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Shopfront of Monsieur Phelippon's tobacco store, 57 rue de Grenelle St. Honore, Paris, circa 1800. Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris: Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau.
Shopfront of Monsieur Phelippon's tobacco store, 57 rue de Grenelle St. Honore, Paris, circa 1800. Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris: Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau.

FLO4590024: Shopfront of Monsieur Phelippon's tobacco store, 57 rue de Grenelle St. Honore, Paris, circa 1800. Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris: Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau. / Bridgeman Images

Nautical engineering: Captain William Bolton's machine for drawing bolts, Mr Phillips' tubes for driving bolts, bits, ring rope, application of the messenger and nippers, 18th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey Jr. from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1816.
Nautical engineering: Captain William Bolton's machine for drawing bolts, Mr Phillips' tubes for driving bolts, bits, ring rope, application of the messenger and nippers, 18th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey Jr. from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1816.

FLO4593389: Nautical engineering: Captain William Bolton's machine for drawing bolts, Mr Phillips' tubes for driving bolts, bits, ring rope, application of the messenger and nippers, 18th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey Jr. from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1816. / Bridgeman Images

Ancient Roman armour, helmet, breastplate, shield and weapons from the British Museum, Bartoli's Triumphal Arches and Sir William Hamilton's vases. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Ancient Roman armour, helmet, breastplate, shield and weapons from the British Museum, Bartoli's Triumphal Arches and Sir William Hamilton's vases. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4594049: Ancient Roman armour, helmet, breastplate, shield and weapons from the British Museum, Bartoli's Triumphal Arches and Sir William Hamilton's vases. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Miss Felicite Hullin, dancer, in the ballet “” La Paysanne Supposee”” at the Italian Opera House Haymarket. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Frederic de Waldeck. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825.
Miss Felicite Hullin, dancer, in the ballet “” La Paysanne Supposee”” at the Italian Opera House Haymarket. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Frederic de Waldeck. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825.

FLO4594977: Miss Felicite Hullin, dancer, in the ballet “” La Paysanne Supposee”” at the Italian Opera House Haymarket. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Frederic de Waldeck. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825. / Bridgeman Images

Artillery: Aries or wooden battering ram and catapult used by Lord Heathfield at the siege of Gibraltar. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Artillery: Aries or wooden battering ram and catapult used by Lord Heathfield at the siege of Gibraltar. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4594063: Artillery: Aries or wooden battering ram and catapult used by Lord Heathfield at the siege of Gibraltar. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Chinese florist selling miniature trees and bushes, Penjing or Penzai, from a bamboo yoke, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Chinese florist selling miniature trees and bushes, Penjing or Penzai, from a bamboo yoke, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590419: Chinese florist selling miniature trees and bushes, Penjing or Penzai, from a bamboo yoke, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Single Welsh harp, ancient triple Welsh harp and modern triple Welsh harp. Copperplate engraving by John Lee from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Single Welsh harp, ancient triple Welsh harp and modern triple Welsh harp. Copperplate engraving by John Lee from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4593941: Single Welsh harp, ancient triple Welsh harp and modern triple Welsh harp. Copperplate engraving by John Lee from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Ancient bronzes of warriors in armour from the collection of Peter Knight. (A, D) and in the British Museum (B, C). Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Ancient bronzes of warriors in armour from the collection of Peter Knight. (A, D) and in the British Museum (B, C). Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4594028: Ancient bronzes of warriors in armour from the collection of Peter Knight. (A, D) and in the British Museum (B, C). Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Electrical machines by Abbe Jean-Antoine Nollet, Dr. William Watson, Francis Hauksbee and Benjamin Wilson. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1809.
Electrical machines by Abbe Jean-Antoine Nollet, Dr. William Watson, Francis Hauksbee and Benjamin Wilson. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1809.

FLO4592163: Electrical machines by Abbe Jean-Antoine Nollet, Dr. William Watson, Francis Hauksbee and Benjamin Wilson. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1809. / Bridgeman Images

Surveying equipment from the 19th century: dendrometers and Mr. Broad's machine for measuring timber. Copperplate engraving by Wilson Lowry after an Illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1811.
Surveying equipment from the 19th century: dendrometers and Mr. Broad's machine for measuring timber. Copperplate engraving by Wilson Lowry after an Illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1811.

FLO4593000: Surveying equipment from the 19th century: dendrometers and Mr. Broad's machine for measuring timber. Copperplate engraving by Wilson Lowry after an Illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1811. / Bridgeman Images

Marquis of Worcester Timothy Marshal's secret escutcheon for a lock, and self-acting candle extinguishers including John Isaac Hawkins'. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810.
Marquis of Worcester Timothy Marshal's secret escutcheon for a lock, and self-acting candle extinguishers including John Isaac Hawkins'. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810.

FLO4591144: Marquis of Worcester Timothy Marshal's secret escutcheon for a lock, and self-acting candle extinguishers including John Isaac Hawkins'. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810. / Bridgeman Images

Cepe de Bordeaux (Boletus edulis) - Chromolithography based on a drawing by Mordecai Cubitt Cooke (1825-1914), published in “A Plain and Easy Account of British Fungi””, edition Robert Hardwicke, London, 1862
Cepe de Bordeaux (Boletus edulis) - Chromolithography based on a drawing by Mordecai Cubitt Cooke (1825-1914), published in “A Plain and Easy Account of British Fungi””, edition Robert Hardwicke, London, 1862

FLO4594434: Cepe de Bordeaux (Boletus edulis) - Chromolithography based on a drawing by Mordecai Cubitt Cooke (1825-1914), published in “A Plain and Easy Account of British Fungi””, edition Robert Hardwicke, London, 1862 / Bridgeman Images

Dodo, Raphus cucullatus, extinct flightless bird. Copperplate engraving by T. Milton after an illustration by Sydenham Edwards from Abraham Rees' Cyclopaedia or Universal Dictionary, London, 1820.
Dodo, Raphus cucullatus, extinct flightless bird. Copperplate engraving by T. Milton after an illustration by Sydenham Edwards from Abraham Rees' Cyclopaedia or Universal Dictionary, London, 1820.

FLO4591510: Dodo, Raphus cucullatus, extinct flightless bird. Copperplate engraving by T. Milton after an illustration by Sydenham Edwards from Abraham Rees' Cyclopaedia or Universal Dictionary, London, 1820., Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Surgical trepanning instruments including spring forceps, Savigny's trephines, scalpel, elevator, Mr. Hey's saws, lenticular, raspatory, brush, and trephine from the 19th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1819.
Surgical trepanning instruments including spring forceps, Savigny's trephines, scalpel, elevator, Mr. Hey's saws, lenticular, raspatory, brush, and trephine from the 19th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1819.

FLO4592938: Surgical trepanning instruments including spring forceps, Savigny's trephines, scalpel, elevator, Mr. Hey's saws, lenticular, raspatory, brush, and trephine from the 19th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1819. / Bridgeman Images

Chinese men hunting wild ducks with decoy gourd hats in the river, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Chinese men hunting wild ducks with decoy gourd hats in the river, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590527: Chinese men hunting wild ducks with decoy gourd hats in the river, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Tahitian pahie canoe with outrigger, South American balza sailing raft, English lifeboat rowboat, and Indonesian caracore with sails and outrigger. Copperplate engraving by Milton after a drawing by W. Anderson from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Tahitian pahie canoe with outrigger, South American balza sailing raft, English lifeboat rowboat, and Indonesian caracore with sails and outrigger. Copperplate engraving by Milton after a drawing by W. Anderson from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4590701: Tahitian pahie canoe with outrigger, South American balza sailing raft, English lifeboat rowboat, and Indonesian caracore with sails and outrigger. Copperplate engraving by Milton after a drawing by W. Anderson from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Music-box mechanism with cylinder and hammers to play chimes on a bell, and music score to Ignace Joseph Pleyel's German Hymn. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1817.
Music-box mechanism with cylinder and hammers to play chimes on a bell, and music score to Ignace Joseph Pleyel's German Hymn. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1817.

FLO4590960: Music-box mechanism with cylinder and hammers to play chimes on a bell, and music score to Ignace Joseph Pleyel's German Hymn. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1817. / Bridgeman Images

Itinerant Chinese barber ringing finger bells to find customers, Qing Dynasty. He carries a stool and bucket on a bamboo yoke, along with razor, scissors, strop, etc. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Itinerant Chinese barber ringing finger bells to find customers, Qing Dynasty. He carries a stool and bucket on a bamboo yoke, along with razor, scissors, strop, etc. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590497: Itinerant Chinese barber ringing finger bells to find customers, Qing Dynasty. He carries a stool and bucket on a bamboo yoke, along with razor, scissors, strop, etc. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Monkeys gathering leaves from tea bushes high on a mountain and delivering them to their master. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Monkeys gathering leaves from tea bushes high on a mountain and delivering them to their master. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590221: Monkeys gathering leaves from tea bushes high on a mountain and delivering them to their master. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Clockwork mechanism showing the striking part with one wheel and pinion, Huygheus' endless cord, forcing spring, bolt and shutter. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Clockwork mechanism showing the striking part with one wheel and pinion, Huygheus' endless cord, forcing spring, bolt and shutter. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4593719: Clockwork mechanism showing the striking part with one wheel and pinion, Huygheus' endless cord, forcing spring, bolt and shutter. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Front elevation of the Double Speeder roving frame used in cotton manufacture, 18th century. Cans contain slivers of yarn brought from the drawing frame. Copperplate engraving by Wilson Lowry after an illustration by James Burton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1811.
Front elevation of the Double Speeder roving frame used in cotton manufacture, 18th century. Cans contain slivers of yarn brought from the drawing frame. Copperplate engraving by Wilson Lowry after an illustration by James Burton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1811.

FLO4591995: Front elevation of the Double Speeder roving frame used in cotton manufacture, 18th century. Cans contain slivers of yarn brought from the drawing frame. Copperplate engraving by Wilson Lowry after an illustration by James Burton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1811. / Bridgeman Images

Amanite kills flies, Agaricus muscarius - Chromolithography based on a drawing by Mordecai Cubitt Cooke (1825-1914), published in “A Plain and Easy Account of British Fungi””, edition Robert Hardwicke, London, 1862
Amanite kills flies, Agaricus muscarius - Chromolithography based on a drawing by Mordecai Cubitt Cooke (1825-1914), published in “A Plain and Easy Account of British Fungi””, edition Robert Hardwicke, London, 1862

FLO4594351: Amanite kills flies, Agaricus muscarius - Chromolithography based on a drawing by Mordecai Cubitt Cooke (1825-1914), published in “A Plain and Easy Account of British Fungi””, edition Robert Hardwicke, London, 1862 / Bridgeman Images

Electrical condensers, 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810.
Electrical condensers, 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810.

FLO4592097: Electrical condensers, 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810. / Bridgeman Images

Lathe turning equipment, bits and machinery, 19th century. Copperplate engraving by W. Lowry from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1817.
Lathe turning equipment, bits and machinery, 19th century. Copperplate engraving by W. Lowry from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1817.

FLO4593051: Lathe turning equipment, bits and machinery, 19th century. Copperplate engraving by W. Lowry from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1817. / Bridgeman Images

Young Licentiate or doctor riding a horse celebrating his graduation and proceeded by youths with banners showing his new rank. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Young Licentiate or doctor riding a horse celebrating his graduation and proceeded by youths with banners showing his new rank. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590131: Young Licentiate or doctor riding a horse celebrating his graduation and proceeded by youths with banners showing his new rank. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Block machinery or lathe at Portsmouth naval docks, including shaping engine, early 19th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Block machinery or lathe at Portsmouth naval docks, including shaping engine, early 19th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4590707: Block machinery or lathe at Portsmouth naval docks, including shaping engine, early 19th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Chinese Mahometan woman showing a toy to her son. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Chinese Mahometan woman showing a toy to her son. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590164: Chinese Mahometan woman showing a toy to her son. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Chinese plow with bamboo-and-paper umbrella and peasant in rice-straw cape, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Chinese plow with bamboo-and-paper umbrella and peasant in rice-straw cape, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590508: Chinese plow with bamboo-and-paper umbrella and peasant in rice-straw cape, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Different types of chains and clay mills. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Different types of chains and clay mills. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4591196: Different types of chains and clay mills. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Daniel Masere's original suspension pulley and fire escape machine simplified by Mr. Forster, painter's easel and indigo mills. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1814.
Daniel Masere's original suspension pulley and fire escape machine simplified by Mr. Forster, painter's easel and indigo mills. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1814.

FLO4591200: Daniel Masere's original suspension pulley and fire escape machine simplified by Mr. Forster, painter's easel and indigo mills. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1814. / Bridgeman Images

Interior mechanism of an English church organ showing pipes, bellows, stops, keys, choir, swell and great organ. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Interior mechanism of an English church organ showing pipes, bellows, stops, keys, choir, swell and great organ. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4593808: Interior mechanism of an English church organ showing pipes, bellows, stops, keys, choir, swell and great organ. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Anatomy of the human ear within the brain. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Anatomy of the human ear within the brain. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4591518: Anatomy of the human ear within the brain. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Pneumatics of the Girandoni air rifle showing the air reservoir in the butt and lead bullets in a magazine, and loading mechanism. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Pneumatics of the Girandoni air rifle showing the air reservoir in the butt and lead bullets in a magazine, and loading mechanism. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4593887: Pneumatics of the Girandoni air rifle showing the air reservoir in the butt and lead bullets in a magazine, and loading mechanism. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Mr. Edward Knight as Hodge in the opera “Love in a Village” at the Theatre Royal Drury Lane. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by George Clint. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825.
Mr. Edward Knight as Hodge in the opera “Love in a Village” at the Theatre Royal Drury Lane. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by George Clint. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825.

FLO4594851: Mr. Edward Knight as Hodge in the opera “Love in a Village” at the Theatre Royal Drury Lane. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by George Clint. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825. / Bridgeman Images

Horned HeAddress (Robe) of the 15th century, reign of Edward IV 1461-1483. She wears a blue dress with voluminous sleeves, lined with ermine. Based on a Royal manuscript, effigy of Beatrice, Countess of Arundel, satirical writings of John de Meum, Strutt's Habits. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.
Horned HeAddress (Robe) of the 15th century, reign of Edward IV 1461-1483. She wears a blue dress with voluminous sleeves, lined with ermine. Based on a Royal manuscript, effigy of Beatrice, Countess of Arundel, satirical writings of John de Meum, Strutt's Habits. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.

FLO4594612: Horned HeAddress (Robe) of the 15th century, reign of Edward IV 1461-1483. She wears a blue dress with voluminous sleeves, lined with ermine. Based on a Royal manuscript, effigy of Beatrice, Countess of Arundel, satirical writings of John de Meum, Strutt's Habits. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840. / Bridgeman Images

John Austin's steam-powered engine loom and shuttle, 18th century. Copperplate engraving by W. Lowry after an Illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1814.
John Austin's steam-powered engine loom and shuttle, 18th century. Copperplate engraving by W. Lowry after an Illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1814.

FLO4593220: John Austin's steam-powered engine loom and shuttle, 18th century. Copperplate engraving by W. Lowry after an Illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1814. / Bridgeman Images


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