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St. Matthew, tondo from the cupola of the Evangelists, 1528 (panel)
St. Matthew, tondo from the cupola of the Evangelists, 1528 (panel)

BEN85511: St. Matthew, tondo from the cupola of the Evangelists, 1528 (panel), Pontormo, Jacopo (1494-1557) / Bridgeman Images

ID: BEN85511

St. Matthew, tondo from the cupola of the Evangelists, 1528 (panel)

Pontormo, Jacopo (1494-1557)

View of the exterior (photo)
View of the exterior (photo)

BEN85592: View of the exterior (photo), Italian School, (15th century) / Bridgeman Images

ID: BEN85592

View of the exterior (photo)

Italian School, (15th century)

English Ships Under Sail in a Very Light Breeze (oil on canvas)
English Ships Under Sail in a Very Light Breeze (oil on canvas)

XYC123121: English Ships Under Sail in a Very Light Breeze (oil on canvas), Brooking, Charles (1723-59) / Bridgeman Images

ID: XYC123121

English Ships Under Sail in a Very Light Breeze (oil on canvas)

Brooking, Charles (1723-59)

Figure of a King wearing the White Crown of Upper Egypt and the cloak of the Sed-festival, from the Temple of Osiris, Abydos, Early Dynastic period, c.3000 BC (ivory) (see also 23814)
Figure of a King wearing the White Crown of Upper Egypt and the cloak of the Sed-festival, from the Temple of Osiris, Abydos, Early Dynastic period, c.3000 BC (ivory) (see also 23814)

BAL85712: Figure of a King wearing the White Crown of Upper Egypt and the cloak of the Sed-festival, from the Temple of Osiris, Abydos, Early Dynastic period, c.3000 BC (ivory) (see also 23814), Egyptian / Bridgeman Images

ID: BAL85712

Figure of a King wearing the White Crown of Upper Egypt and the cloak of the Sed-festival, from the Temple of Osiris, Abydos, Early Dynastic period, c.3000 BC (ivory) (see also 23814)

Egyptian

Portrait of a Woman, traditionally identified as the Countess of Arundel, 1619 (oil on panel)
Portrait of a Woman, traditionally identified as the Countess of Arundel, 1619 (oil on panel)

XYC123132: Portrait of a Woman, traditionally identified as the Countess of Arundel, 1619 (oil on panel), Janssen van Ceulen, Cornelius (1593-1661) / Bridgeman Images

ID: XYC123132

Portrait of a Woman, traditionally identified as the Countess of Arundel, 1619 (oil on panel)

Janssen van Ceulen, Cornelius (1593-1661)

The Chancellor
The Chancellor

PWG85881: The Chancellor, Sheriff, John (1816-1844) / Bridgeman Images

ID: PWG85881

The Chancellor

Sheriff, John (1816-1844)

Entrance to the Market, in Jerusalem, from 'Views in the Ottoman Dominions', 1810 (coloured aquatint)
Entrance to the Market, in Jerusalem, from 'Views in the Ottoman Dominions', 1810 (coloured aquatint)

STC132695: Entrance to the Market, in Jerusalem, from 'Views in the Ottoman Dominions', 1810 (coloured aquatint), Mayer, Luigi (fl.1776-92) / Bridgeman Images

ID: STC132695

Entrance to the Market, in Jerusalem, from 'Views in the Ottoman Dominions', 1810 (coloured aquatint)

Mayer, Luigi (fl.1776-92)

Triumphal Arch, Vienna, from 'Entwurf einer historischen Architektur', engraved by Johann Adam Delsenbach (1687-1765) 1721 (engraving)
Triumphal Arch, Vienna, from 'Entwurf einer historischen Architektur', engraved by Johann Adam Delsenbach (1687-1765) 1721 (engraving)

STC132722: Triumphal Arch, Vienna, from 'Entwurf einer historischen Architektur', engraved by Johann Adam Delsenbach (1687-1765) 1721 (engraving), Fischer von Erlach, Johann Bernhard (1656-1723) (after) / Bridgeman Images

ID: STC132722

Triumphal Arch, Vienna, from 'Entwurf einer historischen Architektur', engraved by Johann Adam Delsenbach (1687-1765) 1721 (engraving)

Fischer von Erlach, Johann Bernhard (1656-1723) (after)

Four Views showing a Chinese Triumphal Arch, a Pagoda at Sinkicien in the Province of Xantum, Artificial Mountains and Caves and a Chain Bridge near the town of Kingtung, China, from 'Entwurf einer historischen Architektur', engraved by Johann Adam Delsenbach (1687-1765), 1721 (engraving)
Four Views showing a Chinese Triumphal Arch, a Pagoda at Sinkicien in the Province of Xantum, Artificial Mountains and Caves and a Chain Bridge near the town of Kingtung, China, from 'Entwurf einer historischen Architektur', engraved by Johann Adam Delsenbach (1687-1765), 1721 (engraving)

STC132725: Four Views showing a Chinese Triumphal Arch, a Pagoda at Sinkicien in the Province of Xantum, Artificial Mountains and Caves and a Chain Bridge near the town of Kingtung, China, from 'Entwurf einer historischen Architektur', engraved by Johann Adam Delsenbach (1687-1765), 1721 (engraving), Fischer von Erlach, Johann Bernhard (1656-1723) (after) / Bridgeman Images

ID: STC132725

Four Views showing a Chinese Triumphal Arch, a Pagoda at Sinkicien in the Province of Xantum, Artificial Mountains and Caves and a Chain Bridge near the town of Kingtung, China, from 'Entwurf einer historischen Architektur', engraved by Johann Adam Delsenbach (1687-1765), 1721 (engraving)

Fischer von Erlach, Johann Bernhard (1656-1723) (after)

Bridge of Augustus on Via Flaminia, near Rimini, Italy, from 'Entwurf einer historischen Architektur', engraved by Johann Adam Delsenbach (1687-1765) 1721 (engraving)
Bridge of Augustus on Via Flaminia, near Rimini, Italy, from 'Entwurf einer historischen Architektur', engraved by Johann Adam Delsenbach (1687-1765) 1721 (engraving)

STC132745: Bridge of Augustus on Via Flaminia, near Rimini, Italy, from 'Entwurf einer historischen Architektur', engraved by Johann Adam Delsenbach (1687-1765) 1721 (engraving), Fischer von Erlach, Johann Bernhard (1656-1723) (after) / Bridgeman Images

ID: STC132745

Bridge of Augustus on Via Flaminia, near Rimini, Italy, from 'Entwurf einer historischen Architektur', engraved by Johann Adam Delsenbach (1687-1765) 1721 (engraving)

Fischer von Erlach, Johann Bernhard (1656-1723) (after)

Ornamental Fountain, near the Galata Tower in Constantinople, from 'Art and Industry', published by Delatre, Paris, 1857 (engraving)
Ornamental Fountain, near the Galata Tower in Constantinople, from 'Art and Industry', published by Delatre, Paris, 1857 (engraving)

STC132824: Ornamental Fountain, near the Galata Tower in Constantinople, from 'Art and Industry', published by Delatre, Paris, 1857 (engraving), Albanis de Beaumont, Jean Francois (1753-1811) (after) / Bridgeman Images

ID: STC132824

Ornamental Fountain, near the Galata Tower in Constantinople, from 'Art and Industry', published by Delatre, Paris, 1857 (engraving)

Albanis de Beaumont, Jean Francois (1753-1811) (after)

Bottle for Cypriot wine, encased in gold filigree, Venetian, from 'Art and Industry', published by Delatre, Paris, 1857 (engraving)
Bottle for Cypriot wine, encased in gold filigree, Venetian, from 'Art and Industry', published by Delatre, Paris, 1857 (engraving)

STC132842: Bottle for Cypriot wine, encased in gold filigree, Venetian, from 'Art and Industry', published by Delatre, Paris, 1857 (engraving), Albanis de Beaumont, Jean Francois (1753-1811) (after) / Bridgeman Images

ID: STC132842

Bottle for Cypriot wine, encased in gold filigree, Venetian, from 'Art and Industry', published by Delatre, Paris, 1857 (engraving)

Albanis de Beaumont, Jean Francois (1753-1811) (after)

View of the India section of the Great Exhibition of 1851, from Dickinson's Comprehensive Pictures (colour litho)
View of the India section of the Great Exhibition of 1851, from Dickinson's Comprehensive Pictures (colour litho)

STC132860: View of the India section of the Great Exhibition of 1851, from Dickinson's Comprehensive Pictures (colour litho), English School, (19th century) / Bridgeman Images

ID: STC132860

View of the India section of the Great Exhibition of 1851, from Dickinson's Comprehensive Pictures (colour litho)

English School, (19th century)

View of the Furniture section of the Great Exhibition of 1851, from Dickinson's Comprehensive Pictures (colour litho)
View of the Furniture section of the Great Exhibition of 1851, from Dickinson's Comprehensive Pictures (colour litho)

STC132866: View of the Furniture section of the Great Exhibition of 1851, from Dickinson's Comprehensive Pictures (colour litho), English School, (19th century) / Bridgeman Images

ID: STC132866

View of the Furniture section of the Great Exhibition of 1851, from Dickinson's Comprehensive Pictures (colour litho)

English School, (19th century)

Portrait of William Wordsworth (1770-1850), engraved by C.Rolls (engraving)
Portrait of William Wordsworth (1770-1850), engraved by C.Rolls (engraving)

XJF132952: Portrait of William Wordsworth (1770-1850), engraved by C.Rolls (engraving), Pickersgill, Frederick Richard (1820-1900) / Bridgeman Images

ID: XJF132952

Portrait of William Wordsworth (1770-1850), engraved by C.Rolls (engraving)

Pickersgill, Frederick Richard (1820-1900)

'Billet Doux' (pen & ink and w/c on paper) (see also 133201)
'Billet Doux' (pen & ink and w/c on paper) (see also 133201)

STC133211: 'Billet Doux' (pen & ink and w/c on paper) (see also 133201), Barbier, Georges (1882-1932) / Bridgeman Images

ID: STC133211

'Billet Doux' (pen & ink and w/c on paper) (see also 133201)

Barbier, Georges (1882-1932)

Map showing the route of the Armada fleet, engraved by Augustine Ryther, 1588 (engraving)
Map showing the route of the Armada fleet, engraved by Augustine Ryther, 1588 (engraving)

XJF133339: Map showing the route of the Armada fleet, engraved by Augustine Ryther, 1588 (engraving), Adams, Robert (1540-95) (after) / Bridgeman Images

ID: XJF133339

Map showing the route of the Armada fleet, engraved by Augustine Ryther, 1588 (engraving)

Adams, Robert (1540-95) (after)

Portrait of the Architect S. Rowland Pierce, 1939 (oil on canvas)
Portrait of the Architect S. Rowland Pierce, 1939 (oil on canvas)

DOV123402: Portrait of the Architect S. Rowland Pierce, 1939 (oil on canvas), Cole, Tennyson Philip (fl.1897-1939) / Bridgeman Images

ID: DOV123402

Portrait of the Architect S. Rowland Pierce, 1939 (oil on canvas)

Cole, Tennyson Philip (fl.1897-1939)

Fox in a Winter Landscape (oil on canvas)
Fox in a Winter Landscape (oil on canvas)

PFA123581: Fox in a Winter Landscape (oil on canvas), Liljefors, Bruno Andreas (1860-1939) / Bridgeman Images

ID: PFA123581

Fox in a Winter Landscape (oil on canvas)

Liljefors, Bruno Andreas (1860-1939)

The Picnic (oil on canvas)
The Picnic (oil on canvas)

PFA123589: The Picnic (oil on canvas), Voirin, Jules Antoine (1833-98) / Bridgeman Images

ID: PFA123589

The Picnic (oil on canvas)

Voirin, Jules Antoine (1833-98)

Portrait of a Lady believed to be Elizabeth I (1533-1603), c.1580 (oil on panel)
Portrait of a Lady believed to be Elizabeth I (1533-1603), c.1580 (oil on panel)

MFI123720: Portrait of a Lady believed to be Elizabeth I (1533-1603), c.1580 (oil on panel), English School, (16th century) / Bridgeman Images

ID: MFI123720

Portrait of a Lady believed to be Elizabeth I (1533-1603), c.1580 (oil on panel)

English School, (16th century)

View of Vinegar Hill on the North East Side, plate from 'Memoirs of the Different Rebellions in Ireland' by Sir Richard Musgrave, 1801 (engraving)
View of Vinegar Hill on the North East Side, plate from 'Memoirs of the Different Rebellions in Ireland' by Sir Richard Musgrave, 1801 (engraving)

TPG123757: View of Vinegar Hill on the North East Side, plate from 'Memoirs of the Different Rebellions in Ireland' by Sir Richard Musgrave, 1801 (engraving), Irish School, (19th century) / Bridgeman Images

ID: TPG123757

View of Vinegar Hill on the North East Side, plate from 'Memoirs of the Different Rebellions in Ireland' by Sir Richard Musgrave, 1801 (engraving)

Irish School, (19th century)

Dungiven Abbey, County Derry, (sepia photo)
Dungiven Abbey, County Derry, (sepia photo)

TPG123773: Dungiven Abbey, County Derry, (sepia photo), Lawrence, William M. (1840-1932) / Bridgeman Images

ID: TPG123773

Dungiven Abbey, County Derry, (sepia photo)

Lawrence, William M. (1840-1932)

The Love Letter (oil on canvas)
The Love Letter (oil on canvas)

PFA123866: The Love Letter (oil on canvas), Pasmore, Daniel (1829-91) / Bridgeman Images

ID: PFA123866

The Love Letter (oil on canvas)

Pasmore, Daniel (1829-91)

Queen Anne (1665-1714), 1702 (engraving)
Queen Anne (1665-1714), 1702 (engraving)

CWA123954: Queen Anne (1665-1714), 1702 (engraving), Kneller, Godfrey (1646-1723) (after) / Bridgeman Images

ID: CWA123954

Queen Anne (1665-1714), 1702 (engraving)

Kneller, Godfrey (1646-1723) (after)

Approach to the Bore Ghaut, from a painting by Lt. Col. Johnson, engraved by T. Fielding and coloured by J.B. Hogarth (litho)
Approach to the Bore Ghaut, from a painting by Lt. Col. Johnson, engraved by T. Fielding and coloured by J.B. Hogarth (litho)

STC86082: Approach to the Bore Ghaut, from a painting by Lt. Col. Johnson, engraved by T. Fielding and coloured by J.B. Hogarth (litho), Westall, William (1781-1850) (after) / Bridgeman Images

ID: STC86082

Approach to the Bore Ghaut, from a painting by Lt. Col. Johnson, engraved by T. Fielding and coloured by J.B. Hogarth (litho)

Westall, William (1781-1850) (after)

The Mountain of Ellora, 3rd view, plate III from Part 5 of 'Oriental Scenery', engraved by Thomas Daniell (1749-1840) pub. 1803 (aquatint)
The Mountain of Ellora, 3rd view, plate III from Part 5 of 'Oriental Scenery', engraved by Thomas Daniell (1749-1840) pub. 1803 (aquatint)

STC86308: The Mountain of Ellora, 3rd view, plate III from Part 5 of 'Oriental Scenery', engraved by Thomas Daniell (1749-1840) pub. 1803 (aquatint), Wales, James (c.1747-95) (after) / Bridgeman Images

ID: STC86308

The Mountain of Ellora, 3rd view, plate III from Part 5 of 'Oriental Scenery', engraved by Thomas Daniell (1749-1840) pub. 1803 (aquatint)

Wales, James (c.1747-95) (after)

Riacotta in the Baramahal, plate XII, engraved by Daniel Havell (1785-1826) 1809 (engraving)
Riacotta in the Baramahal, plate XII, engraved by Daniel Havell (1785-1826) 1809 (engraving)

STC86327: Riacotta in the Baramahal, plate XII, engraved by Daniel Havell (1785-1826) 1809 (engraving), Salt, Henry (1780-1827) (after) / Bridgeman Images

ID: STC86327

Riacotta in the Baramahal, plate XII, engraved by Daniel Havell (1785-1826) 1809 (engraving)

Salt, Henry (1780-1827) (after)

Seminary Baroque Well (photo)
Seminary Baroque Well (photo)

JFS133507: Seminary Baroque Well (photo), Cino, Giuseppe (1644-1722) / Bridgeman Images

ID: JFS133507

Seminary Baroque Well (photo)

Cino, Giuseppe (1644-1722)

The Royal Chapel, Windsor Castle, from 'Royal Residences', engraved by Thomas Sutherland (b.1785), pub. by William Henry Pyne (1769-1843), 1819 (aquatint)
The Royal Chapel, Windsor Castle, from 'Royal Residences', engraved by Thomas Sutherland (b.1785), pub. by William Henry Pyne (1769-1843), 1819 (aquatint)

STC133519: The Royal Chapel, Windsor Castle, from 'Royal Residences', engraved by Thomas Sutherland (b.1785), pub. by William Henry Pyne (1769-1843), 1819 (aquatint), Wild, Charles (1781-1835) (after) / Bridgeman Images

ID: STC133519

The Royal Chapel, Windsor Castle, from 'Royal Residences', engraved by Thomas Sutherland (b.1785), pub. by William Henry Pyne (1769-1843), 1819 (aquatint)

Wild, Charles (1781-1835) (after)

The King's Presence Chamber, Windsor Castle, from 'Royal Residences', engraved by W. J. Bennett, pub. by William Henry Pyne (1769-1843), 1818 (aquatint)
The King's Presence Chamber, Windsor Castle, from 'Royal Residences', engraved by W. J. Bennett, pub. by William Henry Pyne (1769-1843), 1818 (aquatint)

STC133535: The King's Presence Chamber, Windsor Castle, from 'Royal Residences', engraved by W. J. Bennett, pub. by William Henry Pyne (1769-1843), 1818 (aquatint), Stephanoff, James (1788-1874) (after) / Bridgeman Images

ID: STC133535

The King's Presence Chamber, Windsor Castle, from 'Royal Residences', engraved by W. J. Bennett, pub. by William Henry Pyne (1769-1843), 1818 (aquatint)

Stephanoff, James (1788-1874) (after)

Costume design for a Courtier at the Baptism, from Sleeping Beauty, 1921 (colour litho)
Costume design for a Courtier at the Baptism, from Sleeping Beauty, 1921 (colour litho)

STC133659: Costume design for a Courtier at the Baptism, from Sleeping Beauty, 1921 (colour litho), Bakst, Leon (1866-1924) / Bridgeman Images

ID: STC133659

Costume design for a Courtier at the Baptism, from Sleeping Beauty, 1921 (colour litho)

Bakst, Leon (1866-1924)

Costume design for Galesson, the Prince's Tutor, from Sleeping Beauty, 1921 (colour litho)
Costume design for Galesson, the Prince's Tutor, from Sleeping Beauty, 1921 (colour litho)

STC133671: Costume design for Galesson, the Prince's Tutor, from Sleeping Beauty, 1921 (colour litho), Bakst, Leon (1866-1924) / Bridgeman Images

ID: STC133671

Costume design for Galesson, the Prince's Tutor, from Sleeping Beauty, 1921 (colour litho)

Bakst, Leon (1866-1924)

Irises, 1881 (oil on canvas)
Irises, 1881 (oil on canvas)

CH133738: Irises, 1881 (oil on canvas), Lorimer, John Henry (1856-1936) / Bridgeman Images

ID: CH133738

Irises, 1881 (oil on canvas)

Lorimer, John Henry (1856-1936)

Kitchen Interior with a Man Holding a Hare (oil on panel)
Kitchen Interior with a Man Holding a Hare (oil on panel)

CH133744: Kitchen Interior with a Man Holding a Hare (oil on panel), Kern, Hermann (1839-1912) / Bridgeman Images

ID: CH133744

Kitchen Interior with a Man Holding a Hare (oil on panel)

Kern, Hermann (1839-1912)

A Boy and Girl with a Kitten, 1889 (pastel on paper)
A Boy and Girl with a Kitten, 1889 (pastel on paper)

FLF133754: A Boy and Girl with a Kitten, 1889 (pastel on paper), Merritt, Anna Lea (1844-1930) / Bridgeman Images

ID: FLF133754

A Boy and Girl with a Kitten, 1889 (pastel on paper)

Merritt, Anna Lea (1844-1930)


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