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2490914 Search Results

Greek Theatrical Dress, from 'Trachten der Voelker', 1864 (colour litho)
Greek Theatrical Dress, from 'Trachten der Voelker', 1864 (colour litho)

BAL246071: Greek Theatrical Dress, from 'Trachten der Voelker', 1864 (colour litho), Kretschmer, Albert (1825-91) / Bridgeman Images

ID: BAL246071

Greek Theatrical Dress, from 'Trachten der Voelker', 1864 (colour litho)

Kretschmer, Albert (1825-91)

Etruscan Dress, from 'Trachten der Voelker', 1864 (colour litho)
Etruscan Dress, from 'Trachten der Voelker', 1864 (colour litho)

BAL246074: Etruscan Dress, from 'Trachten der Voelker', 1864 (colour litho), Kretschmer, Albert (1825-91) / Bridgeman Images

ID: BAL246074

Etruscan Dress, from 'Trachten der Voelker', 1864 (colour litho)

Kretschmer, Albert (1825-91)

Window depicting the Passion of Christ, 16th century (stained glass)
Window depicting the Passion of Christ, 16th century (stained glass)

XIR246436: Window depicting the Passion of Christ, 16th century (stained glass), French School, (16th century) / Bridgeman Images

ID: XIR246436

Window depicting the Passion of Christ, 16th century (stained glass)

French School, (16th century)

View of the church of La Foret-Fouesnant, Brittany, France, 16th century (photo)
View of the church of La Foret-Fouesnant, Brittany, France, 16th century (photo)

XIR246452: View of the church of La Foret-Fouesnant, Brittany, France, 16th century (photo), French School, (16th century) / Bridgeman Images

ID: XIR246452

View of the church of La Foret-Fouesnant, Brittany, France, 16th century (photo)

French School, (16th century)

The Three False Brethren (engraving) (see also 250720)
The Three False Brethren (engraving) (see also 250720)

XJF250719: The Three False Brethren (engraving) (see also 250720), English School, (18th century) / Bridgeman Images

ID: XJF250719

The Three False Brethren (engraving) (see also 250720)

English School, (18th century)

The High Church Champion, Pleading his own Cause, 1709 (engraving)
The High Church Champion, Pleading his own Cause, 1709 (engraving)

XJF250754: The High Church Champion, Pleading his own Cause, 1709 (engraving), English School, (18th century) / Bridgeman Images

ID: XJF250754

The High Church Champion, Pleading his own Cause, 1709 (engraving)

English School, (18th century)

Amada, 9:30am, Feb 7-12, 1867 (w/c with pen & ink over graphite on paper)
Amada, 9:30am, Feb 7-12, 1867 (w/c with pen & ink over graphite on paper)

XYC252139: Amada, 9:30am, Feb 7-12, 1867 (w/c with pen & ink over graphite on paper), Lear, Edward (1812-88) / Bridgeman Images

ID: XYC252139

Amada, 9:30am, Feb 7-12, 1867 (w/c with pen & ink over graphite on paper)

Lear, Edward (1812-88)

Detail of the iconostasis depicting the Christ pantocrator, 1861 (oil on panel) (see 248115, 248116 and 248117)
Detail of the iconostasis depicting the Christ pantocrator, 1861 (oil on panel) (see 248115, 248116 and 248117)

CLG252660: Detail of the iconostasis depicting the Christ pantocrator, 1861 (oil on panel) (see 248115, 248116 and 248117), Sorokine, Evgraf (1821-92) / Bridgeman Images

ID: CLG252660

Detail of the iconostasis depicting the Christ pantocrator, 1861 (oil on panel) (see 248115, 248116 and 248117)

Sorokine, Evgraf (1821-92)

Virgin Mary at the Foot of the Cross, 1847 (oil on canvas) (detail) (see also 248129 and 252683)
Virgin Mary at the Foot of the Cross, 1847 (oil on canvas) (detail) (see also 248129 and 252683)

CLG252682: Virgin Mary at the Foot of the Cross, 1847 (oil on canvas) (detail) (see also 248129 and 252683), Lehmann, Henri (Karl Ernest Rudolf Heinrich Salem) (1814-82) / Bridgeman Images

ID: CLG252682

Virgin Mary at the Foot of the Cross, 1847 (oil on canvas) (detail) (see also 248129 and 252683)

Lehmann, Henri (Karl Ernest Rudolf Heinrich Salem) (1814-82)

The Genealogy of Charles V (1338-80) 'Le Sage' and Charles VI (1368-1422) 'Le Bien-Aime' (vellum)
The Genealogy of Charles V (1338-80) 'Le Sage' and Charles VI (1368-1422) 'Le Bien-Aime' (vellum)

XIR247699: The Genealogy of Charles V (1338-80) 'Le Sage' and Charles VI (1368-1422) 'Le Bien-Aime' (vellum), French School, (15th century) / Bridgeman Images

ID: XIR247699

The Genealogy of Charles V (1338-80) 'Le Sage' and Charles VI (1368-1422) 'Le Bien-Aime' (vellum)

French School, (15th century)

The Recapture of the Chateau de Mondement by the French army on the 9th September, 1914, during the First battle of the Marne, 1915 (oil on canvas)
The Recapture of the Chateau de Mondement by the French army on the 9th September, 1914, during the First battle of the Marne, 1915 (oil on canvas)

CHT247757: The Recapture of the Chateau de Mondement by the French army on the 9th September, 1914, during the First battle of the Marne, 1915 (oil on canvas), Berne-Bellecour, Etienne Prosper (1838-1910) / Bridgeman Images

ID: CHT247757

The Recapture of the Chateau de Mondement by the French army on the 9th September, 1914, during the First battle of the Marne, 1915 (oil on canvas)

Berne-Bellecour, Etienne Prosper (1838-1910)

French Hosts, Queen Amelie of Portugal (1865-1951) front cover illustration from 'Le Petit Journal', supplement illustre, 15th November 1896 (coloured engraving)
French Hosts, Queen Amelie of Portugal (1865-1951) front cover illustration from 'Le Petit Journal', supplement illustre, 15th November 1896 (coloured engraving)

XIR248133: French Hosts, Queen Amelie of Portugal (1865-1951) front cover illustration from 'Le Petit Journal', supplement illustre, 15th November 1896 (coloured engraving), Meaulle, Fortune Louis (1844-1901) / Bridgeman Images

ID: XIR248133

French Hosts, Queen Amelie of Portugal (1865-1951) front cover illustration from 'Le Petit Journal', supplement illustre, 15th November 1896 (coloured engraving)

Meaulle, Fortune Louis (1844-1901)

The Engagement, 17th century (engraving)
The Engagement, 17th century (engraving)

XIR248260: The Engagement, 17th century (engraving), Stella, Jacques (1596-1657) / Bridgeman Images

ID: XIR248260

The Engagement, 17th century (engraving)

Stella, Jacques (1596-1657)

Moorish and Turkish Dress, c.1500, from 'Trachten der Voelker', 1864 (colour litho)
Moorish and Turkish Dress, c.1500, from 'Trachten der Voelker', 1864 (colour litho)

BAL246810: Moorish and Turkish Dress, c.1500, from 'Trachten der Voelker', 1864 (colour litho), Kretschmer, Albert (1825-91) / Bridgeman Images

ID: BAL246810

Moorish and Turkish Dress, c.1500, from 'Trachten der Voelker', 1864 (colour litho)

Kretschmer, Albert (1825-91)

Window depicting Marie-Amelie de Bourbon-Sicile (1782-1866) as St. Amelia, Sevres Workshop (stained glass)
Window depicting Marie-Amelie de Bourbon-Sicile (1782-1866) as St. Amelia, Sevres Workshop (stained glass)

XIR247247: Window depicting Marie-Amelie de Bourbon-Sicile (1782-1866) as St. Amelia, Sevres Workshop (stained glass), Ingres, Jean Auguste Dominique (1780-1867) (after) / Bridgeman Images

ID: XIR247247

Window depicting Marie-Amelie de Bourbon-Sicile (1782-1866) as St. Amelia, Sevres Workshop (stained glass)

Ingres, Jean Auguste Dominique (1780-1867) (after)

SS. Bartholomew and Thomas, right hand panel from the Epitaph of Jan of Jeran, 1395 (tempera on panel)
SS. Bartholomew and Thomas, right hand panel from the Epitaph of Jan of Jeran, 1395 (tempera on panel)

XIR247297: SS. Bartholomew and Thomas, right hand panel from the Epitaph of Jan of Jeran, 1395 (tempera on panel), Bohemian School, (14th century) / Bridgeman Images

ID: XIR247297

SS. Bartholomew and Thomas, right hand panel from the Epitaph of Jan of Jeran, 1395 (tempera on panel)

Bohemian School, (14th century)

Beach Scene - Sunrise, c.1820 (w/c & pen over graphite on paper)
Beach Scene - Sunrise, c.1820 (w/c & pen over graphite on paper)

XYC249727: Beach Scene - Sunrise, c.1820 (w/c & pen over graphite on paper), Cox, David (1783-1859) (attr. to) / Bridgeman Images

ID: XYC249727

Beach Scene - Sunrise, c.1820 (w/c & pen over graphite on paper)

Cox, David (1783-1859) (attr. to)

Miseries Personal (coloured etching)
Miseries Personal (coloured etching)

XYC250005: Miseries Personal (coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XYC250005

Miseries Personal (coloured etching)

Rowlandson, Thomas (1756-1827)

A large Christmas Card, 1895 (line block print)
A large Christmas Card, 1895 (line block print)

XYC250008: A large Christmas Card, 1895 (line block print), Beardsley, Aubrey (1872-98) / Bridgeman Images

ID: XYC250008

A large Christmas Card, 1895 (line block print)

Beardsley, Aubrey (1872-98)

The Hand of Glory (litho)
The Hand of Glory (litho)

XJF250700: The Hand of Glory (litho), English School / Bridgeman Images

ID: XJF250700

The Hand of Glory (litho)

English School

The Saone River from the Parterre d'Eau in the gardens, 1685 (detail, see also 189433 and 252764) (bronze)
The Saone River from the Parterre d'Eau in the gardens, 1685 (detail, see also 189433 and 252764) (bronze)

XIR252763: The Saone River from the Parterre d'Eau in the gardens, 1685 (detail, see also 189433 and 252764) (bronze), Tuby, Jean Baptiste I (1635-1700) / Bridgeman Images

ID: XIR252763

The Saone River from the Parterre d'Eau in the gardens, 1685 (detail, see also 189433 and 252764) (bronze)

Tuby, Jean Baptiste I (1635-1700)

Overdoor panel with chinese subject, c.1730 (polychrome & gilded wood)
Overdoor panel with chinese subject, c.1730 (polychrome & gilded wood)

XIR253094: Overdoor panel with chinese subject, c.1730 (polychrome & gilded wood), French School, (18th century) / Bridgeman Images

ID: XIR253094

Overdoor panel with chinese subject, c.1730 (polychrome & gilded wood)

French School, (18th century)

Monitors, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)
Monitors, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)

XYC249729: Monitors, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: XYC249729

Monitors, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)

Whistler, James Abbott McNeill (1834-1903)

Chepstow Castle (w/c on paper)
Chepstow Castle (w/c on paper)

XYC249787: Chepstow Castle (w/c on paper), Varley, John (1778-1842) / Bridgeman Images

ID: XYC249787

Chepstow Castle (w/c on paper)

Varley, John (1778-1842)

Panoramic view of London, 1792-93 (coloured aquatint)
Panoramic view of London, 1792-93 (coloured aquatint)

XYC252092: Panoramic view of London, 1792-93 (coloured aquatint), Barker, Robert (1739-1806) (after) / Bridgeman Images

ID: XYC252092

Panoramic view of London, 1792-93 (coloured aquatint)

Barker, Robert (1739-1806) (after)

'Cries of London' pl.8: Round & sound five pence a pound Duke Cherries, after Francis Wheatley (1747-1801) 1795 (coloured engraving)
'Cries of London' pl.8: Round & sound five pence a pound Duke Cherries, after Francis Wheatley (1747-1801) 1795 (coloured engraving)

XYC252155: 'Cries of London' pl.8: Round & sound five pence a pound Duke Cherries, after Francis Wheatley (1747-1801) 1795 (coloured engraving), Cardon, Antoine (1772-1813) / Bridgeman Images

ID: XYC252155

'Cries of London' pl.8: Round & sound five pence a pound Duke Cherries, after Francis Wheatley (1747-1801) 1795 (coloured engraving)

Cardon, Antoine (1772-1813)

An Answer to the Whigs Medly (engraving)
An Answer to the Whigs Medly (engraving)

XJF250720: An Answer to the Whigs Medly (engraving), English School, (18th century) / Bridgeman Images

ID: XJF250720

An Answer to the Whigs Medly (engraving)

English School, (18th century)

Royal Declaration, 1675 (engraving)
Royal Declaration, 1675 (engraving)

XJF250752: Royal Declaration, 1675 (engraving), English School, (17th century) / Bridgeman Images

ID: XJF250752

Royal Declaration, 1675 (engraving)

English School, (17th century)

The Lords and Barons
The Lords and Barons

XJF250761: The Lords and Barons "make windows of their blazons" (engraving), English School / Bridgeman Images

ID: XJF250761

The Lords and Barons "make windows of their blazons" (engraving)

English School

Joseph Revealing his Identity to his Brothers (oil on canvas)
Joseph Revealing his Identity to his Brothers (oil on canvas)

AGN252218: Joseph Revealing his Identity to his Brothers (oil on canvas), Giaquinto, Corrado (1690-1765) / Bridgeman Images

ID: AGN252218

Joseph Revealing his Identity to his Brothers (oil on canvas)

Giaquinto, Corrado (1690-1765)

View of the interior of the dome, 1663-65 (fresco) (see also 252651)
View of the interior of the dome, 1663-65 (fresco) (see also 252651)

CLG252650: View of the interior of the dome, 1663-65 (fresco) (see also 252651), Mignard, Pierre (1612-95) / Bridgeman Images

ID: CLG252650

View of the interior of the dome, 1663-65 (fresco) (see also 252651)

Mignard, Pierre (1612-95)

Virgin Mary at the Foot of the Cross, 1847 (oil on canvas) (detail) (see also 252682 and 248129)
Virgin Mary at the Foot of the Cross, 1847 (oil on canvas) (detail) (see also 252682 and 248129)

CLG252683: Virgin Mary at the Foot of the Cross, 1847 (oil on canvas) (detail) (see also 252682 and 248129), Lehmann, Henri (Karl Ernest Rudolf Heinrich Salem) (1814-82) / Bridgeman Images

ID: CLG252683

Virgin Mary at the Foot of the Cross, 1847 (oil on canvas) (detail) (see also 252682 and 248129)

Lehmann, Henri (Karl Ernest Rudolf Heinrich Salem) (1814-82)

Charles of France (1757-1836) Count of Artois, wearing the casq and uniform of colonel of Artois-Dragons regiment, engraved by Dupin (engraving)
Charles of France (1757-1836) Count of Artois, wearing the casq and uniform of colonel of Artois-Dragons regiment, engraved by Dupin (engraving)

XIR252724: Charles of France (1757-1836) Count of Artois, wearing the casq and uniform of colonel of Artois-Dragons regiment, engraved by Dupin (engraving), Le Clere, (fl. 1778-87) (after) / Bridgeman Images

ID: XIR252724

Charles of France (1757-1836) Count of Artois, wearing the casq and uniform of colonel of Artois-Dragons regiment, engraved by Dupin (engraving)

Le Clere, (fl. 1778-87) (after)

Members of the provisional government reviewing the National Guards outside the Hotel de Ville in Paris on the 31st October 1870, c.1870 (pen & ink on paper)
Members of the provisional government reviewing the National Guards outside the Hotel de Ville in Paris on the 31st October 1870, c.1870 (pen & ink on paper)

XIR253262: Members of the provisional government reviewing the National Guards outside the Hotel de Ville in Paris on the 31st October 1870, c.1870 (pen & ink on paper), French School, (19th century) / Bridgeman Images

ID: XIR253262

Members of the provisional government reviewing the National Guards outside the Hotel de Ville in Paris on the 31st October 1870, c.1870 (pen & ink on paper)

French School, (19th century)

Ruins of the Cour des Comptes during the Commune of Paris, 1871 (photo)
Ruins of the Cour des Comptes during the Commune of Paris, 1871 (photo)

XIR253324: Ruins of the Cour des Comptes during the Commune of Paris, 1871 (photo), French Photographer, (19th century) / Bridgeman Images

ID: XIR253324

Ruins of the Cour des Comptes during the Commune of Paris, 1871 (photo)

French Photographer, (19th century)

London Bridge, 1904 (oil on canvas)
London Bridge, 1904 (oil on canvas)

XIR253355: London Bridge, 1904 (oil on canvas), Clary Baroux, Adolphe (1865-1933) / Bridgeman Images

ID: XIR253355

London Bridge, 1904 (oil on canvas)

Clary Baroux, Adolphe (1865-1933)


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