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Title page with calligraphy and vignettes. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T. Tegg, London, 1815.
Title page with calligraphy and vignettes. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T. Tegg, London, 1815.

FLO4608388: Title page with calligraphy and vignettes. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T. Tegg, London, 1815. / Bridgeman Images

ID: FLO4608388

Title page with calligraphy and vignettes. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T. Tegg, London, 1815.

Napoleon Bonaparte watching the Fire of Moscow after the Battle of Borodino, 1812. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T. Tegg, London, 1815.
Napoleon Bonaparte watching the Fire of Moscow after the Battle of Borodino, 1812. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T. Tegg, London, 1815.

FLO4608620: Napoleon Bonaparte watching the Fire of Moscow after the Battle of Borodino, 1812. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T. Tegg, London, 1815. / Bridgeman Images

ID: FLO4608620

Napoleon Bonaparte watching the Fire of Moscow after the Battle of Borodino, 1812. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T. Tegg, London, 1815.

The wedding of Cana, detail: Christ and the Virgin, 1562-1563 (fresco)
The wedding of Cana, detail: Christ and the Virgin, 1562-1563 (fresco)

JLJ4608039: The wedding of Cana, detail: Christ and the Virgin, 1562-1563 (fresco), Veronese, (Caliari, Paolo) (1528-88) / Bridgeman Images

ID: JLJ4608039

The wedding of Cana, detail: Christ and the Virgin, 1562-1563 (fresco)

Veronese, (Caliari, Paolo) (1528-88)

Double red peony, Paeonia officinalis rubra plena. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.
Double red peony, Paeonia officinalis rubra plena. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.

FLO4607168: Double red peony, Paeonia officinalis rubra plena. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s. / Bridgeman Images

ID: FLO4607168

Double red peony, Paeonia officinalis rubra plena. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.

Cardinal de Richelieu, Armand Jean du Plessis, French clergy, noble and statesman. Copperplate engraving by Joshua Collyer from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.
Cardinal de Richelieu, Armand Jean du Plessis, French clergy, noble and statesman. Copperplate engraving by Joshua Collyer from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

FLO4608064: Cardinal de Richelieu, Armand Jean du Plessis, French clergy, noble and statesman. Copperplate engraving by Joshua Collyer from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778. / Bridgeman Images

ID: FLO4608064

Cardinal de Richelieu, Armand Jean du Plessis, French clergy, noble and statesman. Copperplate engraving by Joshua Collyer from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

Tattooed man of Halmahera (Gilolo), Maluku Islands (Moluccas), and Berilla, an Edjow Galla, Abyssinia (Caucaso-Ethiopia). Copied from an illustration in Henry Salt's A Voyage to Abyssinia, 1814. Handcoloured steel engraving by Lizars after an illustration by Charles Hamilton Smith from his Natural History of the Human Species.
Tattooed man of Halmahera (Gilolo), Maluku Islands (Moluccas), and Berilla, an Edjow Galla, Abyssinia (Caucaso-Ethiopia). Copied from an illustration in Henry Salt's A Voyage to Abyssinia, 1814. Handcoloured steel engraving by Lizars after an illustration by Charles Hamilton Smith from his Natural History of the Human Species.

FLO4605319: Tattooed man of Halmahera (Gilolo), Maluku Islands (Moluccas), and Berilla, an Edjow Galla, Abyssinia (Caucaso-Ethiopia). Copied from an illustration in Henry Salt's A Voyage to Abyssinia, 1814. Handcoloured steel engraving by Lizars after an illustration by Charles Hamilton Smith from his Natural History of the Human Species. / Bridgeman Images

ID: FLO4605319

Tattooed man of Halmahera (Gilolo), Maluku Islands (Moluccas), and Berilla, an Edjow Galla, Abyssinia (Caucaso-Ethiopia). Copied from an illustration in Henry Salt's A Voyage to Abyssinia, 1814. Handcoloured steel engraving by Lizars after an illustration by Charles Hamilton Smith from his Natural History of the Human Species.

Crinole. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1819, by Samuel Curtis, London, England.
Crinole. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1819, by Samuel Curtis, London, England.

FLO4609271: Crinole. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1819, by Samuel Curtis, London, England. / Bridgeman Images

ID: FLO4609271

Crinole. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1819, by Samuel Curtis, London, England.

Jewel orchid, Ludisia discolor (Goodyera discolor). Handcoloured copperplate engraving from Samuel Curtis' Botanical Magazine, London, 1819.
Jewel orchid, Ludisia discolor (Goodyera discolor). Handcoloured copperplate engraving from Samuel Curtis' Botanical Magazine, London, 1819.

FLO4609162: Jewel orchid, Ludisia discolor (Goodyera discolor). Handcoloured copperplate engraving from Samuel Curtis' Botanical Magazine, London, 1819. / Bridgeman Images

ID: FLO4609162

Jewel orchid, Ludisia discolor (Goodyera discolor). Handcoloured copperplate engraving from Samuel Curtis' Botanical Magazine, London, 1819.

Morning star lily, Lilium concolor. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.
Morning star lily, Lilium concolor. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.

FLO4607267: Morning star lily, Lilium concolor. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s. / Bridgeman Images

ID: FLO4607267

Morning star lily, Lilium concolor. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.

Jean de la Fontaine, French poet and fabulist, 1621-1695, within oval above a vignette of a fable. Copperplate engraving by Joshua Collyer from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.
Jean de la Fontaine, French poet and fabulist, 1621-1695, within oval above a vignette of a fable. Copperplate engraving by Joshua Collyer from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

FLO4608015: Jean de la Fontaine, French poet and fabulist, 1621-1695, within oval above a vignette of a fable. Copperplate engraving by Joshua Collyer from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778. / Bridgeman Images

ID: FLO4608015

Jean de la Fontaine, French poet and fabulist, 1621-1695, within oval above a vignette of a fable. Copperplate engraving by Joshua Collyer from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

Portrait of a carabinieri officer, 19th century (oil on canvas)
Portrait of a carabinieri officer, 19th century (oil on canvas)

JLJ4607665: Portrait of a carabinieri officer, 19th century (oil on canvas), Gericault, Theodore (1791-1824) / Bridgeman Images

ID: JLJ4607665

Portrait of a carabinieri officer, 19th century (oil on canvas)

Gericault, Theodore (1791-1824)

Panoramic view of the city of Paris, taken from the Bois de Boulogne to the Bois de Vincennes, 19th century (engraving)
Panoramic view of the city of Paris, taken from the Bois de Boulogne to the Bois de Vincennes, 19th century (engraving)

JLJ4605089: Panoramic view of the city of Paris, taken from the Bois de Boulogne to the Bois de Vincennes, 19th century (engraving), French School, (19th century) / Bridgeman Images

ID: JLJ4605089

Panoramic view of the city of Paris, taken from the Bois de Boulogne to the Bois de Vincennes, 19th century (engraving)

French School, (19th century)

Mimosa. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England.
Mimosa. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England.

FLO4609635: Mimosa. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England. / Bridgeman Images

ID: FLO4609635

Mimosa. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England.

The Apostle Saint Thomas. 1602-1605 (Oil on canvas)
The Apostle Saint Thomas. 1602-1605 (Oil on canvas)

LRI4606975: The Apostle Saint Thomas. 1602-1605 (Oil on canvas), Greco, El (Domenico Theotocopuli) (1541-1614) / Bridgeman Images

ID: LRI4606975

The Apostle Saint Thomas. 1602-1605 (Oil on canvas)

Greco, El (Domenico Theotocopuli) (1541-1614)

The construction of Noe's Ark. Left panel of the triptych representing 3 episodes of the deluge, c.1550 (ceramic)
The construction of Noe's Ark. Left panel of the triptych representing 3 episodes of the deluge, c.1550 (ceramic)

JLJ4607331: The construction of Noe's Ark. Left panel of the triptych representing 3 episodes of the deluge, c.1550 (ceramic), Abaquesne, Masseot (fl.1526-57) / Bridgeman Images

ID: JLJ4607331

The construction of Noe's Ark. Left panel of the triptych representing 3 episodes of the deluge, c.1550 (ceramic)

Abaquesne, Masseot (fl.1526-57)

On April 15, 1894 Gil Blas began the publication of
On April 15, 1894 Gil Blas began the publication of

JLJ4606228: On April 15, 1894 Gil Blas began the publication of "Lourdes" by Emile Zola, 1894 (illustration), Steinlen, Theophile Alexandre (1859-1923) / Bridgeman Images

ID: JLJ4606228

On April 15, 1894 Gil Blas began the publication of "Lourdes" by Emile Zola, 1894 (illustration)

Steinlen, Theophile Alexandre (1859-1923)

Musical scene in the gardens of Versailles., 19th century (watercolour)
Musical scene in the gardens of Versailles., 19th century (watercolour)

JLJ4605115: Musical scene in the gardens of Versailles., 19th century (watercolour), French School, (19th century) / Bridgeman Images

ID: JLJ4605115

Musical scene in the gardens of Versailles., 19th century (watercolour)

French School, (19th century)

Common Garlic or Cultivated Garlic (Allium sativum) - Strong Water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831
Common Garlic or Cultivated Garlic (Allium sativum) - Strong Water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831

FLO4605432: Common Garlic or Cultivated Garlic (Allium sativum) - Strong Water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831 / Bridgeman Images

ID: FLO4605432

Common Garlic or Cultivated Garlic (Allium sativum) - Strong Water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831

Woman in elaborate upswept hairstyle with curls, feathers and ribbons called Desire to Please. Hairstyle with curls, feathers and ribbons. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style ou la Parure Eccentric: Epoque Louis XVI, Rouveyre, Paris, 1895.
Woman in elaborate upswept hairstyle with curls, feathers and ribbons called Desire to Please. Hairstyle with curls, feathers and ribbons. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style ou la Parure Eccentric: Epoque Louis XVI, Rouveyre, Paris, 1895.

FLO4606366: Woman in elaborate upswept hairstyle with curls, feathers and ribbons called Desire to Please. Hairstyle with curls, feathers and ribbons. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style ou la Parure Eccentric: Epoque Louis XVI, Rouveyre, Paris, 1895. / Bridgeman Images

ID: FLO4606366

Woman in elaborate upswept hairstyle with curls, feathers and ribbons called Desire to Please. Hairstyle with curls, feathers and ribbons. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style ou la Parure Eccentric: Epoque Louis XVI, Rouveyre, Paris, 1895.

Molineria latifolia (Curculigo latifolia). Handcoloured copperplate engraving by Weddell from Samuel Curtis' Botanical Magazine, London, 1818.
Molineria latifolia (Curculigo latifolia). Handcoloured copperplate engraving by Weddell from Samuel Curtis' Botanical Magazine, London, 1818.

FLO4609088: Molineria latifolia (Curculigo latifolia). Handcoloured copperplate engraving by Weddell from Samuel Curtis' Botanical Magazine, London, 1818. / Bridgeman Images

ID: FLO4609088

Molineria latifolia (Curculigo latifolia). Handcoloured copperplate engraving by Weddell from Samuel Curtis' Botanical Magazine, London, 1818.

Rhubarb (Rheum undulatum) - Strong water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin”” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831
Rhubarb (Rheum undulatum) - Strong water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin”” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831

FLO4605892: Rhubarb (Rheum undulatum) - Strong water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin”” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831 / Bridgeman Images

ID: FLO4605892

Rhubarb (Rheum undulatum) - Strong water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin”” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831

Hairstyle with ringlets and curls surmounted by a Luxembourg pouf. Coeffure in Rolling and Floating Loops topped by a Pouf in Luxembourg. Handcoloured copperplate engraving by an unknown artist from an Album of Fashionable Hairstyles of 1783, Suite des Coeffures a la Mode en 1783, Enauts et Rapilly, Paris, 1783.
Hairstyle with ringlets and curls surmounted by a Luxembourg pouf. Coeffure in Rolling and Floating Loops topped by a Pouf in Luxembourg. Handcoloured copperplate engraving by an unknown artist from an Album of Fashionable Hairstyles of 1783, Suite des Coeffures a la Mode en 1783, Enauts et Rapilly, Paris, 1783.

FLO4606618: Hairstyle with ringlets and curls surmounted by a Luxembourg pouf. Coeffure in Rolling and Floating Loops topped by a Pouf in Luxembourg. Handcoloured copperplate engraving by an unknown artist from an Album of Fashionable Hairstyles of 1783, Suite des Coeffures a la Mode en 1783, Enauts et Rapilly, Paris, 1783. / Bridgeman Images

ID: FLO4606618

Hairstyle with ringlets and curls surmounted by a Luxembourg pouf. Coeffure in Rolling and Floating Loops topped by a Pouf in Luxembourg. Handcoloured copperplate engraving by an unknown artist from an Album of Fashionable Hairstyles of 1783, Suite des Coeffures a la Mode en 1783, Enauts et Rapilly, Paris, 1783.

Saint Francis receiving the stigmata (tempera on panel, 1370)
Saint Francis receiving the stigmata (tempera on panel, 1370)

LRI4605850: Saint Francis receiving the stigmata (tempera on panel, 1370), Fabriano, Gentile da (c.1370-1427) / Bridgeman Images

ID: LRI4605850

Saint Francis receiving the stigmata (tempera on panel, 1370)

Fabriano, Gentile da (c.1370-1427)

El dos de Mayo (May 2) or The charge of the Mamluks. Detail (oil on canvas, 1814)
El dos de Mayo (May 2) or The charge of the Mamluks. Detail (oil on canvas, 1814)

LRI4606011: El dos de Mayo (May 2) or The charge of the Mamluks. Detail (oil on canvas, 1814), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

ID: LRI4606011

El dos de Mayo (May 2) or The charge of the Mamluks. Detail (oil on canvas, 1814)

Goya y Lucientes, Francisco Jose de (1746-1828)

The Virgin and Child with St Roch and St Sebastian (circa 1518, oil on canvas)
The Virgin and Child with St Roch and St Sebastian (circa 1518, oil on canvas)

LRI4608169: The Virgin and Child with St Roch and St Sebastian (circa 1518, oil on canvas), Lotto, Lorenzo (c.1480-1556) / Bridgeman Images

ID: LRI4608169

The Virgin and Child with St Roch and St Sebastian (circa 1518, oil on canvas)

Lotto, Lorenzo (c.1480-1556)

Napoleon Bonaparte ordering his troops to storm the fortress of Acre. Egyptian Campaign, 1799. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T. Tegg, London, 1815.
Napoleon Bonaparte ordering his troops to storm the fortress of Acre. Egyptian Campaign, 1799. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T. Tegg, London, 1815.

FLO4608539: Napoleon Bonaparte ordering his troops to storm the fortress of Acre. Egyptian Campaign, 1799. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T. Tegg, London, 1815. / Bridgeman Images

ID: FLO4608539

Napoleon Bonaparte ordering his troops to storm the fortress of Acre. Egyptian Campaign, 1799. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T. Tegg, London, 1815.

Baritone opera singer Henri Bernard Dabadie as Telasco in Fernand Cortez by Gaspare Spontini, Royal Academy of Music. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.
Baritone opera singer Henri Bernard Dabadie as Telasco in Fernand Cortez by Gaspare Spontini, Royal Academy of Music. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.

FLO4606973: Baritone opera singer Henri Bernard Dabadie as Telasco in Fernand Cortez by Gaspare Spontini, Royal Academy of Music. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825. / Bridgeman Images

ID: FLO4606973

Baritone opera singer Henri Bernard Dabadie as Telasco in Fernand Cortez by Gaspare Spontini, Royal Academy of Music. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.

The departure of Telemaque from Egypt - The departure of Telemachus from Egypt. Copperplate engraving by W. Walker after an illustration by C. Monnet from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.
The departure of Telemaque from Egypt - The departure of Telemachus from Egypt. Copperplate engraving by W. Walker after an illustration by C. Monnet from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

FLO4607872: The departure of Telemaque from Egypt - The departure of Telemachus from Egypt. Copperplate engraving by W. Walker after an illustration by C. Monnet from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778. / Bridgeman Images

ID: FLO4607872

The departure of Telemaque from Egypt - The departure of Telemachus from Egypt. Copperplate engraving by W. Walker after an illustration by C. Monnet from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

Butterfly weed, Asclepias tuberosa. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.
Butterfly weed, Asclepias tuberosa. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.

FLO4607397: Butterfly weed, Asclepias tuberosa. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s. / Bridgeman Images

ID: FLO4607397

Butterfly weed, Asclepias tuberosa. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.

Portrait of George Buchanan, Scottish historian and humanist scholar, 1505-1582. In an oval decorated with foliage, horn, lyre, books and putto with quill. Copperplate engraving by Thomas Cook from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.
Portrait of George Buchanan, Scottish historian and humanist scholar, 1505-1582. In an oval decorated with foliage, horn, lyre, books and putto with quill. Copperplate engraving by Thomas Cook from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

FLO4607910: Portrait of George Buchanan, Scottish historian and humanist scholar, 1505-1582. In an oval decorated with foliage, horn, lyre, books and putto with quill. Copperplate engraving by Thomas Cook from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778. / Bridgeman Images

ID: FLO4607910

Portrait of George Buchanan, Scottish historian and humanist scholar, 1505-1582. In an oval decorated with foliage, horn, lyre, books and putto with quill. Copperplate engraving by Thomas Cook from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

Amyris elemifera or Elemi Tree (Commiphora gileadensis) Strong water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831
Amyris elemifera or Elemi Tree (Commiphora gileadensis) Strong water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831

FLO4605770: Amyris elemifera or Elemi Tree (Commiphora gileadensis) Strong water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831 / Bridgeman Images

ID: FLO4605770

Amyris elemifera or Elemi Tree (Commiphora gileadensis) Strong water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831

The hydropic woman (oil on wood, 1663)
The hydropic woman (oil on wood, 1663)

LRI4605253: The hydropic woman (oil on wood, 1663), Dou, Gerrit or Gerard (1613-75) / Bridgeman Images

ID: LRI4605253

The hydropic woman (oil on wood, 1663)

Dou, Gerrit or Gerard (1613-75)

The presentation (oil on canvas, 18th century)
The presentation (oil on canvas, 18th century)

LRI4607608: The presentation (oil on canvas, 18th century), Longhi, Pietro (c.1701-85) / Bridgeman Images

ID: LRI4607608

The presentation (oil on canvas, 18th century)

Longhi, Pietro (c.1701-85)

Passion flower, Passiflora holosericea. Handcoloured copperplate engraving by Weddell from Samuel Curtis' Botanical Magazine, London, 1818.
Passion flower, Passiflora holosericea. Handcoloured copperplate engraving by Weddell from Samuel Curtis' Botanical Magazine, London, 1818.

FLO4609038: Passion flower, Passiflora holosericea. Handcoloured copperplate engraving by Weddell from Samuel Curtis' Botanical Magazine, London, 1818. / Bridgeman Images

ID: FLO4609038

Passion flower, Passiflora holosericea. Handcoloured copperplate engraving by Weddell from Samuel Curtis' Botanical Magazine, London, 1818.

Dr. Richardson's polemonium, Polemonium richardsonii. Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828.
Dr. Richardson's polemonium, Polemonium richardsonii. Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828.

FLO4608706: Dr. Richardson's polemonium, Polemonium richardsonii. Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828. / Bridgeman Images

ID: FLO4608706

Dr. Richardson's polemonium, Polemonium richardsonii. Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828.

Armand or Armand Benoit Roussel as Henri V in La Jeunesse de Henri V by Alexandre Duval, Theatre Français, Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.
Armand or Armand Benoit Roussel as Henri V in La Jeunesse de Henri V by Alexandre Duval, Theatre Français, Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.

FLO4606796: Armand or Armand Benoit Roussel as Henri V in La Jeunesse de Henri V by Alexandre Duval, Theatre Français, Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825. / Bridgeman Images

ID: FLO4606796

Armand or Armand Benoit Roussel as Henri V in La Jeunesse de Henri V by Alexandre Duval, Theatre Français, Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.


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