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Egyptian antiquite: view of the columns of the hypostyle room of the Temple of Amon, Karnak in Luxor, Egypt (photo)
Egyptian antiquite: view of the columns of the hypostyle room of the Temple of Amon, Karnak in Luxor, Egypt (photo)

JLJ4590488: Egyptian antiquite: view of the columns of the hypostyle room of the Temple of Amon, Karnak in Luxor, Egypt (photo), Egyptian 18th Dynasty (c.1567-1320 BC) / Bridgeman Images

Mexican art: polychrome wooden cross with head of christ carved from one piece, 17th century (sculpture)
Mexican art: polychrome wooden cross with head of christ carved from one piece, 17th century (sculpture)

JLJ4592819: Mexican art: polychrome wooden cross with head of christ carved from one piece, 17th century (sculpture), Mexican School, (17th century) / Bridgeman Images

Virgin and Child, from the original facade. Marble sculpture, 1296-1302
Virgin and Child, from the original facade. Marble sculpture, 1296-1302

LRI4593966: Virgin and Child, from the original facade. Marble sculpture, 1296-1302, Cambio, Arnolfo di (c.1245-1310) / Bridgeman Images

Magna graecia: little boy playing, marble relief, 5th century BC
Magna graecia: little boy playing, marble relief, 5th century BC

LRI4592071: Magna graecia: little boy playing, marble relief, 5th century BC, Greek school, (5th century BC) / Bridgeman Images

Indian Riding Bronze sculpture by Karl Kauba, 19th century (bronze)
Indian Riding Bronze sculpture by Karl Kauba, 19th century (bronze)

JLJ4594296: Indian Riding Bronze sculpture by Karl Kauba, 19th century (bronze), Kauba, Carl (1865-1922) / Bridgeman Images

Zoomorphic vase, white marble, 3200-2000 BC
Zoomorphic vase, white marble, 3200-2000 BC

LRI4591702: Zoomorphic vase, white marble, 3200-2000 BC, Cycladic / Bridgeman Images

Bow figure: bust of French privateer, 17th century (sculpture)
Bow figure: bust of French privateer, 17th century (sculpture)

JLJ4593554: Bow figure: bust of French privateer, 17th century (sculpture), French School, (17th century) / Bridgeman Images

Idol as a column. Ivory sculpture, around 5000 BC
Idol as a column. Ivory sculpture, around 5000 BC

LRI4593749: Idol as a column. Ivory sculpture, around 5000 BC, Prehistoric / Bridgeman Images

Etruscan art, funeral rite: couple of deceased, cover of the terracotta cinerary urn, 100 BC (Etruscan art, old couple, terracotta funerary urn lid, 100 BC) Volterra, Museo Guarnacci
Etruscan art, funeral rite: couple of deceased, cover of the terracotta cinerary urn, 100 BC (Etruscan art, old couple, terracotta funerary urn lid, 100 BC) Volterra, Museo Guarnacci

LRI4590355: Etruscan art, funeral rite: couple of deceased, cover of the terracotta cinerary urn, 100 BC (Etruscan art, old couple, terracotta funerary urn lid, 100 BC) Volterra, Museo Guarnacci, Etruscan, (1st century BC) / Bridgeman Images

Virgin and Child. Sculpture, 15th century
Virgin and Child. Sculpture, 15th century

LRI4594005: Virgin and Child. Sculpture, 15th century, Benedetto da Maiano (1442-97) / Bridgeman Images

Funeral monument of Pozo Moro, 6th century BC
Funeral monument of Pozo Moro, 6th century BC

LRI4593633: Funeral monument of Pozo Moro, 6th century BC, Spanish School / Bridgeman Images

Ephebe. 500-490 BC (Marble sculpture)
Ephebe. 500-490 BC (Marble sculpture)

LRI4591416: Ephebe. 500-490 BC (Marble sculpture), Greek school, (5th century BC) / Bridgeman Images

Amphora, detail representing a gorgona. 620 BC (Terracotta)
Amphora, detail representing a gorgona. 620 BC (Terracotta)

LRI4591033: Amphora, detail representing a gorgona. 620 BC (Terracotta), Greek school, (7th century BC) / Bridgeman Images

Kylix decorated with a komos, ritual cortege of satyrs. 380 BC (terracotta)
Kylix decorated with a komos, ritual cortege of satyrs. 380 BC (terracotta)

LRI4590614: Kylix decorated with a komos, ritual cortege of satyrs. 380 BC (terracotta), Etruscan / Bridgeman Images

Statuette in the shape of a woman with crossed arms. 3200-2000 BC. (marble sculpture)
Statuette in the shape of a woman with crossed arms. 3200-2000 BC. (marble sculpture)

LRI4591621: Statuette in the shape of a woman with crossed arms. 3200-2000 BC. (marble sculpture), Cycladic / Bridgeman Images

Egyptian antiquite: Nebnefer granite block dedicated to the god Sobek and the goddess Hathor, c.1403-1365 BC. 18th dynasty, Egypt (granite)
Egyptian antiquite: Nebnefer granite block dedicated to the god Sobek and the goddess Hathor, c.1403-1365 BC. 18th dynasty, Egypt (granite)

JLJ4590190: Egyptian antiquite: Nebnefer granite block dedicated to the god Sobek and the goddess Hathor, c.1403-1365 BC. 18th dynasty, Egypt (granite), Egyptian 18th Dynasty (c.1567-1320 BC) / Bridgeman Images

PThe divinite Tanit, pierced ears and nose. 3rd-2nd century BC. (terracotta sculpture)
PThe divinite Tanit, pierced ears and nose. 3rd-2nd century BC. (terracotta sculpture)

LRI4593612: PThe divinite Tanit, pierced ears and nose. 3rd-2nd century BC. (terracotta sculpture), Phoenician, (3rd century BC) / Bridgeman Images

Monument to Ilaria del Carretto of the family of the Marquis of Savona. Detail. Marble sculpture, 1408
Monument to Ilaria del Carretto of the family of the Marquis of Savona. Detail. Marble sculpture, 1408

LRI4594145: Monument to Ilaria del Carretto of the family of the Marquis of Savona. Detail. Marble sculpture, 1408, Quercia, Jacopo della (c.1372-1438) / Bridgeman Images

Iron age stele. 1100-800 BC (carving)
Iron age stele. 1100-800 BC (carving)

LRI4592796: Iron age stele. 1100-800 BC (carving), Prehistoric / Bridgeman Images

Head of a philosopher. 240-220 BC (bronze sculpture)
Head of a philosopher. 240-220 BC (bronze sculpture)

LRI4593508: Head of a philosopher. 240-220 BC (bronze sculpture), Greek school, (3rd century BC) / Bridgeman Images

The centaur attends the wedding of Pirithous and Hippodamia. 1st century (fresco)
The centaur attends the wedding of Pirithous and Hippodamia. 1st century (fresco)

LRI4592418: The centaur attends the wedding of Pirithous and Hippodamia. 1st century (fresco), Roman, (1st century AD) / Bridgeman Images

The Day of First Communion, 1888 (painting on cardboard)
The Day of First Communion, 1888 (painting on cardboard)

JLJ4593702: The Day of First Communion, 1888 (painting on cardboard), Toulouse-Lautrec, Henri de (1864-1901) / Bridgeman Images

Jesus Child with Doctors, 17th century (ink)
Jesus Child with Doctors, 17th century (ink)

JLJ4592246: Jesus Child with Doctors, 17th century (ink), Rembrandt Harmensz. van Rijn (1606-69) / Bridgeman Images

Aumone at the church, 1834 (painting)
Aumone at the church, 1834 (painting)

JLJ4594067: Aumone at the church, 1834 (painting), Migette, Auguste (1802-1884) / Bridgeman Images

Allegory of America, 1738 (painting)
Allegory of America, 1738 (painting)

JLJ4594126: Allegory of America, 1738 (painting), Solimena, Francesco (1657-1747) / Bridgeman Images

Tomb of the painter Maia, the deceased and his wife sitting at a banquet. 18th dynasty. (fresco)
Tomb of the painter Maia, the deceased and his wife sitting at a banquet. 18th dynasty. (fresco)

LRI4592843: Tomb of the painter Maia, the deceased and his wife sitting at a banquet. 18th dynasty. (fresco), Egyptian 18th Dynasty (c.1567-1320 BC) / Bridgeman Images

The Deluge, the Ark of Noe on the right 19th century (engraving)
The Deluge, the Ark of Noe on the right 19th century (engraving)

JLJ4590506: The Deluge, the Ark of Noe on the right 19th century (engraving), French School, (19th century) / Bridgeman Images

Portrait of Jerome Phelypeaux, Count of Pontchartrain Minister of Marine, 18th century (oil on canvas)
Portrait of Jerome Phelypeaux, Count of Pontchartrain Minister of Marine, 18th century (oil on canvas)

JLJ4593197: Portrait of Jerome Phelypeaux, Count of Pontchartrain Minister of Marine, 18th century (oil on canvas), Tournieres, Robert (1668-1752) / Bridgeman Images

Dutch Landscape, Boats Near the Mill, 1868 (oil on canvas)
Dutch Landscape, Boats Near the Mill, 1868 (oil on canvas)

JLJ4591512: Dutch Landscape, Boats Near the Mill, 1868 (oil on canvas), Jongkind, Johan-Barthold (1819-91) / Bridgeman Images

The return of the herd, 19th century (oil on canvas)
The return of the herd, 19th century (oil on canvas)

JLJ4594786: The return of the herd, 19th century (oil on canvas), Millet, Jean-Francois (1814-75) / Bridgeman Images

The wandering navigator Abu, Zayd in front of his Miniature listeners from the 'Maqamat', 1237 (miniature)
The wandering navigator Abu, Zayd in front of his Miniature listeners from the 'Maqamat', 1237 (miniature)

JLJ4592550: The wandering navigator Abu, Zayd in front of his Miniature listeners from the 'Maqamat', 1237 (miniature), Al-Wasiti, Yahya ibn Mahmud (13th Century) / Bridgeman Images

Jules Boilly (1796, 1874) child a book in hand, 1808 (oil on canvas)
Jules Boilly (1796, 1874) child a book in hand, 1808 (oil on canvas)

JLJ4594510: Jules Boilly (1796, 1874) child a book in hand, 1808 (oil on canvas), Boilly, Louis Leopold (1761-1845) / Bridgeman Images

Embassy of Maximilian of Bethune, Duke of Sully to King James I Stuart in 1603, 19th century (oil on canvas)
Embassy of Maximilian of Bethune, Duke of Sully to King James I Stuart in 1603, 19th century (oil on canvas)

JLJ4593942: Embassy of Maximilian of Bethune, Duke of Sully to King James I Stuart in 1603, 19th century (oil on canvas), Lacour, Pierre (1745-1814) / Bridgeman Images

Metal casting equipment: open sand casting 1, trowel 2, ramming tool 4, lifting screw 5, sand casting between flasks 6, cog wheel casting 7-10, and moulds for loam casting 11-13. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1809.
Metal casting equipment: open sand casting 1, trowel 2, ramming tool 4, lifting screw 5, sand casting between flasks 6, cog wheel casting 7-10, and moulds for loam casting 11-13. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1809.

FLO4591842: Metal casting equipment: open sand casting 1, trowel 2, ramming tool 4, lifting screw 5, sand casting between flasks 6, cog wheel casting 7-10, and moulds for loam casting 11-13. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1809. / Bridgeman Images

John Smeaton's design for the hammer mill at Kilnhurst Forge, Rotherham, 1765. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812.
John Smeaton's design for the hammer mill at Kilnhurst Forge, Rotherham, 1765. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812.

FLO4591666: John Smeaton's design for the hammer mill at Kilnhurst Forge, Rotherham, 1765. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812. / Bridgeman Images

Map of an estate in East Sheen, Surrey, surveyed and delineated using a theodolite by James Wadmore, 1811. Copperplate engraving by W. Lowry after an Illustration from Abraham Rees' “” Cyclopedia or Universal Dictionary,”” London, 1817.
Map of an estate in East Sheen, Surrey, surveyed and delineated using a theodolite by James Wadmore, 1811. Copperplate engraving by W. Lowry after an Illustration from Abraham Rees' “” Cyclopedia or Universal Dictionary,”” London, 1817.

FLO4593042: Map of an estate in East Sheen, Surrey, surveyed and delineated using a theodolite by James Wadmore, 1811. Copperplate engraving by W. Lowry after an Illustration from Abraham Rees' “” Cyclopedia or Universal Dictionary,”” London, 1817. / Bridgeman Images


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