605

Yellow dendrobium orchid (Dendrobium chrysotoxum Lindl.). Specimen found in Thailand and spread throughout the region is Asian, blossoming a scent of honey. Lithograph by L. Stroobant of Ghent, based on a drawing by P. Stroobant, published in 1858 in L'Illustration Horticole by Jean Jules Linden (1817-1898), Belgian botanist and explorer.

Accommodation Bonjour Stristesse, Schleische Strasse district Kreuzberg in Berlin (Germany). Architect Alvaro Siza Vieira, construction 1983. Phototorgaphie 10/04/85.
Accommodation Bonjour Stristesse, Schleische Strasse district Kreuzberg in Berlin (Germany). Architect Alvaro Siza Vieira, construction 1983. Phototorgaphie 10/04/85.

TEC4647632: Accommodation Bonjour Stristesse, Schleische Strasse district Kreuzberg in Berlin (Germany). Architect Alvaro Siza Vieira, construction 1983. Phototorgaphie 10/04/85., Siza Vieira, Alvaro (b.1933) / Bridgeman Images

ID: TEC4647632

Accommodation Bonjour Stristesse, Schleische Strasse district Kreuzberg in Berlin (Germany). Architect Alvaro Siza Vieira, construction 1983. Phototorgaphie 10/04/85.

Siza Vieira, Alvaro (b.1933)

Rebecca brings her son Jacob, whom her brother Esau threatens to kill, in front of her husband Isaac to take away his Miniature blessing from Codex 212 (or padovano or Bible of Padua) 1390-1400 Rovigo, Accademia dei Concordi
Rebecca brings her son Jacob, whom her brother Esau threatens to kill, in front of her husband Isaac to take away his Miniature blessing from Codex 212 (or padovano or Bible of Padua) 1390-1400 Rovigo, Accademia dei Concordi

LRI4647644: Rebecca brings her son Jacob, whom her brother Esau threatens to kill, in front of her husband Isaac to take away his Miniature blessing from Codex 212 (or padovano or Bible of Padua) 1390-1400 Rovigo, Accademia dei Concordi, Unknown Artist, (14th century) / Bridgeman Images

ID: LRI4647644

Rebecca brings her son Jacob, whom her brother Esau threatens to kill, in front of her husband Isaac to take away his Miniature blessing from Codex 212 (or padovano or Bible of Padua) 1390-1400 Rovigo, Accademia dei Concordi

Unknown Artist, (14th century)

French Revolution: Cocard royale et de la Liberte on 17/07/1789, 18th century (engraving)
French Revolution: Cocard royale et de la Liberte on 17/07/1789, 18th century (engraving)

JLJ4647674: French Revolution: Cocard royale et de la Liberte on 17/07/1789, 18th century (engraving), French School, (18th century) / Bridgeman Images

ID: JLJ4647674

French Revolution: Cocard royale et de la Liberte on 17/07/1789, 18th century (engraving)

French School, (18th century)

Yellow rose hybrid variete: Princess Julie d'Arenberg (Rosa indica odoratissima Lindl.). Lithograph by P.de Pannemaeker, published around 1880 in Ghent (Belgium), in L'Illustration Horticole by Jean Linden (1817-1898) explorer, botanist and Belgian horticulturist.
Yellow rose hybrid variete: Princess Julie d'Arenberg (Rosa indica odoratissima Lindl.). Lithograph by P.de Pannemaeker, published around 1880 in Ghent (Belgium), in L'Illustration Horticole by Jean Linden (1817-1898) explorer, botanist and Belgian horticulturist.

FLO4647677: Yellow rose hybrid variete: Princess Julie d'Arenberg (Rosa indica odoratissima Lindl.). Lithograph by P.de Pannemaeker, published around 1880 in Ghent (Belgium), in L'Illustration Horticole by Jean Linden (1817-1898) explorer, botanist and Belgian horticulturist. / Bridgeman Images

ID: FLO4647677

Yellow rose hybrid variete: Princess Julie d'Arenberg (Rosa indica odoratissima Lindl.). Lithograph by P.de Pannemaeker, published around 1880 in Ghent (Belgium), in L'Illustration Horticole by Jean Linden (1817-1898) explorer, botanist and Belgian horticulturist.

The renovation of the Bundestag, Reichstag Palace in Berlin (Germany). Renovation 1999, entrusted to architect Sir Norman Foster. The construction of a Paul Wallot project was completed in December 1894. The Italian High Renaissance style building is topped by a dome that rises 75 metres above the ground. Dem Deutschen Volke (To the German People) was affixed during the First World War. On November 9, 1918, from a window in the palace, politician Philipp Scheidemann announced the end of the Hohenzollern monarchy and proclaimed the Republic. The Sovietic army raised a red flag on April 30, 1945 when Berlin was captured at the end of World War II. The building was renovated between 1961 and 1973 by the Federal Republic of Germany without the dome. After the German reunification of 3 October 1990, the German Parliament (Bundestag) decided on 20 June 1991 to move the Federal Parliament and Government from Bonn to Berlin and to reinstate it in the Reichstag Palace. Symbol of the Reichstag, the dome is reconstructed from glass. Photography 01/04/98.
The renovation of the Bundestag, Reichstag Palace in Berlin (Germany). Renovation 1999, entrusted to architect Sir Norman Foster. The construction of a Paul Wallot project was completed in December 1894. The Italian High Renaissance style building is topped by a dome that rises 75 metres above the ground. Dem Deutschen Volke (To the German People) was affixed during the First World War. On November 9, 1918, from a window in the palace, politician Philipp Scheidemann announced the end of the Hohenzollern monarchy and proclaimed the Republic. The Sovietic army raised a red flag on April 30, 1945 when Berlin was captured at the end of World War II. The building was renovated between 1961 and 1973 by the Federal Republic of Germany without the dome. After the German reunification of 3 October 1990, the German Parliament (Bundestag) decided on 20 June 1991 to move the Federal Parliament and Government from Bonn to Berlin and to reinstate it in the Reichstag Palace. Symbol of the Reichstag, the dome is reconstructed from glass. Photography 01/04/98.

TEC4647716: The renovation of the Bundestag, Reichstag Palace in Berlin (Germany). Renovation 1999, entrusted to architect Sir Norman Foster. The construction of a Paul Wallot project was completed in December 1894. The Italian High Renaissance style building is topped by a dome that rises 75 metres above the ground. Dem Deutschen Volke (To the German People) was affixed during the First World War. On November 9, 1918, from a window in the palace, politician Philipp Scheidemann announced the end of the Hohenzollern monarchy and proclaimed the Republic. The Sovietic army raised a red flag on April 30, 1945 when Berlin was captured at the end of World War II. The building was renovated between 1961 and 1973 by the Federal Republic of Germany without the dome. After the German reunification of 3 October 1990, the German Parliament (Bundestag) decided on 20 June 1991 to move the Federal Parliament and Government from Bonn to Berlin and to reinstate it in the Reichstag Palace. Symbol of the Reichstag, the dome is reconstructed from glass. Photography 01/04/98., Foster, Norman (b.1935) / Bridgeman Images

ID: TEC4647716

The renovation of the Bundestag, Reichstag Palace in Berlin (Germany). Renovation 1999, entrusted to architect Sir Norman Foster. The construction of a Paul Wallot project was completed in December 1894. The Italian High Renaissance style building is topped by a dome that rises 75 metres above the ground. Dem Deutschen Volke (To the German People) was affixed during the First World War. On November 9, 1918, from a window in the palace, politician Philipp Scheidemann announced the end of the Hohenzollern monarchy and proclaimed the Republic. The Sovietic army raised a red flag on April 30, 1945 when Berlin was captured at the end of World War II. The building was renovated between 1961 and 1973 by the Federal Republic of Germany without the dome. After the German reunification of 3 October 1990, the German Parliament (Bundestag) decided on 20 June 1991 to move the Federal Parliament and Government from Bonn to Berlin and to reinstate it in the Reichstag Palace. Symbol of the Reichstag,

Foster, Norman (b.1935)

Variete of camellia Olivetana (Camellia japonica, Thea japonica), with pink flowers slightly veins of white. Lithograph of L. Stroobant de Ghent, based on a drawing by P. Stroobant, published around 1880 in L'Illustration Horticole by Jean Jules Linden (1817-1898), Belgian botanist and explorer.
Variete of camellia Olivetana (Camellia japonica, Thea japonica), with pink flowers slightly veins of white. Lithograph of L. Stroobant de Ghent, based on a drawing by P. Stroobant, published around 1880 in L'Illustration Horticole by Jean Jules Linden (1817-1898), Belgian botanist and explorer.

FLO4647737: Variete of camellia Olivetana (Camellia japonica, Thea japonica), with pink flowers slightly veins of white. Lithograph of L. Stroobant de Ghent, based on a drawing by P. Stroobant, published around 1880 in L'Illustration Horticole by Jean Jules Linden (1817-1898), Belgian botanist and explorer. / Bridgeman Images

ID: FLO4647737

Variete of camellia Olivetana (Camellia japonica, Thea japonica), with pink flowers slightly veins of white. Lithograph of L. Stroobant de Ghent, based on a drawing by P. Stroobant, published around 1880 in L'Illustration Horticole by Jean Jules Linden (1817-1898), Belgian botanist and explorer.

The renovation of the Bundestag, Reichstag Palace in Berlin (Germany). Renovation 1999, entrusted to architect Sir Norman Foster. The construction of a Paul Wallot project was completed in December 1894. The Italian High Renaissance style building is topped by a dome that rises 75 metres above the ground. Dem Deutschen Volke (To the German People) was affixed during the First World War. On November 9, 1918, from a window in the palace, politician Philipp Scheidemann announced the end of the Hohenzollern monarchy and proclaimed the Republic. The Sovietic army raised a red flag on April 30, 1945 when Berlin was captured at the end of World War II. The building was renovated between 1961 and 1973 by the Federal Republic of Germany without the dome. After the German reunification of 3 October 1990, the German Parliament (Bundestag) decided on 20 June 1991 to move the Federal Parliament and Government from Bonn to Berlin and to reinstate it in the Reichstag Palace. Symbol of the Reichstag, the dome is reconstructed from glass. Photography 01/10/96.
The renovation of the Bundestag, Reichstag Palace in Berlin (Germany). Renovation 1999, entrusted to architect Sir Norman Foster. The construction of a Paul Wallot project was completed in December 1894. The Italian High Renaissance style building is topped by a dome that rises 75 metres above the ground. Dem Deutschen Volke (To the German People) was affixed during the First World War. On November 9, 1918, from a window in the palace, politician Philipp Scheidemann announced the end of the Hohenzollern monarchy and proclaimed the Republic. The Sovietic army raised a red flag on April 30, 1945 when Berlin was captured at the end of World War II. The building was renovated between 1961 and 1973 by the Federal Republic of Germany without the dome. After the German reunification of 3 October 1990, the German Parliament (Bundestag) decided on 20 June 1991 to move the Federal Parliament and Government from Bonn to Berlin and to reinstate it in the Reichstag Palace. Symbol of the Reichstag, the dome is reconstructed from glass. Photography 01/10/96.

TEC4647746: The renovation of the Bundestag, Reichstag Palace in Berlin (Germany). Renovation 1999, entrusted to architect Sir Norman Foster. The construction of a Paul Wallot project was completed in December 1894. The Italian High Renaissance style building is topped by a dome that rises 75 metres above the ground. Dem Deutschen Volke (To the German People) was affixed during the First World War. On November 9, 1918, from a window in the palace, politician Philipp Scheidemann announced the end of the Hohenzollern monarchy and proclaimed the Republic. The Sovietic army raised a red flag on April 30, 1945 when Berlin was captured at the end of World War II. The building was renovated between 1961 and 1973 by the Federal Republic of Germany without the dome. After the German reunification of 3 October 1990, the German Parliament (Bundestag) decided on 20 June 1991 to move the Federal Parliament and Government from Bonn to Berlin and to reinstate it in the Reichstag Palace. Symbol of the Reichstag, the dome is reconstructed from glass. Photography 01/10/96., Foster, Norman (b.1935) / Bridgeman Images

ID: TEC4647746

The renovation of the Bundestag, Reichstag Palace in Berlin (Germany). Renovation 1999, entrusted to architect Sir Norman Foster. The construction of a Paul Wallot project was completed in December 1894. The Italian High Renaissance style building is topped by a dome that rises 75 metres above the ground. Dem Deutschen Volke (To the German People) was affixed during the First World War. On November 9, 1918, from a window in the palace, politician Philipp Scheidemann announced the end of the Hohenzollern monarchy and proclaimed the Republic. The Sovietic army raised a red flag on April 30, 1945 when Berlin was captured at the end of World War II. The building was renovated between 1961 and 1973 by the Federal Republic of Germany without the dome. After the German reunification of 3 October 1990, the German Parliament (Bundestag) decided on 20 June 1991 to move the Federal Parliament and Government from Bonn to Berlin and to reinstate it in the Reichstag Palace. Symbol of the Reichstag,

Foster, Norman (b.1935)

Flowers and Fruit, 1827 (oil on canvas)
Flowers and Fruit, 1827 (oil on canvas)

JLJ4647794: Flowers and Fruit, 1827 (oil on canvas), Dael, Jan Frans van (1764-1840) / Bridgeman Images

ID: JLJ4647794

Flowers and Fruit, 1827 (oil on canvas)

Dael, Jan Frans van (1764-1840)

Zenobia dahlia hybrid, Dahlia coccinea. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1867-1868.
Zenobia dahlia hybrid, Dahlia coccinea. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1867-1868.

FLO4647806: Zenobia dahlia hybrid, Dahlia coccinea. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1867-1868. / Bridgeman Images

ID: FLO4647806

Zenobia dahlia hybrid, Dahlia coccinea. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1867-1868.

Satyrium carneum orchid. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1867-1868.
Satyrium carneum orchid. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1867-1868.

FLO4647818: Satyrium carneum orchid. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1867-1868. / Bridgeman Images

ID: FLO4647818

Satyrium carneum orchid. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1867-1868.

French and Germans, Anecdotal History of the War of 1870-1871, 1888 (engraving)
French and Germans, Anecdotal History of the War of 1870-1871, 1888 (engraving)

JLJ4636430: French and Germans, Anecdotal History of the War of 1870-1871, 1888 (engraving), Lonlay, Dick de (Hardouin Georges pseud.) (1846-1893) / Bridgeman Images

ID: JLJ4636430

French and Germans, Anecdotal History of the War of 1870-1871, 1888 (engraving)

Lonlay, Dick de (Hardouin Georges pseud.) (1846-1893)

French and Germans, Anecdotal History of the War of 1870-1871, 1888 (engraving)
French and Germans, Anecdotal History of the War of 1870-1871, 1888 (engraving)

JLJ4636532: French and Germans, Anecdotal History of the War of 1870-1871, 1888 (engraving), Lonlay, Dick de (Hardouin Georges pseud.) (1846-1893) / Bridgeman Images

ID: JLJ4636532

French and Germans, Anecdotal History of the War of 1870-1871, 1888 (engraving)

Lonlay, Dick de (Hardouin Georges pseud.) (1846-1893)

Entry to Spain (Miniature, 1300-1350)
Entry to Spain (Miniature, 1300-1350)

LRI4636553: Entry to Spain (Miniature, 1300-1350), Unknown Artist, (14th century) / Bridgeman Images

ID: LRI4636553

Entry to Spain (Miniature, 1300-1350)

Unknown Artist, (14th century)

Entry to Spain (Miniature, 1300-1350)
Entry to Spain (Miniature, 1300-1350)

LRI4636589: Entry to Spain (Miniature, 1300-1350), Unknown Artist, (14th century) / Bridgeman Images

ID: LRI4636589

Entry to Spain (Miniature, 1300-1350)

Unknown Artist, (14th century)

The Lactee Way in the Sagittarius region (center), and the Scorpio (High Right). The bright spot on the top right is Jupiter Planet. North Hemisphere - Jupiter is the bright spot top right.: Lactee Way and Jupiter - The Milky Way with Jupiter
The Lactee Way in the Sagittarius region (center), and the Scorpio (High Right). The bright spot on the top right is Jupiter Planet. North Hemisphere - Jupiter is the bright spot top right.: Lactee Way and Jupiter - The Milky Way with Jupiter

PIX4636610: The Lactee Way in the Sagittarius region (center), and the Scorpio (High Right). The bright spot on the top right is Jupiter Planet. North Hemisphere - Jupiter is the bright spot top right.: Lactee Way and Jupiter - The Milky Way with Jupiter / Bridgeman Images

ID: PIX4636610

The Lactee Way in the Sagittarius region (center), and the Scorpio (High Right). The bright spot on the top right is Jupiter Planet. North Hemisphere - Jupiter is the bright spot top right.: Lactee Way and Jupiter - The Milky Way with Jupiter

French and Germans, Anecdotal History of the War of 1870-1871, 1888 (engraving)
French and Germans, Anecdotal History of the War of 1870-1871, 1888 (engraving)

JLJ4636634: French and Germans, Anecdotal History of the War of 1870-1871, 1888 (engraving), Lonlay, Dick de (Hardouin Georges pseud.) (1846-1893) / Bridgeman Images

ID: JLJ4636634

French and Germans, Anecdotal History of the War of 1870-1871, 1888 (engraving)

Lonlay, Dick de (Hardouin Georges pseud.) (1846-1893)

Lactee route and winter hexagon - Lactee route and winter hexagon - Winter hexagon is an asterism formed by the stars Sirius, Procyon, Pollux, Capella, Aldebaran and Rigel. In the center of the image, the bright spot is the planet Saturn
Lactee route and winter hexagon - Lactee route and winter hexagon - Winter hexagon is an asterism formed by the stars Sirius, Procyon, Pollux, Capella, Aldebaran and Rigel. In the center of the image, the bright spot is the planet Saturn

PIX4636664: Lactee route and winter hexagon - Lactee route and winter hexagon - Winter hexagon is an asterism formed by the stars Sirius, Procyon, Pollux, Capella, Aldebaran and Rigel. In the center of the image, the bright spot is the planet Saturn / Bridgeman Images

ID: PIX4636664

Lactee route and winter hexagon - Lactee route and winter hexagon - Winter hexagon is an asterism formed by the stars Sirius, Procyon, Pollux, Capella, Aldebaran and Rigel. In the center of the image, the bright spot is the planet Saturn

At the left, Dante and Virgil stand on the shore of the river Styx, the dismal shore of Acheron. In the centre, Charon ferries Dante and Virgil, who look very alarmed (song 3 from Hell, in the Divine Comedy) - miniature, 1405
At the left, Dante and Virgil stand on the shore of the river Styx, the dismal shore of Acheron. In the centre, Charon ferries Dante and Virgil, who look very alarmed (song 3 from Hell, in the Divine Comedy) - miniature, 1405

LRI4636694: At the left, Dante and Virgil stand on the shore of the river Styx, the dismal shore of Acheron. In the centre, Charon ferries Dante and Virgil, who look very alarmed (song 3 from Hell, in the Divine Comedy) - miniature, 1405, Unknown Artist, (15th century) / Bridgeman Images

ID: LRI4636694

At the left, Dante and Virgil stand on the shore of the river Styx, the dismal shore of Acheron. In the centre, Charon ferries Dante and Virgil, who look very alarmed (song 3 from Hell, in the Divine Comedy) - miniature, 1405

Unknown Artist, (15th century)

John Taylor, Thames waterman and self-styled Water Poet (1578 -1653). Copperplate engraving from William Richard's Portraits illustrating Granger's Biographical History of England, London, 1792-1812. James Granger (1723-1776) was an English clergy, biographer, and print collector.
John Taylor, Thames waterman and self-styled Water Poet (1578 -1653). Copperplate engraving from William Richard's Portraits illustrating Granger's Biographical History of England, London, 1792-1812. James Granger (1723-1776) was an English clergy, biographer, and print collector.

FLO4636715: John Taylor, Thames waterman and self-styled Water Poet (1578 -1653). Copperplate engraving from William Richard's Portraits illustrating Granger's Biographical History of England, London, 1792-1812. James Granger (1723-1776) was an English clergy, biographer, and print collector. / Bridgeman Images

ID: FLO4636715

John Taylor, Thames waterman and self-styled Water Poet (1578 -1653). Copperplate engraving from William Richard's Portraits illustrating Granger's Biographical History of England, London, 1792-1812. James Granger (1723-1776) was an English clergy, biographer, and print collector.

The Mir space station seen from the shuttle Discovery. 12/06/1998 - Mir station seen in june 1998 - Mir space station seen from the shuttle Discovery. 12/06/1998. Overall view of Mir over the Earth horizon
The Mir space station seen from the shuttle Discovery. 12/06/1998 - Mir station seen in june 1998 - Mir space station seen from the shuttle Discovery. 12/06/1998. Overall view of Mir over the Earth horizon

PIX4642431: The Mir space station seen from the shuttle Discovery. 12/06/1998 - Mir station seen in june 1998 - Mir space station seen from the shuttle Discovery. 12/06/1998. Overall view of Mir over the Earth horizon / Bridgeman Images

ID: PIX4642431

The Mir space station seen from the shuttle Discovery. 12/06/1998 - Mir station seen in june 1998 - Mir space station seen from the shuttle Discovery. 12/06/1998. Overall view of Mir over the Earth horizon

Fresco
Fresco

JLJ4642446: Fresco " The Triumph of the Republique", 1890-1891 (fresco), Glaize, Pierre-Paul-Lêon (1842-1932) / Bridgeman Images

ID: JLJ4642446

Fresco " The Triumph of the Republique", 1890-1891 (fresco)

Glaize, Pierre-Paul-Lêon (1842-1932)

Ferruginous rhododendron or pink laurel of the Alps - Lithography by F. Guimpel, extracted from medical botanical by Friedrich Gottlob Haynes (1763-1832), Berlin, 1822 - Alpenrose or snow-rose, Rhododendron ferrugineum - Handcoloured copperplate by F. Guimpel from Dr. F. G. Hayne's Medical Botany, Berlin, Berlin, 1822
Ferruginous rhododendron or pink laurel of the Alps - Lithography by F. Guimpel, extracted from medical botanical by Friedrich Gottlob Haynes (1763-1832), Berlin, 1822 - Alpenrose or snow-rose, Rhododendron ferrugineum - Handcoloured copperplate by F. Guimpel from Dr. F. G. Hayne's Medical Botany, Berlin, Berlin, 1822

FLO4642497: Ferruginous rhododendron or pink laurel of the Alps - Lithography by F. Guimpel, extracted from medical botanical by Friedrich Gottlob Haynes (1763-1832), Berlin, 1822 - Alpenrose or snow-rose, Rhododendron ferrugineum - Handcoloured copperplate by F. Guimpel from Dr. F. G. Hayne's Medical Botany, Berlin, Berlin, 1822 / Bridgeman Images

ID: FLO4642497

Ferruginous rhododendron or pink laurel of the Alps - Lithography by F. Guimpel, extracted from medical botanical by Friedrich Gottlob Haynes (1763-1832), Berlin, 1822 - Alpenrose or snow-rose, Rhododendron ferrugineum - Handcoloured copperplate by F. Guimpel from Dr. F. G. Hayne's Medical Botany, Berlin, Berlin, 1822

Copayer (variete) - Lithography by F. Guimpel, extracted from medical botany by Friedrich Gottlob Haynes (1763-1832), Berlin, 1822 - Copal or copaiba tree, Copaifera coriacea - Handcoloured copperplate by F. Guimpel from Dr. F. G. Hayne's Medical Botany, Berlin, 1822
Copayer (variete) - Lithography by F. Guimpel, extracted from medical botany by Friedrich Gottlob Haynes (1763-1832), Berlin, 1822 - Copal or copaiba tree, Copaifera coriacea - Handcoloured copperplate by F. Guimpel from Dr. F. G. Hayne's Medical Botany, Berlin, 1822

FLO4642509: Copayer (variete) - Lithography by F. Guimpel, extracted from medical botany by Friedrich Gottlob Haynes (1763-1832), Berlin, 1822 - Copal or copaiba tree, Copaifera coriacea - Handcoloured copperplate by F. Guimpel from Dr. F. G. Hayne's Medical Botany, Berlin, 1822 / Bridgeman Images

ID: FLO4642509

Copayer (variete) - Lithography by F. Guimpel, extracted from medical botany by Friedrich Gottlob Haynes (1763-1832), Berlin, 1822 - Copal or copaiba tree, Copaifera coriacea - Handcoloured copperplate by F. Guimpel from Dr. F. G. Hayne's Medical Botany, Berlin, 1822

Recoveration of the LDEF satellite - Recoveration of the Long Duration Exposure Facility (LDEF) satellite by the Columbia arm on January 12, 1990. This satellite remained in space for more than five years then was brought back to Earth to analyse the 57 experiments on board, intended to better understand the consequences of a long stay in space.
Recoveration of the LDEF satellite - Recoveration of the Long Duration Exposure Facility (LDEF) satellite by the Columbia arm on January 12, 1990. This satellite remained in space for more than five years then was brought back to Earth to analyse the 57 experiments on board, intended to better understand the consequences of a long stay in space.

PIX4642518: Recoveration of the LDEF satellite - Recoveration of the Long Duration Exposure Facility (LDEF) satellite by the Columbia arm on January 12, 1990. This satellite remained in space for more than five years then was brought back to Earth to analyse the 57 experiments on board, intended to better understand the consequences of a long stay in space. / Bridgeman Images

ID: PIX4642518

Recoveration of the LDEF satellite - Recoveration of the Long Duration Exposure Facility (LDEF) satellite by the Columbia arm on January 12, 1990. This satellite remained in space for more than five years then was brought back to Earth to analyse the 57 experiments on board, intended to better understand the consequences of a long stay in space.

Copayer (variete) or copaiba - Lithography by F. Guimpel, extracted from botanique medicale by Friedrich Gottlob Haynes (1763-1832), Berlin, 1822 - Diesel or kerosene tree, Copaifera langsdorffii - Handcoloured copperplate by F. Guimpel from Dr. F. G. Hayne's Medical Botany, Berlin, 1822
Copayer (variete) or copaiba - Lithography by F. Guimpel, extracted from botanique medicale by Friedrich Gottlob Haynes (1763-1832), Berlin, 1822 - Diesel or kerosene tree, Copaifera langsdorffii - Handcoloured copperplate by F. Guimpel from Dr. F. G. Hayne's Medical Botany, Berlin, 1822

FLO4642521: Copayer (variete) or copaiba - Lithography by F. Guimpel, extracted from botanique medicale by Friedrich Gottlob Haynes (1763-1832), Berlin, 1822 - Diesel or kerosene tree, Copaifera langsdorffii - Handcoloured copperplate by F. Guimpel from Dr. F. G. Hayne's Medical Botany, Berlin, 1822 / Bridgeman Images

ID: FLO4642521

Copayer (variete) or copaiba - Lithography by F. Guimpel, extracted from botanique medicale by Friedrich Gottlob Haynes (1763-1832), Berlin, 1822 - Diesel or kerosene tree, Copaifera langsdorffii - Handcoloured copperplate by F. Guimpel from Dr. F. G. Hayne's Medical Botany, Berlin, 1822

Roman Art: “” Fight between a heron and a cobra”” Roman fresco from the house of the Epigrams, Pompei, Italy (Fight between a heron and a cobra, fresco from the casa degli Epigrammi, Pompeii) 60-80 A.D.
Roman Art: “” Fight between a heron and a cobra”” Roman fresco from the house of the Epigrams, Pompei, Italy (Fight between a heron and a cobra, fresco from the casa degli Epigrammi, Pompeii) 60-80 A.D.

LRI4642596: Roman Art: “” Fight between a heron and a cobra”” Roman fresco from the house of the Epigrams, Pompei, Italy (Fight between a heron and a cobra, fresco from the casa degli Epigrammi, Pompeii) 60-80 A.D., Roman, (1st century AD) / Bridgeman Images

ID: LRI4642596

Roman Art: “” Fight between a heron and a cobra”” Roman fresco from the house of the Epigrams, Pompei, Italy (Fight between a heron and a cobra, fresco from the casa degli Epigrammi, Pompeii) 60-80 A.D.

Roman, (1st century AD)

Satellite artificiel D - 1D Diademe - Illustration - Satellite D - 1D Diademe above the Earth - Illustration - Vue d'artiste du satellite francais D - 1D Diademe. This satellite was launched on 17 February 1967 by a rocket Diamant A. D-1D Diademe was a french artificial satellite launched on February 17 1967 by a rocket of type Diamant A
Satellite artificiel D - 1D Diademe - Illustration - Satellite D - 1D Diademe above the Earth - Illustration - Vue d'artiste du satellite francais D - 1D Diademe. This satellite was launched on 17 February 1967 by a rocket Diamant A. D-1D Diademe was a french artificial satellite launched on February 17 1967 by a rocket of type Diamant A

PIX4642623: Satellite artificiel D - 1D Diademe - Illustration - Satellite D - 1D Diademe above the Earth - Illustration - Vue d'artiste du satellite francais D - 1D Diademe. This satellite was launched on 17 February 1967 by a rocket Diamant A. D-1D Diademe was a french artificial satellite launched on February 17 1967 by a rocket of type Diamant A / Bridgeman Images

ID: PIX4642623

Satellite artificiel D - 1D Diademe - Illustration - Satellite D - 1D Diademe above the Earth - Illustration - Vue d'artiste du satellite francais D - 1D Diademe. This satellite was launched on 17 February 1967 by a rocket Diamant A. D-1D Diademe was a french artificial satellite launched on February 17 1967 by a rocket of type Diamant A


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