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Orient Hyacinth - Hyacinth, Hyacinthus orientalis. Handcoloured zincograph by Chabots drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).
Orient Hyacinth - Hyacinth, Hyacinthus orientalis. Handcoloured zincograph by Chabots drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).

FLO4599054: Orient Hyacinth - Hyacinth, Hyacinthus orientalis. Handcoloured zincograph by Chabots drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835). / Bridgeman Images

Variete of gonolobus or condor liana - Hispid gonolobus, Gonolobus hispidus. Copied from Benjamin Mund's “The Botanist.” Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).
Variete of gonolobus or condor liana - Hispid gonolobus, Gonolobus hispidus. Copied from Benjamin Mund's “The Botanist.” Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).

FLO4599135: Variete of gonolobus or condor liana - Hispid gonolobus, Gonolobus hispidus. Copied from Benjamin Mund's “The Botanist.” Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835). / Bridgeman Images

Virginia polygala also called milkweed or milkgrass - Seneca snakeroot, Polygala senega. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).
Virginia polygala also called milkweed or milkgrass - Seneca snakeroot, Polygala senega. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).

FLO4599349: Virginia polygala also called milkweed or milkgrass - Seneca snakeroot, Polygala senega. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835). / Bridgeman Images

Bignone, Virginia Jasmine or Trumpet Jasmine - Trumpet vine or trumpet creeper, Campsis radicans (ash-leaved trumpet flower, Bignonia radicans). Taken from William Clark's illustration in Richard Morris's “Flora Conspicua.”” Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).
Bignone, Virginia Jasmine or Trumpet Jasmine - Trumpet vine or trumpet creeper, Campsis radicans (ash-leaved trumpet flower, Bignonia radicans). Taken from William Clark's illustration in Richard Morris's “Flora Conspicua.”” Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).

FLO4599359: Bignone, Virginia Jasmine or Trumpet Jasmine - Trumpet vine or trumpet creeper, Campsis radicans (ash-leaved trumpet flower, Bignonia radicans). Taken from William Clark's illustration in Richard Morris's “Flora Conspicua.”” Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835). / Bridgeman Images

Chinese men hunting wild ducks with decoy gourd hats in the river, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Chinese men hunting wild ducks with decoy gourd hats in the river, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590527: Chinese men hunting wild ducks with decoy gourd hats in the river, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Oriental style pot decorated with herons. 700-675 BC (terracotta)
Oriental style pot decorated with herons. 700-675 BC (terracotta)

LRI4590585: Oriental style pot decorated with herons. 700-675 BC (terracotta), Etruscan, (8th century BC) / Bridgeman Images

Water cart for the Imperial Family, Qing Dynasty China. The wagon is loaded with cubical tin vessels filled with river water. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Water cart for the Imperial Family, Qing Dynasty China. The wagon is loaded with cubical tin vessels filled with river water. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590654: Water cart for the Imperial Family, Qing Dynasty China. The wagon is loaded with cubical tin vessels filled with river water. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Terracotta krater representing sphinxes, 580-560 BC
Terracotta krater representing sphinxes, 580-560 BC

LRI4590290: Terracotta krater representing sphinxes, 580-560 BC, Etruscan, (6th century BC) / Bridgeman Images

Terracotta krater, 590-570 BC,
Terracotta krater, 590-570 BC,

LRI4590381: Terracotta krater, 590-570 BC,, Etruscan, (6th century BC) / Bridgeman Images

Female musician playing chimes and gongs, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Female musician playing chimes and gongs, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590318: Female musician playing chimes and gongs, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Chinese juggler keeping a 100-foot long ribbon floating in the air, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Chinese juggler keeping a 100-foot long ribbon floating in the air, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590457: Chinese juggler keeping a 100-foot long ribbon floating in the air, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Terracotta plate representing animals, 600-590 BC
Terracotta plate representing animals, 600-590 BC

LRI4590653: Terracotta plate representing animals, 600-590 BC, Etruscan, (6th century BC) / Bridgeman Images

Dodo, Raphus cucullatus, extinct flightless bird (formerly Didus ineptus). Handcoloured woodblock print by an unknown artist from Brightly and Child's The Natural History of Birds, 1815. This illustration looks like a mirror image of the one in George Edwards' A Natural History of Uncommon Birds, 1743, which was copied from the painting in the British Museum said to have been executed from the living bird.
Dodo, Raphus cucullatus, extinct flightless bird (formerly Didus ineptus). Handcoloured woodblock print by an unknown artist from Brightly and Child's The Natural History of Birds, 1815. This illustration looks like a mirror image of the one in George Edwards' A Natural History of Uncommon Birds, 1743, which was copied from the painting in the British Museum said to have been executed from the living bird.

FLO4590670: Dodo, Raphus cucullatus, extinct flightless bird (formerly Didus ineptus). Handcoloured woodblock print by an unknown artist from Brightly and Child's The Natural History of Birds, 1815. This illustration looks like a mirror image of the one in George Edwards' A Natural History of Uncommon Birds, 1743, which was copied from the painting in the British Museum said to have been executed from the living bird. / Bridgeman Images

Block machinery or lathe at Portsmouth naval docks, including shaping engine, early 19th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Block machinery or lathe at Portsmouth naval docks, including shaping engine, early 19th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4590707: Block machinery or lathe at Portsmouth naval docks, including shaping engine, early 19th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Chinese lamp on a chair stand and wax candles made of tallow from the tallow tree, Triadica sebifera, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Chinese lamp on a chair stand and wax candles made of tallow from the tallow tree, Triadica sebifera, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590583: Chinese lamp on a chair stand and wax candles made of tallow from the tallow tree, Triadica sebifera, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Terracotta amphora representing two sphinx, a Painter of two sphinxes, a painter bock, 610-600 BC
Terracotta amphora representing two sphinx, a Painter of two sphinxes, a painter bock, 610-600 BC

LRI4590658: Terracotta amphora representing two sphinx, a Painter of two sphinxes, a painter bock, 610-600 BC, Etruscan, (7th century BC) / Bridgeman Images

Terracotta plate representing animals,  600-590 BC
Terracotta plate representing animals,  600-590 BC

LRI4590675: Terracotta plate representing animals, 600-590 BC, Etruscan, (6th century BC) / Bridgeman Images

Tahitian pahie canoe with outrigger, South American balza sailing raft, English lifeboat rowboat, and Indonesian caracore with sails and outrigger. Copperplate engraving by Milton after a drawing by W. Anderson from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Tahitian pahie canoe with outrigger, South American balza sailing raft, English lifeboat rowboat, and Indonesian caracore with sails and outrigger. Copperplate engraving by Milton after a drawing by W. Anderson from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4590701: Tahitian pahie canoe with outrigger, South American balza sailing raft, English lifeboat rowboat, and Indonesian caracore with sails and outrigger. Copperplate engraving by Milton after a drawing by W. Anderson from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Ancient water clocks or clepsydrae. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1819.
Ancient water clocks or clepsydrae. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1819.

FLO4590720: Ancient water clocks or clepsydrae. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1819. / Bridgeman Images

Burning lens built in 1782 by William Parker, the London instrument maker. According to Parker, the optical glass melted platinum in 30 seconds. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1806.
Burning lens built in 1782 by William Parker, the London instrument maker. According to Parker, the optical glass melted platinum in 30 seconds. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1806.

FLO4590938: Burning lens built in 1782 by William Parker, the London instrument maker. According to Parker, the optical glass melted platinum in 30 seconds. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1806. / Bridgeman Images

Different types of chains and clay mills. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Different types of chains and clay mills. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4591196: Different types of chains and clay mills. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Daniel Masere's original suspension pulley and fire escape machine simplified by Mr. Forster, painter's easel and indigo mills. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1814.
Daniel Masere's original suspension pulley and fire escape machine simplified by Mr. Forster, painter's easel and indigo mills. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1814.

FLO4591200: Daniel Masere's original suspension pulley and fire escape machine simplified by Mr. Forster, painter's easel and indigo mills. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1814. / Bridgeman Images

Plans and views of magnetic compasse, including the dipping needle built by Dr. John Lorimer (1732-1795), surgeon, mathematician, politician and cartographer. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1808.
Plans and views of magnetic compasse, including the dipping needle built by Dr. John Lorimer (1732-1795), surgeon, mathematician, politician and cartographer. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1808.

FLO4591575: Plans and views of magnetic compasse, including the dipping needle built by Dr. John Lorimer (1732-1795), surgeon, mathematician, politician and cartographer. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1808. / Bridgeman Images

Anatomy of the human ear showing cochlea and internal parts. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Anatomy of the human ear showing cochlea and internal parts. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4591625: Anatomy of the human ear showing cochlea and internal parts. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Doubling (combining) and twisting machines used in cotton manufacture, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1814.
Doubling (combining) and twisting machines used in cotton manufacture, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1814.

FLO4592036: Doubling (combining) and twisting machines used in cotton manufacture, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1814. / Bridgeman Images

Oil lamps designed by Aime Argand, Mr. Kier, and a rolling lamp in a gyro. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Oil lamps designed by Aime Argand, Mr. Kier, and a rolling lamp in a gyro. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4591487: Oil lamps designed by Aime Argand, Mr. Kier, and a rolling lamp in a gyro. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Dodo, Raphus cucullatus, extinct flightless bird. Copperplate engraving by T. Milton after an illustration by Sydenham Edwards from Abraham Rees' Cyclopaedia or Universal Dictionary, London, 1820.
Dodo, Raphus cucullatus, extinct flightless bird. Copperplate engraving by T. Milton after an illustration by Sydenham Edwards from Abraham Rees' Cyclopaedia or Universal Dictionary, London, 1820.

FLO4591510: Dodo, Raphus cucullatus, extinct flightless bird. Copperplate engraving by T. Milton after an illustration by Sydenham Edwards from Abraham Rees' Cyclopaedia or Universal Dictionary, London, 1820., Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Sections and elevations of balling furnace and finery used in iron manufacture, along with tools and pump. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810.
Sections and elevations of balling furnace and finery used in iron manufacture, along with tools and pump. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810.

FLO4591606: Sections and elevations of balling furnace and finery used in iron manufacture, along with tools and pump. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810. / Bridgeman Images

Warrior or athlete, called Bronze of Riace (statue A). 460 BC (sculpture)
Warrior or athlete, called Bronze of Riace (statue A). 460 BC (sculpture)

LRI4591810: Warrior or athlete, called Bronze of Riace (statue A). 460 BC (sculpture), Greek school, (5th century BC) / Bridgeman Images

Machines to manufacture canteens by George Smart at the Ordnance Wharf, Westminster Bridge: Canteen 1, cross-cutting saw 2,3, tenanting and rebating saws 4,5, bung stave 6, boring machine 7, center bit 8 and slider 9. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810.
Machines to manufacture canteens by George Smart at the Ordnance Wharf, Westminster Bridge: Canteen 1, cross-cutting saw 2,3, tenanting and rebating saws 4,5, bung stave 6, boring machine 7, center bit 8 and slider 9. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810.

FLO4591817: Machines to manufacture canteens by George Smart at the Ordnance Wharf, Westminster Bridge: Canteen 1, cross-cutting saw 2,3, tenanting and rebating saws 4,5, bung stave 6, boring machine 7, center bit 8 and slider 9. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810. / Bridgeman Images

Warrior or athlete, called Bronze of Riace (statue B). 460 BC (sculpture)
Warrior or athlete, called Bronze of Riace (statue B). 460 BC (sculpture)

LRI4591862: Warrior or athlete, called Bronze of Riace (statue B). 460 BC (sculpture), Greek school, (5th century BC) / Bridgeman Images

Warrior or athlete, called Bronze of Riace (statue B). 460 BC (sculpture)
Warrior or athlete, called Bronze of Riace (statue B). 460 BC (sculpture)

LRI4591883: Warrior or athlete, called Bronze of Riace (statue B). 460 BC (sculpture), Greek school, (5th century BC) / Bridgeman Images

Water clocks or clepsydrae, 18th century. Copperplate engraving from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Water clocks or clepsydrae, 18th century. Copperplate engraving from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4591888: Water clocks or clepsydrae, 18th century. Copperplate engraving from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Philosopher's head, perhaps Pythagoras of Samos. 460-440 BC (Bronze sculpture)
Philosopher's head, perhaps Pythagoras of Samos. 460-440 BC (Bronze sculpture)

LRI4591901: Philosopher's head, perhaps Pythagoras of Samos. 460-440 BC (Bronze sculpture), Greek school, (5th century BC) / Bridgeman Images

Front elevation of the Double Speeder roving frame used in cotton manufacture, 18th century. Cans contain slivers of yarn brought from the drawing frame. Copperplate engraving by Wilson Lowry after an illustration by James Burton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1811.
Front elevation of the Double Speeder roving frame used in cotton manufacture, 18th century. Cans contain slivers of yarn brought from the drawing frame. Copperplate engraving by Wilson Lowry after an illustration by James Burton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1811.

FLO4591995: Front elevation of the Double Speeder roving frame used in cotton manufacture, 18th century. Cans contain slivers of yarn brought from the drawing frame. Copperplate engraving by Wilson Lowry after an illustration by James Burton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1811. / Bridgeman Images

Electrical machines by Abbe Jean-Antoine Nollet, Dr. William Watson, Francis Hauksbee and Benjamin Wilson. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1809.
Electrical machines by Abbe Jean-Antoine Nollet, Dr. William Watson, Francis Hauksbee and Benjamin Wilson. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1809.

FLO4592163: Electrical machines by Abbe Jean-Antoine Nollet, Dr. William Watson, Francis Hauksbee and Benjamin Wilson. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1809. / Bridgeman Images


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